Richard Hell joins Kate Wolf to speak about the reissue of his novel, "Godlike." Originally published in 2005, "Godlike" transposes the relationship of the 19th century poets Arthur Rimabaud and Paul Verlaine to 1970s New York. Told from the hospital room of poet Paul Vaughn, the story centers on his meeting of a wily and charismatic 16-year-old punk named R.T. Wode decades earlier. Their attraction is instant, and it becomes a kind obsession for Paul that is as clarifying and creatively fruitful as it is deluding. The novel is steeped in the poetry of the New York School and captures the scene around St. Mark's Church that Hell came to know when he was just a teenager himself. An anti-nostalgic remembrance, the book reflects on aging, death, belief, and the power of the word to transform the detritus of the everyday into something holy and lasting.

In this week's episode from the archives, Eric Newman and Kate Wolf speak to the author Kristin Ross about her book, "The Politics and Poetics of Everyday Life," a collection of essays that examine how everyday life emerges as a vantage point for understanding and transforming our social world. The book represents three decades of Ross’s writing about the everyday in French political, social, and cultural theory and history, including the commune form and current autonomous zones in France, the romance and memory of the May 1968 protests, and the present predicaments both faced and created by the Macron government. Featuring a long interview with the pioneering philosopher Henri Lefebvre, the book also invokes the work of Fredric Jameson, Jacques Ranciere, Emile Zola, and many others, to explore the intersections of political transformation and cultural representation as resources for thinking opposition and liberation in the present.

A double header show on sculpture, public art, communal space, and gaps and omissions in American history. First, Kate Wolf speaks to Hamza Walker, co-curator of “Monuments,” an exhibition currently on view at the Museum of Contemporary Art Los Angeles and The Brick. The show presents a series of decommissioned Confederate monuments from cities across the US alongside contemporary pieces by Karon Davis, Stan Douglas, Kara Walker, Julie Dash and more. Next, Kate is joined by legendary artist Senga Nengudi to discuss a new career-spanning book of her work, “Populated Air.” Published in conjunction with Nengudi’s exhibition at Dia Beacon, the book charts the many forms of her practice, including performance, sculpture, dance, and poetry. Nengudi talks about collaboration and her role in the Studio Z collective; being someone who relishes in “thinking” things rather than “making” them; organizing a performance under an LA freeway; and following her own intuition. She is joined by the curator of the Dia exhibition, Matilde Guidelli-Guidi.

Medaya Ocher is joined by writer Lauren Rothery to discuss her novel "Television," which follows an aging movie star named Verity, his on and off lover Helen, and Phoebe a screenwriter and filmmaker. One day, on a whim, Verity decides to hold a lottery, giving away his earnings from a massive superhero movie to one lucky filmgoer. Rothery discusses the relationship between failure and success, the current state of Hollywood and why she thinks television is a good metaphor for romance.

Kate Wolf and Eric Newman speak with Caroline Fraser about her new book, "Murderland: Crime and Bloodlust in the Time of Serial Killers." Taking an ecological approach to true crime, the book explores how decades of industrial pollution from large smelting plants in the Pacific Northwest may have shaped the social and environmental conditions that coincided with an unusually high number of serial killers in the region during the 1970s and 1980s, including Ted Bundy, Randall Woodfield, and others. Fraser discusses how she came to draw connections between environmental contamination and these terrifying killers, while also considering the wider human costs of unchecked corporate power and deregulation on vulnerable communities.

Medaya Ocher is joined by writer and author Susan Orlean, whose latest book is "Joyride: A Memoir." In "Joyride," Orlean recounts how she became a writer: the strokes of luck, as well as the ambition and talent that led her from alt-weeklies to Esquire, Vogue and The New Yorker, where she has been a staff writer since 1992. Orlean has written essays and books that have since become classics of contemporary narrative nonfiction like "The Orchid Thief" (which inspired the film "Adaptation"), "Rin Tin Tin," "On Animals," "The Library Book" as well as many others. Here she discusses her life and career, her curiosity, her approach to change and opportunity, as well as the state of journalism today.

This week, we are revisiting our episode with photographer and writer Sally Mann about her book, "Art Work: On the Creative Life." Medaya Ocher and Kate Wolf speak with Mann, whose book describes her path to becoming an artist and provides prospective artists with insights on how to weather everything from rejection and poverty, to failure, fallow periods, and the millions of things that can come between you and your work. The book includes selections from Mann’s rich archive of photographic work prints, explaining some of the ideas that have gone into her pictures, as well early diary entries that portray a fierce determination alongside equally fierce self-doubt. She also includes excerpts from her long correspondence with a fellow photographer named Ted Orland. Mann’s advice is to write letters, keep your receipts, make lots of lists, and remember that being an artist isn't necessarily such a big deal, it’s a job like any other: you have to work at it.

Today’s episode features a live recording from a LARB Luminary Dinner honoring writer, performer and actor Jenny Slate. Author Sarah Manguso sits down with Slate for an intimate conversation exploring the complexities of balancing artistic practice with the demands of parenthood and the ways personal transformation shapes creative expression. 

Kate Wolf is joined by two of today's finest film critics to discuss the current state of Hollywood—including the sale of Warner Brothers Discovery—the art of writing about movies, and some of the year's best films. Up first is critic A.S. Hamrah, author of two new books: "Last Week In End Times Cinema," which compiles the relentless follies of the film industry from March of 2024 to 2025 in an annals of ever-winnowing corporate conglomeration and AI speculation, and "Algorithm of the Night: Film Writing 2019-2025." Next, Melissa Anderson discusses her latest book, "The Hunger: Film Writing 2012-2024." A self-proclaimed "acteurist" whose attention often centers on a film’s star rather than its plot, Anderson’s criticism engages with movies on an affective level, charting her own pleasure, desire, and occasional disgust. Here she talks about grounding her writing in queer and feminist politics and how her ardent cinephilia is born of a sense of open-minded curiosity, hopefulness, and the willingness to be transported.

It's that time of the year again! Hosts Kate Wolf, Medaya Ocher, and Eric Newman look back on some of the bright lights from a pretty dark year with a rundown of their favorite books, movies, TV shows, music, and scandals from 2025. For a full list of this year's picks, visit lareviewofbooks.org/podcasts/larb-radio-hour/

Medaya Ocher and Eric Newman speak with director Julia Loktev about her new documentary "My Undesirable Friends." Filmed in 2021, just before Russia’s invasion of Ukraine, the five-hour epic follows independent journalists at TV Rain as they navigate escalating government repression and the “foreign agent” laws designed to silence dissent. The film is a moving, unsettling portrait of resilience and a stark reminder of the global stakes of Russia's suppression of independent media. Medaya and Eric talk to Julia about her experience filming the documentary in a moment of intense political upheaval, as well as what the disturbing parallels between the campaign against the press in Russia and the United States.