Baltimore-based Dan Deacon has been a mad scientist of electronic music since releasing his debut album Spiderman Of The Rings in 2007.  He built a reputation for wild, dance-oriented live shows, but Dan is also classically trained and in recent years has been doing a lot of film music, along with scoring music for dance. His latest album is the score for a National Geographic documentary called Time and Water, and Dan Deacon, along with an electro-acoustic chamber orchestra -which includes the Bergamot Quartet, members of Baltimore-based contemporary music group Mind on Fire, and a Yamaha Disklavier (an upright bot-assisted piano) - perform in-studio. 

Set list: 1.Weeping Birch 2. A Home For All Of Us 3..Become a Mountain Suite 

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Sometimes music takes us back or far into the future. Other times, time and travel are at the very core of the music we listen to. On this edition of Soundcheck, the (mostly) Havana-based band Orquesta Akokán takes us on a musical time travel through the classic Cuban dance sounds of the mid-20th century, live from our studio. After a substantial dose of mambo, cha-cha-chá, rumba, salsa, and more, Dallas-born and now New York-based singer-songwriter Hannah Jadagu studies the themes of time and travel in her dreamy alt-pop songs, which contain layered vocals that are as light as air. 

Orquesta Akokán's Setlist: 1.Con Licencia 2.Pan con Tibiri 3.Caracoles 4.Suave Suave

Hannah Jadagu's Setlist: 1.Give Me Time 2.Normal Today 3.My Love

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Dominican-Italian singer-songwriter YEИDRY has been around for over a decade, and in the span of her rich music career that’s lived many lives, she compiled highly personal songs, some of which would eventually end up on her debut album coming out this Fall. She called it “Como Agua”, which translates to “Like Water”, aptly summarizing not only YEИDRY’s way of making music, but also her way of life. In the process, she learned to go with the flow, taking her notebook filled with scribbled lyrics into the studio each day and getting comfortable with the cathartic moments of translating her experiences into music. Twice an immigrant with loved ones living all over the world, she hasn’t quite figured out where home is yet; she has found a sanctuary in her art instead. 

Having already sustained through many years of her “expensive” music career, YEИDRY likens herself to the mythological character of Icarus, flying too close to the sun. “I’m going to fall at some point if I keep wanting more,” she says, but all that fear disappears as soon as she starts singing her delicate melodies for this edition of Soundcheck. - Sırma Munyar

Setlist: 1.Amapolas 2.Mala Mia 3.Espejo

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Grammy-nominated jazz and R&B ensemble, Terri Lyne Carrington + Social Science, are back with their sophomore album, Trip the Night Fantastic, after a seven-year-long break. In line with their debut record, Waiting Game, the group has a new batch of songs dealing with a wide range of social justice issues, voiced in melodies and spoken words.

“Once you open your eyes to any social issue, so many others go hand in hand, because they overlap. There are all these intersections, so I can’t really do anything without thinking about gender justice or even racial justice, because those are two huge parts of my identity,” says the bandleader Terri Lyne Carrington, whose day job as the founder and artistic director of Berklee Institute of Jazz and Gender Justice undoubtedly highlights the source material for the album. But, at the end of the day, Trip the Night Fantastic is a communal effort, with each member sparking the flame for a new creation which then becomes enriched with the input of guest artists such as Arooj Aftab, Brandee Younger, and Tarriona ‘Tank’ Ball. And though those artists are missing from this Soundcheck session, most of the Social Science band is present, with Terri Lyne Carrington on drums, Matthew Stevens on guitar, Morgan Guerin on bass, joined by guest vocalists Christie Dashiell and Ian Michael, who also plays our piano. - Sırma Munyar

(Photo of Terri Lyne Carrington by Meredith Truax)

Setlist: 1.Autonomy Song 2.Children's Song 3.Solidarity Song

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Welcome to the WASABI edition of Soundcheck! No, not the spicy green paste that comes with your sushi order. We’re talking about the collaborative project formed by the London-born indie rock band Art Brut and their New York counterpart, We Are Scientists, known as We Are Scientists Art Brut International. Though they released a collaborative record in 2019, each band visited our studios at separate moments in time. But how could we not combine their sessions into one when they all spoke so fondly of each other? Join us, as we revisit their recent live performances and interviews with our host, John Schaefer.

We Are Scientists' Setlist: 1. Please Don't Say It 2. Dead Letters 3. What You Want Is Gone

Art Brut's Setlist: 1. Formed a Band 2. Emily Kane

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Brooklyn-based guitarist and composer Yasser Tejada & the group Palotré combine African-rooted Dominican traditional folk styles and fuse them with R&B, church gospel, funk, jazz, and rock into a celebration of Afro-Dominican culture. On this edition of Soundcheck from 2019, they play some songs from their record, Kijombo, in-studio. 

Watch the video of the session here. 

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The late South African pianist and composer Abdullah Ibrahim (aka "Dollar Brand") had a notable career, helped early on by Duke Ellington, and  acknowledged later by Nelson Mandela, who called Ibrahim “our Mozart.” In 2019, Abdullah Ibrahim became a National Endowment for the Arts Jazz Master, and he released an album titled The Balance, (which was his 70th or 71st LP, and that's not including his work as a sideman, which might push the total album credits to over 100!). The Balance is full of "lush horn lines, lilting melodies, and uplifting chord progressions, characteristic of Abdullah's own particular brand of Township Jazz," and on this episode of Soundcheck, which was recorded in August 2019, Abdullah Ibrahim performs some solo piano works, in-studio. 

Setlist: 1.Dreamtime 2.Nisa 3.The Balance

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On this episode of Soundcheck, a great band bids farewell after a monumental career that lasted more than a quarter of a century. American avant-garde group The Bad Plus spent long years fusing instrumental jazz with rock music, with each member playing their seemingly traditional instruments to their fullest extent in unexpected ways. They perform some tunes from their final record, “Complex Emotions” and reflect on their creative journey. Also, Ethiopia-born, California-based singer Meklit joins us with live renditions of some songs from her album, “A Piece of Infinity,” singing in her native tongue of Amharic and taking inspiration from the Golden Age of Ethiopian pop music.

Meklit's Setlist: 1. Ambassel 2. Tizita

The Bad Plus' Setlist: 1. Casa Ben 2. Carrier

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After almost a decade-long wait, the Grammy-nominated alt-country artist Tift Merritt returns with her new record Sugar, in which she sings, “I didn’t really want to be here tonight / I don’t need you looking at me / I don’t like the light bright.” Is a romantic love story the inspiration behind these words? Or is it the music industry itself, which is, as Merritt puts it, the ultimate “bad boyfriend”.

“This was a little song that was negotiating how I could come back and stay grounded in my own world that I’ve built off-stage,” she explains. And that world recently got a lot bigger. Merritt, alongside her partners, restored a historic boutique hotel in Raleigh, North Carolina, now called, The Gables. “I wanted to build a place where I wanted to hang out,” she says, as she expresses her hope that her neighborhood will feel the same way. For a songwriter who feeds on every day singing at the kitchen table and the strange but lovable characters of the South, a communal space may just become the breeding ground for new stories to tell through music. 

Until those songs come to light, we have an entire album to keep us company, and Merritt’s solo performance for this episode of Soundcheck is just the primer we needed. (- Sırma Munyar)

Setlist: 1. Everyday Singing 2. Sugar 3. Finest Feelings

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Chamber pop duo Gracie and Rachel, formed by keyboardist Gracie Coates and violinist Rachel Ruggles, spent many years playing music together, living together, and even growing up together during their high school years. But when time came to work on their new album, they couldn’t write in the same room. Instead, they each turned their attention inward, reflecting on their emotions separately. The result was two batches of songs that undeniably belonged together, in their fourth record titled If We Could, Would We.

Gracie and Rachel bring their confessional lyrics, ethereal vocals, dreamy soundscapes drenched in strings, guitars, and synths, back to our studio: this time with Asher Kurtz on guitar and Connor Parks on drums, for this edition of Soundcheck. (- Sırma Munyar)

Setlist: 1. Leaving Home Is Going Home 2. Green Light 3. Caroline 4. Myself Again

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Latin music culture has produced countless artists who amplify decades of traditions and stories through their unique point of view. Two of those artists are Julieta Venegas and Marilina Bertoldi, who have both earned numerous Latin Grammy nominations in recent years. Singer-songwriter Julieta Venegas, who collaborated with superstar Bad Bunny on “Lo Siento BB:/,” is a multi-instrumentalist whose artistry encapsulates pop, rock, and regional Mexican music. And Argentine rock 'n' roll icon Marilina Bertoldi’s creativity contains multitudes, as her retro electric guitar solos pierce through a wall of glitchy and sampled sounds. As you listen to both artists’ performances from our studios, you’ll be transported to a small seaside town in the summer in one moment, and a sweaty nightclub in the next.

Julieta Venegas's Setlist: 1. La Línea 2. Tiempos Dorados 3. Oleada 

Marilina Bertoldi's Setlist: 1. Pucho 2. La Casa de A 

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