With Todd and Cathy Adams
Cathy and Todd discuss Dirty Dancing and how a low-budget film about a summer romance became a cultural phenomenon and why it still resonates. They explore how it’s not just a love story between Johnny and Baby, but also a deeper look at class tension, autonomy, and a girl finding her voice. They dig into behind-the-scenes tension, surprising casting what-ifs, and the film’s groundbreaking abortion storyline set in pre-Roe America, along with the chilling way privilege and disposability show up through characters like Robbie. It’s nostalgia, cultural analysis, and an important look at a movie that’s always been about more than just dancing.
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Cathy and Todd discuss Billy Elliot (2000), the British film set during the 1984–85 miners’ strike about a working-class boy who secretly pursues ballet while his community expects him to box and follow the rigid rules of masculinity. Using the film as a lens, they also discuss the documentaryLouis Theroux: Inside the Manosphere, exploring how ideas about what boys “should” be, tough, unemotional, traditionally masculine, continue to shape conversations about gender today. They discuss the cultural impact of Billy Elliot, from its eventual transformation into the hit Elton John stage musical to the way the story challenges assumptions about masculinity through Billy’s passion for dance and his friendship with Michael. They also reflect on the powerful Swan Lake finale, where Billy’s final leap onstage becomes a symbol of freedom, an image of a boy stepping beyond the expectations of his community to become fully himself.
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Dance month continues as Cathy and Todd discuss the 1983 film Flashdance, directed by Adrian Lyne and written by Tom Hedley and Joe Eszterhas, a movie that helped define the early-1980s MTV-style of filmmaking with its fast cuts, dance scenes, and unforgettable soundtrack. Starring Jennifer Beals as Alex, a young steel mill welder who dances at night while dreaming of becoming a professional dancer, the film blends working-class ambition and romance. They discuss why the movie became such a cultural moment, from its Oscar-winning song “Flashdance… What a Feeling” by Irene Cara to its iconic fashion and dance scenes, while also focusing on some of the film’s contradictions around female ambition, performance, and power. Last week was Footloose, next week, Billy Elliott!
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Jump back! Cathy and Todd discuss Footloose to kick off Dance Month! Directed by Herbert Ross and released in 1984, Footloose made Kevin Bacon a star and helped define the MTV-era teen movie. But beneath the music this $8 million film (that grossed over $80 million worldwide) is really about grief, fear, father-daughter tension, and a town trying to outrun tragedy. Cathy and Todd discuss the culture clash between Ren and Reverend Moore (John Lithgow), Ariel’s push for independence, and the wisdom of Vi Moore (Dianne Wiest). They talk hot takes and WTF moments, the real Oklahoma town that inspired the ban, and why the final prom isn’t just a dance, it’s a community loosening its grip on fear.
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Cathy and Todd discuss The Wedding Singer and why this Adam Sandler–Drew Barrymore rom-com lived fully inside the 80’s, the music, the clothes, and all that emotional earnestness. They talk about the chemistry that made it work and the unexpectedly sharp stuff underneath, and what happens when genuinely open-hearted people fall in love with each other. They get into Steve Buscemi’s awesome chaotic presence and why the soundtrack sold so many copies. The Wedding Singer helped reframe the ’80s as emotionally formative and it’s remained one of the most loved rom-coms of its era.
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In this episode of Zen Pop Parenting, Cathy and Todd dive into the psychological thriller Misery and explore what makes it so deeply unsettling decades later. Through the intense dynamic between Paul Sheldon and Annie Wilkes, they unpack themes of control, obsession, entitlement, and the dangerous illusion of “love” without boundaries. Using the film as a lens, they examine how fear, power, and identity shape relationships—and what this story reveals about emotional captivity in both subtle and extreme forms.
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Categories
Best 80’s Romance
Best 90’s Romance
Best Romantic Comedy
Best Dramatic Romance
Best Forbidden Love
Best TV Romance
Worst TV Romance
Best Romance, Right Now (2026)
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Cathy and Todd discuss Best in Show to honor Catherine O’Hara and dive into America’s Mayflower Kennel Club Dog Show in Philadelphia, where nothing “big” happens and that is exactly the joke. They examine Christopher Guest’s mockumentary style, made without a traditional script, in which an ensemble performs identity inside a highly rule-bound world. They move through their typical categories and share plenty of their favorite clips as they explore how the film, released in 2000 before reality TV normalized confessionals, predicted The Office and Parks and Recreation. Cathy and Todd connect the movie to modern life, where we curate versions of ourselves at school, work, in parenting spaces, and on social media, and reflect on what this means for girls who are trained to perform likability, calm, and competence.
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Todd and Cathy discuss The Sure Thing (1985), Rob Reiner’s early, quietly subversive road-trip rom-com starring John Cusack as Gib Lloyd, a smart, restless college guy chasing a guaranteed hookup that slowly reveals itself to be hollow, alongside Daphne Zuniga’s Alison Bradbury, a sharp, principled counterpoint who refuses to play the “cool girl.” Set in a pre-internet, pre-cell-phone America, the film captures mid-80s college culture while exploring the tension between impulse and integrity, desire and discernment, with Anthony Edwards’ best friend serving as a cautionary caricature of male entitlement and Nicollette Sheridan’s “sure thing” functioning more as fantasy than human. They share why Reiner softened the original raunchy premise into something more meaningful and human, and how the movie quietly suggests that growth, conversation, and shared values are the real turn-ons. Todd and Cathy also dive into their regular categories, plus their five favorite John Cusack movies and their five favorite two-person road-trip films.
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Cathy and Todd discuss Why Heated Rivalry Matters, digging into why this hockey romance has become such a cultural lightning rod and emotional touchstone. They talk about Rachel Reid’s novel and the TV adaptation, but mostly they focus on what’s really happening alongside the sex scenes: two very different expressions of masculinity learning how to coexist without hierarchy, punishment, or performance. The conversation moves from the slow-burn relationship between Shane and Ilya to why so many women, queer viewers, and romance fans trust this story and feel oddly comforted by it. They explore how the show models emotional safety, real repair, and power that doesn’t turn into harm, and why that feels rare right now. It’s a mix of pop culture, psychology, and cultural reckoning about intimacy, vulnerability, and what people are longing for in relationships today.
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Cathy and Todd discuss A Few Good Men, a courtroom drama set inside the military justice system about power, loyalty, and what happens when following orders starts to feel wrong. They go through their usual categories, talk about why the movie still works all these years later, and give props to Jo Galloway who was dismissed for being “too much,” yet was right all along. The share why this film hit so hard for people who grew up learning the rules and then had to decide when to question them. PLUS they spend the first 10 minutes discussing the Chicago Bears – Bear Down!
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