Post Mortem: A Mystery (Knopf, 2026) is the third book in David Lagercrantz's mystery series following detective duo Rekke and Vargas: this time, their hunt for a killer has a literary twist. Professor Hans Rekke and police officer Micaela Vargas have earned a reputation for solving the unsolvable. But they’ve never been confronted by a serial killer. Until now. Rekke receives a visit from Spanish chief inspector Rafael Corales, who is unable to forget the brutal, unsolved murder of a young woman in Santander in 1988. Now other bodies have come to light, marked with signs that seem to be some kind of numerical order. Still recovering from his latest manic episode, his relationship with Vargas strained by a secret she’s keeping, Rekke agrees to help decipher these signs before the killer strikes again. The victim was an aspiring writer, and clues from her posthumously published short story about a stray dog draw Rekke and Vargas deep into the murk of Sweden’s literary scene. To unmask the killer, Rekke must relearn the difference between fact and fiction, and discover what really happened that night back in the 1980s. In yet another intricate and exciting puzzle mystery, David Lagercrantz draws on the literary world that he—and we—know all too well to tell a story about guilt, shame, repressed memories, human depravity, and publishing.

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In 2021, the NAACP Image Award-winning poet Honorée Fanonne Jeffers made her fiction debut with The Love Songs of W.E.B. DuBois, a magisterial epic of African American historical fiction—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—chronicling the journey of one American family, from the centuries of the colonial slave trade through the Civil War, to our own tumultuous era.

Five years, and numerous awards and best-of lists later, Honorée joins the podcast on the anniversary of the novel’s publication to talk about what it meant then, what it means now, and that call from Oprah that shifted everything.

Honorée Fanonne Jeffers is an essayist, novelist, poet, and a student of United States history. She is the author of seven books spanning three genres, including the NAACP Image Award-winning poetry collection, The Age of Phillis. She was on the podcast on June 20, 2025 to discuss her book, Misbehaving at the Crossroad: Essays and Writing. You can find Honorée on Substack, Facebook, and Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Three Tenses (Random House, 2026) by Ed Park is not quite a memoir, not quite fiction, not quite poetry and not quite prose—and yet it transcends the sum of all its not-quite parts as a resonant portrait of its young artist. Written when he was 28, Park’s “transmission from the nineties” displays his more earnest, more vulnerable version: a writer toiling away in upstart obscurity, working thankless New York jobs, who has yet to reach the triumph of publishing his first book. Three Tenses would not be that book. Instead, Park stashed it away in a manilla folder. Fast forward to the dog days of the pandemic, 2020, when Park rediscovered his old manuscript, tinkering with it while he worked on other projects, including his novel Same Bed, Different Dreams, which went on to be a Pulitzer Prize finalist after its 2023 publication. Fascinated and charmed by its lack of convention, I knew that I wanted to speak to Park about Three Tenses, and he was kind enough to join me for a chat about the process of confronting—and publishing—his younger self. 

Ed Park is the author of the novels Same Bed, Different Dreams, a finalist for the Pulitzer Prize and the winner of the Los Angeles Times Book Prize, and Personal Days, a finalist for the PEN/Hemingway Award, as well as the story collection An Oral History of Atlantis. He is a founding editor of The Believer, and his writing appears in The New Yorker, the New York Review of Books, Harper's, The Atlantic, and other publications. In 2025, he received the Arts and Letters Award from the American Academy of Arts and Letters and the Deborah Pease Prize from A Public Space

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For our pandemic-era Books in Dark Times (our first ever Special Series!) Elizabeth and John discussed books that were keeping us afloat, barely afloat, way back in April 2020. Memory lane, here we come!

A book you might not think would be so comforting starts it off, Daniel Defoe’s A Journal of the Plague Year (1722) about the plague in London “during the last Great Visitation in 1665.” Classroom resource for Great Plague of 1665-1666 here

Probably based on the journals of Defoe’s uncle Henry Foe, the Journal comforts Elizabeth by its similarities to our current situation, providing a sense of continuity to our forebears. Even if that continuity is through our epidemiological vulnerabilities and our incapacity for coordinated action.

Second, because some aspects of what happened in 1665 seem so familiar, from detailed discussions of the “weekly bills” of dead in each parish and how to interpret them, to arguments over social isolation, contact tracing, the ethics of leaving London for second homes in the country, and the devastating secondary effects of lost commercial activity:

Thirdly: at least it’s not the bubonic plague.

Elizabeth’s love for the 47 novels of Anthony Trollope (or 35 of them, anyways) kicks off a final foray into the deeply comforting books of our childhood–and a discussion of how fantasy nestles into the ordinary.

Mentioned in this episode:

• Daniel Defoe, The Life and Adventures of Robinson Crusoe (1719)
• E. M. Forester, The Machine Stops (1909)
• Anthony Trollope, The Warden (1855)
• Frank Capra, It Happened One Night (1934)
• Richard Llewellyn, How Green Was My Valley (1939)
• Louisa May Alcott, Little Women (1868)
• E. Nesbit, Five Children and It (1902), The Railway Children (1905)
• Read the transcript here; Episode 26 Ferry Plotz

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In All We Hide (Soho Crime 2026), after Lauren Kelly transitions to female in a small-town District Attorney’s Office, her bosses do whatever they can to push her into retirement. Now stuck in the Homicide Cold Case unit, she investigates the 20-year-old murder of a trans sex-worker whom she knew in high school. Already grappling with a teenage daughter, an ex-wife she still loves, and her father, a former cop struggling with Alzheimer’s, Lauren discovers evidence of a cover up. She’s stunned to find troubling connections to her family, calls her famous film star brother for support, and assembles a team. Someone is definitely trying to stop her. 
Robyn Gigl is an attorney and the author of the critically acclaimed Erin McCabe Legal Thrillers, which include: Survivor’s Guilt, named one of the 100 best Mystery/Thriller Books of All Time by TIME Magazine, and winner of the Joseph Hansen Award for LGBTQ+ Crime Writing; By Way of Sorrow, selected by CrimeReads as one of the best crime novels of the year; Remain Silent, a Joseph Hansen Award nominee; and Nothing but the Truth, named one of the best crime novels of 2024 by the New York Times. When she's not writing, practicing law or hanging out with her granddaughters, she loves to go for a jog along the boardwalk at the Jersey Shore.

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Beloved author and winner of The Story Prize, Paul Yoon, is back with the unforgettable story of a working dog, Etna, who, after a devastating war, embarks on an odyssey in the hopes of returning home.
Set in a fictional country in the present day, this is a story told through the eyes of an ex-military dog, Etna. After surviving years of a devastating war, Etna decides one night to leave the men he has fought alongside for years and return home—to the place where he was taken from when he was young, in the thin but persistent hope that if a home exists for him, it might be there.
Thus begins an exhilarating odyssey told through the eyes of a dog as he traverses across ruined landscapes and fights to survive in a world that, even in peacetime, proves to be just as precarious. Along the way, he encounters other animals and humans who are attempting to figure out how to start again. What makes a life when there is no home to go back to? How do we begin to trust each other again after such profound loss?
Etna (Scribner, 2026) is a novel about the power of an idea, about never giving up, and ultimately a novel about finding hope in the most dire of times.

Paul Yoon is the author of five previous works of fiction: Once the Shore, a New York Times notable book; Snow Hunters, winner of the Young Lions Fiction Award; The Mountain, an NPR Best Book of the Year; Run to Earth, a Time Must-Read Book of 2020 also longlisted for the Andrew Carnegie Medal for Excellence in Fiction; and The Hive and the Honey, winner of the 20th annual Story Prize and longlisted for the Joyce Carol Oates Prize.

Recommended Books:

• Maria Stepanova, The Disappearing Act
• Johnathan Buckley, One Boat

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Angelica Cheng's YA rom-com, The Fast Track (Simon & Schuster Books for Young Readers, 2026) brings readers into the world of F1 racing. Justine Kwong has always dreamed of becoming a Formula 1 champion. There’s just one problem: no female driver has ever done it before. So when she’s offered a coveted chance to race in Formula 3, she leaps at the opportunity. Sure, half the fans think she’s just there to fill a diversity quota, and her teammate—the infuriatingly cute Cameron Evans—mistakes her for an intern, but Justine knows her talent will leave them all in the dust.
But driving well isn’t the only prerequisite to getting noticed, and Justine’s forced to fend for herself in a sea of prejudice, paparazzi, and petty backstabbing. There’s a lot riding on her ability to navigate the complicated trackside hierarchy—like the open F2 seat that could be her ticket to the big leagues.
Except…when Justine and Cameron’s bickering gives way to unexpected chemistry, the boy she’s falling for may be the one person standing in the way of her dreams—because while they may be teammates, they are also each other’s biggest competitor. And with her only shot at glory on the line, this race could break more than just hearts.

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I love Rhys Bowen’s historical mystery series, especially Her Royal Spyness books, which feature Lady Georgiana Rannoch. The Castle in the Glen (Lake Union Publishing, 2026) appears to be a standalone, although there’s room for it to develop into a series if the author so decides

The novel opens with an excerpt from The Wild Girl, a work-in-progress by an acclaimed mystery writer, Iris Blackburn (to quote from the Cast of Characters, “Think Agatha Christie”). Set on the Isle of Skye, off Scotland’s western coast, The Wild Girl purports to be the first case of Iris Blackburn’s pet detective, Inspector Melrose. But Iris, who’s approaching eighty and suffering from early-stage dementia, hires a young Australian named Emma Callander, whose first book recently appeared in London to great acclaim, to finish the novel.

To secure Emma’s agreement, Iris offers an all-expenses-paid trip to Skye, where Emma can absorb the atmosphere, appreciate the setting, and connect with the character of Inspector Melrose before sitting down to write. Only after Emma reaches the island does she begin to suspect that the fictional mystery may not be fiction after all.

Bowen juggles the three historical timelines—1904, the time of the original deaths; 1932, when Iris visited Skye; and Emma/Iris in 1965—with her usual aplomb. She also leaps nimbly between the novel and the novel-within-the-novel, which Emma reads so that she can get a sense of what the book needs and how she can contribute to finishing Iris’s story. The result is a delightful tale that never takes itself too seriously yet kept me turning pages to the end.

And if you’ve never visited Skye yourself, it really is exactly as described. That I have such vivid and fond memories of my short time there just added to my appreciation of the novel.

Rhys Bowen’s work has sold close to 10 million copies in over 30 languages. She has been nominated for every major mystery award and has won multiple Agatha, Anthony, and Macavity Awards. Her books include the Royal Spyness and Molly Murphy historical mysteries, as well as several international bestselling stand-alone novels. The Castle in the Glen is her latest book. Find out more at here. 

C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels, including one co-written with P.K. Adams. Her next book, Song of the Silk Weaver, will appear in September 2026.

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Lauren Delapenha speaks to Emily Everett about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her process and revision methods, her time at the Disquiet Literary Program in Lisbon, and how balancing both teaching and writing challenges her.

Lauren is a Jamaican poet and English teacher. She earned her master’s in creative writing from the University of Oxford, and her work has received an Oxbelly Fellowship, a Helen Zell and Jamaica Poet Laureate’s Young Writers Prize for Poetry, a Grindstone International Poetry Prize, and two Pushcart nominations. She currently lives and teaches in Connecticut.

­­Read Lauren’s poems in The Common here.

Learn more about her work here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese’s Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

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After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?
Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.
Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.

Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney’s Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast.

Recommended Books:

• Ben Lerner, Transcription
• Libby Edwardson, We Sent Them Down Singing
• Daniel Mason, Country People

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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In this episode of the New Books Network, we talk with Jeremy Tiang about his English translation of The Formosa Exchange (Honford Star, 2026)—which will be released on September 18, 2026 (but is available for preorder).
Tiang is a novelist, playwright, and translator based in New York. He has translated more than thirty books from Chinese to English—including Zou Jingzhi's Ninth Building, longlisted for the 2023 International Booker Prize—and has served as a judge for the National Book Award for translated literature. Beyond translation, his novel State of Emergency won the Singapore Literature Prize in 2018, and his play Salesman之死 won a Obie Award for Outstanding New Play in 2023.

Originally published in Mandarin in 2021 as 新寶島 and winner of that year's Taiwan Literature Award, The Formosa Exchange is a work of speculative fiction by Taiwanese novelist Huang Chongkai (黃崇凱). The novel kicks off with a fantastical occurrence: one night, the entire populations of Taiwan and Cuba swap places, with Taiwanese people ending up on the island of Cuba and Cuban people on the island of Taiwan. This “Great Exchange” becomes a lens for examining national identity, indigeneity, and colonialism, especially with reference to Taiwan’s and Cuba's shared position in the shadow of their much larger neighbors of China and the United States.

Scholars and learners across history, political science, anthropology, literature, and beyond will find much food for thought in The Formosa Exchange. The novel is dense with allusions—it nods to Western thinkers like John Mearsheimer and Claude Lévi-Strauss, while also weaving in references to Taiwanese and Cuban literature, art, and film.

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.

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