Episode No. 737 features curators Beverly Adams and Jamillah James.

With Christophe Cherix, Adams is the co-curator of "Wifredo Lam: When I Don't Sleep, I Dream" at the Museum of Modern Art, New York. The exhibition includes more than 130 works made between the 1920s and 1970s, making it the most extensive Lam retrospective presented in the United States. "When I Don't Sleep, I Dream" argues that Lam, a Cuban-born artist who spent much of his life in Spain, France, and Italy, was a prototypical transnational artist. It is on view in New York through April 11, 2026. The exhibition catalogue was published by MoMA; Amazon and Bookshop offer it for $60-70.

Jamillah James has organized the presentation of "Yoko Ono: Music of the Mind" at the Museum of Contemporary Art Chicago. The exhibition is one of the most comprehensive presentations to date of the pioneering Fluxus artist, musician, and world peace activist. "Music of the Mind" includes over 200 works across a vast array of media, including performance footage, music and sound recording, film, photography, installation, and more. It is on view at the MCA through February 22, 2026. An exhibition catalogue was published in North America by Yale University Press. Amazon and Bookshop offer it for $38-47.

Air date: December 18, 2025.

Episode No. 736 features artist Dyani White Hawk.

The Walker Art Center in Minneapolis is presenting "Dyani White Hawk: Love Language," a 15-year survey of White Hawk's career. The exhibition spotlights how White Hawk (Sičáŋǧu Lakota) has foregrounded Lakota forms and motifs to challenge prevailing histories and practices around abstract art. The exhibition was curated by Siri Engberg and Tarah Hogue with Brandon Eng. The Walker has published an excellent catalogue; Amazon and Bookshop offer it for around $50. After closing at the Walker on February 15, "Love Language" will travel to the Remai Modern in Saskatoon, Saskatchewan.

White Hawk's work is in the collection of institutions such as the Walker, the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington; the Museum of Modern Art, New York; and the Whitney Museum of American Art, New York.

White Hawk was previously a guest on Episode No. 610 of The MAN Podcast.

Instagram: Dyani White Hawk, Tyler Green.

Air date: December 11, 2025.

Episode No. 735 features curators Dan Nadel and Laura Phipps, and curator Alexander J. Noelle.

With Elizabeth Sussman and Scott Rothkopf, Nadel and Phipps are the co-curators of "Sixties Surreal" at the Whitney Museum of American Art, New York. The exhibition works to complicate the march of -isms which, outside the academy and too few art museums, has too often ossified into the the era's US art history. "Sixties Surreal" offers some of the ways in which artists working around the US (and not only in New York or for its market) mined surrealist thought and theory to help them reckon with the era's sociopolitical extremes. The exhibition is on view through January 19, 2026. The thought-provoking exhibition catalogue was published by the Whitney. Amazon and Bookshop offer it for about $40-45. Also, Nadel and Phipps have made a 113-song Spotify playlist to accompany the show.

The Cleveland Museum of Art's remarkable autumn of major Italian Renaissance presentations continues with Noelle's "Filippino Lippi and Rome," a look at the Florentine's painter's work in and informed by travel to Rome. The impetus for the exhibition was Cleveland's own tondo The Holy Family with Saint John the Baptist and Saint Margaret (ca. 1488-93), a masterpiece and the only known independent work that Filippino produced in Rome. Filippino is the son of the famed Fra Filippo Lippi, and apprenticed and collaborated with Sandro Botticelli before working on his own. "Lippi and Rome" is on view through February 22, 2026. A superb catalogue was published by the museum. Amazon and Bookshop offer it for $40. Several months ago the Cleveland Museum of Art debuted Giambologna's Fata Morgana, a high-profile acquisition of a rare Giambologna marble sculpture.

Instagram: Dan Nadel, Laura Phipps, Alexander J. Noelle, and Tyler Green.

Episode No. 734 is a Thanksgiving weekend clips program featuring artist Aliza Nisenbaum.

The Des Moines Art Center is presenting "Aliza Nisenbaum: Día de los Muertos" through January 11, 2026. For the latest iteration of DMAC's annual Día de los Muertos celebration, and as the museum's Toni and Tim Urban International Artist-in-Residence, Nisenbaum created five paintings. The presentation was curated by Beth Gollnick.

Earlier this fall, the Obama Presidential Center announced that it had commissioned a mural from Nisenbaum. Titled Reading Circles/ Weaving Dreams/ Seeding Futures, the mural will depict moments of civic life within a public library, offering a living portrait of community in action.

This episode was taped in 2021. For images, please see Episode No. 522.

Instagram: Aliza Nisenbaum, Tyler Green.

Air date: November 26/27, 2025.

Episode No. 733 features curators Diana Seave Greenwald and Megan Fontanella.

With Christina Michelon, Greenwald is the co-curator of "Allan Rohan Crite: Urban Glory" at the Isabella Stewart Gardner Museum and the Boston Athenaeum. Both presentations are on view through January 19, 2026. (Theodore Landsmark co-curated the ISGM presentation.) The exhibition surveys the career of Boston-based Crite, whose work spotlighted Boston neighborhoods such as Lower Roxbury and the South End, the challenges they faced from gentrification and so-called urban renewal, and Christianity. A fine exhibition catalogue was published by the two institutions. Amazon and Bookshop offer it for $42.

Fontanella is the curator of "Gabriele Münter: Contours of a World" at the Solomon R. Guggenheim Museum in New York. Across more than 50 paintings and almost 20 photographs, the exhibition survey's Münter's work and finds that it was involved in avant-garde presentations of landscape, still life, and portraiture. Fontanella curated the photography section of the exhibition with Victoria Horrocks. "Contours of a World" is on view through April 26, 2026. A catalogue was published by the Guggenheim. Amazon and Bookshop offer it for about $55.

Instagram: Diana Seave Greenwald, Megan Fontanella, Tyler Green.

Air date: November 20, 2025.

Episode No. 732 features artist Igshaan Adams and curator and Jenkintown, Penn. school board-electee Laura Igoe.

The Hill Art Foundation, New York is presenting "Igshaan Adams: I've been here all along, I've been waiting" through December 20, 2025. The exhibition features work from the last 15 years of Adams' practice, and emphasizes how his work engages and serves his community. Adams tapestries and sculptures build from weaving traditions to make the routine, even mundane the subject of rich, detailed artworks. On the occasion of the exhibition, the Hill Art Foundation has published this essay by Siddhartha Mitter.

Adams grew up in a Muslim-Christian household in the segregated suburb of Bonteheuwel in apartheid-era South Africa, and employs Bonteheuwel residents and family members in his studio. His work has been the subject of solo shows at the Institute of Contemporary Art, Boston; the Art Institute of Chicago; Kunsthalle Zurich, the Aarhus Art Museum, Denmark; and the Hayward Gallery, London. His work is in the permanent collection of museums such as the Moderna Museet, Stockholm, the Tate Modern, London, and Inhotim, Brumadinho, Brazil.

Discussed on the program:

• Adams' 2016 exhibition "Oorskot" at Blank Projects, Cape Town; and
• Adams' 2022 exhibition "Desire Lines" at the Art Institute of Chicago.

Igoe, the chief curator of the Michener Art Museum, Doylestown, Penn. was just elected to the Jenkintown, Penn. school board.

Instagram: Igshaan Adams, Laura Igoe, Tyler Green.

Episode No. 731 features artist Hew Locke.

The Yale Center for British Art is presenting "Hew Locke: Passages," the first US survey of Locke's career. Across sculpture, painting, photography and installations, Locke's work considers colonialism, its power, and the ways in which we respond to colonialism and its impacts. Locke, who is Guyanese-British, particularly focuses on British imperialism and how it was constructed, including through monarchy, trade, and (sometimes forced) migration. The exhibition, which is on view through January 11, 2026, was curated by Martina Droth. The catalogue, which was edited by Droth and Allie Biswas, was published by the YCBA. Bookshop and Amazon offer it for $60-70. In-gallery materials are available here in both English and Spanish.

Locke's work has been featured in solo exhibitions at The British Museum, London, the Metropolitan Museum of Art, New York, Tate Britain, London, the Institute of Contemporary Art / Boston, Pérez Art Museum Miami, and more.

In addition to the images below, here are links to works and exhibitions discussed on the program:

• Hew Locke, Ark, 1994.
• Hew Locke, Menace to Society (series), 1999-2001.
• Hew Locke, The Nameless, 2010.
• "Hew Locke: what have we here" at the British Museum;
• "A Conspiracy of Icons: The Art of Donald Locke," at the High Museum of Art, Atlanta; and
• "The Other Story: Afro-Asian Artists in Post-War Britain" at the Hayward Gallery, London.

Instagram: Hew Locke, Tyler Green.

Air date: November 6, 2025.

Episode No. 730 features author Amy Newman.

Newman is the author of Barnett Newman: Here a biography out this week from Princeton University Press. The book presents Newman as devoted to art but initially unsure of what a Newman would be, as a dedicated, almost blindered New Yorker, and as an artist intensely interested in what US art had to contribute to the US national and global project. Amazon and Bookshop offer Newman for around $40. (It will be available in the UK in January 2026. Amy Newman and Barnett Newman are not related.)

Newman is the author of the author of Challenging Art: "Artforum" 1962–1974 and the editor, with Irving Sandler, of Defining Modern Art: Selected Writings of Alfred H. Barr, Jr.

Works discussed on the program include:

• Black With Yellow (Euclidian Abyss), 1946-47;
• Onement I, 1948;
• Two Edges, 1948;
• Onement VI, 1953;
• Here I, 1950; and
• Broken Obelisk, 1963-69.

Instagram: Amy Newman, Tyler Green.

Episode No. 729 features artists Justin Favela and David-Jeremiah.

The Smithsonian American Art Museum's Renwick Gallery is presenting a commission from Favela titled Capilla de Maíz (Maize Chapel) through a not-yet determined date. The Favela makes the Renwick's grand salon gallery a fantastical space, complete with shimmering gold-fringed walls and piñata corncobs that highlight the role of maize in North American visual culture. It accompanies "State Fairs: Growing American Craft," an exhibition that details artists' contribution to the US tradition of state fairs that is on view at the Renwick through September 7, 2026. (The Renwick is temporarily closed because Republicans in the White House and on Capitol Hill have shut down the federal government.)

Favela's work typically investigates Mexican or Latin American craft practices, especially cartoneria (more commonly known as piñata making). His work has been the subject of exhibitions at the Amon Carter Museum of American Art, Fort Worth, the Des Moines Art Center, the Contemporary Art Museum St. Louis, and more.

The Modern Art Museum of Fort Worth is presenting "David-Jeremiah: The Fire this Time" through November 2. The exhibition presents a group of vertical assemblages of black and other polychromatic paintings on shaped wood that form an installation. The twenty-eight works stand over ten feet tall. The primary configuration surrounds viewers completely before giving way to a final suite of paintings featuring abstract assemblages that include references to fire. The exhibition was curated by Christopher Blay. A catalogue is available from MAMFW.

David-Jeremiah's work reflects the artist's experience of Black masculinity in America. Previous David-Jeremiah solo exhibitions have been at the Clark Art Institute, Williamstown, Mass., and the Houston Museum of African American Culture; he has participated in group shows at institutions such as Project Row Houses, Houston. In 2020, David-Jeremiah received a Nasher Sculpture Center Artist Grant Award.

Instagram: Justin Favela, David-Jeremiah, Tyler Green.

Episode No. 728 features curators Anna Lovatt and Kelly Montana, and artist/curator Pablo Helguera.

Lovatt and Montana are the curators of "Lines of Resolution: Drawing at the Advent of Television and Video" at the Menil Drawing Institute, Houston. The exhibition examines the intersection of drawing, television, and video from the late 1950s into the 1980s. "Lines of Resolution" features the work of 25 artists, including Nam June Paik, Howardena Pindell, Sigmar Polke, and Joan Jonas. It is on view through February 8, 2026. A fascinating catalogue was published by the Menil. Amazon and Bookshop offer it for about $35-40.

In addition to the works shown below, works discussed on the program include:

• Ulrike Rosenbach, Bonnet Drawing, 1972.
• Catherine Elwes, Two Drawings on Glass, 1978.

Along with representatives from the Museum of Contemporary Art Chicago's curatorial and learning teams, Helguera is the co-curator of "Collection in Conversation with Pablo Helguera," which is at the MCA through July 5, 2026. The exhibition is the product of questions that Helguera, a New York-based artist and educator, posed to a group of 20 Chicago artists, writers, activists, and educators in the fall of 2024. It's on view through July 5, 2026.

In addition to the works shown below, works discussed on the program include:

• Susan Philipsz, We Shall Be All, 2011.
• Public Collectors, QUARANZINE: A printed space for work produced during the COVID-19 pandemic, 2020.

Instagram: Pablo Helguera, Tyler Green.

Episode No. 727 is a holiday weekend clips episode featuring artist Andrea Carlson.

The Denver Art Museum just opened "Andrea Carlson: A Constant Sky," a mid-career survey. The exhibition spotlights how Carlson, who is Ojibwe and of European settler descent, creates works that challenge the colonial narratives presented by modern artists, museum collections, and cannibal genre horror films, all in ways that challenge and depart from the US landscape tradition. The exhibition was curated by Dakota Hoska, and will remain on view through February 16, 2026. The exhibition catalogue was published by Scala, Amazon and Bookshop offer it for $30-35.

Museums that have featured solo exhibitions of Carlson's work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago.

This program was taped on the occasion of Carlson's 2024 solo exhibition at the MCA Chicago. For images, please see Episode No. 677.

Instagram: Andrea Carlson, Tyler Green.