John and Craig gather a congregation of writers in St. David's Episcopal Church for a live round of the Three Page Challenge. They look at three listener-submitted scripts to offer them their honest feedback, face-to-face.
They offer suggestions on world building in the apocalypse, making military characters specific, building mystery and suspense, and crafting con-artist logic.
In our bonus segment for premium members, we answer questions from our audience on how to know if a script looks correct, what we want to see in the first three pages, using actor names in character descriptions, what comedy requires, and how to direct a reader's attention on the page.
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You can download the episode here.
John welcomes Danya Jimenez & Hannah McMechan, the writing team behind KPop Demon Hunters, to chart their path from film school to first feature.
They look at navigating early career difficulties like finding your voice and trying to get reps, their method of building a writing partnership, and how a bad pitch led them to writing one of the biggest movies of the year.
We also follow up on breaking in later in life and writing with ADHD.
In our bonus segment for premium members, what does Hollywood get wrong about Gen Z? Danya and Hannah share what drives them crazy about how their generation is portrayed on screen.
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John and Craig welcome back Dana Fox (Wicked, The Lost City) for a magical flight through everything that went into adapting Wicked and its upcoming sequel, Wicked: For Good. They look at the history of the project, why it was split into two movies, the process for writing when you're shooting two movies at the same time, and the exhausting effort it takes for big movies to defy gravity.
We also chat with Graham Rowat, the narrator of the Scriptnotes audiobook, follow up on weird movies and cuck chairs, answer listener questions on the limits of torturing your heroes and ask, did the 90's really have the best actions movies?
In our bonus segment for premium members, Dana sticks around to take us behind the scenes of a big movie's promo circuit, and how to stay sane (and even popular!) throughout the world tour.
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John welcomes back Aline Brosh McKenna (Crazy Ex-Girlfriend, The Devil Wears Prada) to ask, what do executives expect from a pitch these days? They look at the typical structure of a pitch deck, how that differs from lookbooks, how pitches have evolved over the years, and best practices for pitching on Zoom.
Also, what happened to single-lady sitcoms? If you remember Monday nights in the 90's, you know what we're talking about. We reflect on what they did for the culture and how social media and reality TV may be taking their place.
In our bonus segment for premium members, Aline tells us what it was like being back on the set for The Devil Wears Prada 2. Gird your loins, people!
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John and Craig look at all the pleasant, normal people around them and ask, what happened to the weirdos? They root out the causes of cultural stagnation, offer potential solutions, and explore the entertainment that still finds a way to be weird.
We also look at the tipping point between "wanting to write" and "actually writing," follow up on printer prices and billboard queens, and answer listener questions on soundtracks, adapting a podcast and feeling ownership over your ideas.
In our bonus segment for premium members, we try to remember how we construct our personal narratives, and the pros and cons of remembering our past.
Our LIVE book release show will be at Dynasty Typewriter in LA on November 30th — get your tickets now!
Links:
Email us at [email protected]
You can download the episode here.
John and Craig return to Texas for their 11th show at the Austin Film Festival. They welcome writer Pamela Ribon (Nimona, My Year of Dicks) and showrunner Anthony Sparks (Queen Sugar, Bel-Air) to look at what makes character relationships compelling, and how to build a writing career later in life.
We also answer lister questions on getting un-stuck in a script, how podcasting has made us better writers, the limits of exposition, using AI for sizzle reels, and where we get the cajones selling a screenwriting book after slagging-off screenwriting books for fourteen years.
In our bonus segment for premium members, we invite two Scriptnotes super-fans up to the stage to compete for the ultimate prize: an early, signed copy of the Scriptnotes book.
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You can download the episode here.
John and Craig look at three tales of lies, betrayal and deceit and ask, How Would This be a Movie? Stories include a flamboyant show-business grifter, a sibling rivalry between two LA billboard queens, and American students tricked into attending a fake Oxford college.
We also follow up on audio dramas, last looks, and answer listener questions on a suspicious AI story and what do do with producers that are too keen.
In our bonus segment for premium members, how do you watch TV when you're away from home, particularly overseas? We share the joys and frustrations of tuning in while you're on the road.
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John welcomes writer and actress Nora Garrett to look at how her first screenplay, After the Hunt, took her from being un-repped to working with director Luca Guadagnino.
They discuss her path from acting to writing, how her script went from being rejected by screenplay competitions to landing on Julia Roberts' desk, and how she constructed her complex power dynamics on the the page. They also answer listener questions on building tension and knowing when to tell rather than show.
In our bonus segment for premium members, John and Nora talk day jobs and how to balance focusing on your craft wi– shhh! The boss is coming, get back to work.
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You can download the episode here.
John and Craig invite Aline Brosh McKenna back to celebrate the third anniversary of Scriptnotes. It's a jam-packed, glass-and-a-half of wine, listener-favorite episode.
They look at ways to breathe new life into scenes and characters that aren't working, box office journalism and how Hollywood is always dying, scene geography, and the role of emotional intelligence (or EQ) in a writer's career.
In our bonus segment for premium members, we have original outtakes from the episode where we look at what changed in the world in our first three years on air, make predictions for what's to come, re-invent Spanx, and of course talk about D&D.
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You can download the episode here.
John and Craig wonder, how has TV changed in the last ten years? They compare what's better and worse, the tradeoffs between quality and quantity, how curation is changing, the pros and cons of shorter seasons, and what this all means for writers and viewers.
We also look forward to our time at the Austin Film Festival, offer paths for writers to keep their health insurance, follow up on Three Page Challenge selections that actually got made, and answer listener questions on adapting a screenplay into an audio drama and payment for work after a script is turned in.
In our bonus segment for premium members, John and Craig looks at what makes a damn fine cup of coffee.
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You can download the episode here.
John and Craig discuss short films: what makes a great short, when should you make one, and what should you realistically expect out of it? We also update our predictions on whether the career of "screenwriter" can survive potential global catastrophes.
We then answer listener questions on staff writer wages and using URLs in a script.
In our bonus segment for premium members, John and Craig talk intermissions and why more movies should have them.
Links:
Email us at [email protected]
You can download the episode here.