In the first pages of The Souls of Black Folk, W. E. B. Du Bois meditates on the question, "How does it feel to be a problem?"

In this profound response to that question, Zahi Zalloua endeavours to think through the shared Black and Palestinian experience of being racialized as a problem. Zalloua argues that today's anti-Blackness is not a lingering feature of a regrettable past that only occasionally manifests its ugly face. Rather, anti-Blackness permeates white civil society. Black being stands for the anti-human, its being is barred and degraded. And while Black being denotes criminality, Palestinian being denotes terrorism – a problematic being produced by Orientalism and used to legitimize oppression. Both the Black and Palestinian are framed as existential threats that undermine the very structures of white and Zionist dominance.

To Exist as a Problem: Being Black, Being Palestinian (Bloomsbury, 2026) provides a searing critique of such assumptions, arguing that Blacks and Palestinians do exist as a problem, but a different problem than the one dictated by the petrifying white and settler gaze. They exist as a threat because the mechanisms of structural racism make them so. In order for racism to thrive, they must be othered in the profoundest sense. In asking how a politics can be constructed in the face of this hegemony, Zalloua constructs a model of solidarity that places Black lives and Palestinian liberation at the forefront of the anti-racist struggle

Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature at Whitman College, USA, and Editor of The Comparatist. His most recent publications include To Exist as a Problem: Being Black, Being Palestinian, Fanon, Žižek and the Violence of Resistance, The Politics of the Wretched: Race, Reason, and Ressentiment; and Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Samar Abdel-Rahman's Egyptian Male Film Stars in the Nasser Era: Envisioning a National Identity (American University of Cairo Press, 2026) explores male stardom in Egyptian cinema produced during the early years following the Free Officers' revolution of 1952, through the lives and careers of three key stars: Omar al-Sharif, Ismail Yassin, and Farid Shawqi. In attempting to find a balance between the traditional and the modern, the Nasser era placed an emphasis on education, work, and gender equality. Yet, faithfulness to Egyptian traditions and values remained a key part of the state’s vision of collective identity. Samar illuminates how these stars promoted a civic identity that aligned with the regime’s ambitions, and how each of them—through melodrama, comedy, and action—negotiated a different facet of masculine identity that spoke to the ambivalent constructions of hegemonic masculinity during this critical post-colonial period.

Samar Abdel-Rahman holds a PhD in film studies from King's College London and  is currently a lecturer of World Cinema at the University of Liverpool. Her research, which focuses on stardom and performance in Middle Eastern and North African Cinemas, has been published in edited volumes including The Routledge Companion to European Cinema.

Saman Nasser holds an MA in world history from James Madison University, where he currently works as an educational staff.

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Humiliation pervades our politics, from images of stripped Palestinian men in Gaza to mocking chants at MAGA rallies. It suffuses pictures and videos, speaks through bodies as well as words, and is expressed by those with too much power as well as by those with too little. In Driven to Their Knees, Roxanne Euben takes readers from conflicts in the Arabic-speaking world to America’s divided public square, advancing a theory of humiliation rooted in the ways people articulate and enact it. Euben analyzes some of the most conspicuous yet least studied Arabic expressions of humiliation, drawing on sources ranging from Qurʾānic commentary by Islamists to videos, poetry, songs, and tweets from the 2011 Egyptian revolution.

Driven to Their Knees: Humiliation in Contemporary Politics (Princeton UP, 2025) reveals what the language of humiliation says—and also how it works. This groundbreaking book shows how humiliation expresses the imposition of impotence by those with undeserved power, and the way it converts relations of power into crises of virility. Humiliation rhetoric defines both the humiliated and the humiliator and issues an urgent call for a remedy in the viscerally charged language of emasculation. For Donald Trump and Usama bin Laden alike, this means driving their enemy to his knees for all to see, and then boasting about it to compound the degradation. But for others, humiliation galvanizes their struggle to “stand erect,” uniting them in a refusal to be bowed low. Humiliation is not just about power but is itself a powerful language that does far more than reflect contemporary politics. The language of humiliation remakes the very world in which we live.

Roxanne L. Euben is the Walter H. and Leonore C. Annenberg Professor in the Social Sciences at the University of Pennsylvania. Her books include Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge; Enemy in the Mirror: Islamic Fundamentalism and the Limits of Modern Rationalism; and (with Muhammad Qasim Zaman) Princeton Readings in Islamist Thought: Texts and Contexts from al-Banna to Bin Laden (all Princeton).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here 

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What happens when the United States launches an unconventional foreign aid program in the aftermath of a national uprising? In this behind-the-scenes account of the Egyptian-American Enterprise Fund--a private investment fund created by the U.S. Congress to jumpstart Egypt's private sector after the 2011 Egyptian revolution--A Daring Enterprise: A Us-Egyptian Partnership and the Case for Soft Power (American University in Cairo Press, 2026) by James A Harmon, Cornelius Queen, and Mark Warren tells the story of one of the most effective, yet little known, U.S. foreign policy programs today in the Middle East.

Through the firsthand account of the Fund's chairman James Harmon, a veteran investment banker and former Clinton administration official, the authors reveal how a small, U.S.-backed investment fund partnered with Egyptians to spark investment, create jobs, and expand opportunities for women in the Arab world's largest country--all against a backdrop of political instability, anti-Americanism, and Washington dysfunction.

At a time when America's budget deficit is rising and foreign aid is being scaled back, A Daring Enterprise reveals how a new model of foreign assistance can tackle urgent development challenges while delivering real returns for U.S. taxpayers. Most importantly, it is a powerful reminder of the value of foreign aid and why smart foreign investment is key to America's future prosperity.

 Cornelius W. Queen is senior vice-president at the Egyptian-American Enterprise Fund. Previously, he worked on the Syrian Crisis Response in Lebanon for a local NGO and before as a Legislative Assistant on Capitol Hill covering trade and foreign policy issues. From 2011-2012, he served as a core staff member for the Carter Center on its international election observation mission for Egypt’s first parliamentary and presidential elections after the 2011 revolution. He is a Middle East Policy Council 40 under 40 awardee. He earned an M.A. in Law and Diplomacy from the Fletcher School at Tufts University and his BA from the Johns Hopkins University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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The book Towards Palestinian Liberation: Global Perspectives on Anti-Colonial Resistance & Solidarity (Daraja Press, 2026), published by Daraja Press, portrays a collection of solidarity movements around the world, highlighting the interconnectedness of global struggles with Palestine. It situates Palestine in a wider, historical decolonial liberation movement. By examining the role of economic and political interests, it critically assesses the opportunities and challenges that these movements face. This book is an amazing new addition to the critical literature on Palestine.

Abi Bae is a Korean researcher and activist currently working at the Transnational Institute. Hamza Hamouchene is a London-based Algerian researcher-activist, commentator and a founding member of Algeria Solidarity Campaign (ASC), and Environmental Justice North Africa (EJNA). 

The host of this episode is Sarah Vogelsanger. Sarah Vogelsanger is a feminist researcher and writer based in London.

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High in the Lebanese mountains above Beirut sits Beit Trad, an eighteenth-century family home that Sarah Trad transformed into a guesthouse devoted to Levantine hospitality. The house brings together family history, Lebanese design, food, and the belief that welcoming someone into your home is an essential part of life. 

In A House in the Lebanese Mountains: Recipes & Stories from Beit Trad (Thames & Hudson, 2026), Trad tells the story of Beit Trad and the family who shaped it, alongside recipes for the generous Lebanese food served around its tables. Part memoir, part cookbook, and part portrait of a remarkable house, the book captures interiors that mix Eastern and Western influences and reflect the layered identity of the Levant. 

The recipes range from Beit Trad’s elaborate breakfasts to vegetable dishes, stews, meats, fish, and sweets. Throughout, Trad explores hosting as both an art and a practice: making guests feel completely at home while recognizing the work and dedicated team required to make that sense of ease seem effortless. 

Sarah Trad joins New Books Network to discuss Levantine hospitality, her family’s house and its transformation into a guesthouse, and her mother’s influence on her understanding of hosting. She also talks about what it takes to run Beit Trad, the relationship between beauty and appetite, and recipes including Pasta B Laban – a decidedly non-Italian spaghetti dish with garlic and yogurt that is pure Lebanese comfort food – and a strawberry and orange salad that showcases the magic of orange blossom water. 

Interview by Laura Goldberg, longtime food blogger at VittlesVamp.com.

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In this episode, we speak with Dr. Mehmet Çelik about his new book, Empire and Nation in the City: Rusçuk from Ottoman Rule to Bulgarian Statehood, published by Syracuse University Press in 2026.

The book tells the story of Rusçuk — known today as Ruse, in northern Bulgaria — a cosmopolitan port city on the Danube that, within the span of just fifteen years, passed through three entirely different political systems: a modernized Ottoman provincial administration, a Russian military provisional government, and a newly independent Bulgarian national state. Through this one city, Çelik offers a striking new account of how empires end and nations begin — and how much continuity lies beneath the surface of what looks like rupture.

At the heart of the book is the Tanzimat reform era, when Governor Midhat Pasha turned Rusçuk into a laboratory of Ottoman modernization. The city became home to the first provincial municipality in Ottoman history, the first agricultural credit cooperatives, a bilingual newspaper, secular mixed schools, and elected councils in which Muslim and Bulgarian Christian representatives sat side by side. Çelik shows that the Ottoman Empire, at its most ambitious, offered Bulgarians a genuine political alternative to nationalism — and that many took it, among them the chorbaci, the Bulgarian Christian notables who invested in and co-governed the Ottoman system, and who have been largely written out of Bulgarian national memory ever since.

When Russia invaded in 1877–78, Rusçuk surrendered peacefully — a telling sign of how deeply the city's diverse population had been woven into the Ottoman fabric. What followed was equally surprising: the Russian provisional government preserved the Ottoman institutional framework almost entirely, relabeling its councils and offices rather than dismantling them. The Bulgarian national government that came next did much the same, adopting Ottoman tools of minority management — including the military exemption tax and millet-style community administration — at the very moment it was defining itself in opposition to the Ottoman past.

Çelik also uncovers a remarkable story of religious conversion under Bulgarian rule: while some Muslims and Catholics converted pragmatically to Bulgarian Orthodox Christianity to secure the rights of the dominant group, Protestant conversion driven by the long-standing American Methodist Episcopal mission quietly gained new ground. In one of the book's most unexpected findings, a small community of Orthodox Bulgarians, Muslim Turks, Jews, and Armenians formed a lasting bond through their shared Protestant identity.

Drawing on Ottoman, Bulgarian, Russian, British, French, and Austrian archives — as well as prison registers, consular reports, missionary records, and the bilingual provincial newspaper Tuna/Dunav — Çelik bridges two historiographies that rarely speak to each other. Ottoman historians tend to stop at 1877; Bulgarian historians tend to start there. Empire and Nation in the City insists on the continuity that both fields have missed.

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Examining how memory, intergenerational transmission, and kinship work together, Relative Strangers (U Toronto Press, 2024) sheds light on Romani life in Palestine. Arpan Roy presents an ethnographic portrait of Dom Romani communities living between Palestine and Jordan, zooming in on everyday life in working-class neighborhoods, and under conditions of perpetual war and instability. The book focuses on how Doms are able to sustain ethnic difference through kinship, even when public performances of difference are no longer emphasized – a kind of alterity that is neither visible by obvious markers like race or religious difference, nor detected by the antennas of the state. Drawing on long-term ethnographic fieldwork in Jerusalem, Ramallah, and Amman, Roy makes a case for such alterity for Romani people and other groups in the region. Analysing intimate ethnographic scenes through anthropological theories of kinship, psychoanalysis, social theory from the Global South, and more, the book reveals how alterity in the Middle East does not adhere to rigid identitarian categories.

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In Artifactual: Forensic and Documentary Knowing (Duke University Press, 2023), Elizabeth Anne Davis explores how Cypriot researchers, scientists, activists, and artists process and reckon with civil and state violence that led to the enduring division of the island, using forensic and documentary materials to retell and recontextualize conflicts between and within the Greek-Cypriot and Turkish-Cypriot communities. Davis follows forensic archaeologists and anthropologists who attempt to locate, identify, and return to relatives the remains of Cypriots killed in those conflicts. She turns to filmmakers who use archival photographs and footage to come to terms with political violence and its legacies. In both forensic science and documentary filmmaking, the dynamics of secrecy and revelation shape how material remains such as bones and archival images are given meaning. Throughout, Davis demonstrates how Cypriots navigate the tension between an ethics of knowledge, which valorizes truth as a prerequisite for recovery and reconciliation, and the politics of knowledge, which renders evidence as irremediably partial and perpetually falsifiable.

Elizabeth Anne Davis is Professor of Anthropology at Princeton University.

* This episode is part of a special collaboration between the New Books Network and the Society for the Anthropology of Europe, a section of the American Anthropological Association. Together, we’re highlighting exciting new work in Europeanist anthropology—featuring authors from across the field, including winners of the William A. Douglass Book Prize and contributors to the European Anthropology in Translation series published by Berghahn Books.

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How did the state become Christian in late antiquity? Many scholars have traced the Christianization of the Roman world in the centuries following the conversion of the emperor Constantine in 312 CE. Robin Whelan, however, turns his attention away from the usual suspects in such accounts-emperors, empresses, bishops, ascetics, and other holy people-to consider a surprisingly understudied set of late ancient Christians: those who served the state as courtiers, bureaucrats, and governors. By tracing the requirements of regimes, the expectations of subjects, and patterns of engagement with churches and churchmen, he argues that that those who served the state in late antiquity could be seen-and indeed, could see themselves-as distinctly Christian authority figures-just as much as the emperors and kings whom they served, and the bishops and ascetics whom they governed. Serving the Christian State in Late Antiquity (Cambridge University Press, 2026) is also available as Open Access on Cambridge Core.

New books in late antiquity is presented by Ancient Jew Review

Robin Whelan is Reader in Mediterranean History at the University of Liverpool.

Michael Motia teaches in Classics and Religious Studies at the University of Massachusetts Boston

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The Poetics of Incivility: Satire and Subversion in Modern Arab Culture (Cornell UP, 2026) explores impolite modes of expression—satire, crude humor, and rudeness—as a critical lens for both aesthetic innovation and sociopolitical critique. In the Arab world—from Cairo's Tahrir Square and the thoroughfares of Beirut to war-torn Gaza—political demands have been framed by satirical cartoons and graffiti or in subversive poetry and song. Emily Sibley shows that these forms of resistance are not new to Arab culture but return to mid-nineteenth-century debates over literary propriety.

In case studies concerning women's education in 1850s' Beirut, the satirical press in colonial Egypt, colloquial theater in the era of decolonization, street art and graphic novels during and after the 2011 Egyptian protests, Sibley follows the threads of an expressive culture that announces and celebrates its own impropriety. Concluding with analyses of Gaza poetry on the internet as a space where the stakes of incivility are acutely visible, The Poetics of Incivility offers a timely consideration of incivility as an aesthetic resource for authors and artists engaging with some of the most controversial issues of their times—and ours.

Emily Sibley is Senior Research Associate at Whitman College.

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