Regency gardens dazzled with colour, invention and theatricality: trellises heavy with roses and jasmine, shrubberies designed for intrigue and lawns enlivened with pools, grottoes and fanciful ornaments. Yet behind this world of perfume and spectacle lay a striking social shift. In a domain long defined by men, women began to play an active role, influencing Humphry Repton and other designers to realize their visions of pleasure grounds. These gardens became stages for al fresco entertainments, displays of taste and private encounters alike.

All Around Is Fairy Ground: Pleasure and the Regency Garden (Reaktion, 2026) by Professor Timothy Mowl offers the first sustained account of ornamental gardening in Regency Britain, revealing a vivid, feminine-inflected landscape where horticulture, fashion and sociability intertwined – and where artistry still resonates two centuries later.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Environmental politics is clearly at an impasse, increasingly foreclosed by a fragmenting elite consensus on climate change, an escalating populist backlash on the right, and a pervasive sense of climate doom on the left. This book considers what new openings might be offered by a labor-centered transition focused on our creative agency and our collective capacities to design new worlds.

Whilst political mobilizations and smart policy are vital for making progress on decarbonization, Designing the Just Transition: Design-Politics, Labor, and the Battle for Post-Carbon Futures (Bloomsbury, 2026) suggests that a more environmentally and socially just future will also have to be materialized and built, coded and created, imagined, desired, and enacted by many hands, many skills and many forms of visible and invisible design labor. The mainstream design industry is not to be trusted. Nevertheless, this book brings political ecology and environmental-labor studies into dialogue with critical design praxis, activism, and scholarship. It critically appraises traditions of worker-centered design, ecological and regional planning, sustainable and climate-smart architecture, and 'design when everyone designs.'

Rather than embracing a scolding green politics of limits or techno-utopian propaganda, Designing the Just Transition points to a wealth of resources for thinking about how we still might engage in democratic world-making on a warmer, more restless, and more turbulent planet.

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An invitation to K-12 educators to reimagine their roles through the transformative lens of design In Educators as Designers, Jim Gaona Ellis draws on Universal Design for Learning (UDL) and the latest UDL guidelines to position teachers as creators, innovators, and problem-solvers, empowering them to craft classroom experiences that are not only accessible, but also inspiring, inclusive, and responsive to every student's unique needs. This timely and original book challenges readers to see themselves not just as implementers, but as architects capable of reshaping learning cultures and opportunities for all students. At the heart of this work is a practical toolkit that seamlessly bridges powerful design concepts--such as affordances, choice architecture, hostile design, and the design cycle--with everyday classroom realities. Gaona Ellis offers engaging vignettes, actionable strategies, and a concrete change management framework that honor teachers' expertise while guiding them to collaborate, ideate, and iterate solutions. The book doesn't shy away from addressing systemic inequities, instead arming educators with the language, habits, and mindset to foster learner agency, equity, and belonging--regardless of external constraints or shifting DEI mandates. More than a guide, this is an invitation to innovate, co-create, and lead. With storytelling at its core and a focus on practical impact, this book will inspire educators and school leaders to bring fresh clarity, delight, and possibility to their practice--one designed solution at a time.

Jim Gaona Ellis is an educator, consultant, and storyteller exploring the intersections of culture, belonging, and instructional design.

Caleb Zakarin is CEO and Publisher of the New Books Network.

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Terrorism in American Memory argues that the terrorist attacks of 9/11 and all that followed in its wake were the primary force shaping United States politics and culture in the post-9/11 era. Marita Sturken maintains that during the past two decades, when the country was subjected to terrorist attacks and promulgated ongoing wars of aggression, we have veered into increasingly polarized factions and been extraordinarily preoccupied with memorialization and the politics of memory. The post-9/11 era began with a hunger for memorialization and it ended with massive protests over police brutality that demanded the destruction of historical monuments honoring racist historical figures. Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (NYU Press, 2022) sheds light on the struggles over who is memorialized, who is forgotten, and what that politics of memory reveals about the United States as an imaginary and a nation.

Marita Sturken is Professor in the Department of Media, Culture, and Communication at New York University, where she teaches courses in visual culture, cultural memory, and consumerism. She is the author of Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering (1997), Thelma & Louise (2000, reissued 2020), Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright, 4th edition 2025), Tourists of History: Memory, Kitsch, and Consumerism From Oklahoma City to Ground Zero (2007), and Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (2022). She is currently working on a project about the history of amateur photography in the American culture from Kodak to Polaroid to the iPhone. She was awarded a Guggenheim Fellowship in 2023.

Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020).

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Romanticism made Scotland famous. It critically shaped the course of Scottish culture, while impacting on cultures elsewhere and inaugurating the country’s still-flourishing and lucrative tourist industry. This book is about Edinburgh’s most emblematic architecture over the long 19th century: the castellated and stone built cityscape of national revivalist architecture. It reveals why Scotland had by the 1820s become one of Europe’s great centres of Romanticism, due both to the majestic Highlands, and to Edinburgh itself as city of Romanticism. Additionally, Edinburgh developed as the main centre and hub for travellers drawn to Romantic Scotland through the work of James ‘Ossian’ Macpherson and Sir Walter Scott: visitors including Schinkel, Mozart, Verne, Turner, Haydn, amongst innumerable others.

Edinburgh: City of Romanticism (Lund Humphries, 2026) by Dr. Aonghus MacKechnie also provides a long-overdue counterbalance to the contrastingly much-examined and much-published topic of Enlightenment Edinburgh, showing how this and Romantic Edinburgh have comfortably co-existed. It examines how Edinburgh’s Romanticism was similarly driven by intellectuals, amongst whom were Enlightenment figures and artistically talented individuals, and it discusses the legacy of those who contributed to the Romantic cityscape of today; an architecture that provides much of the character of the UNESCO-designated World Heritage Site and of the city that countless tourists come daily to see.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

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Architecture and Choreography: Collaborations in Dance, Space and Time (Routledge, 2024) examines the field of archi-choreographic experiments: unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency.

Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline’s tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more than human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters.

Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.

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This interview with Professor Amihai Mazar was conducted by Željko Stanojević for the New Books Network. The conversation focuses on Tel Reḥov: A Bronze and Iron Age City in the Beth-Shean Valley, especially Volume V, where the report turns from architecture and pottery to smaller objects and scientific evidence that help reconstruct life at the site.

Amihai Mazar is a leading archaeologist of ancient Israel. His research examines the Bronze and Iron Ages, archaeology and biblical history, ancient Near Eastern art and architecture, and historical geography. Tel Reḥov is especially important because it offers a rich archaeological sequence from the Beth-Shean Valley and evidence for the social, economic, and environmental history of northern Israel.

Volume V is particularly revealing because it asks what can be learned from material that might appear secondary beside monumental architecture. Its first part examines clay, bone, stone and gypsum vessels; grinding stones and other stone implements; metal objects and metallurgical evidence; beads; objects connected with textile production; scale weights; and lithics. Together, these finds illuminate household work, craft activity, exchange, measurement, and technology.

The volume also analyzes the spatial distribution of finds in a distinctive group of ninth-century BCE buildings in Area C. Archaeology is also about understanding where objects were found and how groups of finds functioned together. Distribution patterns can help reconstruct activities within buildings and suggest how work, storage, production, and daily routines were organized. It also includes Assyrian-period burials and later Islamic-period material, showing the site's long history.

The second part of Volume V brings natural-science methods directly into the archaeological interpretation. Radiometric dating contributes to chronology. Studies of animal and fish remains, molluscs, and botanical material offer evidence for diet, agriculture, environment, trade, and the use of local and non-local resources. A soil-flotation project recovers small botanical remains that might otherwise disappear from the archaeological record. These studies show how modern archaeology depends on collaboration between excavators and natural-science specialists.

One striking example is the paleomagnetic study of tilted walls in Area C, Stratum V. Instead of treating damaged architecture only as a descriptive feature, the researchers used physical evidence to investigate seismic destruction. This demonstrates a central strength of Volume V: interpretation is built by combining objects, context, chronology, biological remains, geology, and physical-science methods.

Our discussion with Professor Mazar therefore uses Volume V to ask a larger question: how do small finds and scientific analyses change the historical picture created by excavation? The volume shows that understanding an ancient city requires more than identifying buildings or connecting archaeological horizons with historical narratives. It requires reconstructing technologies, food systems, craft production, movement of goods, environmental conditions, patterns of use within buildings, and the events that transformed them.

Željko Stanojević is a host with the New Books Network and President of the Institute for Hebrew Language and Literature, Belgrade. He is also Founder and Editor-in-Chief of the European Hebrew Journal, an international Diamond Open Access journal supporting research in Hebrew, biblical, Jewish, linguistic, historical, and related studies. He also coordinates the European Hebrew Journal International Online Conference, New Discoveries and New Directions in Biblical, Hebrew, and Theological Studies. Authors of recent academic books are welcome to contact him regarding possible New Books Network interviews.

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Real Estate: Histories of Architecture and Capital (gta Verlag, 2026)challenges the conventional assumption that architects and planners are the principal authors of urban form. It instead foregrounds the developers, builders, financiers, and media strategists whose pursuit of profit has shaped cities, particularly under global capitalism. Bringing together studies spanning the eighteenth century to the present, the editors, Gregorio Astengo and Davide Spina, and the contributors establish real estate development as a significant field of inquiry within architectural history. It also proposes new methods and sources for understanding how speculation and market mechanisms have produced the built environment.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. He researches nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (gta Verlag, 2023).

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Media Matters in Landscape Architecture (Applied Research & Design, 2025) goes behind the scenes to consider how media technologies that have emerged in recent decades are shaping the practices of artists, designers, engineers, and scientists. The media infrastructure of climate science and Earth remote sensing, coupled with the increased availability of spatial information and modeling software, provides the context for many of the chapters in that the media and methods employed are designed to capture phenomena that are not directly visible to human perception, and where there is a high degree of uncertainty or changeability due to dynamic material conditions. Co-editors Karen M'Closkey and Keith VanDerSys bring together authors from a wide range of disciplines—landscape architecture, media studies, science and technology studies, history of science, engineering, ecology, and architecture—to examine how the creation and use of data, images, and models act as the mediums through which a particular understanding of “environment” or “landscape” arises. This framing of environmental media emphasizes the relationships among various design media and the specific material and social environments within which they operate.

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Planning Library Spaces: A Practical Guide for Library Building Projects (Bloomsbury, 2025) is a book designed for librarians, trustees, local government officials, architects, and interior designers who are designing or planning to build, renovate, or reconfigure library spaces. Most librarians embark upon a library building project with little experience in space planning, architecture, or construction. Written by a registered architect and professional librarian, this is a guidebook for librarians embarking on a library building project. It includes a brief history of library facilities, placing them in the context of public buildings. An introduction to library planning principles and a discussion of library design concepts and trends are presented, including the impact of the 2020 pandemic on library design. Sections on working with architects, building design/construction terminology and the basics of reading architectural drawings provide insight into unfamiliar jargon and visual communication. Extensive illustrations and photographs show examples of library layouts and furniture and equipment, and the final chapter addresses the challenges inherent in a major building project. As library services change, buildings must adapt to accommodate and provide these new innovations. Buildings are living things, and this book will offer guidance to those embarking on a project of any scale or size.

Guest: Lauren Stara is a registered architect and a librarian, specializing in library building design. Her past library experience includes everything from front desk clerk to director. As a Library Building Specialist for the Massachusetts Board of Library Commissioners, Lauren administers grant funds and provides technical assistance and advice from initial planning through construction of public library projects. She writes, consults, and speaks on library design, service design, and future trends in libraries and is coauthor of Responding to Rapid Change in Libraries: A User Experience Approach (2020).

Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College.

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We often idealize the university as a sanctuary for disinterested reason, where material concerns are set aside in favor of higher principles. Yet when we remember our own college experiences, what springs to mind are not just lofty concepts but also material realities: cramped dorm rooms and musty library stacks, gothic towers and freshly mowed quads.

The University: A History in Stone, Silk, and Blood (Harvard University Press, 2026) puts such seemingly inconsequential details at the center of the institution’s 900-year history. Constructing each chapter around an emblematic material—straw, stone, flesh, blood, silk, paper, iron, and concrete—Professor William Whyte traces the intimate connections between the university’s shifting physical form and its evolving social and cultural meanings. From the medieval University of Paris, where students purchased bundles of straw to use as chairs in otherwise-unfurnished classrooms, to the ocean of concrete at postcolonial Nigeria’s Obafemi Awolowo University, Professor Whyte shows how competing visions of higher learning left their imprint on generations of university architecture, landscaping, and furniture. Along the way, he highlights perennial fears that, within the social space of the university, the life of the mind would recede before worldly interests: that student bloodlines would be tainted by racial intermixing, that courting donors with buildings named in their honor would become more important than research and education, that the allure of powdered wigs and silk gowns would undermine scholarly discipline.

A richly textured chronicle, The University concludes that, even in the age of remote learning, the college campus is irreplaceable. The future of higher education includes fiber-optic cables, but stone, brick, and steel are here to stay.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

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