Austin Film Festival's On Story

Austin Film Festival

A deep dive into storytelling. On Story gives you inside look at the creative process of film making through the eyes of some of the entertainment industry's most prolific writers, directors and producers.

  • 24 minutes 48 seconds
    The Writer's Toolkit: Inspiration
    Next Up, we're joined by three accomplished writers, Virgil Williams, Nicole Perlman, and Scott Rosenberg, for a conversation on finding and maintaining inspiration. Virgil Williams began his career in television, writing on 24 and ER. In 2011 Williams joined the writing staff of the grisly FBI procedural Criminal Minds, and stayed on for a six-season run as a writer and producer. Williams earned an Academy Award nomination for Best Adapted Screenplay for his work writing the script for the 2017 historical drama Mudbound, following the clash between two Southern families as they grapple with the effects of racism and PTSD after World War II. Next, Williams wrote the script for the romantic drama A Journal for Jordan, based on the memoir by Pulitzer Prize winning journalist Dana Canedy. Williams collaborated with filmmaker Malcolm Washington to co-write the script for The Piano Lesson, based on the play by August Wilson. The script blends traditional family drama with elements of horror and magical realism. Nicole Perlman broke into the film industry via Marvel's screenwriting program, where she selected the Guardians of the Galaxy comics as the basis for a film adaptation. Perlman is credited as a co-writer on Guardians of the Galaxy Vol. 1, alongside the film's director James Gunn. Perlman also co-wrote the story for Captain Marvel and Detective Pikachu. Recently Perlman has been working as an executive producer on the police procedural CIA, created by Dick Wolf and David Hudgins. Scott Rosenberg has been writing for film and TV since the 90s. His early film projects include Things to do in Denver When You're Dead, Con Air, Disturbing Behavior, and High Fidelity. He also worked as a writer on the horror anthology Tales from the Crypt, and has worked as a writer-producer on shows like Life on Mars, and Zoo. More recently, Rosenberg served as an executive producer for Everything Sucks! and the TV adaptation of High Fidelity starring Zoë Kravitz. Rosenberg co-wrote the Jumanji: Welcome to the Jungle, and Jumanji: The Next Level, as well as the superhero film Venom. AFF moderator Greg Garrett sat down with Scott Rosenberg, along with Nicole Perlman, and Virgil Williams, for a conversation on the drive, discipline, and routines which help them develop an idea from inspiration to completion.
    22 April 2026, 4:00 pm
  • 25 minutes 20 seconds
    On Wicked, with Winnie Holzman and Dana Fox
    This week on On Story, a conversation with screenwriters Winnie Holzman and Dana Fox, on the years-long labor of love that brought Wicked from the stage to the big screen. Wicked takes us back in time to before the events of the classic film The Wonderful Wizard of Oz. The story follows Elphaba Thropp, played by Cynthia Erivo, a misunderstood outcast who was born with green skin, and magical powers that she can't always control. While escorting her younger sister to her first day at university, Elphaba accidentally uses her powers in an emotional outburst. The university's Dean of Sorcery sees this display and decides to take Elphaba under her wing and privately tutor her. Elphaba accepts in the hope that she can fulfil her lifelong dream of working with The Wizard of Oz, who she believes will see past her unusual exterior and value her for her magical talents. Elphaba finds herself reluctantly sharing a room with the popular and wealthy Galinda, played by Ariana Granda. The pair clash and compete for academic attention, before forming an unlikely friendship. But, when Elphaba learns about the mounting oppression of Oz's population of anthropomorphic animals, she is forced to make a choice between being accepted into Oz's ruling class, or standing up for what she believes in. Wicked was the first in a two-film series, followed by Wicked: For Good. Winnie Holzman has been writing in the world of Oz since the late 90s, when she wrote the book for the stage musical Wicked, alongside composer and lyricist Stephen Schwartz. The stage musical was inspired by the novel Wicked: The Life and Times of the Wicked Witch of the West, written by Gregory Maguire. Holzman has been drafting the film adaptation for the last decade, with the process moving into hyper-speed once her co-writer Dana Fox, and director Jon M. Chu joined the project. She also created the edgy 90s teen drama My So Called Life. Her other TV writing credits include Thirtysomething, and Huge, and she has appeared as an actor in Jerry Maguire, Curb Your Enthusiasm, and more. Co-writer Dana Fox broke into the industry writing romantic comedy films including The Wedding Date, What Happens in Vegas, and Isn't it Romantic. More recently, Fox co-wrote the script for the 2021 film Cruella, starring Emma Stone as Cruella de Vil. Dana Fox and Winnie Holzman sat down with AFF moderator Erin Hallagan Clare to talk about worldbuilding, the process of adaptation, and writing an emotionally grounded story in the movie-musical Wicked. Clips of Wicked courtesy of Universal City Studios Productions LLLP
    8 April 2026, 9:29 pm
  • 22 minutes 32 seconds
    Refeed: On Dark Winds

    This week on On Story, we're taking a trip back in time to an interview with writer, creator, and showrunner Graham Roland, as he discusses developing his AMC series Dark Winds. Roland joined us to share the origins of the project, the creative challenges behind adapting Tony Hillerman's iconic novels, and what excited him most about bringing these characters to the screen. Let's dive into his conversation and hear his thoughts on crafting Dark Winds.

    25 March 2026, 5:14 pm
  • 35 minutes 10 seconds
    On Train Dreams, with Clint Bentley

    This week on On Story, Clint Bentley will talk to us about his work writing and directing Train Dreams.

    Train Dreams recounts the life of Robert Granier, an early 20th century logger and railway construction worker played by Joel Edgerton. Granier works in seasons, and his work keeps him separated from his family for months at a time. Throughout the story, Granier is haunted by the violence he's witnessed in the course of his work, and he spends his life searching for meaning in the face of a world that seems to destroy and reconstruct itself around him at breakneck speed. Clint Bentley, and his writing partner Greg Kwedar, adapted the script from Denis Johnson's 2011 novella of the same name.

    Clips of Train Dreams courtesy of BBP Train Dreams, LLC

    11 March 2026, 4:00 pm
  • 16 minutes 20 seconds
    Dead Man's Wire Q&A with Austin Kolodney

    This week on On Story, we're joined by screenwriter Austin Kolodney for a conversation on the historical crime thriller Dead Man's Wire.

    The film is based on the true story of a 1977 kidnapping carried out by Tony Kiritsis. Kiritsis believed that his mortgage broker, Richard O. Hall, was conspiring to unjustly seize Kiritsis' property for himself. On a cold February morning in 1977, Kiritsis went to Hall's office and wired the muzzle of a sawed-off shotgun to Hall's neck. The trigger of the gun was connected to Hall by a "dead man's wire" meaning that if Hall tried to run, or if anyone tried to intervene in the crime, the gun would fire, and Hall would be killed. Kiritsis' demands were clear: he wanted five million dollars, freedom from prosecution, and an apology.

    But before we travel back to 1977, we recommend you follow On Story wherever you get your podcasts. Are you under the gun trying to finish your screenplay? With a wide range of experience writing across film and television, our guests are here to help.
    25 February 2026, 7:29 pm
  • 26 minutes 51 seconds
    Dissecting Top Gun, with Christopher McQuarrie

    This week on On Story, we're joined by a titan of the action genre, Christopher McQuarrie, for a behind the scenes deep dive into Top Gun: Maverick.

    But before we ride into the sunset, we recommend you follow On Story wherever you get your podcasts. Sometimes finishing your screenplay can feel like trying to land an F-14 Tomcat with a blown out engine and an empty gas tank, but, armed with a wide range of experience writing across film and television, our amazing guests are here to bring you home.

    11 February 2026, 5:00 pm
  • 25 minutes 56 seconds
    Wake Up Dead Man: A Knives Out Mystery Q&A, with Rian Johnson

    This week on On Story, we're talking to Rian Johnson about his process writing and directing Wake Up Dead Man: A Knives Out Mystery.

    This third installment of the Knives Out series follows an ambitious young Catholic priest, and former boxer, named Jud Duplencity. Jud teams up with detective Benoit Blanc after the divisive Monsignor of his small, rural parish is murdered mid-sermon.

    Outside of the Knives Out series, Johnson has two decades of experience writing and directing in the mystery and sci-fi genres. He made his directorial debut in 2005 with Brick, a neo-noir mystery set in a suburban high school. He dove into the sci-fi genre in 2012, with his time-travel action epic, Looper. Next, he served as the writer-director for Star Wars: The Last Jedi, the second installment of the Star Wars sequel trilogy. In addition to his work on film, Johnson has also directed episodes of Breaking Bad, and created the "case of the week" crime-comedy series Poker Face.

    Rian Johnson sat down with AFF moderator Casey Baron for a post-screening Q&A for his newest feature, Wake Up Dead Man: A Knives Out Mystery.

    28 January 2026, 5:00 pm
  • 28 minutes 22 seconds
    The Prestige Miniseries, with Craig Mazin and Marissa Jo Cerar
    This week on On Story, a conversation on the prestige miniseries with Craig Mazin and Marissa Jo Cerar. Craig Mazin is the creator, writer, and executive producer of HBO's Emmy-winning limited series Chernobyl. Chernobyl is a five-episode historical drama following the events leading up to the Chernobyl disaster and the cleanup efforts that followed. Mazin is also known for co-creating and co-writing HBO's The Last of Us, and for his work on comedy films such as Scary Movie 3, and Identity Thief. Marissa Jo Cerar is the creator of the NAACP Image Award-winning miniseries Women of the Movement. Women of the Movement centers on the true story of Mamie Till-Mobley, who dedicated her life to seeking justice for her son Emmett Till, who was lynched in 1955. Cerar is also the creator of the Hulu series Black Cake, and has worked as a writer on The Handmaid's Tale, and 13 Reasons Why. Cerar and Mazin joined AFF moderator Fabienne Harford for a conversation on the advantages of writing for a limited series, and how they decided that the limited series was the right format for their respective stories. Clips of Chernobyl courtsey of Home Box Office, Inc. Clips of The Last of Us courtesy of Home Box Office, Inc. Clips of Women of the Movement courtesy of Kapital Entertainment, LLC. Clips of Black Cake courtsey of Kapital Entertainment, LLC. Clips of the Handmaid's Tale courtesy of MGM Television Entertainment, Inc. Clips of 13 Reasons Why courtesy of Paramount Television Studios.
    15 January 2026, 5:00 pm
  • 23 minutes 13 seconds
    Succession, with Susan Soon He Stanton

    This week on On Story, we're joined by Susan Soon He Stanton for a look inside the writers room of the hit HBO drama, Succession. Succession centers on the Roy family, the ultra-rich owners of a global media conglomerate called Waystar RoyCo. The family business is spearheaded by aging patriarch, Logan Roy. As Logan's ability to lead the company becomes more and more uncertain, his adult children fight to out-maneuver their Father, and each other, to seize control. Each of the Roy children enters this fight for power carrying baggage from their bizarre upbringings within this cold, dysfunctional family. Succession was nominated for the Emmy Award for Outstanding Drama Series for each of its four seasons, and won the award three times.

    Susan Soon He Stanton joined the writers room in Succession's first season, and continued to write for the show throughout its entire run. She has written for theater, television, and film. Succession was her first experience working in a television writers room. She has also worked as a writer on the TV series Dead Ringers, Modern Love, Conversations with Friends, and The Baby. Stanton sat down with AFF moderator R.B. Brenner to talk about what it was like bringing her playwriting experience into the writers room, and the challenge of writing in each character's specific voice. Succession clips courtesy of Home Box Office, Inc.
    7 January 2026, 5:00 pm
  • 26 minutes 18 seconds
    Bojack Horseman, with Allison Flierl and Joe Lawson
    This week on On Story, a conversation on the animated tragicomedy series Bojack Horseman with two of its writers, Alison Flierl and Joe Lawson. The series follows Bojack, a washed-up former sitcom star who's trying to stage a comeback in Hollywood, while fighting against his own addiction and self-destructive tendencies. Bojack is also an anthropomorphic horse inhabiting a world where humans and animals live side-by side. The series, which ran for six seasons on Netflix, features the voice acting talents of Will Arnett, Amy Sedaris, Aaron Paul, and a rotating cast of celebrity cameos. Before writing for Bojack Horseman, Joe Lawson worked as a writer on Shameless, Modern Family, and This is Us. More recently, Lawson worked as a writer on Rian Johnson's case-of-the-week murder mystery series, Poker Face. Lawson is joined by his fellow Bojack writer, Alison Flierl, whose other writing credits include Conan, and the School of Rock TV series. Flierl and Lawson sat down with AFF moderator Harrison Glaser to discuss their love-hate relationship with the character of Bojack, and how working in an animated medium allowed them to tackle surprisingly serious topics. Clips of Bojack Horseman courtesy of BoJack Productions LLC.
    17 December 2025, 5:00 pm
  • 24 minutes 58 seconds
    A Conversation with Kemp Powers

    First up, a conversation with Kemp Powers on his experience co-directing Spider-Man: Across the Spider-Verse, the sequel to the 2018 Oscar-winner, Spider-Man: Into the Spider-Verse. The second installment continues the story of friendly neighborhood Spider-Man, Miles Morales, as he is catapulted from his home in Brooklyn, through the multi-verse. In a neighboring universe, Miles encounters a multi-dimensional network of Spider-People, known as the Spider-Society. When Miles clashes with the other superheroes, he has to set out on his own to save the ones he loves.

    Co-director Kemp Powers began his career in journalism, before pursuing playwriting. He wrote the screenplay for Regina King's directorial debut, One Night in Miami, which he adapted from his own play of the same name. That script earned him his first Academy Award nomination for Best Adapted Screenplay. In 2018, Powers began his work in animated film, serving as the co-writer and co-director of the fantasy film, Soul. Soul follows a middle school teacher, and aspiring pianist, who falls into a coma, and must reunite his soul with his body in time to play in a famous Jazz quartet, and earn his big break as a musician.

    Powers sat down with Evan Narcisse, a comic book writer, journalist, and videogame narrative designer. He has written comic books published by Marvel Comics, including his limited series The Rise of the Black Panther, which he co-wrote with Ta-Nehisi Coates. Narcisse worked as the narrative design consultant for the videogame Marvel's Spider-Man: Miles Morales.

    Powers joined Narcisse for an insightful conversation on learning to write for multiple different mediums, the social responsibility of being a Black creative, and the unique process of collaborating with animators.

    Clips of Spider-Man: Across the Spider-Verse courtesy of Sony Pictures Animation Inc.

    Clips of Spider-Man: Into the Spider-Verse courtesy of Sony Pictures Animation Inc.

    Clips of One Night in Miami courtesy of Hampton King Louisiana Productions, LLC

    Clips of Soul courtsey of Pixax and Disney Enterprises, Inc

    10 December 2025, 5:00 pm
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