Here's a Thought… #2764 with Brooks Jensen

Archive or Burden

We spend our life amassing a pile of prints that form our archive. It can also be said that our archive is a burden that our heirs will be responsible for whether or not they want it. We can't take it with us, unless the software engineers figure out a solution to this pesky problem of mortality. Maybe we should be buried with all our art like ancient Egyptian kings, taking all our important possessions with us to the next world.

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Here's a Thought… #2763 with Brooks Jensen

Visual Syncopation

Structure in a presentation of images can be both good and bad. Structure can provide form and consistency to a presentation. It can also become predictable, repetitious, and boring. This where visual syncopation can come to the rescue.

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Here's a Thought… #2762 with Brooks Jensen

Understanding Fatigue and Exhaustion

There are times when I try to go photographing in spite of feeling exhausted. It never works. This week is one of those times. I just can't bring myself to get excited about grabbing my camera and getting out there. Worse, I feel guilty about it. As I've thought about this in the torpor of my fatigue, I think I've had a flash of insight about this.

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Here's a Thought… #2761 with Brooks Jensen

The Immersive Challenge

We all have art we love and art that leaves us cold. In thinking about my own responses to artwork, I've come to the conclusion that the artwork I like the most are those pieces that create in me the largest immersive response by pulling me into the world that the artwork makes for us. This is, for example, where the novelist has so much to teach us visual artists. What if I were to propose that Tolkien and Ansel Adams are essentially facing the same creative challenge in different media?

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Here's a Thought… #2760 with Brooks Jensen

The Cynic in Me

This is the best time in the history of photography to be a photographer. That said, the cynic in me can't help but worry about the future of photography as an art medium. Because it has become so easy to make a technical stunning photograph, I wonder if the mystery in the craft has disappeared? If it's easy and everyone can do it well, is it still an admirable medium for making art?

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Here's a Thought… #2759 with Brooks Jensen

Not ETTR, but ZJSOTR

I'm sure you have all heard the advice, "Expose to the Right." In theory, that's well-founded reasoning and advice. In practice, I've found ETTR a bit impractical and prefer a more pragmatic strategy ZJSOTR — Zebras Just Short of the Right. This is even more true here in the age of AI Noise Reduction of our RAW files.

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Here's a Thought… #2758 with Brooks Jensen

Forgotten Masters

With the passage of time, it's natural that some artists become more valued and others fade from popularity. If this happened to Bach, why would it not also occur in photography? These days, I almost never hear anyone mention Diane Arbus, Aaron Siskind, Barbara Crane, William Garnett, Linda Connor, August Sander, Art Sinsabaugh, Ralph Eugene Meatyard, Laura Gilpin, Elliott Porter, Ruth Bernhardt, Clarence John Laughlin, Don Worth, or Fay Godwin. This could be a lengthy list indeed. If the public doesn't remember them, at least we who have inherited their photographic legacy can and should.

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Episode #1524 from our long-running, weekly podcast
On Photography and the Creative Process

Photography as an Art Medium

Of late, I've experienced a number of well-meaning friends who insist on showing me what and where I should photograph. I know their heart is in the right place, but I also know that they do not understand the creative process. That's too harsh. They do not understand my creative process. I've been trying to understand their premises and I think I've begun to do so. In fact, I think this is a universal misunderstanding of photography as an art medium.

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Every Picture Is a Compromise, a series at www.brooksjensenarts.com.

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Here's a Thought… #2757 with Brooks Jensen

Entering the Creative Bubble

The world of athletics can be divided into two different sets of action. There is the preliminary part of preparation. Then there is the performative part of the competition. I think this provides a useful metaphor for photography and points out an interesting idea about preparation. When I'm out with my camera, my goal is to enter the creative bubble and starting the work of being a photographer. Like the athlete that stretches and warms up before the competition, what should I be doing as a photographer to prepare myself before entering the creative bubble? What is the creative equivalent to stretching and warming up?

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Here's a Thought… #2756 with Brooks Jensen

Too Much Salt Spoils the Food

Not long ago we tried a new Italian restaurant, just for fun. I ordered eggplant parmesan. Is there anything worse than bland, tasteless Italian food? Of course, I couldn't help but compare this to photography. What do we want in food — or a photograph? Intensity, a sensual thrill, a memorable experience, a good time, a sense of lingering satisfaction. We don't want bland, yet too much salt spoils the food. Similarly, too much "volume" in a photograph overwhelms the senses

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Here's a Thought… #2755 with Brooks Jensen

The Subjectivity Scale

Imagine, if you will, a linear scale with Objectivity on the far left point and Subjectivity on the far right point. Every photograph you produce (or have ever produced) can be located on this scale. Is the image factual and optically faithful to normal human vision, or is it imaginative and a personally expressive, fanciful, or an emotional interpretation by its creator? Is it documentary, or an expressive fiction?

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