Since it's Memorial Day, I'm tipping a cap to veterans. And I've got another doubleheader in episode #741, with the bulk of the show devoted to Ridley Scott's Black Hawk Down (where American soldiers battle Somalis in 1993 Mogadishu), then there's a short bit at the end about William Wellman's Battleground (where American grunts take on the Nazis during the Battle Of The Bulge in WWII). Both films won technical Oscars and are intense, apolitical war stories. Appropriate for Heroes Month, you just fight for your fellow soldiers. Black Hawk Down stars the likes of Hartnett and McGregor, but we've also got well-known character actors like Sizemore, Fichtner and Shepard...not to mention up-and-comers like Bloom, Hardy and a super-cool Bana. So look out for your buddy as I talk about movies set in the Moag and Bastogne.

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The ongoing effort to review long-ago movie stars has me talking about the dashing Tyrone Power and the beautiful Linda Darnell in The Mark Of Zorro. Gail Sondergaard and Basil Rathbone also have key roles in Rouben Mamoulian's 1940 flick. The Mexican man in black shares ties with Robin Hood and Batman, as the Z Man risks his life to rip off the rich to help out the poor. For an action movie, it's pretty muted, but it IS a good time. Then I talked for a bit about Hopalong Cassidy. The conflict is over cattle and territory, which is similar to the storyline in the 1956 Lone Ranger. Hothead Jimmy Ellison wants to fight the whole world while William Boyd kicked off a career playing the title character dozens of more times. "You're alright, kid", so put on a face covering that changes depending on your mood and settle in for this 740th podcast on Have You Ever Seen as I rattle teeth about The Mark Of Zorro and Hopalong Cassidy.

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Call me Snake. Okay, well, that's too cool for me, so just make it Ryan. Either way, this 739th episode gets into the night life and action frenzy that is John Carpenter's Escape From New York. Kurt Russell was already establishing himself as something more than just a Disney kid, then his signature role here cemented it. The eclectic Van Cleef/Borgnine/Harry Dean supporting cast surrounding Russell is effective, but the production design, cinematography, music and other technicals in this dystopian sci-fi bleakness are the drawing card. Carpenter was cynical, yet so underrated in his time...even compared to a top-of-his-game Spielberg in that same era. Now, is Escape From New York funny? Maybe not (partly since it feels like this could actually happen), but it IS fun. So, even though everybody thinks you're dead, burst into the open-air prison that is Manhattan and save the president and his precious cassette tape. Cuz the name's Ellis.

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In anticipation of the theatrical re-release of Top Gun later this week, this 738th episode has me yapping about Tony Scott's blockbuster that put him on the map and made Tom Cruise a megastar. The one about cocky naval aviators is big, loud and very sweaty. You've got sleek jets, cool, sexy men (and also SOME women like Kelly McGillis)...and a killer soundtrack. The fly boys (including Val Kilmer & Anthony Edwards) also play topless volleyball and spend a lot of time in towels. Naturally, the megahit sequel Top Gun: Maverick came up a lot in this review, since it played off the themes of rebellion, adrenaline and guilt the way that the original did. So caress your plaque that says you won a contest and put on your aviator glasses with a big smile on your face as I feel a certain need for a certain velocity while speaking about Tommy And The Jets.

NOTE: a breakdown of all the Oscar nominations in Tony Scott's entire filmography will be the "So I Got Thinkin'" segment in Friday's episode about Escape From New York. Also, during the Coming Attractions Trivia question for that, it should have been Kurt Russell sometimes did "impressions" of other actors, not "inspirations." Oh, and I didn't choose the "E" rating for this episode. Either A.I. did it or the provider...or something. The only objectionable word is the "S" word they say a lot in Top Gun, so if that doesn't bother you, then shrug off that "E" rating.

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Even though it's Star Wars Day, someone else can talk about Luke & Leia. What I have is a super-long episode about much-older movies: the 1932 Tarzan & the 1924 Pan. Johnny Weissmuller and Maureen O'Sullivan star in an exciting, sexy, action-adventure story. They worked with lions and hippos and crocs (and actors in animal suits) and it's all convincingly done, especially since none of the principal photography was actually in Africa. Then I talked about the boy who just refuses to age. Betty Bronson's Peter is going to stay in Never(Never)Land forever and ever (and ever)...even if Ernest Torrence's Captain Hook is gunning for his insouciant head. The film is well-made and the acting is not bad either, even if the concept is remarkably mockable. So check out my monlogues about some more good (and sometimes bad) guys here in Heroes Month in this 737th episode: Tarzan The Ape Man and Peter Pan.

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It's Heroes Month! For this 736th episode, cue up the William Tell Overture and get ready for the masked vigilante & his native buddy. That's because the topic of the first of 2 movies today is The Lone Ranger (plus, of course Tonto....and also, hi-yo Silver). Stuart Heisler directs Clayton Moore, Jay Silverheels and Bonita Granville in an enjoyable western with all the necessary thrills and constant danger. For film #2, I spent 13 minutes talking about Gene Autry in South Of The Border. While The Singing Cowboy didn't impress me that much, this DOES get he, William Farnum and George Montgomery on this channel...along with Champion the horse. So that's something. In any case, gear up for this first show in May, a month devoted to classic heroes just like the Ranger & Tonto.

Well, Actually: just to clarify at the 17:45 mark that white men masquerading as natives on horseback wasn't the issue: it was that these fake natives rode with saddles. Also, I can confirm that Monday's show WILL be a doubleheader as I tackle both Tarzan The Ape Man and the 1924 Peter Pan.

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It's another doubleheader in episode #735, this time with 2 unrelated '50s classics. First up, I talk about the offbeat John Huston comedy Beat The Devil. The screenplay he wrote with Truman Capote is very quotable, even though its characters and daffy plot parody serious caper flicks like Huston's The Maltese Falcon. Humphrey Bogart has been a regular on Have You Ever Seen over the years, but this is the first episode ever for Jennifer Jones or Gina Lollobrigida. Jenny is quirky, cute and quite a talented liar while Gina is...well, staggeringly gorgeous. Then I veer from the fun of that one to spend about 17 minutes on Lee J. Cobb and Jane Wyatt in The Man Who Cheated Himself. Felix Feist's noir is about a cop who breaks the law to cover for his murdering mistress. Jane Wyatt is yet another classic actress we'd never covered before. So spend this final Monday of April hearing about a loopy comedy and an intense crime flick.

Well, Actually: "coupe" IS pronounced "coo-pay" in French AND in what's known as "British English". Also, the other movie that will be reviewed on Friday will in fact be the Gene Autry western South Of The Border.

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Inside Man is a clever heist film with the twist staring you in the face from the beginning. It's also the first Spike Lee or Jodie Foster film to be reviewed on Have You Ever Seen in quite some time. Foster and Denzel Washington's scenes together are fantastic. The 2 of them, plus Clive Owen, Christopher Plummer, Willem Dafoe and Chiwetel Ejiofor deliver. Ironically, though, for a film with such intensity for 2 straight hours, the actors are generally calm. Well, Denzel is showboating, but he's Denzel. You can't reign in that charisma machine. So for my 734th episode, settle in to hear about a snappy caper film as I monologue about Spike Lee's biggest hit, Inside Man.

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It's a short one for episode #733 of Have You Ever Seen, as I discuss Anthony Mann's biopic about the best-selling bandleader from the '30s & '40s. Smash hits Moonlight Serenade & In The Mood are Glenn Miller's 2 most-recognizable songs, tunes you'll know the minute you hear them. This is a straight-ahead "based on real people" movie (including his loving wife, Helen), but Mann, who often worked with James Stewart in this era, was an underrated director. And while Jimmy has OFTEN come up on this podcast, this is a first for June Allyson...and we also have a memorable cameo by the great trumpeter Louis Armstrong. So, honestly, take a listen to my sentimental review of the sentimental Glenn Miller Story.

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I've got another multi-movie episode here in the 732nd edition of Have You Ever Seen. Jacques Tourneur directs Out Of The Past and Robert Siodmak is at the helm of The Spiral Staircase, even if it feels at times like one directed the other. Yet they both do a very good job with these films noir, including killing off many of their characters. Rhonda Fleming is in both, but in Past you've got Robert Mitchum, Kirk Douglas & Jane Greer, who gives one of the better performances in the history of femmes fatale. In Staircase, Dorothy McGuire, George Brent and Ethel Barrymore have centre stage...and they all deliver too. The first flick has a VERY complex plot, while the second is a straight-forward "a killer is on the loose" whodunit. So lend me 50 minutes of your time as I scoop out the innards of Out Of The Past and The Spiral Staircase.

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W.C. Fields makes his debut on Have You Even Seen in this 731st episode where I talked about 3 of his classic laugh-fests: International House, It's A Gift and The Bank Dick. George Burns & Gracie Allen turn up in International House and Una Merkel plays Fields' daughter in It's A Gift, so we've got 4 AFI Old-Timey Actors in one super-show. First up, you get the "Grand Hotel of comedy", where the gags are quite risqué (even considering it was made before the production code), followed by the funniest one in this three-pack: It's A Gift. Fields is REALLY in textbook mumbling, drunken form in The Bank Dick, with its all-over-the-place plot and random gags. So to bring this Easter Weekend home, cue up my one-man-show about the House, the Gift and the Dick, as W.C. does his thing as only he could.

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