The 1991 movie year turns 35 this year. T2, Barton Fink, Boys in the Hood. In 2014, Adam and Josh looked back a mere 23 years for their Top 5 of '91.

See omnystudio.com/listener for privacy information.

Stephen King’s Carrie has been adapted for film twice, has endured a sequel and even a Broadway musical, and now Mike Flanagan has brought the writer’s debut novel to the small screen in a limited series for Prime Video. Flanagan is a peerless adapter of King’s work, but does any version of Carrie need to be eight hours? Matt and Jordan discuss. In the Rec Seg, recommendations for a classic of ‘70s German cinema and an underseen King adaptation from the ‘90s. Plus, a listener writes in for some under-the-radar horror comedies, and Producer Sam hosts a King-themed movie game.      

Intro (00:00:00–00:02:26)

Carrie (Prime Video) (00:02:27–00:31:45)

Rec Seg! (00:31:46–00:50:55)

Listener Req Seg! (00:50:56–01:06:42)

Game: If You Come at the King, You Better Not Miss (01:06:43–01:26:40)

New to Streaming / Credits (01:26:41–01:38:55)

Show Notes

Stephen King Wants You To Watch Maximum Overdrive (Trailer)

https://www.youtube.com/watch?v=IniwjSfs4fs

Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠

Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (available now):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠

Matt’s book tour!

matt-singer.net

Feedback: Email us at [email protected]

Follow Matt on Blue Sky: @mattsinger.bsky.social

Follow Jordan on Blue Sky: @jhoffman.bsky.social

Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠

Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠

See omnystudio.com/listener for privacy information.

Hollywood has been dying for more than a century. At least, that's what people keep saying.

This week, Michael Phillips explores one of the industry's favorite prophecies of doom: producer David O. Selznick's famous comparison of Hollywood to ancient Egypt, "full of crumbled pyramids" destined to disappear into the sands.

Joining Michael are Rep. Laura Friedman, whose congressional district includes many of the major studios and who helped author the bipartisan Motion Picture, Television, and Entertainment Revitalization Act, and film historian Ron Falzone. Together, they examine Hollywood's latest existential crisis: runaway production, empty soundstages, corporate consolidation, and the fight to keep movie-making in the United States.

Is Hollywood facing a uniquely perilous moment, or just its latest near-death experience? Join the conversation by emailing [email protected].

See omnystudio.com/listener for privacy information.

Not everyone hates Digger. The big swing from star Tom Cruise and director Alejandro González Iñárritu was met with chilly box office and hostility from critics, but Adam and Josh (yes, even Iñárritu skeptic Adam!) found lots to like — especially after the film’s bold transition from politically-charged farce into something completely different. Plus, Josh on Primetime, previews of two regional fests, and listeners pick their favorite “Comedy Boom” movies.        

This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.

(Timecodes will not be precise with ads.)

Intro (00:00:00-00:02:23)

Digger (00:02:24-0:33:35)

Filmspotting Family (0:33:36-00:37:20)

Spoiler Talk: Digger (00:37:21-1:11:00)

Primetime (1:11:01-01:16:21)

Chicago / Refocus Film Fest Previews (01:16:22-01:31:21)

Polls (01:31:22-01:42:54)

Credits / New Releases (01:42:55-01:46:33)

Chicago Film Festival Picks – Josh:

-Citizen Osama 

⁠https://www.chicagofilmfestival.com/film/citizen-osama/⁠

-Eight Bridges 

⁠https://www.chicagofilmfestival.com/film/eight-bridges/⁠

Chicago Film Festival Picks – Adam:

-The Debut

⁠https://www.chicagofilmfestival.com/film/the-debut/⁠

-The Girl with the Leica

⁠https://www.chicagofilmfestival.com/film/the-girl-with-the-leica/⁠

Notes:

-Refocus Film Festival

⁠https://refocusfilmfestival.org/

Feedback:

-Email us at [email protected]⁠⁠

⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content.

Support:

-Join the Filmspotting Family for bonus shows, archive access, and more.

http://filmspottingfamily.com

-Filmspotting Shop for T-shirts and more.

⁠https://www.filmspotting.net/shop⁠⁠⁠⁠

Follow:

-Watch Filmspotting on YouTube:

⁠https://youtube.com/filmspotting⁠

-Adam/Filmspotting

⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠

-Josh/LarsenOnFilm

⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky

See omnystudio.com/listener for privacy information.

Lance Oppenheim’s Primetime paints problematic TV phenomenon To Catch a Predator — and especially its host, Chris Hansen — as an enterprise fueled by ambition, amorality, and a tenuous grasp of journalistic ethics. Those qualities put us in mind of the cursed collaboration between desperate press agent Sidney Falco and influential columnist J.J. Hunsecker in 1957’s Sweet Smell of Success, so this week we’re digging into the twisted loyalties and razor-sharp dialogue of Alexander Mackendrick’s blisteringly cynical portrayal of a very different era in tabloid journalism. Then in Feedback, a listener helps flesh out a bit of William Friedkin trivia that came up during our recent Sorcerer discussion.

Please share your thoughts about Sweet Smell of Success, Primetime, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

See omnystudio.com/listener for privacy information.

With Cruise back in ac-tor mode in Alejandro González Iñárritu's Digger, we're sharing our 2017 consideration of the long and storied career of "the last movie star."

Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. 

See omnystudio.com/listener for privacy information.

For the first show of Scare-tober, Jordan and Matt take a look at the Shudder Original Goody Goody, a low-budget home-birth horror tale from first-time feature director Raymond Creamer. For a seasonally appropriate streaming watch, you could do worse. You could also do better, which is why Matt and Jordan use this week’s “Rec Seg” to suggest a couple of titles inspired by Goody Goody — one which exploits the very real horror of childbirth for laughs, and another which brilliantly captures the horror of being the only one who knows something terrible has happened. Then, listener Matt (no relation to host Matt) writes in asking for an entry-level horror film for his 9-year-old. And Matt hosts another round of Portmanteau-to-Toe for this week’s game 

Intro (00:00:00–00:04:32)

Goody Goody (00:04:33–00:22:03)

Rec Seg! (00:22:04–00:36:55)

Listener Req Seg! (00:36:56–00:57:18)

Game: Portmanteau-to-Toe (00:57:19–01:11:15)

New to Streaming / Credits (01:11:16–01:25:08)

Show Notes

Bazooga jingle by Andy Wilkowske

Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠

Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠

Matt’s book tour!

matt-singer.net

Feedback: Email us at [email protected]

Follow Matt on Blue Sky: @mattsinger.bsky.social

Follow Jordan on Blue Sky: @jhoffman.bsky.social

Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠

Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠

See omnystudio.com/listener for privacy information.

Chris Klimek convenes a showdown between arguably the two most influential slasher films ever made: John Carpenter's "Halloween" and Wes Craven's "A Nightmare on Elm Street."

One helped define the modern slasher, introducing audiences to the silent, implacable force of Michael Myers and transforming suburban streets into sites of terror. The other revitalized the genre six years later with Freddy Krueger, a wisecracking dream stalker who turned sleep itself into a death sentence.

Arguing for "Halloween" is Jason Zinoman (Shock Value, The New York Times), who contends that Carpenter's film remains the genre's most influential and enduring achievement. Defending "Nightmare" is Deirdre Barrett, a Harvard dream researcher, psychologist, and author, who makes the case that Freddy Krueger taps into some of our deepest and most universal fears.

Choose your winner at moviedeathmatch.com.

(Times will not be precise with ads.)
Intro / Meet the Advocates (00:00:00-00:16:41)
Rd. 1 – The Movies in Their Time (00:16:42-00:41:49)
Rd. 2 – The Movies in Our Time (00:41:50-01:06:16)
Rd. 3 – The Movies for All Time (01:06:17-01:37:03)
The Verdict / Credits (01:37:05-01:45:23)

More From Jason:

-‘Halloween’ 1978: The Times Finally Reviews a Horror Classic

https://www.nytimes.com/2018/10/17/movies/halloween-1978-review.html

-Book: Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror

https://www.amazon.com/dp/0143121367

-Instagram

@zinomanj

More From Deidre:

-deirdrebarrett.com

http://www.deirdrebarrett.com/

-Book: Pandemic Dreams

https://www.amazon.com/dp/0982869533

-Instagram

@deirdre_barrett_dreams

Follow Chris: 

-Instagram | Bluesky | X

See omnystudio.com/listener for privacy information.

For the debut episode of their new sport and film podcast, Adam Kempenaar and University of Iowa Journalism and Mass Communication colleague Travis Vogan, PhD, are joined by scholar Seán Crosson, PhD, to discuss Harold Lloyd’s 1925 silent comedy The Freshman. Together, they explore the massive box-office hit’s treatment of masculinity and football, and how the film helped shape the underdog and American Dream narratives that remain central to the genre a century later.

Next Episode:

–Hoop Dreams with Samantha Noelle Sheppard, PhD, Cornell University

Links:

–Email the show at [email protected].

–Learn more about Seán Crosson

–Sport in European Cinema

–Sport and Film (2nd Edition)

Theme Music:

–King of the Corpse Flowers by Oxykitten | Spotify

See omnystudio.com/listener for privacy information.

Two weeks after their Pantheon Project review of David Lynch’s Blue Velvet, Adam and Josh take on the director’s 2001 mind-bender, Mulholland Drive, to celebrate its 25th anniversary. For a film with a reputation for being impenetrable, they find it surprisingly rich with clues while retaining all of its singular power. Plus, a Golden Brick nomination for If I Go Will They Miss Me, and thoughts on the new doc You Had To Be There: How the Toronto Godspell Ignited the Comedy Revolution.

This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits.⁠ Use code FILMSPOT26 to take 15% off.
⁠
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:02:28)
Mulholland Drive (00:02:29-0:30:28)
Filmspotting Family (0:30:29-00:32:31)
Mulholland Drive, cont. (00:32:32-0:58:43)
If I Go Will They Miss Me (0:58:44-01:03:44)
You Had To Be There (01:03:45-01:13:54)
Notes (01:13:55-01:24:52)
Massacre Theatre (01:24:53-01:30:51)
Credits / New Releases (01:30:52-01:34:58)

Notes:

-David Lynch Ranked | Adam

https://boxd.it/Xk5q6$rM7TfIkSmbYwC11L

-David Lynch Ranked | Josh

https://letterboxd.com/larsenonfilm/list/david-lynch-ranked/

-Golden Bricks

https://www.filmspotting.net/bricks

-New Podcast! Field of Scenes

https://www.filmspotting.net/fieldofscenes

Feedback:

-Email us at [email protected]⁠⁠

⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content.

Support:

-Join the Filmspotting Family for bonus shows, archive access, and more.

http://filmspottingfamily.com

-Filmspotting Shop for T-shirts and more.

⁠https://www.filmspotting.net/shop⁠⁠⁠⁠

Follow:

-Watch Filmspotting on YouTube:

⁠https://youtube.com/filmspotting⁠

-Adam/Filmspotting

⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠

-Josh/LarsenOnFilm

⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky

See omnystudio.com/listener for privacy information.

There’s a lot to enjoy about The Weight: the tactile 1930s Oregon setting, strong performances from Ethan Hawke and Russell Crowe, a premise that allows for multiple suspense sequences. But Padraic McKinley’s directorial debut is arguably lacking in thematic heft and visceral grit, particularly when compared to the other film in this pairing. So after considering how The Weight succeeds and struggles on its own terms, we bring William Friedkin’s 1977 cult classic Sorcerer back in to consider how these two films about desperate men given a deadly opportunity differ in their approach to flawed protagonists, bridge-based action scenes, and lone female characters of consequence, and the one plot hole they have in common. Then our returning guest, Vulture critic Roxana Hadadi, offers a Your Next Picture Show recommendation for another 2026 film involving the transportation of dangerous cargo, The Rivals of Amziah King.

Please share your thoughts about Sorcerer, The Weight, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.

Next Pairing: Lance Oppenheim’s Primetime and Alexander Mackendrick’s Sweet Smell of Success

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

See omnystudio.com/listener for privacy information.