While a handful of college bands go on to fame and fortune, most of them fade away over time. It’s difficult to keep things rolling when people move away for their own careers and families.  This was the fate of Syd Sustain.

In 1989, Ray and John got together and put out an album of “synthesized rock” called the “Voltz/Trammell Sessions”.  Some of the songs were updated versions of classic Syd, while others were brand new compositions.  I’m including “Motorin”, “If You Want Me”, “Take a Look at Yourself”, and “Interstellar Love Song”.

To the best of my knowledge, this was the final work for Syd Sustain. What I know for a fact is that this is the final episode of Decawatt Playhouse.  I’ve run out of material, so unless I unearth something new, that wraps it up.

Please take a moment to check out the other SFPPN podcasts—thanks for listening.

Any college band worth its salt had to be able to perform in front of a live audience, and Syd Sustain was no exception.

Here’s a selection from the “Syd Died Today" concert at the college arts center, with a very receptive and active audience.  The songs include “Scam Wham Bam”, “Too Much at Once”, and “What It’s Like for You”.  Ray and John have quite the patter between songs. Apologies for the audio quality, but that comes with the territory of a live show.

One more episode to go, and a familiar concept in college bands—solo (in this case duo) efforts.

Moving on with Syd Sustain, and a more esoteric album.

GCC had it’s own poet laureate in the mid-80’s named T. R. Ashe. Rarely seen in public, Ashe published a series of compositions and became a type of muse for Syd Sustain.

Many of Ashe’s writings had a “you had to be there” quality to them, especially his epic “Sligo”. The second movement of “Sligo” has a real 80’s video game vibe as well. I had the good fortune to create a Sligo music video, although it did NOT feature Syd members due to a time crunch before a concert.

Clear your mind and receive the acquired taste of T.R. Ashe.

Moving on with Syd Sustain, and two more of their albums: “Paranoid About the Fuzzies on My Sweater”, and “Syd Drove West”.

“Paranoid…" includes more catchy tunes in the electronica vein such as "Ground to Ground” (possibly influenced by Ray’s time with the National Guard) , “Cruisin’”, and "Syd Takes a Dive” (both referring to road trips).

"Syd Drove West” is much more experimental, and is an indicator of Ray and John’s move to do multi-track work in a studio setting.  Songs include "Radio Sine” and the aforementioned "Paranoid About the Fuzzies on My Sweater” (there is also a version on the same named album, but I prefer this one).

More to come, as Syd gets a little silly.

We continue with the discography of the 80’s college band from GCC, Syd Sustain.

The Dig Aquacade album includes a set of catchy 80’s pop/electronica such as “Everything Has It’s Place", “Photographs", and “Room-a-Zoom-Zoom", along with a beautiful piano ballad called “Suspended - China”.

More Syd to come! 

When you go to college, you’re gonna have college bands.  Electronica was big in the 80's, and anyone with a DX-7 gave it a shot at some point.  Four "townies" (locals who attended the school) had put together various music since high school, and continued at GCC as "Syd Sustain".  Ray Voltz (keyboard), John Trammell (keyboard), Chaz Owens (bass), and P.D. Gregg (drums) put out several albums (mostly distributed via dubbed cassettes) and had various gigs in and around the college and the Pittsburgh area.

My connection to this group?  I did some audio-video stuff for one of their concerts at GCC and shot material for videos that never saw the light of day.

They do have a Facebook page you can find here.

Ray was generous enough to allow me to post some of their material in what will most likely be the final batch of episodes for this series.

Let’s start off with their “Volume One” EP album and four songs: "See You", "Rocket Man", "One Love", and "Running for Cover". 

WSAJ’s “Theatre of the Air” saved the best for last. WSAJ’s version of Orson Welles Larry Bowald couldn’t resist mounting the classic “War of the Worlds” with a western PA twist.

This was an extra length production, with Larry leading the cast of Chris Fisher, Darla Vornberger, Cheryl Sheely, Mark Harrison, Bill Koch, Art Wilson, and Donna Kozik.  We even get a promo for the program!

Somehow, this cassette fared much better over the years, and the audio quality is not bad.

We will get into the “college bands” portion of the series next time (you got a taste of it in this production—nice touch, Larry).

Enjoy!

WSAJ’s “Theatre of the Air” continues, with the parable “Splash of Water". 

Craig Munch stars, with Dave Miller, Cat Fithian, Lisa Harris, Bill Koch, Michelle Petrucci, Mark Harrison, and Jack Wenches rounding out the cast.  Craig pulls double duty as director, and took advantage of library stock music throughout.

As usual, the audio quality isn’t great, but what can you expect from 30 year old cassettes?

Enjoy!

WSAJ’s “Theatre of the Air” continues, with the triller “Sorry, Wrong Number”.

Cat Fithian stars, with Paul McGill, Ron Carter, Betsy Diedrich, Cheryl Sheely, Dave Miller, Michelle Petrucci, Keith Parrish, and yours truly rounding out the cast.  I was fortunate enough to act alongside Cat on several occasions, and she really belts it out of the park on this one.

As usual, the audio quality isn’t great, but it’s the best it’s going to be.

Enjoy!

WSAJ’s “Theatre of the Air” continues.  It’s back to gothic horror in “The Signal Man”.

There’s no cast list in the recording, so I was surprised to hear my own voice as one of the co-stars. I have no recollection of this performance, essentially doing a Graham Chapman (Monty Python) impression.  I also recognize Larry Bowald, P.D. Gregg, and Keith Parrish’s voices.  I’m not sure of my co-star; perhaps Martin Christoffel? My apologies if I’m in error.

There was a LOT of cleanup for this one, mostly balancing the voice level—damn my baritone!

Enjoy!

WSAJ’s “Theatre of the Air” continues.  We go back to the classics for “The Lady or the Tiger”.

Larry Bowald plays the king, with Lisa Hogle, Mark Harrison, Donna Day, Darla Vornberger, and Bill Koch rounding out the cast.

Whomever made the original recordings seems to be doing better as they went along—there was less cleanup on this one.

Enjoy!