With his riveting chronicle of the New York Mets baseball team, AM Gittlitz is emerging as a rising star in the field of popular social history. Writing with what the Wall Street Journal calls “the lunatic panache of a utopian manifesto,” Gittlitz weaves together the genealogies of American’s Pastime and the complex histories of race, class, ethnicity, and politics in the nation’s largest city. In this conversation, he recounts the many occasions when the tortuous trajectory of the Mets (and its precursors) collides with the major events of the metropolis and the nation. Civil rights workers, labor organizers, urban master-builders, corrupt politicians, and titans of finance and industry all make cameo appearances in his fascinating account, alongside legendary players from Jackie Robinson to Cleon Jones, Tom Seaver, and Francisco Lindor.

Read the book, Metropolitans: New York Baseball, Class Struggle, and the People's Team, and read the transcript of the interview here.

AM Gittlitz is an organizer and writer living in Ridgewood Queens. He is the author of I Want to Believe: Posadism, UFOs, and Apocalypse Communism and co-host of The Wreckage podcast.

A former journalist and editor, Stephen Hubbell directs the Seven Cities Fellowship Program, part of the Ideas Workshop at the Open Society Foundations.

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Why we crave enjoyment from news, how our news use divides us, and what we can do to create better news and more informed citizens. TikTok. Short-form reels. Late-night TV monologues. Podcasts. The way news is delivered has changed dramatically and so has the way we consume it. Now, we no longer look to the news just to learn and be informed; we expect enjoyment as well. In Enjoyment Is Breaking News: How We Became Less Informed and More Divided (and How to Fix It) (MIT Press, 2026), Jennifer Hoewe (Purdue University) explains how and why this shift toward news enjoyment occurred and what we can do to address the information crisis we now face. Evidence shows that enjoyment-driven decisions are leaving us less informed—despite what we might expect—because they lead us to ignore other news that matters. This book explains why we don’t always select the best sources of news, how we respond to the news sources we do select, and how that information impacts our political knowledge and decisions.

Hoewe also offers solutions for how to improve news creation and news use moving forward. Specifically, she shows how news consumers can escape their “self-righteous” consumption cycles; how news and social media companies can play a role in curbing our automatic amplification of enjoyable news; and how we can all do better when it comes to the information we seek and share.

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At its core, China in African Media: Between Influence Operations and Decolonization (Bloomsbury, 2026) is a book about power, journalism, geopolitical influence, and knowledge production in China–Africa relations. It examines how the People’s Republic of China has moved beyond simply establishing Chinese media organizations such as Xinhua and CGTN in Africa toward a much more dispersed system of engagement. Conceptualizing these engagements collectively as a multimodal or mixed-media ecology of influence, Umejei highlights China’s ability to reach African audiences directly through Chinese media, indirectly through African news organizations, institutionally through partnerships, professionally through the journalists it trains, and infrastructurally through technologies implemented by Chinese firms.

Underlying the book is a strong normative concern about the implications of this expansion of Chinese media engagement for Africa’s democracy, leadership, developmental aspirations, and decolonization. In this regard, Umejei addresses the question: Is the emerging South–South media relationship helping to decolonize African journalism by weakening Western dominance, or is China principally replacing Western influence with a new form of Chinese influence? The book draws on semi-structured interviews with journalists across fourteen African countries, content analysis, policy documents, and publicly available materials.

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Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation’s city newspapers, and framed through her own stepfather's experience covering the war.

Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed.

Mentioned

• Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost".
• Frank Kermode Sense of an Ending (1967).
• The philosopher John Pollock published a book called Knowledge and Justification in 1975.
• Jamie Cohen-Cole The Open Mind
• Ernest Becker, The Denial of Death (1973).
• Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin).
• R. A. Lafferty, The Fall of Rome (1971).
• Thomas Harris, I'm OK, You're OK (1967).

Recallable Books:

• Adam Phillips, On Giving Up.
• Graham Greene, The Quiet American (1955).

Read the transcript of the episode here.

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Much Matter in a Penny Paper: Early Yoruba Print Culture in Lagos,1910-1930 (Ohio UP, 2026) is a survey of the history and development of Yoruba print culture in Lagos, Nigeria, from the 19th to the early 20th century. The book details the emergence of the Yoruba language press, its themes, and its distinction from the English-language press. The influence of both missionary and secular presses on religion and morality as well as the socio-economic and political lives of the Nigerian people are also emphasised. The book relates the impact of the development of other machines, including transportation technologies like trains, trucks, and bicycles on the dissemination of printed materials across the regions. In terms of methodology, the book combines history and ethnography approaches to tell the story of the Yoruba printing culture in Lagos between 1910-1930.

Alluding to Robert Campbell's installation of the first printing press in 1862, which led to the publication of the Anglo-African newspaper, the book narrates how the focus shifted from English-only publications to include Yoruba language content in the early 20th century, with books about Yoruba towns and poetry becoming popular. While the title of the book is rooted in the Yoruba proverb, “Oro po ninu iwe kobo”, reflecting the richness and diversity of content in early Yoruba newspapers, the book is testament to Professor Karin Barber’s motivation entrenched in her fascination with Yoruba language creativity including oral praise poetry, popular theater, and verbal arts, and her discovery of Yoruba oriki in colonial-era publications.



Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ LinkedIn | ORCID | and Meta

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Steven Herman spent 1990-2006 in Japan, most of those years with Voice of America. He served as South East Asia Bureau Chief as well as North East Asia Bureau Chief for the Korean Peninsula & Japan. Over his 16 years living in Japan he covered the Kobe Earthquake as well as the 2011 Tohoku Earthquake-tsunami-nuclear disaster, which he said was "covering three disasters at the same time.”

He also recounts his more recent days as a White House Foreign Correspondent, especially his time as a traveling pool reporter. You'll learn what it's like to fly on Air Force One, why he got banned (twice) from X by Elon Musk, that "Presidential M&M's" are a thing, and his best advice for those wanting to write a book about their experiences in a foreign country.

Finally, he gives a concise account of what happened to VOA in the Trump Administration, his role as a whistle-blower, and tells us why DOGE shut them down. Herman retired from VOA in mid 2025 and now teaches journalism. In this latter discussion, he reveals how he blew the biggest scoop ever in his journalism career.

Herman is currently the executive director of the Jordan Center for Journalism Advocacy & Innovation in the School of Journalism & New Media at the University of Mississippi.

Some of Herman's favorite books on Japan are:

• Notes in Japan, by Alfred Parsons (1896)
• No Surrender: My 30-year War the autobiography of Noda Hiro (1974, transl. Charles S. Terry)
• The Warrior's Camera: The Cinema of Akira Kurosawa (Princeton Univ. Press, 1991)
• You can find Steve Herman on social media at:
• Mastadon, Blue Sky, Threads, Substack, LinkedIn and Instagram

The Books on Asia Podcast is co-produced with Plum Rain Press.

Subscribe to the BOA podcast from your favorite podcast service.

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We often blame social media for the rampant problem of disinformation, but the truth is that mainstream news media is often equally at fault. Not only do news outlets disguise paid content to look like online news articles, a practice called “native advertising,” but new research suggests that this form of advertising even influences the real journalism that appears next to it—both perceptions of the journalism as well as its actual substance. In Content Confusion: News Media, Native Advertising, and Policy in an Era of Disinformation (MIT Press, 2025), Michelle Amazeen explores the origins and evolution of this mainstream media practice, how it affects audiences and the industry, and what the implications are for an accurately informed democracy. For policy makers, in particular, the book highlights the longstanding principles from governmental regulation as well as industry professional codes that serve to support clear identification of the provenance of content, an issue that will no doubt intensify with the release of generative artificial intelligence in the wild.

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What if AI’s biggest impact on journalism isn’t replacing journalists, but forcing us to rethink what journalism is for?

In this episode, Joanne Kuai speaks with Seth C. Lewis, Rodrigo Zamith, and Tomás Dodds, authors of Journalism in the Age of AI: From Acceleration to Reimagination (Polity, 2027).

For decades, journalism has been caught on a “hamster wheel” of acceleration: producing more stories, for more platforms, with fewer resources. AI promises even greater efficiency, but is doing more with less really what journalism needs?

Lewis, Zamith, and Dodds argue that the current AI moment offers something more consequential: an opportunity to reimagine journalism itself. The conversation explores what remains distinctly human about journalism when machines can increasingly perform creative and cognitive tasks; how dependence on AI companies and digital infrastructure is reshaping media power; what AI means for journalism education and human judgement; and whether journalism can harness these technologies in ways that strengthen, rather than erode, its democratic purpose.

The conversation also raises a more fundamental question: is preserving journalism as an institution the goal, or should we rethink how society meets its information needs altogether?

Journalism in the Age of AI is available open access. Learn more and access the book here.

About the authors

Seth C. Lewis is the inaugural Elcan Jefferson Scholars Foundation Distinguished Professor of Artificial Intelligence and Media Studies at the University of Virginia. Previously, he was the founding holder of the Shirley Papé Chair in Emerging Media and Director of Journalism at the University of Oregon. In his research, Lewis examines the social implications of emerging technologies and their consequences for news and public life.

Rodrigo Zamith is an Associate Professor and former Chair of the Journalism Department at the University of Massachusetts Amherst. His research and teaching interests lie at the intersection of journalism and technology, with a focus on understanding the social implications of emerging technologies for how news is produced, distributed, and consumed. He is a recipient of UMass’ Distinguished Teaching Award.

Tomás Dodds is an Assistant Professor in Journalism and Mass Communication at the University of Wisconsin-Madison and the Director of its Public Tech Media Lab. His research examines the evolving relationship between journalism and technology, with a focus on how journalists and media organizations can develop open-source tools and artificial intelligence systems that serve the public interest.

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Palace of the Ether: Broadcasting House and the Architecture of the BBC, 1922–1932 (Lund Humphries, 2026) by Dr. Elizabeth Darling is about the architecture and design of broadcasting in the 1920s and 1930s, examining the buildings which the BBC occupied in its founding decades, with a particular focus on Broadcasting House in London. It argues that these environments were as constitutive of the Corporation’s identity as the programmes and people that they housed. Borrowing from the architectural writer Christopher Hussey’s characterisation of Broadcasting House as a ‘palace of the ether’ Dr. Darling asks how the immaterial medium of the broadcast was given material and spatial form by the BBC, and the engineers, architects and designers whom they commissioned.

The book traces the development of the BBC both technologically and organisationally, and the changing demands it had of the spaces which accommodated it. It shows how associational networks and personal affiliations affected who was commissioned to work on what became Broadcasting House and offers a detailed account of the work of Val Myer, who designed the exterior and shell of the new building, and the team of architects who designed the studio interiors (Serge Chermayeff, Wells Coates, Edward Maufe, Raymond McGrath and Dorothy Warren). In documenting the design of Broadcasting House, and the responses to it, Palace of the Ether offers new insights into British architectural culture at a pivotal moment in the profession’s history.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

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Amy Weitzman interviews Emily Sneff on her new book When the Declaration of Independence Was News and the graduate school experience.

In 1776 people could hear the Declaration of Independence proclaimed in public squares and could read it in the pages of their local newspapers. Stories of the Declaration typically recount the work that took place inside the Continental Congress, focusing on the men tasked with drafting the text. Although Congress declared independence, the work of spreading the news involved printers, post riders, ship captains, civic leaders, soldiers, clerks, orators, preachers, diplomats, and translators.

When the Declaration of Independence Was News reveals the stories behind how the Declaration was communicated in the United States and around the Atlantic. Tracing the travels of the founding document of the United States from Philadelphia to New York, Boston, Charleston, London, Leiden, Paris, and beyond, Emily Sneff shows how people both celebrated the Declaration and critiqued it. In the weeks after the document was penned, it was printed in the columns of newspapers, translated into German and French, and shared with Native American allies. The document induced some people to make public their privately held beliefs about whether they wanted the United States to be independent or to reconcile with King George III. The Declaration was met with unique circumstances everywhere it went, and people modified the text along the way. The questions of who experienced the news of independence, when, and how reveal an expansive and complex history of a critical moment in the American Revolution.

Published for the 250th anniversary of American independence, When the Declaration of Independence Was News returns to a time before the legacy of these words and the outcome of the war against Great Britain were known to reconsider what the founding of the United States meant to the people who were living through it.

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The remarkable political ascent of Donald J. Trump and his sustained grip on a certain segment of American society have given fresh life to a question as old as Tocqueville’s visit to Jacksonian America a century ago: How do foreigners regard America, Americans and the American experiment? I explore this question in a conversation with Madeline Schwartz, founder and editor in chief of The Dial, an online publication. She wrote the Introduction to a collection of essays featuring work commissioned by The Dial, the new book titled How We See It: The World Looks at America in the Age of Trump (The New Press, 2026). We discuss perspectives from Italy, Argentina and South Africa, among other places

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