A Room of His Own: Joseph Brodsky and the Making of a Bilingual Poet (Academic Studies Press, 2025) makes the original and persuasive claim that Brodsky’s force as a transnational poet derives paradoxically from an inward-looking stance that privileges “the trope of the room” and a practice of self-translation that is faithful to his own internal poetics rather than the poetic norms of the target tradition. The resulting bilingual poetics is one that, though not universally accepted by English readers, ultimately had a profound effect on the Anglo-American literary tradition and anticipated certain foreignizing tendencies that have become central to translation studies and theories of transnationalism. No less powerful than the book’s thesis is the elegant analyses, which encompass Brodsky’s Russian poetry, his translations from Russian to English, and his English-language essays.

Daria Smirnova holds a Ph.D. in Comparative Literature from the University of Oregon and a degree in Linguistics from Russia. Inspired by years of traveling between languages and cultures, her research explores literary translation, bilingualism, and transmediation. Daria's current archival research examines the role of translation in shaping literary canons.

Amber Nickell is Assistant Professor of History at Louisiana State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe.

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In Night Breaks in the Garret: Poems and Peregrinations (Finishing Line Press, 2026), Yermiyahu Ahron Taub provides a meditation not so much on the search for home, but on the coming to terms with what is, here and now, home. The poet engages the distant past and the pressing present as well as various companionate figures. Taken as a whole, the book anchors the single queer figure within landscapes of desire, community, and politics, staking power, however fraught, in milieus long declared off limits or denied. Eight poems in the collection also have a Yiddish version.

Interviewee: Yermiyahu Ahron Taub is a poet, writer, and translator of Yiddish literature. Taub earned a Master of Arts degree in history from Emory University and a Master of Library and Information Science degree from Queens College, City University of New York. 

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Brooklyn Odyssey: My Journey out of Hasidism and Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.

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Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami: Women’s Voices From Mexico (Feminist Press, 2025) gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today.

Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse.

Guest: Gabriela Jauregui’s books include Feral, Many Fiestas, and La memoria de las cosas. She edited and coauthored Tsunami and Tsunami 2, published in Spanish in 2018 and 2021 respectively. She is a Soros New American Fellow, a Borchard Fellow, and was part of the Hay Festival's Bogotá 39 best young authors in Latin America. She holds a PhD in comparative literature from USC and teaches at the National Autonomous University in Mexico (UNAM).

Guest: Heather Cleary is an award-winning translator whose work has been recognized by English PEN, the National Book Foundation, the Best Translated Book Award, and the Mellon Foundation. A member of the Cedilla & Co. translation collective, she was a founding editor of the digital, multilingual Buenos Aires Review. She holds a PhD in Latin American and Iberian cultures from Columbia University, and teaches at Sarah Lawrence College.

Host: Dr. Christina Gessler is a developmental editor and writing coach for scholars in the humanities. She is the producer of the Academic Life podcast, and the show’s newsletter.

Playlist:

• Thanks to Life
• The Madres de la Plaza de Mayo
• The Things We Didn't Know
• In The Garden Behind The Moon
• The Common
• The Translators Daughter
• We Take Our Cities With Us
• A Calm and Normal Heart
• The Names of All the Flowers

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

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In this NBN interview, host Hollay Ghadery speaks with Adriana Oniță about her poetry collection, Descântec For My Split Tongue (Palimpsest Press, 2026). This is Adriana Oniță’s first book of poetry, and it gathers English-Romanian poems that travel across generations, homelands, and dreamscapes to ask: what do we lose when we lose a language? Drawn from Oniță’s childhood and her immigration from Jilava to Edmonton, the poems explore dor—a Romanian word for deep longing—for her mother tongue. Along the way, Oniță unpacks “untranslatable” Romanian words and proverbs, each a compressed zip file of culture, humour, grief, and courage. The book itself becomes a descântec—part incantation, part prayer, part spell—summoning both the failures and the triumphs of translation into a ritual of healing.

Adriana Oniță is a poet, artist, educator, translator, and researcher with a PhD in arts-based language education. She writes and teaches in English, Romanian, Spanish, French, and Italian. Her multilingual poems appear in CBC Books, The Globe and Mail, The Ex-Puritan, Canthius, Tint Journal, and in her chapbooks: Misremembered Proverbs (above/ground press, 2023) and Conjugated Light (Glass Buffalo, 2019). As founder of The Polyglot, she is proud to have published more than 250 writers, translators, and artists working in over 60 languages. She lives between Edmonton and Italy. Discover her work at adrianaonita.com

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and is a 2026 Giller Prize finalist. Her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.  
 

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In this NBN episode, host Hollay Ghadery speaks with Pulitzer Prize winner Carl Dennis about his collection, Earthly Virtues (Penguin Random House, 2026). 

Pulitzer Prize-winning poet Carl Dennis explores the expansiveness and complexity of universal virtues within the realm of the everyday in this thought-provoking new collection Though most of the virtues that interest Carl Dennis in Earthly Virtues have traditional names, they are provided with contexts that give them fresh implications, moving us in two directions at once, toward a recognition of limits and a recognition of possibilities. On one hand, they confront what it means to lack the knowledge and power we need to make our lives as consequential as we may want them to be. On the other, they reach out to widen the circle of our concern, suggesting a kinship of the local with the distant, enlarging the passing moment with history and prophecy. Wherever the poems turn, they prove spacious enough to take us with them, and they leave us grateful for the journey.

Carl Dennis is the author of fourteen books of poetry, most recently Earthborn (2022). A winner of the Pulitzer Prize and the Ruth Lilly Prize, he taught for many years in the English Department of the State University of New York, and in the Warren Wilson Writing Program in North Carolina. He lives in Buffalo, New York.

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Learn more about Hollay at www.hollayghadery.com. 

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On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.

In the process of rebuilding a self, Griffiths chronicles her friendship with Moon, the seventeen years since their meeting at Sarah Lawrence College. Together, they embraced their literary foremothers—Lucille Clifton, Toni Morrison, Alice Walker, to name a few—and fought to embrace themselves as poets, artists, and Black women. Alongside this unbreakable bond, Griffiths weaves the story of her relationship with Rushdie, of the challenges they have faced and the unshakeable devotion that endures.

In The Flower Bearers (Random House, 2026), Griffiths inscribes the trajectories of two transformational relationships with grace and honesty, chronicling the beauty and pain that comes with opening oneself fully to love. This is a conversation not to be missed.

Rachel Eliza Griffiths is a multi-media artist, poet, and novelist. She received the MFA in Creative Writing from Sarah Lawrence College and is the recipient of numerous fellowships including Robert Rauschenberg Foundation, Provincetown Fine Arts Work Center, Kimbilio, Cave Canem Foundation, Civitella Ranieri Foundation, and Yaddo. Her literary and visual work has been widely published in journals, magazines, anthologies, and periodicals including The New Yorker, The Paris Review, The New York Times, Virginia Quarterly Review, The Progressive, The Georgia Review, Gulf Coast, Callaloo, Poets & Writers, American Poetry Review, Los Angeles Review of Books, Guernica, The Writer’s Chronicle, Transition, American Poet, Mosaic, Indiana Review, Ecotone, Black Nature: Four Centuries of African American Nature Poetry, Best American Poetry (2020, 2021), The New York Review of Books, BOMB! Magazine, and many others. You can find Rachel on Instagram.

Learn more about the Torch 20th Anniversary celebration here.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  

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Not Everything Unfolds as Anticipated: Selections from Yi Kyubo’s Tongguk Yi Sangguk Chip (University of Hawaii Press, 2026) comprises translations of poems, tales, letters, epitaphs, and funeral orations by Yi Kyubo (1168–1241), the foremost writer and poet of the Koryŏ dynasty (918–1392). Dr. Breuker’s translation and introduction humanize this celebrated poet, whom he reveals as not only a great writer, but a doggedly ambitious man with a reputation for drinking, a son weighed down by his family’s expectations of greatness, and a father who grieved for his dead son. Not Everything Unfolds as Anticipated” is an excellent book for anyone who wants to better understand the famed writer and the political, social, and literary context of the Koryŏ dynasty.

Remco Breuker is a Professor of Korean Studies at Leiden University. His research spans medieval and modern Korea and Northeast Asia, with a particular focus on historiography, identity formation, borders, state formation, and the uses of history in contemporary politics.

He has translated Korean literature into Dutch, and in 2025 he both contributed to and co-edited an English translation of the Samguk Yusa, an important Korean historical text.

Buy Not Everything Unfolds as Anticipated: here

Dr. Breuker’s LinkedIn: here

Dr. Breuker’s Bluesky: here

About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She

has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation

Institute of Korea. You can contact her at [email protected]

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In this episode, NBN host Hollay Ghadery speaks with Kirby about their joyful and powerful new book, Fairy (Palimpsest Press, 2026).

In Fairy, Kirby continues to mine their riches and fan the flames lit in their instant classic, Poetry is Queer. Their essays are an act of liberation they call “tending to each other’s freedom,” and are written with signature Kirby directness and panache, from early AIDS-activist monologues, to launching a counter city-wide “safe-sex” campaign that includes the public depiction of an affectionate gay couple, to leaving the States in a love that made them “the most beautiful boy in the world,” to becoming a Canadian queer poetry icon. Like countless fairies before them, Kirby scouts desire paths beyond mere survival for new queer voices to continue to amaze, flourish, and thrive. Or as Fairy says, “This way >>>”

Kirby is the author of She (KFB, 2025), Poetry is Queer (Palimpsest Press, 2021), This Is Where I Get Off (Permanent Sleep Press, 2019), featured columnist at Send My Love to Anyone and publisher at Knife | Fork | Book. kirbyfairy.ca

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Learn more about Hollay here.

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A year ago, Ink & Ribbon Press did not exist. Today it’s a nonprofit publisher with its first books in the world, a readership built largely through Substack, early editions that have sold out, and an inaugural prize — the LemonLight Prize — that drew more than 3,500 poems from 706 poets across eight countries. Among the press’s forthcoming titles is Jan Noble’s My Name Is Swan, a poem Jan has spent more than a decade performing in pubs across Britain. A film of the poem recently took Best Narrative at the International Poetry Film Festival in Los Angeles. In this conversation, we discuss what it takes to build a nonprofit publisher and the world of poetry today.

G.K. Allum is Founding Editor & President of Ink & Ribbon Press.

Jan Noble is the author of My Name is Swan. He is a British poet and performer whose work spans page, stage, film, radio, and recording. My Name Is Swan brings together three of his major narrative works as one unified manuscript for the first time. He has performed the poem in many pubs named Swan.

Caleb Zakarin is CEO and Publisher of the New Books Network.

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A groundbreaking reassessment of the relationship between Federico García Lorca and American poet Philip Cummings and its impact on the poems in Lorca's landmark collection, Poet in New York.
In August 1929, Spanish poet Federico García Lorca left New York City to spend ten days with his friend and lover Philip Cummings at a lakeside cottage in northern Vermont. Lorca in Vermont: The Spanish Poet and His American Lover (High Road Books, 2026) tells the story of two young men with mismatched goals and expectations: Lorca, already well established in his career, who sought a sustained romantic relationship with another man, and Cummings, a new college graduate eight years his junior, who had no interest in long-term commitment or in challenging social conventions. Based on over a decade of research, Lorca in Vermont explores the full course of Lorca’s relationship with Cummings, an affair that spanned three years and two continents. Combining unique access to primary sources, extensive original research, and a fresh analysis of published sources, the book describes not only the pair’s history as a couple but also the suppression of their relationship by Lorca scholars after the poet’s tragic death in 1936. Perhaps most importantly, it reveals previously unrecognized links between the disappointment and loss Lorca experienced in his relationship with Cummings and at least eight of the poems in his landmark collection Poet in New York, a work that has long intrigued and inspired other writers. The book brilliantly blends compelling new findings and an engaging narrative style in a page-turning tale that is a must read for anyone interested in Lorca and his legacy.

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Moving between word and image, the call-and-response collaboration between writer Christopher R. Rogers and photographer karim brown improvises a contemporary portrait of present-day Black Philadelphia, replete with the unfinished activism present since the transnational upsurge of the George Floyd Uprising.
Arriving five years after the crucible of that period, this experimental essay-as-LP challenges us to prioritize the urgency of reckoning with our own hang-ups and half-steps and to reground ourselves within the daily, prefigurative life-work of rehearsing Black liberation. This is a hyperlocal, future-forward recommitment to ongoing principled struggle and a hopeful model of contemporary self-criticism.
Taking its title from a song by the late, beloved Uptown Philadelphia rapper PnB Rock, My City Need Something (Common Notions, 2026) challenges readers to strive for clarity in a time of Black suffering, in a city resplendent with Black joy.

Christopher R. Rogers, PhD is a Philadelphia-based cultural organizer and educator hailing from Chester, PA with more than a decade of experience in supporting radical arts, culture, and community-building. He is a Facilitator with the W.E.B. Du Bois Movement School for Abolition & Reconstruction and co-coordinates the Friends of The Tanner House, incubating a revitalized National Historic Landmark rowhome that Dr. Carter G. Woodson once dubbed the “center of Black intellectual life in Philadelphia.” He previously published with Common Notions as Lead Editor for How We Stay Free: Notes on a Black Uprising (2022) alongside novelist Fajr Muhammad. You can find Chris on Instagram @justmaybechris.

After listening to this episode, head over to the Additions to the Archive Substack, where Chris and Sullivan talk further about community education and activism.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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