Director Geeta Gandbhir joins the show to discuss her chilling body-camera footage crime documentary, Perfect Neighbour. Flick and Thomas Caldwell then dicuss two films that engulf the senses: Sirât and The Testament of Ann Lee.

Flick is joined by composer Peter Van Hoesen and Haydn Green, the artistic director and founder of Hear My Eyes to discuss Van Hoesen’s reimagined live score for James Cameron’s 1991 classic Terminator 2: Judgement Day. Plus, reviewers Kate Fitzpatrick and Anthony Carew discuss their thoughts on two new comedies: Matt Johnson’s Nirvana the Band the Show the Movie & Jim O’Hanlon’s Fackham Hall.

Flick is joined by filmmaker Daniel Hayward, breakdancers DJ Peril and Lino Ettia for a nostalgia-tinged reminiscence about Melbourne hip hop's early days. Plus, film buffs Will Cox and Telford Mills discuss two new S&M-tinged romances: Wuthering Heights and Pillion.

Flick Ford is joined on this episode by Cerise Howard and Silvi Vann-Wall. The trio start the show off with an excellent interview with Emma Hough Hobbs & Leela Varghese, the film makers of the animated Australian comedy Lesbian Space Princess. The crew then review the comedy-drama from director Eva Victor, Sorry, Baby. The trio finish up the show with a review of the heartwarming documentary from director Lorin Clarke about her late father, the New-Zealand comedian and satirist John Clarke, in Not Only Fred Dagg but Also John Clarke.

Flick Ford is joined this week by Will Cox and Erin Rosenburg for this installment of Primal Screen. The trio interview Mark Walker, owner and operator of Eclispe Cinema in Collignwood on the cinemas recent opening. The crew then review Caught Stealing, an action/dark comedy from director Darren Aronofsky. The trio then review the 4K restoration of the acclaimed documentary Burden of Dreams, which follows the crew and cast in the creation of Werner Hertzog's "Fitzcarraldo".

On this episode of Primal Screen, Flick Ford is joined in the studio by Maudie Osborne and Alice McShane. The trio start off with a review of the absurdist cop comedy The Naked Gun, the legacy sequel and forth installment of the Naked Gun franchise from director Akiva Schaffer. Later, The trio review the latest film from accalimed horror director Ari Aster, the devisive ultra-violent weirdo western Eddington.

Flick Ford is joined on this chaotic episode of Pimal Screen by: Thomas Caldwell, Cerise Howard, Alice McShane, Maudie Osborne, Will Cox and Aiden Tee (Primal Screen's new podcast editor). The group al celebrate Triple R's Radiothon by talking film, listening to stories about Primal Screen and playing some gardening related film trivia.

Flick Ford is joined this episode by Cerise Howard. The duo are joined in the studio by the writer and director of Birthright, Zoe Pepper, to discuss the black comedy. Later, the duo are joined by James Litchfield (writer and director) and Lucinda Reynolds (Producer) to discuss their latest offbeat drama, Alphabet Lane. Flick and Cerise finish off with a brief discussion of some of their favorutie screenings they have been to at MIFF 2025 so far.

Flick Ford is joined this week by Cerise Howard and Thomas Caldwell. In this episode, the trio discuss and delve into the curation of the Primal Screen teams Top 20 films of the 2025 Melbourne International Film Festival. Tune in to hear some fantastic recommendations.

This week on Primal Screen, host Flick Ford is joined by culture writer Will Cox and writer, audio producer, and filmmaker Silvi Van-Wall. Flick sits down with filmmaker Michael Shanks to talk about his latest body horror release "Together". Then, the trio reviews and unpacks "Fantastic Four: Four Steps". Finally, they wrap up with a brief chat on MIFF 2025 and what to keep your eyes peeled on.

This week on Primal Screen, Flick Ford is joined by film critic Thomas Caldwell and film programmer Alice McShane for a lively discussion of three new releases. The trio dives into "Friendship", a poignant exploration of companionship and emotional intimacy. They then review "Too Much", a raw and visually inventive look at excess and identity. And finally, "My Mum Jane", a deeply personal documentary that examines generational trauma and maternal bonds.