I've been dying to interview Argentine artist Milo J ever since he came to NPR earlier this year to perform at the Tiny Desk. The 19-year-old started his career as a trap artist, but his latest album, 'La Vida Era Más Corta,' mines Argentine folklore to present a bold vision of his country that resonates deeply with younger generations. That Tiny Desk was just released -- and became one of our fastest-growing shows ever -- so we figured the time was right to call up Milo J and dig into it all. And just a note up front: this interview is entirely in Spanish.    

Llevaba mucho tiempo con ganas de entrevistar al artista argentino Milo J desde que vino a NPR a principios de este año para tocar en Tiny Desk. Este joven de 19 años comenzó su carrera como artista de trap, pero su último álbum, 'La Vida Era Más Corta,' se inspira en el folclore argentino para presentar una visión audaz de su país que conecta profundamente con las generaciones más jóvenes. Ese Tiny Desk acaba de salir al aire y ya se ha convertido en uno de nuestros shows de mayor crecimiento, así que pensamos que era el momento ideal para llamar a Milo J y profundizarlo. Y una nota previa: esta entrevista es completamente en español.

- Anamaria Sayre

You can watch the full Tiny Desk performance at NPR.org

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Fusion is at the heart of so much of the music we cover - especially on this week's episode. Flamenco producers descend on Hermosillo to experiment with regional Mexican music. Young Argentine artists blend trap with folk and rock en Español. A sunny Rio sound is born in Spain. Plus, a New Mexican string band, an Afro-Brazilian collective and an exploration of Latin roots from Cypress Hill.  

Artists and albums featured in this episode:

(02:26) Trueno, 'TURR4ZO'
(09:37) Lone Piñon, 'Hot Carne Seca'
(13:20) Chanela Clicka, 'COBRA'
(18:50) Cypress Hill, 'Dios Bendiga'
(22:30) Leo Middea, 'Notícias de Puglia'
(25:28) Mandinga Beat, 'Afro-Brazil'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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This week's new music show spans the breadth of Latin America. Argentine indie artist Paula Prieto goes experimental. Venezuelan reggaeton pioneers Chino y Nacho return to the limelight. Brazilian singer Marina B reminds Felix of The Beatles. Guatemala's Doctor Nativo pays homage to the "caminantes" heading north to find a better life. Plus, Latin punk from San Antonio, and a celebration of Afro-Cuban legend Arsenio Rodriguez.

Artists and albums featured in this episode:

(00:46) Chino y Nacho, 'Radio Venezuela'
(05:30) FEA, 'Careful'
(10:11) Paula Prieto, 'TEMPORAL, LP.'
(16:27) Bobby Sanabria Multiverse Big Band, 'Arsenio And Beyond'
(22:30) Midnight Cafe & Marina B, 'À Flor da Pele (Lonely Man)'
(25:34) Doctor Nativo & Roco Pachukote, 'Caminantes'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Jorge Drexler is one of the most decorated singer-songwriters in Latin America. His albums are always high profile events, and his latest record merits the attention. It's called Taracá, and to make it he returned home to his native Uruguay - after living in Spain for 30 years - to explore the roots of an Afro-Uruguayan tradition known as candombe. On this week's episode we chat with Drexler about the motivation for returning to his home country, making music after losing his parents, and how the album's title reflects the sound made by a candombe drum.

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Listen to this episode out in the springtime air. It starts with a bucolic jaunt through Brazilian guitarist Fabiano do Nascimento's latest orchestral project, then finds La Plazuela's fresh Spanish funk and Macha's irreverent side project. Other sounds along the way: Caribbean pop from Venezuela, feel-your-feels indie from northern Mexico and an electronic spin on the indigenous Náhuatl language.

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Two phrases spoken during this week’s episode stand out because they represent how Ana and I approach our searches for new music. The first: “The only limit is the imagination.” In my constant hunt for the sound I have never heard, this thought is my mantra. The new music we’re bringing this week really steps up to that challenge, from young upstarts like Broke Carrey to beloved veterans like Draco Rosa.

The second phrase? “Latin music is a geography, not a genre.” Ana put into words something she and I talk about often, the idea that the term “Latin music” is no longer adequate to reflect that amazingly eclectic forms of musical expression in the Spanish-speaking world. This episode features musicians from Argentina, Peru, the Dominican Republic and elsewhere -- but what they share is a distinct artistic expression that consistently blows our minds.

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From the very beginning of Alt.Latino, female vocalists have captivated us the most -- and New York-based Argentine vocalist Sofia Rei has been high on our list of favorites for a while. She uses the human voice like paint on a canvas, layering voices to create choirs that take flight at the mere suggestion of a melody. On her new album Antónima, she not only creates magic with her own voice but also collaborates with some Alt.Latino favorites: Gaby Moreno, Daymé Arocena and Xenia Rubinos, among others. As we revive our Guest DJ series, we asked her to bring on some of the songs she loves, for an insider's perspective of the art behind the human voice. 

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This week's new music pairs well with a glass of wine - or, at least, that's what Ana chose while taping this happy hour edition of Alt.Latino at Felix's dining room table. And the music on tap spans a huge breadth of styles. Yahritza y Su Esencia returns with a powerful sophomore album after a spell out of the limelight. Brazilian legend-in-the-making Lucas Santtana collaborates with his mentor Gilberto Gil. Ana Tijoux revisits her late-'90s hip-hop roots. Plus, Tejano master Ruben Ramos tells his life story through song. 

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International Women's Day is more than a perfunctory holiday in many parts of Latin America. In Mexico City, for example, more than 120,000 people turned out on Sunday to protest femicide and celebrate the ongoing fight for basic rights for women in the country. In honor of the holiday, this week's episode debuts our female power anthems hall of fame, highlighting women in Latin music whose art challenged the status quo of their time. Plus, some on-the-ground reporting from Anamaria Sayre at the march in Mexico City.

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On Feb. 21, the musical world lost a legend and pioneer of salsa: Willie Colón.

The trombonist, songwriter, producer and arranger was a key part of the transition of Afro-Caribbean dance music from regional traditions to worldwide popularity. For an insider’s perspective on that history, this week we speak to trombonist and bandleader Angel “Papo” Vázquez, a Philadelphia-born musician who was not only inspired to play the trombone by Willie Colón, but also played on some historic recordings by Colón and other Fania Records notables.

The best music tells great stories, and the same can be said about musicians. Vázquez brings along five tracks by Willie Colón that set him, and the rest of the world, on a path of deep appreciation for Colón’s contributions to salsa.

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed

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This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.

Featured artists and albums:

(00:00) Introduction
(00:55) Quevedo, 'NI BORRACHO'
(05:02) Joey Quiñones, 'In a Soul Situation'
(12:24) Carolina Mama, 'Amina'
(15:31) Elipsis, 'Elipsis'
(19:22) Da Cruz, 'Som Sistema'
(23:46) Sofía Rei, 'Antónima'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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