Live from the Austin Film Festival, John joins panelists Jordan Mechner (Prince of Persia) and Erica Harrell & Desirée Proctor (The Walking Dead: Saints & Sinners) for an in-depth discussion on working across movies, tv, comics, plays, videogames and VR.
Moderated by Evan Narcisse (Rise of the Black Panther), they discuss what led them to new mediums, the storytelling strengths each medium offers, and building a career that moves between them.
In our bonus segment for premium members, the panelists answer some video game specific questions, including how to stand out as a writer to the major game developers.
Scriptnotes audio provided courtesy of ©Austin Film Festival
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Many of the biggest AI models have been trained on film and TV dialogue, and writers are furious. John and Craig explore the legal, ethical and philosophical implications of this revelation, our emotional reactions to it, and offer strategies for picking the right hills to die on.
But first, we follow up on the definition of horror vs. thriller, generational narcissism, and young people’s ambition. We also answer listener questions on when to bail on a script and how to approach your first contract.
In our bonus segment for premium members, we dig into the philosophical implications of Craig believing we live in a simulation, and whether that necessarily implies a creator. Woah, man.
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John and Craig welcome Brian Jordan Alvarez & Stephanie Koenig (English Teacher) and Jac Schaeffer (Agatha All Along, WandaVision) to join them for a live holiday benefit for Hollywood HEART. They discuss constructing Agatha All Along from blue sky to the Witches’ Road, “protagonizing” a villain, breaking in through YouTube and maintaining a working relationship with your best friend.
We also play a new game, the Christmas Song Three Word Challenge, with former Scriptnotes producers Megan McDonnell (Dark Matter, The Marvels) and Megana Rao (Unstable).
In our bonus segment for premium members, we answer an all-star round of audience questions in maybe the best Q&A we’ve ever had.
Thanks to our fantastic audience, everyone at Dynasty Typewriter, and Hollywood HEART for putting the event together.
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John welcomes playwright, novelist and screenwriter Justin Kuritzkes to discuss having his first two movies — Challengers and Queer — produced a single year.
After charting his journey from playwright to screenwriter, we compare two drafts of Challengers to look at how the story changed during a hasty development, including crafting that iconic three-way. We also explore adapting William S. Burroughs’ novel Queer, and the film’s approach to showing sex on screen.
In our bonus segment for premium members, Justin looks back on his time as a viral YouTube potion seller, and the value of that creative outlet early in his career.
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John and Craig take a deep dive with the Devil, exploring the unholy trinity of satanic films: Rosemary’s Baby, The Exorcist and The Omen. They look at how these three horror classics work, where our modern conception of Satan comes from, and the future of the Devil on screen.
We also answer listener questions on character arcs in horror, what separates horror movies from thrillers, and why the spooky stuff rarely gets awards attention.
In our bonus segment for premium members, John and Craig offer their nominations for the antichrist of our times.
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John and Craig analyze the iconic 1995 comedy Clueless, and why they’re majorly, totally, butt crazy in love with it.
A contemporary adaptation of Jane Austen’s Emma set in Beverly Hills, Clueless follows protagonist Cher as she tries to do ‘good’ through make-over montages and match-making attempts. We discuss how the movie sets up the characters in the first ten minutes, why Cher’s voiceover works so well, and how Clueless ushered in a new era of teen movies.
In our bonus segment for premium members, John and Craig share their own experiences learning to drive and how they’re preparing to teach their teenage daughters driving.
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John and Craig explore character agency in everything from scenes to entire series. They look at what agency looks like on the page, which characters should have agency, and what to do when you feel your characters sleepwalking through the plot.
We also strategize ways to move forward after the recent US election, and answer listener questions on writing sign language, screenwriting software for the blind, and how writing credits work when your TV series gets turned into a movie.
In our bonus segment for premium members, John and Craig escape to a world where where the story is always on rails — Disneyland!
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John and Craig look at how writers (and other humans) handle the anxiety of uncertainty, from election nights to green lights. We’ll talk through strategies for navigating situations where your circle of concern doesn’t match your circle of control.
Then we travel back to the 1980s and 90s, when many studios were run by ambitious strivers in their late 20s and early 30s. As the decades have passed, the players in these positions have held onto their posts, leaving the next generation stuck mid-ladder. We discuss what impact the aging of Hollywood has had on its output, and where the new guard might find an opening.
We also ask, is development wage theft? And answer listener questions on reusing material written for a different project, and the cost-plus model of production.
And in our bonus topic for premium members, what aspects of pandemic life have we incorporated into our daily routines?
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John and Craig make their triumphant return to the Austin Film Festival for a wild night full of Emmy winning writers. They welcome Shōgun co-creators Rachel Kondo & Justin Marks to look at their process for structuring a series-long adaptation, keeping translations eloquent and accurate, and writing together as a married couple.
We then welcome Susan Soon He Stanton (Succession, Dead Ringers) and Megan Amram (The Good Place, Pitch Perfect: Bumper in Berlin) to discuss staffing on shows and crafting jokes. We also invite two audience members to play a new game: IMDB Sweeney Todd.
In our bonus segment for premium members, the panel answers audience questions on adaptations, a crossover with Succession and The Good Place, entering Hollywood from outside the U.S., and navigating Hollywood’s current contraction.
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John and Craig answer twenty listener questions on craft, career, and the future of the industry.
Questions include: How do you correct well wishes you haven’t earned? What kind of relationship should you have with the person who created your source material? How do you keep your reps invested? What’s going on with that Stereophonic lawsuit? And are writers retreats helpful or a total waste of time?
In our bonus segment for premium members, John and Craig celebrate the new D&D Player’s Handbook by looking back through every edition since 1978. Like the handbook, it gets less dense as it goes.
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Why is screenwriting so difficult, even for the smartest people? John and Craig look at the relationship between intelligence and wisdom, the kinds of problems writers attempt to solve, and the unmeasurable skills that screenwriters need to succeed.
Then it’s another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. We also follow up on Moneyball, green envelopes, shorts, script coordinating, and what Craig means by writers being “calculating.”
In our bonus segment for premium members, how do you talk about movies and TV shows without spoiling them? John and Craig reason out how to dance around the twist that the two leads are actually the same perso– oh, shoot!
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