Today’s conversation is an archival recording from 2021 with the Moroccan writer and filmmaker Abdellah Taïa discussing his novel A Country For Dying, translated by Emma Ramadan and winner of the 2021 PEN Translation Award. We talk about voice in relation to self, story in relation to truth, writing in one’s second language, particularly a language imposed by colonization, about making that tongue bend to one’s reality, about being both Muslim and gay (as well as being the first openly homosexual Arab writer from Morocco), about why it is important not to write characters who are good, or only so, about Isabelle Adjani, the Zulawski film Possession, the role of possession and djinns in his work, and about creating a literature that does not itself come from literature, that does not come from books or speak to them.

A great complement to today’s conversation with Abdellah is the hour-long conversation with his translator Emma Ramadan which joins the Between the Covers bonus audio archive. Emma talks about what attracts her to Abdellah’s writing, about the resonances she sees between his work and that of Marguerite Duras, about the challenges of bringing his work into English, about translating explicit sex scenes, gender pronouns and gendered words, about sexism in the translation industry, about the benefits of co-translation, and about the relationship of translation to the body. To find out how to subscribe to the bonus audio and the many other potential benefits of becoming a listener-supporter of the show head over to the Between the Covers Patreon Page.

Don’t miss the BookShop associated with today’s conversation, as well as, for your more general book needs, the Milkweed Editions Bookshop bookstore.

Today’s episode, recorded live at the 2nd annual Portland Poetry Confluence, is a conversation between two National Book Award winners, Lena Khalaf Tuffaha in poetry and Omar El Akkad in prose. We use the essay “Notes on Craft: Writing in the Hour of Genocide,” by Palestinian poet and performance artist Fargo Tbakhi, as a frame under which to look at writing at a time of great political urgency within their respective genres. Questions of audience and address, silence and silencing, gestures on the page and gestures in the world, and how to continue to make art at a time when everything is moving decidedly the wrong way. Today’s conversation was conceived by Literary Portland for Palestine and raised money for two Palestinian families supported by Creators for Gaza.

If you enjoyed today’s conversation consider supporting the Portland Poetry Confluence and Creators for Gaza in your holiday giving. And consider joining the Between the Covers community as a listener-supporter. One of many potential benefits and rewards of doing so is access to the bonus audio archive with contributions from Omar El Akkad, Isabella Hammad, Dionne Brand, Christina Sharpe, and Layli Long Soldier among many others. Find out more at the show’s Patreon page.

Lastly, here is the conversation-specific BookShop for today’s episode (and for your general book needs don’t miss Milkweed Editions’ own Bookshop).

Ursula K. Le Guin titled her introduction to Ursula K. Le Guin: Conversations on Writing “Fear and Loathing in the Interview,” and in it she said: “The good interview is like a good badminton rally: you know right away that the two of you can keep that birdie in the air, and all you have to do is watch it fly. Facing each other for the first time in one of KBOO’s lovable, terminally funky recording rooms, David and I were a bit stiff and shy, but we soon got going, and I knew our bird was on the wing.”

Lidia Yuknavitch, whose own life, like mine, intersected with Ursula’s, and whose writing engages with and is enlivened by Ursula’s work, joined me at Powell’s Bookstore in downtown Portland to celebrate the launch of the reissue of this book. Together we explore Ursula’s thoughts on craft, on prose versus poetry, fantasy versus realism, the political in relation to the artistic, and her fascinating relationship to her own imperfections, namely how she enacted self-revision while facing her reading public.

If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. You can find out about all the potential rewards and benefits of doing so at the show’s Patreon page.

Finally, here is the conversation-specific BookShop for today’s episode (and for your more general book shopping needs don’t miss Milkweed Editions Bookshop bookstore as well).

Layli Long Soldier returns to the show to discuss her latest remarkable poetry collection We (and/or Wé). We talk about these two connotations of we/wé, the questions of address, audience, identity and kinship implicit in them both. We explore the many visual art installations documented within We and how they intersect with both poetry and community. We explore what it means to treat a poem, not yet finished, as having its own desires and needs different than yours. And we look at language and the law, navigating thorny questions of language as a tool and as a weapon when it comes to treaties, to Land Back, and Layli’s art and writing practice engaging with it all.

If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. One of the many things you can choose from when you do is access to the bonus audio archive with contributions from many past guests including: Layli Long Soldier, Leanne Betasamosake Simpson, Dionne Brand, Arthur Sze, Ada Limón, Omar El Akkad, Danez Smith, Christina Sharpe, Alice Oswald and many others. Find out more at the show’s Patreon page.

Finally, here is the episode-specific BookShop for today’s conversation with Layli. And for your general book shopping needs, don’t miss Milkweed Editions BookShop as well.

Today’s unforgettable archival conversation with Elvia Wilk was recorded in-person in 2019 on the occasion of the release of her debut novel Oval. Wilk takes questions of self and other, nature and culture, human and non-human into the dystopic near-future and into the realm of both philosophy and narrative. We discuss her writings outside of the novel about weird fiction, the literary movement called The New Weird, and how she herself often writes about weird (but real) endeavors that blur the natural and the artificial or that flip our preconceptions on our head. From exploitation and exclusion in the art world to global climate apocalypse, Wilk’s weird fiction makes us see the world frightfully anew. As McKenzie Wark says, “J. G. Ballard meets William Gibson meets Jeff VanderMeer. Oval is an up-to-the-minute story about the twilight zones of corporate design, aesthetics, pharmacy, and bioengineering, where there’s nothing consultants won’t break in the quest for ‘innovation.’ What could possibly go wrong? Find out in Elvia Wilk’s crisp and stylish debut book.”

For the bonus audio, Elvia contributed a reading of the first half of a speech she delivered at an ecology symposium, her talk called “Death by Landscape.” This joins an ever-growing archive of contributions from past guests—of readings, translator conversations, craft talks, music, soundscapes and more. To find out how to subscribe to the bonus material and about the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page.

Finally, for your book shopping needs don’t miss Milkweed Editions Bookshop bookstore.

Today’s archival episode with Marlon James was recorded in 2019 at the studios of KBOO community radio. Marlon’s latest book The Disappearers has garnered the most talked about book review of this year, from the New York Times book critic Dwight Garner (who isn’t known to gush). Not only did he say it should be talked about alongside Faulkner’s Absalom, Absalom, Morrison’s Song of Solomon, and Rushdie’s Midnight’s Children, Garner also called it one of the signal reading experiences of his adult life, a masterpiece, the novel of the decade and possibly of the century so far. The book we discussed seven years ago now, was James’ move into fantasy and myth, a novel that won the 2020 Locus Award for Best Horror, Black Leopard, Red Wolf. The science fiction and fantasy author and critic Amal El-Mohtar, perplexed by all the comparisons of it to George R.R. Martin and J.R.R. Tolkien suggested at the time that it was more as if Toni Morrison had written Ovid’s Metamorphoses: “Painful and strange, full of bodies shifting from personhood into meat, and somehow, always, still, upsettingly beautiful. This isn’t Tolkien’s grief-stricken melancholy, or Martin’s calculating, character-forward plot mechanics; it’s horror and tragedy by way of fantasy, nothing discrete, everything penetrating everything else. Reading Black Leopard, Red Wolf was like being slowly eaten by a bear, one inviting me to feel every pressure of tooth and claw tearing into me, asking me to contemplate the intimacy of violation and occasionally cracking a joke.”

For the bonus audio archive Marlon reads his essay “Why I’m Done Talking About Diversity (or, Why We Should Try an All-White Diversity Panel).” We also added his 2015 Tin House Summer Writing Workshop craft lecture “The 9 and 1/2 Rules of Seduction” to the archive. These join many contributions from past guests including Ted Chiang, China Miéville, N.K. Jemisin, Joe Sacco, Naomi Klein, Carl Phillips, Dionne Brand and many others. To learn about how to subscribe to the bonus audio, as well as about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page.

Finally, for your book shopping needs, don’t miss Milkweed Editions bookstore on BookShop.

China Miéville’s much-anticipated new book The Rouse is twenty-one years in the making. He was writing it when he wrote The City & The City and Embassytown. He was writing it when he wrote October: The Story of the Russian Revolution and A Spectre Haunting: On the Communist Manifesto. He was writing it when he wrote children’s books, comics and his latest collaborative novel with Keanu Reeves. In other words, this novel is not only itself about epochs, and the end of them, but also itself spans many eras and iterations of China’s own life and writing life. Together we look at his many interests over the past two decades—Marxism and monsters, apophatic theology and the nature of consciousness, the failure of language, the power of it, the eerie and spooky, the terror and the horror of all that goes bump in the night—in relation to The Rouse itself.

As part of writing his 1200-page-plus new novel, China read many other big books for inspiration—from Gravity’s Rainbow to Mosquito. For the bonus audio archive China discusses one of his favorite’s: Miss MacIntosh, My Darling by Marguerite Young and reads an excerpt for us. This joins bonus material from many past guests including Ted Chiang, N.K. Jemisin, Carmen Maria Machado, Vajra Chandrasekera, and adrienne maree brown, to name a few. You can find out more about subscribing to the bonus material and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, at the show’s Patreon page.

Finally, don’t miss the BTC BookShop corresponding to today’s conversation, brimming over with all the books China references and discusses today.  And while you are at it, for your general book needs, be sure to browse the Milkweed Bookstore BookShop as well.

Today’s conversation between Thalia Field and David Naimon, moderated by Anne de Marcken, was recorded in February as part of the Pacific Northwest College of Art’s Visual Arts low residency MFA program. Thalia and David discuss and explore their pieces within the anthology Creature Needs: Writers Respond to the Science of Animal Conservation, where each writer was given a scientific study to engage with and create art in relation to. As a result, side-blotched lizards, boreal toads and the green cutthroat trout all help make up the cross-species chorus of today’s conversation, one that isn’t just about making art in relation to science, but also about interrogating, through art-making, the assumptions baked into the scientific frame, and using art to reveal the unexamined stories hidden within that frame. Looking at other non-normative modes of scientific inquiry, ones where the line isn’t so bright between art and science, nor the subjective and the so-called objective, Thalia, David and Anne explore the various possibilities and pitfalls for art-makers and writers when engaging with the more-than-human world.

If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener-supporter. Find out about all the potential rewards and benefits of doing so at the show’s Patreon page.

Finally, here is the BTC BookShop specific to today’s episode. And don’t miss Milkweed Editions own BookShop bookstore as well.

Today’s guest, poet Hajjar Baban, discusses her truly remarkable debut collection of poetry Low Flying Planes. Together we explore Kurdish poetics, the role of silence, refusal and isolation in her work, the Kurdish Poets Collective, writing lineages, and much more. Selected for the 2025 National Poetry Series by past guest of the show, poet Jake Skeets, Jake says of Low Flying Planes: “…if tradition is to be made whole, if memory, if truth, it begins with a book like this. I’m eager for the world to enter this one and emerge on the other side transformed, into a place where words are both nourished and at stake. I’m eager for this poet, for a new voice that asks us to change. It is my honor to introduce this marvelous work.”

For the bonus audio archive, Hajjar contributes an extended reading of short poems by Eugène Guillevic and a discussion of his influence on her work. This joins readings from everyone from Jorie Graham to Omar El Akkad, Dionne Brand to Isabella Hammad and more. You can learn how to subscribe to the bonus audio and about the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter at the show’s Patreon page.

Finally, here is the BTC BookShop specific for today’s episode. And don’t miss Milkweed Editions BookShop as well.

Today’s conversation with poet Morgan Parker was recorded in-person in 2019 and was Morgan’s second appearance on the show. Both conversations with Morgan are unforgettable, so don’t miss her first appearance in 2017 after you enjoy today’s episode about Magical Negro. Later that same year Magical Negro won the National Book Critics Circle Award in Poetry. Danez Smith, another past guest of this show, said this about it: “2019 justly belongs to Morgan Parker. Her poems shred me with their intelligence, dark humor and black-hearted vision. Parker is one of this generation’s best minds, able to hold herself and her world, which includes all of us, up to impossible lights, revealing every last bit of our hopes, failings, possibilities and raptures.”

For the bonus audio archive Morgan contributed a reading from her YA novel Who Put this Song on? which joins contributions from Kaveh Akbar, Tommy Pico, Dionne Brand, Nikky Finney, Natalie Diaz and more. To find out about how to subscribe to the bonus audio archive and all the other potential benefits and rewards of joining the Between the Covers community as a listener supporter, head over to the show’s Patreon page.

And don’t miss Milkweed Editions bookstore BookShop for even more books to explore.

Claudia Rankine first appeared on Between the Covers in 2014 to discuss Citizen: An American Lyric. Our first encounter back then was before January 6th or October 7th, before Trump 1.0 or Trump 2.0, before the public murder of George Floyd or the live-streamed genocide, before the fall of Roe v Wade or the massive worldwide fires felling our forests each summer. Not only do we account for the time since we last talked, Claudia’s powerful new book Triage does this very thing as well. Triage follows the lifelong contentious friendship between The Narrator and The Theorist, a Black woman and nonbinary Palestinian, who have invented a ritual of collapse, falling to the ground each time they see each other. “Collapse was an antidote to an unbearable but borne disturbance we glimpsed in the face of each other,” the narrator says. And “maybe collapsing simply was the easiest way to keep from breaking apart.” Join us as we explore Triage together, and the possibilities of becoming someone else in the face of catastrophic change.

If you enjoyed today’s program consider joining the Between the Covers community as a listener-supporter. Find out about all the potential benefits and rewards of doing so—from the Milkweed Early Reader Subscription to access to bonus contributions from everyone from Dionne Brand to Nikky Finney, Isabella Hammad to Omar El Akkad— at the show’s Patreon page.

Finally, to explore the books discussed and referenced in today’s conversation check out the Between the Covers BookShop specific for today’s episode.  And don’t miss Milkweed BookShop bookstore as well.