A deep dive into storytelling. On Story gives you inside look at the creative process of film making through the eyes of some of the entertainment industry's most prolific writers, directors and producers.
This week on On Story, we're taking a trip back in time to an interview with writer, creator, and showrunner Graham Roland, as he discusses developing his AMC series Dark Winds. Roland joined us to share the origins of the project, the creative challenges behind adapting Tony Hillerman's iconic novels, and what excited him most about bringing these characters to the screen. Let's dive into his conversation and hear his thoughts on crafting Dark Winds.
This week on On Story, Clint Bentley will talk to us about his work writing and directing Train Dreams.
Train Dreams recounts the life of Robert Granier, an early 20th century logger and railway construction worker played by Joel Edgerton. Granier works in seasons, and his work keeps him separated from his family for months at a time. Throughout the story, Granier is haunted by the violence he's witnessed in the course of his work, and he spends his life searching for meaning in the face of a world that seems to destroy and reconstruct itself around him at breakneck speed. Clint Bentley, and his writing partner Greg Kwedar, adapted the script from Denis Johnson's 2011 novella of the same name.
Clips of Train Dreams courtesy of BBP Train Dreams, LLC
This week on On Story, we're joined by screenwriter Austin Kolodney for a conversation on the historical crime thriller Dead Man's Wire.
The film is based on the true story of a 1977 kidnapping carried out by Tony Kiritsis. Kiritsis believed that his mortgage broker, Richard O. Hall, was conspiring to unjustly seize Kiritsis' property for himself. On a cold February morning in 1977, Kiritsis went to Hall's office and wired the muzzle of a sawed-off shotgun to Hall's neck. The trigger of the gun was connected to Hall by a "dead man's wire" meaning that if Hall tried to run, or if anyone tried to intervene in the crime, the gun would fire, and Hall would be killed. Kiritsis' demands were clear: he wanted five million dollars, freedom from prosecution, and an apology.
But before we travel back to 1977, we recommend you follow On Story wherever you get your podcasts. Are you under the gun trying to finish your screenplay? With a wide range of experience writing across film and television, our guests are here to help.This week on On Story, we're joined by a titan of the action genre, Christopher McQuarrie, for a behind the scenes deep dive into Top Gun: Maverick.
But before we ride into the sunset, we recommend you follow On Story wherever you get your podcasts. Sometimes finishing your screenplay can feel like trying to land an F-14 Tomcat with a blown out engine and an empty gas tank, but, armed with a wide range of experience writing across film and television, our amazing guests are here to bring you home.
This week on On Story, we're talking to Rian Johnson about his process writing and directing Wake Up Dead Man: A Knives Out Mystery.
This third installment of the Knives Out series follows an ambitious young Catholic priest, and former boxer, named Jud Duplencity. Jud teams up with detective Benoit Blanc after the divisive Monsignor of his small, rural parish is murdered mid-sermon.
Outside of the Knives Out series, Johnson has two decades of experience writing and directing in the mystery and sci-fi genres. He made his directorial debut in 2005 with Brick, a neo-noir mystery set in a suburban high school. He dove into the sci-fi genre in 2012, with his time-travel action epic, Looper. Next, he served as the writer-director for Star Wars: The Last Jedi, the second installment of the Star Wars sequel trilogy. In addition to his work on film, Johnson has also directed episodes of Breaking Bad, and created the "case of the week" crime-comedy series Poker Face.
Rian Johnson sat down with AFF moderator Casey Baron for a post-screening Q&A for his newest feature, Wake Up Dead Man: A Knives Out Mystery.
This week on On Story, we're joined by Susan Soon He Stanton for a look inside the writers room of the hit HBO drama, Succession. Succession centers on the Roy family, the ultra-rich owners of a global media conglomerate called Waystar RoyCo. The family business is spearheaded by aging patriarch, Logan Roy. As Logan's ability to lead the company becomes more and more uncertain, his adult children fight to out-maneuver their Father, and each other, to seize control. Each of the Roy children enters this fight for power carrying baggage from their bizarre upbringings within this cold, dysfunctional family. Succession was nominated for the Emmy Award for Outstanding Drama Series for each of its four seasons, and won the award three times.
Susan Soon He Stanton joined the writers room in Succession's first season, and continued to write for the show throughout its entire run. She has written for theater, television, and film. Succession was her first experience working in a television writers room. She has also worked as a writer on the TV series Dead Ringers, Modern Love, Conversations with Friends, and The Baby. Stanton sat down with AFF moderator R.B. Brenner to talk about what it was like bringing her playwriting experience into the writers room, and the challenge of writing in each character's specific voice. Succession clips courtesy of Home Box Office, Inc.First up, a conversation with Kemp Powers on his experience co-directing Spider-Man: Across the Spider-Verse, the sequel to the 2018 Oscar-winner, Spider-Man: Into the Spider-Verse. The second installment continues the story of friendly neighborhood Spider-Man, Miles Morales, as he is catapulted from his home in Brooklyn, through the multi-verse. In a neighboring universe, Miles encounters a multi-dimensional network of Spider-People, known as the Spider-Society. When Miles clashes with the other superheroes, he has to set out on his own to save the ones he loves.
Co-director Kemp Powers began his career in journalism, before pursuing playwriting. He wrote the screenplay for Regina King's directorial debut, One Night in Miami, which he adapted from his own play of the same name. That script earned him his first Academy Award nomination for Best Adapted Screenplay. In 2018, Powers began his work in animated film, serving as the co-writer and co-director of the fantasy film, Soul. Soul follows a middle school teacher, and aspiring pianist, who falls into a coma, and must reunite his soul with his body in time to play in a famous Jazz quartet, and earn his big break as a musician.
Powers sat down with Evan Narcisse, a comic book writer, journalist, and videogame narrative designer. He has written comic books published by Marvel Comics, including his limited series The Rise of the Black Panther, which he co-wrote with Ta-Nehisi Coates. Narcisse worked as the narrative design consultant for the videogame Marvel's Spider-Man: Miles Morales.
Powers joined Narcisse for an insightful conversation on learning to write for multiple different mediums, the social responsibility of being a Black creative, and the unique process of collaborating with animators.
Clips of Spider-Man: Across the Spider-Verse courtesy of Sony Pictures Animation Inc.
Clips of Spider-Man: Into the Spider-Verse courtesy of Sony Pictures Animation Inc.
Clips of One Night in Miami courtesy of Hampton King Louisiana Productions, LLC
Clips of Soul courtsey of Pixax and Disney Enterprises, Inc