Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton’s range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger’s Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth’s witches may be substantially his work.

With

Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford

Lucy Munro Professor of Shakespeare and Early Modern Literature at Kings College London

And

Michelle O’Callaghan Professor of Early Modern Literature at the University of Reading

Producer: Simon Tillotson

Reading list:

Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996)

Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011)

R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton’s Tragedies’ by John Stachniewski

Mark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007)

Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022)

Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020)

David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012)

Michelle O’Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009)

Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012)

In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests explore the history and reputation of the Persian ruler Cyrus the Great. Cyrus the Second of Persia as he was known then was born in the sixth century BCE in Persis which is now in Iran. He was the founder of the first Persian Empire, the largest empire at that point in history, spanning more than two million square miles.

His story was told by the Greek historians Herodotus and Xenophon, and in the Hebrew bible he is praised for freeing the Jewish captives in Babylon.

But the historical facts are intertwined with fiction.

Cyrus proclaimed himself ‘king of the four corners of the world’ in the famous Cyrus Cylinder, one of the most admired objects in the British Museum. It’s been called by some the first bill of human rights, but that’s a label which has been disputed by most scholars today.

With

Mateen Arghandehpour, a researcher for the Invisible East Project at Oxford University,

Lindsay Allen, Senior Lecturer in Ancient Greek and Near Eastern History at King’s College London,

And

Lynette Mitchell, Professor Emerita in Classics and Ancient History at Exeter University.

Producer: Eliane Glaser

Reading list:

Pierre Briant (trans. Peter T. Daniels), From Cyrus to Alexander: A History of the Persian Empire (Eisenbrauns, 2002)

John Curtis and Nigel Tallis (eds.), Forgotten Empire: The World of Ancient Persia (The British Museum Press, 2005)

Irving Finkel (ed.), The Cyrus Cylinder: The King of Persia’s Proclamation from Ancient Babylon (I.B.Tauris, 2013)

Lisbeth Fried, ‘Cyrus the Messiah? The Historical Background to Isaiah 45:1’ (Harvard Theological Review 95, 2002)

M. Kozuh, W.F. Henkelman, C.E. Jones and C. Woods (eds.), Extraction and Control: Studies in Honour of Matthew W. Stolper (Oriental Institute of the University of Chicago, 2014), especially the chapter ‘Cyrus the Great, exiles and foreign gods: A comparison of Assyrian and Persian policies in subject nations’ by R. J. van der Spek

Lynette Mitchell, Cyrus the Great: A Biography of Kingship (Routledge, 2023)

Michael Roaf, Cultural Atlas of Mesopotamia and the Ancient Near East (Facts On File, 1990)

Vesta Sarkosh Curtis and Sarah Stewart (eds.), Birth of the Persian Empire (I.B.Tauris, 2005), especially the chapter ‘Cyrus the Great and the kingdom of Anshan’ by D.T. Potts

Matt Waters, King of the World: The Life of Cyrus the Great (Oxford University Press, 2022)

In Our Time is a BBC Studios Audio production

Since plants have to mate and produce offspring while rooted to the spot, they have to be pollinated – by wind, water, or animals – most commonly insects. They use a surprising array of tricks to attract pollinators: striking colours, iridescent light effects, and enticing scents, to name but a few.

Insects, on the other hand, do not seek to pollinate plants – they are looking for food; so plants make sure it’s worth their while. Insects are also remarkably sophisticated in their ability to find, recognise and find their way inside flowers.

So pollination has evolved as a complex dance between plants and pollinators that is essential for life on earth to continue.

With

Beverley Glover, Director of the Cambridge University Botanic Garden

Jane Memmott, Professor of Ecology at the University of Bristol

And

Lars Chittka, Professor of Sensory and Behavioural Ecology at Queen Mary, University of London.

Producer: Eliane Glaser

Reading list:

Stephen L Buchmann and Gary Paul Nabhan, The Forgotten Pollinators (Island Press, 1997)

Lars Chittka, The Mind of a Bee (Princeton University Press, 2023)

Steven Falk, Field Guide to the Bees of Britain and Ireland (British Wildlife Publishing, 2015)

Francis S. Gilbert (illustrated by Steven J. Falk), Hoverflies: Naturalists' Handbooks vol. 5 (Pelagic Publishing, 2015)

Dave Goulson, A Sting in the Tale: My Adventures with Bumblebees (Vintage, 2014)

Edwige Moyroud and Beverley J. Glover, ‘The evolution of diverse floral morphologies’ (Current Biology vol 11, 2017)

Jeff Ollerton, Birds and Flowers: An Intimate 50 Million Year Relationship (Pelagic Publishing, 2024) Alan E. Stubbs and Steven J. Falk, British Hoverflies (‎British Entomological & Natural History Society, 2002)

Timothy Walker, Pollination: The Enduring Relationship Between Plant and Pollinator (Princeton University Press, 2020)

In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss the Hindu goddess Kali, often depicted as dark blue, fierce, defiant, revelling in her power, and holding in her four or more arms a curved sword and a severed head with a cup underneath to catch the blood. She may have her tongue out, to catch more blood spurting from her enemies, be wearing a garland of more severed heads and a skirt of severed hands and yet she is also a nurturing mother figure, known in West Bengal as ‘Maa Kali’ and she can be fiercely protective. Sometimes she is shown as young and conventionally beautiful and at other times as old, emaciated and hungry, so defying any narrow definition.

With

Bihani Sarkar Senior Lecturer in Comparative Non-Western Thought at Lancaster University

Julius Lipner Professor Emeritus of Hinduism and the Comparative Study of Religion at the University of Cambridge

And

Jessica Frazier Lecturer in the Study of Religion at the University of Oxford and fellow at the Oxford Centre for Hindu Studies

During this discussion, Julius Lipner reads a translation of a poem by Kamalakanta (c.1769–1821) "Is my black Mother Syama really black?" This translation is by Rachel Fell McDermott and can be found in her book Singing to the Goddess, Poems to Kali and Uma from Bengal (Oxford University Press, 2001)

Producer: Simon Tillotson

Reading list:

Mandakranta Bose (ed.), The Goddess (Oxford University Press, 2018)

John S. Hawley and Donna M. Wulff (eds.), Devi: Goddesses of India (University of California Press, 1996)

Knut A. Jacobsen (ed.), Brill's Encyclopedia of Hinduism, vol 1 (Brill, 2025)

David Kinsley, Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition (University of California Press, 1986), especially chapter 8

Rachel Fell McDermott and Jeffrey J. Kripal (eds.), Encountering Kālī in the margins, at the center, in the west (University of California Press, 2003)

In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss the renowned and versatile Irish writer Oliver Goldsmith (1728 - 1774). There is a memorial to him in Westminster Abbey’s Poet’s Corner written by Dr Johnson, celebrating Goldsmith's life as a poet, natural philosopher and historian. To this could be added ‘playwright’ and ‘novelist’ and ‘science writer’ and ‘pamphleteer’ and much besides, as Goldsmith explored so many different outlets for his talents. While he began on Grub Street in London, the centre for jobbing writers scrambling for paid work, he became a great populariser and compiler of new ideas and knowledge and achieved notable successes with poems such as The Deserted Village, his play She Stoops to Conquer and his short novel The Vicar of Wakefield.

With

David O’Shaughnessy Professor of Eighteenth-Century Studies at the University of Galway

Judith Hawley Professor of Eighteenth-Century Literature at Royal Holloway, University of London

And

Michael Griffin Professor of English at the University of Limerick

Producer: Simon Tillotson

Reading list:

Norma Clarke, Brothers of the Quill: Oliver Goldsmith in Grub Street (Harvard University Press, 2016)

Leo Damrosch, The Club: Johnson, Boswell, and the Friends Who Shaped an Age (Yale University Press, 2019)

Oliver Goldsmith (ed. Aileen Douglas and Ian Campbell Ross), The Vicar of Wakefield: A Tale, Supposed to Be Written by Himself (first published 1766; Cambridge University Press, 2024)

Oliver Goldsmith (ed. Arthur Friedman), The Vicar of Wakefield (first published 1766; Oxford University Press, 2008)

Oliver Goldsmith (ed. Arthur Friedman), The Collected Works of Oliver Goldsmith, 5 vols (Clarendon Press, 1966) Oliver Goldsmith (ed. Robert L. Mack), Oliver Goldsmith: Everyman’s Poetry, No. 30 (Phoenix, 1997)

Oliver Goldsmith (ed. James Ogden), She Stoops to Conquer (first performed 1773; Methuen Drama, 2003)

Oliver Goldsmith (ed. James Watt), The Citizen of the World (first published 1762; Cambridge University Press, 2024)

Oliver Goldsmith (ed. Nigel Wood), She Stoops to Conquer and Other Comedies (first performed 1773; Oxford University Press, 2007)

Michael Griffin and David O’Shaughnessy (eds.), Oliver Goldsmith in Context (Cambridge University Press, 2024)

Michael Griffin and David O’Shaughnessy (eds.), The Letters of Oliver Goldsmith (Cambridge University Press, 2018)

Roger Lonsdale (ed.), The Poems of Gray, Collins and Goldsmith (Longmans, 1969)

In Our Time is a BBC Studios Audio production

Melvyn Bragg and guests discuss Catherine of Aragon (1485-1536), the youngest child of the newly dominant Spanish rulers Ferdinand and Isabella. When she was 3, her parents contracted her to marry Arthur, Prince of Wales, the heir to the Tudor king Henry VII in order to strengthen Spain's alliances, since Henry's kingdom was a longstanding trade partner and an enemy of Spain's greatest enemy, France. For the next decade Catherine had the best humanist education available, preparing her for her expected life as queen and drawing inspiration from her warrior mother. She arrived in London to be married when she was 15 but within a few months she was widowed, her situation uncertain and left relatively impoverished for someone of her status. Rather than return home, Catherine stayed and married her late husband's brother, Henry VIII. In her view and that of many around her, she was an exemplary queen and, even after Henry VIII had arranged the annulment of their marriage for the chance of a male heir with Anne Boleyn, Catherine continued to consider herself his only queen.

With

Lucy Wooding Langford Fellow and Tutor in History at Lincoln College, University of Oxford and Professor of Early Modern History at Oxford

Maria Hayward Professor of Early Modern History at the University of Southampton

And

Gonzalo Velasco Berenguer Lecturer in Global Medieval and Early Modern History at the University of Bristol

Producer: Simon Tillotson In Our Time is a BBC Studios Audio Production

Reading list:

Michelle Beer, Queenship at the Renaissance Courts of Britain: Catherine of Aragon and Margaret Tudor, 1503-1533 (Royal Historical Society, 2018)

G. R. Bernard, The King's Reformation: Henry VIII and the Remaking of the English Church (Yale University Press, 2007)

José Luis Colomer and Amalia Descalzo (eds.), Spanish Fashion at the Courts of Early Modern Europe (Centro de Estudios Europa Hispanica, 2014), especially vol 2, 'Spanish Princess or Queen of England? The Image, Identity and Influence of Catherine of Aragon at the Courts of Henry VII and Henry VIII' by Maria Hayward

Theresa Earenfight, Catherine of Aragon: Infanta of Spain, Queen of England (Penn State University Press, 2022)

John Edwards, Ferdinand and Isabella: Profiles In Power (Routledge, 2004)

Garrett Mattingley, Catherine of Aragon (first published 1941; Random House, 2000)

J. J. Scarisbrick, Henry VIII (first published 1968; Yale University Press, 1997)

David Starkey, Six Wives: The Queens of Henry VIII (Vintage, 2004)

Giles Tremlett, Catherine of Aragon: Henry's Spanish Queen (Faber & Faber, 2011)

Juan Luis Vives (trans. Charles Fantazzi), The Education of a Christian Woman: A Sixteenth-Century Manual (University of Chicago Press, 2000)

Patrick Williams, Catherine of Aragon: The Tragic Story of Henry VIII's First Unfortunate Wife (Amberley Publishing, 2013)

Lucy Wooding, Henry VIII (Routledge, 2009)

Melvyn Bragg and guests discuss the architect Sir John Soane (1753 -1837), the son of a bricklayer. He rose up the ranks of his profession as an architect to see many of his designs realised to great acclaim, particularly the Bank of England and the Law Courts at Westminster Hall, although his work on both of those has been largely destroyed. He is now best known for his house in Lincoln’s Inn Fields in London, which he remodelled and crammed with antiquities and artworks: he wanted visitors to experience the house as a dramatic grand tour of Europe in microcosm. He became professor of architecture at the Royal Academy, and in a series of influential lectures he set out his belief in the power of buildings to enlighten people about “the poetry of architecture”. Visitors to the museum and his other works can see his trademark architectural features such as his shallow dome, which went on to inspire Britain's red telephone boxes.

With:

Frances Sands, the Curator of Drawings and Books at Sir John Soane’s Museum

Frank Salmon, Associate Professor of the History of Art at the University of Cambridge and Director of the Ax:son Johnson Centre for the Study of Classical Architecture

And

Gillian Darley, historian and author of Soane's biography.

Producer: Eliane Glaser In Our time is a BBC Studios Audio production.

Reading list:

Barry Bergdoll, European Architecture 1750-1890 (Oxford University Press, 2000)

Bruce Boucher, John Soane's Cabinet of Curiosities: Reflections on an Architect and His Collection (Yale University Press, 2024)

Oliver Bradbury, Sir John Soane’s Influence on Architecture from 1791: An Enduring Legacy (Routledge, 2015)

Gillian Darley, John Soane: An Accidental Romantic (Yale University Press, 1999)

Ptolemy Dean, Sir John Soane and the Country Estate (Ashgate, 1999)

Ptolemy Dean, Sir John Soane and London (Lund Humphries, 2006)

Helen Dorey, John Soane and J.M.W. Turner: Illuminating a Friendship (Sir John Soane’s Museum, 2007)

Tim Knox, Sir John Soane’s Museum (Merrell, 2015)

Brian Lukacher, Joseph Gandy: An Architectural Visionary in Georgian England (Thames and Hudson, 2006)

Susan Palmer, At Home with the Soanes: Upstairs, Downstairs in 19th Century London (Pimpernel Press, 2015)

Frances Sands, Architectural Drawings: Hidden Masterpieces at Sir John Soane’s Museum (Batsford, 2021)

Sir John Soane’s Museum, A Complete Description (Sir John Soane’s Museum, 2018)

Mary Ann Stevens and Margaret Richardson (eds.), John Soane Architect: Master of Space and Light (Royal Academy Publications, 1999)

John Summerson, Architecture in Britain 1530-1830 (9th edition, Yale University Press, 1993)

A.A. Tait, Robert Adam: Drawings and Imagination (Cambridge University Press, 1993)

John H. Taylor, Sir John Soane’s Greatest Treasure: The Sarcophagus of Seti I (Pimpernel Press, 2017)

David Watkin, Sir John Soane: Enlightenment Thought and the Royal Academy Lectures (Cambridge University Press, 1996)

David Watkin, Sir John Soane: The Royal Academy Lectures (Cambridge University Press, 2000)

John Wilton-Ely, Piranesi, Paestum & Soane (Prestel, 2013)

Melvyn Bragg and guests discuss a story that circulated widely in the middle ages about a highly learned woman who lived in the ninth century, dressed as a man, travelled to Rome, and was elected Pope.

Her papacy came to a dramatic end when it was revealed that she was a woman, a discovery that is said to have occurred when she gave birth in the street. The story became a popular cautionary tale directed at women who attempted to transgress traditional roles, and it famously blurred the boundary between fact and fiction. The story lives on as the subject of recent novels, plays and films.

With:

Katherine Lewis, Honorary Professor of Medieval History at the University of Lincoln and Research Associate at the University of York

Laura Kalas, Senior Lecturer in Medieval English Literature at Swansea University

And

Anthony Bale, Professor of Medieval & Renaissance English at the University of Cambridge and Fellow of Girton College.

Producer: Eliane Glaser

Reading list:

Alain Boureau (trans. Lydia G. Cochrane), The Myth of Pope Joan (University of Chicago Press, 2001)

Stephen Harris and Bryon L. Grisby (eds.), Misconceptions about the Middle Ages (Routledge, 2008), especially 'The Medieval Popess' by Vincent DiMarco

Valerie R. Hotchkiss, Clothes Make the Man: Female Cross Dressing in Medieval Europe (Routledge, 1996)

Jacques Le Goff, Heroes and Marvels of the Middle Ages (Reaktion, 2020), especially the chapter ‘Pope Joan’

Marina Montesano, Cross-dressing in the Middle Ages (Routledge, 2024)

Joan Morris, Pope John VIII - An English Woman: Alias Pope Joan (Vrai, 1985)

Thomas F. X. Noble, ‘Why Pope Joan?’ (Catholic Historical Review, vol. 99, no.2, 2013)

Craig M. Rustici, The Afterlife of Pope Joan: Deploying the Popess Legend in Early Modern England (University of Michigan Press, 2006)

In Our Time is a BBC Studios Audio production

Melvyn Bragg and guests discuss Plato's Crito and Phaedo, his accounts of the last days of Socrates in prison in 399 BC as he waited to be executed by drinking hemlock. Both works show Socrates preparing to die in the way he had lived: doing philosophy. In the Crito, Plato shows Socrates arguing that he is duty bound not to escape from prison even though a bribe would open the door, while in the Phaedo his argument is for the immortality of the soul which, at the point of death, might leave uncorrupted from the 'prison' of his body, the one escape that truly mattered to Socrates. His example in his last days has proved an inspiration to thinkers over the centuries and in no small way has helped ensure the strength of his reputation.

With

Angie Hobbs Professor of the Public Understanding of Philosophy at the University of Sheffield

Fiona Leigh Associate Professor in the Department of Philosophy at University College London

And

James Warren Professor of Ancient Philosophy at the University of Cambridge and Fellow of Corpus Christi College, Cambridge

Producer: Simon Tillotson

Reading list:

David Ebrey, Plato’s Phaedo: Forms, Death and the Philosophical Life (Cambridge University Press, 2023)

Dorothea Frede, ‘The Final Proof of the Immortality of the Soul in Plato’s Phaedo 102a-107a’ (Phronesis 23, 1978)

W. K. C. Guthrie, A History of Greek Philosophy, vol. 4, Plato: The Man and his Dialogues, Earlier Period (Cambridge University Press, 2008) Verity Harte, ‘Conflicting Values in Plato’s Crito’ (Archiv. für Geschichte der Philosophie 81, 1999)

Angie Hobbs, Why Plato Matters Now (Bloomsbury, forthcoming 2025), especially chapter 5

Rachana Kamtekar (ed.), Plato’s Euthyphro, Apology and Crito: Critical Essays (Rowman and Littlefield, 2004)

Richard Kraut, Socrates and the State (Princeton University Press, 1984)

Melissa Lane, ‘Argument and Agreement in Plato’s Crito’ (History of Political Thought 19, 1998)

Plato (trans. Chris Emlyn-Jones and William Preddy), Euthyphro, Apology, Crito, Phaedo and Phaedrus (Loeb Classical Library, Harvard University Press, 2017)

Plato (trans. G. M. A. Grube and John Cooper), The Trial and Death of Socrates: Euthyphro Apology, Crito, Phaedo (Hackett, 2001)

Plato (trans. Christopher Rowe), The Last Days of Socrates: Euthyphro, Apology, Crito, Phaedo (Penguin, 2010)

Donald R. Robinson (ed.), The Cambridge Companion to Socrates (Cambridge University Press, 2011)

David Sedley and Alex Long (eds.), Plato: Meno and Phaedo (Cambridge University Press, 2010)

James Warren, ‘Forms of Agreement in Plato’s Crito’ (Proceedings of the Aristotelian Society, Volume 123, Issue 1, April 2023)

Robin Waterfield, Why Socrates Died: Dispelling the Myths (Faber and Faber, 2010)

In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss one of the most consequential battles of recent centuries. On 20th September 1792 at Valmy, 120 miles to the east of Paris, the army of the French Revolution faced Prussians, Austrians and French royalists heading for Paris to free Louis XVI and restore his power and end the Revolution. The professional soldiers in the French army were joined by citizens singing the Marseillaise and their refusal to give ground prompted their opponents to retreat when they might have stayed and won. The French success was transformative. The next day, back in Paris, the National Convention abolished the monarchy and declared the new Republic. Goethe, who was at Valmy, was to write that from that day forth began a new era in the history of the world.

With

Michael Rowe Reader in European History at King’s College London

Heidi Mehrkens Lecturer in Modern European History at the University of Aberdeen

And

Colin Jones Professor Emeritus of History at Queen Mary, University of London

Producer: Simon Tillotson

Reading list

T. C. W. Blanning, The French Revolutionary Wars, 1787-1802 (Hodder Education, 1996)

Elizabeth Cross, ‘The Myth of the Foreign Enemy? The Brunswick Manifesto and the Radicalization of the French Revolution’ (French History 25/2, 2011)

Charles J. Esdaile, The Wars of the French Revolution, 1792-1801 (Routledge, 2018)

John A. Lynn, ‘Valmy’ (MHQ: Quarterly Journal of Military History, Fall 1992)

Munro Price, The Fall of the French Monarchy: Louis XVI, Marie Antoinette and the baron de Breteuil (Macmillan, 2002)

Simon Schama, Citizens: A Chronicle of the French Revolution (Penguin Books, 1989)

Samuel F. Scott, From Yorktown to Valmy: The Transformation of the French Army in an Age of Revolution (University Press of Colorado, 1998)

Marie-Cécile Thoral, From Valmy to Waterloo: France at War, 1792–1815 (Palgrave Macmillan, 2011)

In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss slime mould, a basic organism that grows on logs, cowpats and compost heaps. Scientists have found difficult to categorise slime mould: in 1868, the biologist Thomas Huxley asked: ‘Is this a plant, or is it an animal? Is it both or is it neither?’ and there is a great deal scientists still don’t know about it. But despite not having a brain, slime mould can solve complex problems: it can find the most efficient way round a maze and has been used to map Tokyo’s rail network. Researchers are using it to help find treatments for cancer, Parkinson's and Alzheimer's disease, and computer scientists have designed an algorithm based on slime mould behaviour to learn about dark matter. It’s even been sent to the international space station to help study the effects of weightlessness. With

Jonathan Chubb Professor of Quantitative Cell Biology at University College, London

Elinor Thompson Reader in microbiology and plant science at the University of Greenwich

And

Merlin Sheldrake Biologist and writer

Producer: Eliane Glaser

In Our Time is a BBC Studios Audio production