The guys are the judges, juries and executioners of 2012’s bargain budget sci-fi action flick Dredd, featuring a laid-back but deadly Karl Urban as a dystopian super-cop. Then they try to sneak up on a few brand new genre efforts, including the impactful revenge saga Is God Is, the spook house thrills of Hokum, and the full-on emotional ick of Obsession. It’s a packed episode and you want it NOW!

Steve’s Required Viewing pick is Undertone, a new horror movie that uses audio as the prime source of scares (and which has already become a huge indie hit). In addition to that discussion, John takes a look at the two-episode premiere of Widow’s Bay, a comedy/horror hybrid that just debuted on Apple TV Plus. The show is rounded out with a few other recent watches and some off-the-cuff reactions to the trailer for Zach Cregger’s upcoming Resident Evil reboot.

Ronald’s ear infection led us to bump our chat about Undertone, Steve’s very audio-focused Required Viewing pick, to next week’s show, so we had room for a little trailer roundup and a discussion of the re-release plan for Endgame later this year. Then it’s on to Ronald’s thoughts about Michael, the divisive new biopic of the King of Pop, and a few other things the guys have seen lately.

The guys don’t have as much to cover in this episode, so you get bonus intro banter! Then it’s on to a little movie business news before jumping into the water with Ronald’s Required Viewing pick, Netflix’s new shark attack B-movie, Thrash.

This week, the guys sink their teeth into Jim Jarmusch’s Only Lovers Left Alive (2013), then bounce from Project Hail Mary to The Super Mario Galaxy Movie with their usual graceful lack of restraint. Along the way, they also check in on the final season of The Boys and Hulu’s two new comedies - Pizza Movie and Mike & Nick & Nick & Alice. Moody vampires, outer space, superheroes, time travel, and pizza: just another totally normal episode!

Every now and then the episode title itself is such a thing of descriptive beauty, it’s a shame to elaborate in paragraph form. But indeed, this dose of Schmovie includes discussion of Luc Besson’s Dracula, this year’s Oscar ceremony, the second season of Jury Duty, and… MORE.

The guys sign up for duty with Night Patrol, a tale that dares to ask the question if being undead bloodsuckers actually makes corrupt, racist cops any worse; then they cover a bit of recent entertainment news before sharing brief thoughts about two new-ish releases: Scream 7 and Netflix’s War Machine. 

Ron, Steve, and John discuss Robert Townsend’s trailblazing indie classic, Hollywood Shuffle, break down the incident at the BAFTAs, and do an old-fashioned Schmovie round robin with some upcoming 2026 movie picks.

Before discussing Steve’s Required Viewing pick, the dark indie dramedy Twinless, the guys check out a batch of recent trailers and pay respects to a few freshly departed icons. Then it’s a round of everyone’s favorite game, “What Else Did You Watch?”, including quick thoughts on some great stuff in theaters now, like Crime 101, Marty Supreme, and Nirvanna the Band the Show the Movie.

It’s a freeform episode, meaning the guys had Ron’s Required Viewing pick—last year’s psychological thriller The Dutchman—and not much else planned. So it’s time to cover a bit of industry news and whatever other topics come to mind, including a tribute to some of the folks who influenced your humble hosts to become the people they are today.

The guys drive around all night in a stolen car trying to unravel the picaresque adventures of Michael Douglas, Tobey Maguire, and Robert Downy Junior (before they became superheroes) in journeyman director Curtis Hanson’s Wonder Boys. Then they  discuss some recent releases, including Netflix crime thriller The Rip, and Sam Raimi’s return to madcap gore, Send Help.