Australian singer Grace Cummings is the kind of songwriter who believes in the spontaneity of the creative process. “I’m a loner. I talk to myself a lot,” she says, and amid those internal conversations, she stumbles upon some mistakes that eventually lead to good writing. She’s no longer a stranger to how songs make their way out of her brain, having already recorded four albums. Her latest record, titled Bloodhorse!, is filled with snapshots of her tumultuous emotions, referencing both religious and mythological themes in a grand musical context of orchestral folk-rock arrangements. But when she picks up the guitar or sits in front of a piano for a solo performance, it’s hard to predict how far she’ll stretch her deep, soulful voice into visceral cries that, evidently, can’t be contained.

For this edition of Soundcheck, Cummings performs a few songs from her latest record in a way that can only be described as personal, inimitable, and untamed. - Sırma Munyar

Setlist: 1.John Lennon 2.I'm Not Crazy 3.FAKE

Watch the live performance videos on our YouTube channel: https://www.youtube.com/newsoundsmusic

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Blackstar was David Bowie’s last record, a musical farewell, and it featured the sax player Donny McCaslin. In fact, Bowie ended up using Donny McCaslin’s whole band for that album. The experience led McCaslin to expand his already restless musical palette, and on this episode of Soundcheck, he brings his quintet to our studio to play some of his post-Bowie tunes. There's also a visit with Guitarricadelafuente, a rising young Spanish singer and guitarist with a couple of high profile collaborations of his own - with Australian pop star Troye Sivan. He’s also had two hit singles in Spain, and he’ll play songs from his album Spanish Leather, a title borrowed from Bob Dylan. Guitarricadelafuente and his band play an intimate set in our studio.

Donny McCaslin Quintet Set list: 1. KID 2. Solace 3. Mercy

Guitarricadelafuente Set list: 1. Poses 2. Mataleón

Photo of (L) Guitarricadelafuente by Pedro J Pacheco, CC BY-SA 4.0 , via Wikimedia Commons

Photo of (R) Donny McCaslin courtesy of the artist

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Wendy Eisenberg is a Brooklyn-based guitarist, improviser, and songwriter who uses guitar, pedals, the tenor banjo, the computer, the synthesizer and the voice. They are also a professor of songwriting, and a constant collaborator in many different circles: with the improvising trio Squanderers, an art rock band called Editrix, and the minimalism-inspired guitar quartet led by Bill Orcutt, to name a few. Their latest album, also called Wendy Eisenberg, is full of tracks that almost present as conventional songs, but which actually dance around form and genre. Some of them may be indebted to jazz, and also inhabit the in-between space where folk, pop, outsider country music, and math rock all hang out.

OH. And the riffs! Their masterful fingers climb through odd rhythms, spidery melodies, and unexpected progressions, taking sudden swerves and turns while still creating a sense of spaciousness. On the record, the songs also feature contributions from friends and collaborators on pedal steel, strings, synth, bass, drums. Over this all, Eisenberg’s clear voice conversationally addresses time – reflecting on memories, embracing change, growing - while they describe “moving through this new world right now,” (Bandcamp). Wendy Eisenberg plays some of their songs in a solo set, in-studio. – Caryn Havlik

Photo of Wendy Eisenberg by Eleanor Petry

Set list: 1. Meaning Business 2. Vanity Paradox 3. Will You Dare

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The artist known as Everlast was the lead rapper in the group House of Pain, whose single “Jump Around” remains one of hip hop’s most familiar songs. But in the 1990s he began adding bluesy guitars to his songs, creating enormous hits like “Put Your Lights On,” his collaboration with Santana, and the plea for empathy called “What It’s Like.” Everlast is still writing songs, and his latest album – his first in eight years, Embers To Ashes, was produced by Yelawolf and recorded in Nashville. It’s a collection of unflinching and moving songs that tell tales of glory grasped and lost, along with hard-earned wisdom and warnings. Everlast plays a stripped-down set in-studio.

Photo of Everlast by Lisa Franchot

Set list: 1. Losing Man's Game 2. Happy You Can Cry 3. Stones

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It’s common for songwriting artists to process their emotions through composing music. LA-based folk singer Annahstasia spent many years crafting her debut album, Tether, doing just that, without a metronome guiding her: “We’re human beings in a room following our heartbeats and the natural rhythm that we feel together… My production style is essentially like energy doula-ing,” she says. As for English baroque pop experimentalist Patrick Wolf, the making of his latest album, Crying the Neck, as well as other batches of new songs he’s been releasing that ended his decade-long hiatus, was a way to acknowledge that he was “a damaged vehicle”, after losing his mother to cancer and struggling to recover from a hit and run. Both artists are known for their big, often orchestral songs, but on this edition of Soundcheck, they each put on a solo performance, revealing the raw side of their lyrics and melodies.

Annahstasia's Setlist: 1.Be Kind 2.Slow

Patrick Wolf's Setlist: 1.Enter the Day 2.The Last of England

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Norwegian singer-songwriter Sondre Lerche defines himself as a “chord progression artist”: “You establish a pattern, and then of course, you have to break it,” he says. This line of thinking is likely what drives him to disrupt the normal sequence of his daily life too, by staying out all night before a recording session, just to tap into the right emotion for a song the next day. Some artists don’t respond well to structure while creating and Sondre Lerche is definitely one of them. Whether he’s exploring acrobatic melodies that push his lungs to their limits or jumping from one genre to another, he seems to put the art first and figure out where he fits in it as a vessel later.

Sondre Lerche’s latest album, aptly titled Acrobats, contains a big, cinematic sound, while blending elements of folk, jazz, pop, and rock. But his background in musical theatre becomes more apparent when it’s just him and his guitar, as he addresses the subjects of his songs as though they’re right by his side with unmistakable realism, for this episode of Soundcheck. - Sırma Munyar

PS – Sondre Lerche is on tour in North America and Europe this Fall: https://www.sondrelerche.com/tour

(Photo of Sondre Lerche by Hilde Solli)

Setlist: 1.Little Kids 2.Acrobats 3.How Much of This Was Planned

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Shearwater is the project of singer, songwriter, and ornithologist, Jonathan Meiburg, who recently took a trip to the Antarctica to study the “the bizarre life of the polar seafloor” and wrote a book called A Most Remarkable Creature : The Hidden Life of the World’s Smartest Birds of Prey. As he made significant attempts at understanding his natural surroundings, Meiburg also had several collaborators in Shearwater. Now, he’s back with a new album titled, The New World, joined by pianist Emily Lee and multi-instrumentalist Dan Duszynski.

On the album, the band is also joined by a wide array of other respected musicians, from Firaz Zriek on qanun to Shahzad Ismaily on drums, bass, synthesizers, and more. But they bring a couple of other contributors to our studio: legendary avant-garde artist Laurie Anderson on vocals and violin, and Doug Wieselman on clarinet. Together, they perform skeletal, subdued, and sophisticated renditions of some of their cerebral new songs.

Jonathan Meiburg of Shearwater will be at Rough Trade Below on Thursday, September 17th, in New York, for a live acoustic performance and signing. - Sırma Munyar

Setlist:1.Daydream Unbeliever 2.More and More 3.You and Your Dog

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Folk music is known to be the music of the people, but it can sound vastly different from region to region. There are also songs that take inspiration from folk music but fall under a different genre altogether. For American singer-songwriter Mike Doughty, who is a founding member of the cult 90s band Soul Coughing, the art of storytelling found a home in alternative rock music. As for the Argentine recording artist and educator Sofia Rei, using electronics to blur the lines between traditional South American, Caribbean, and contemporary dance music is a natural practice. On this episode of Soundcheck, you get to hear both of their live performances and stories, recorded at WNYC studios.

Mike Doughty's Setlist: 1.White Lexus 2.Mr. Bitterness 3.Light Will Keep Your Heart Beating in the Future 

Sofia Rei's Setlist: 1.El Mundo Es Redondo 2.Si Una Cae 3.Marciana

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Saul Williams is many things. A poet, a musician, an actor, and a writer, embodying multiple forms of art in his existence. He’s the preacher in the Oscar-winning 2025 film, Sinners. He’s the conceiver of several books, including his latest title, Songs My Mother Taught Me: Why the Artist Must Take Sides. And now, after seven long years, Williams is back with a new album called Leap Year, in which he uses his voice in more ways than one. He sings and speaks his contemplative words, often relying on his vocal samples to enrich the production. But in our studio, his solo performance is thoughtful yet subdued, putting his lyricism front and center. Hear those words, and a few others, as Williams shares his inner world with host, John Schaefer. - Sırma Munyar

Setlist: 1.Friends That I Ain't Met Yet 2.Vengeful Spirit 3.Robot Slave

(Photo of Saul Williams by Sam Lee)

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North Carolina singer and guitarist Alex Sauser-Monnig records under the name Daughter of Swords, in which they "combine the eerie sound of old Appalachian folk music with elegant guitar playing and touches of lo-fi pop." (John Schaefer) They're also part of the alternative folk trio Mountain Man, a group of singers whose precise harmonies offer songs of warmth, belonging, and community. Sauser-Monnig’s record, Dawnbreaker, a homespun country-pop offering of vulnerability, brings liberation to the "breakup record" and hope for the next phase of life. Daughter of Swords joins us to perform in-studio on this episode of Soundcheck from August 2019. - Caryn Havlik 

(Photo of Daughter of Swords by Kendall Bailey Atwater) 

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Some musicians make ambitious records that dig into the depths of meaning behind art, mythology, time, or life itself. Two of those musicians are the British singer-songwriter Paris Paloma and the American alternative R&B producer Cautious Clay. Both musical adventurers sit down with our host, John Schaefer, to chat about their latest works and perform intimate live sets exclusively for Soundcheck. Hear how hitmaker Paris Paloma’s career progressed after her viral hit, “Labour”, and the process that led to the creation of her sophomore album, The Fatal Flaw. Then, multi-instrumentalist Cautious Clay explains how he takes listeners through each hour of the day and night in The Hours trilogy.

Paris Paloma's Setlist: 1.labour 2.Miyazaki 3.Stem the Flow

Cautious Clay's Setlist: 1.Tokyo Lift (5am) 2.Art Museum (2am)

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