Ryan hatches a shameless plot to turn the show into an ad for his Patreon campaign by inflicting upon Jenni a game which as of this writing is available only to paying Patreoneers! But it will be released publicly at some point, so calm down. The title of the game, you ask? Why, it is "Ryan Veeder's Agatha Christie's the Murder on the Orient Express," and the contents of the game are exactly what the title implies.

Harrison Gerard joins us for a marathon episode where we play like 38% of the first Taleframe game based on "Crocodracula," the classic 90s kid's horror soap opera that you definitely remember, and if you don't remember it, PLEASE google it before you listen to this episode. The game is called Crocodracula: The Beginning, and the reason Harrison is here is because he supplied all the feelies. BY SCANNING THEM WITH HIS NICE SCANNER.

Ryan hatches a shameless plot to turn the show into an ad for his Little Match Girl games, but grossly underestimates the time it will take to play the second entry in the series, and that is why this podcast is more than two hours long. Jenni concludes that, with podcasts like these, there is no need for her to go back to therapy. And Nils is there too, trying to get a word in edgewise.

Nils Fagerburg is compelled to push aside a dolomite sarcophagus-topper and expose Ryan and Jenni once more to the light of day--and to a lovely little Verdeterrelike featuring Trevor the Snake.

Chandler Groover sticks around to show us a game with HOLD the phone, HOW many endings?! Good grief. There's also some racy stuff in there but I think I bleeped it all out pretty good.

Clash of the Type-Ins returns to your ears and Chandler Groover returns to Clash of the Type-Ins to share with us his very short Ectocomp winner and delineate the terms of his bitter rivalry with one of your hosts.

Bruno Dias gifts us with an additional 30 minutes of quality content, interspersed with 30 minutes of Ryan groaning about censorship, mind control, and socialist propaganda. The game itself is a meditation on temporal thresholds, but also a kind of museum piece from the Dias Cinematic Universe. PLUS: Bruno and Jenni Present: All The Colors Of Noise!

Bruno Dias appears on the Type-Ins scene to present what he claims is his least depressing parser game. I mean parser story. Not since the Jeremy Freese episodes has this podcast driven Ryan so near the brink of madness. Will he and Jenni make it out of a dinner party alive? Or will the unspeakable Headlock destroy the universe?

Emily Boegheim flew all the way over to the United States of America to record an episode with Ryan, in his home, right next to Jenni, who was also there. Whilst playing this story, Ryan and Jenni are forced to contemplate real estate and all its attendant horrors while under the pressures of a real-world time limit and the threat of immolation.

Luckily for everyone, Emily Boegheim stuck around long enough to play another game in the same room as Jenni and Ryan. They played Ryan's caveman game! This episode is only 33 minutes long!

Caleb Wilson sticks around to play a game by Ryan that follows some of the same thematic steps as Starry Seeksorrow, manifesting by juxtaposition as a balletic alter ego of the previous episode, pirouetting and plie-ing in a delicate dance of dolls. But in this game the dolls are dinosaurs. Plus, get more answers to more of YOUR advice questions in Caleb Wilson's Able Wisdom!