“They finally got me… Emprise…the Mafia…John Adamson. Find him.”
Investigative reporter Don Bolles used his final words to name the people he believed had set the car bomb that had left him dying in a hotel parking lot in midtown Phoenix.
In his fourteen years as one of Arizona's top reporters, Bolles took on the Mafia, land fraud kingpins, and corrupt politicians. And someone wanted him silenced. Murder in the Fourth Estate is the first definitive account of the case, which is the most infamous assassination of a journalist in American history. MURDER IN THE FOURTH ESTATE: The Assassination of Investigative Journalist Don Bolles—Jeremy Duda

MODEL DETECTIVE takes readers where true crime has never gone before—inside the heart, mind, and soul of a Chicago homicide detective whose grit and instincts prove that a woman’s place is in the homicide division.
Sergeant Michele Wood, a 25-year veteran of the Chicago Police Department, has spent nearly two decades in the Detective Division. With hundreds of arrests, and an extraordinary record of solving murders, she has led homicide teams while also appearing as a legal expert on ABC’s 20/20 and other national true crime series.
In MODEL DETECTIVE, Wood takes readers through complex murder cases—revealing how she interprets evidence and uses her perspective as a woman to succeed in a male-dominated world. Wood’s skills attest to her high success rate and stellar reputation on the force and explains why she’s Chicago’s (and probably the country’s) only detective who previously worked as a flight attendant, moonlighted as a fitness-magazine model, and continues her on-air fame as a crime TV expert. From the story of her Chicago upbringing to the extraordinary perils of policing in Chicago, MODEL DETECTIVE is the raw inspiring, tale of courage, resilience and determination in America’s most violent city. MODEL DETECTIVE: A True Story of Heels, Handcuffs and Homicides—Michele Wood

This story seems impossible. But every word is true.
Convergence is the account of a vicious double homicide in 1970s Chicago and a trial that almost didn't happen.
This is a different kind of true crime book. It isn't a mystery, because the killer was arrested right away. It's not a police story, although Convergence is there at every step of their investigation. It's not a defense lawyer's story. This is a story from the other side of the courtroom.
Convergence is the story of Gio Messina and Delphine Moore's murders and the trial that followed, but this time told from the perspective of the prosecution. You are there to witness how a case is built, how it's brought to court, and how it unfolds when the trial starts. You see what happens when power and money try to keep the trial from starting at all. You follow the prosecution from the courtrooms of Chicago to rural Tennessee looking for new evidence to replace the evidence that vanished.
You're introduced to the choreography of the courtroom: listening in on the careful strategizing, understanding the thought behind what a jury hears, and getting a close view of what's involved in how it's presented. Most importantly, you're introduced to Mike Goggin and Gregg Owen, the two prosecutors who fought to have the case heard. Goggin and Owen had set a record for convictions that still stands. They refused to let the Messina and Moore murders break it.
Convergence is a historical snapshot of a time when Chicago was changing, and a timeless picture of how justice is sought and found. CONVERGENCE—Gregg Owen

From the author of the national bestseller The Dark Queens, an incandescent work of true crime and feminist history about Elizabeth Bathory, the woman alleged to be the world's most prolific female serial killer.
There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her.
Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim-of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power. THE BLOOD COUNTESS: Murder, Betrayal, and the Making of a Monster—Shelley Puhak

Chicago, 1982. Seven people swallowed Tylenol capsules meant to heal, then they died within minutes. America changed overnight, then the killer vanished into darkness, and that darkness lived in my home.
I was eleven, and my father was The Tylenol Killer that terrorized a nation.
He created chaos, and confessed with his last breath. I uncovered the truth, and the rot behind his badge. He built lies, and I built a case. I tore the mask from the madness and discovered that each clue led deeper into a labyrinth of deceit.
I stripped his name from mine, and I stripped his power too. He found me, and threatened my life, but I did not run. Instead, I shined a light into his darkness.
From the son who would not stay silent, THE TYLENOL MURDERS: A Father’s Confession to His Son reveals a confession buried under four decades of fear, complicity, and blue-walled denial. The truth is not a eulogy. It is an indictment. And it bears my name. THE TYLENOL MURDERS: A Father's Confession to His Son—Joseph Cibelli

Homicide historian David Kulczyk releases 1926—Murder in America—New and Expanded Edition for the 100th anniversary of the deadliest year in American history.
While researching his seven true crime books, Kulczyk noticed that there was an extraordinary number of oddball murders during the year 1926. The 1920's was a time of massive cultural and technological changes. The death and destruction of World War l dope -slapped the collective mindset of the youth of America and 1926 was the year that Americans all over the country said screw it. And screw it they did.......Mixing too much bootleg booze, marijuana, cocaine, and heroin, with fast cars, sex, and jazz music can only lead to trouble. The number of allegedly normal people committing ghastly murders in 1926 is astounding. It is like a switch got turned on and some people went mad unlike any other time in American history. 
Originally released in 2019, Kulczyk discovered even more murders that occurred in 1926, hence this anniversary edition of the most insane year in American history. 1926—MURDER IN AMERICA—David Kulczyk

A meticulously researched page-turner about one of the Philadelphia suburbs’ most shocking 20th-century crimes. A gunman broke into Jack and Peggy Abt’s house moments after the last family member left for the day. He took a seat next to the upright piano in the living room and waited silently for 11 hours. He didn’t eat. He didn’t sleep. He didn’t watch television.
People expect things to go bump in the night, but, in 1976, most adults never fretted a stranger would invade the sanctity of their home in the middle of the day. Six people walked through the kitchen door one by one that afternoon, all expecting nothing more than a Friday night fish fry. The killer leaped out from behind the living room wall over and over and over and over and over and over again. He fired at them at a distance of less than 18 inches, the width of a dining room chair. After each murder, he dragged the body to the basement. Then, to maintain the element of surprise, he sped back upstairs to tidy up for his next unsuspecting victim.
This first-person story from a news reporter who was on the scene 90 minutes after the killer slipped away is built from autopsy reports, prison records, IQ tests, trial transcripts, the killer’s own eidetic confession, interviews with witnesses in 1976 and in the 2020s, and the author’s experiences covering the case from the first night to the stunning courtroom moment when the announcement of six death penalties was met with loud cheers.
With that research, it was possible to reconstruct the six murders, minute by minute. Tension builds as the six innocent victims turn the kitchen doorknob at 3:30, 4:15, 4:40, 5:15, 6:10 and at 6:30. Readers know their fates, but they didn’t. KILLER IN THE HOUSE: Ten Days of Terror in a Pennsylvania Suburb—Kathryn Canavan

On December 22, 1984, in a graffiti-covered New York City subway car, passengers looked on in horror as a white loner named Bernhard Goetz shot four Black teens, Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur, at point-blank range. He then disappeared into a dark tunnel. After an intense manhunt, and his eventual surrender in New Hampshire, the man the tabloid media had dubbed the “Death Wish Vigilante” would become a celebrity and a hero to countless ordinary Americans who had been frustrated with the economic fallout of the Reagan 80s. Overnight, Goetz’s young victims would become villains.
Out of this dramatic moment would emerge an angry nation, in which Rupert Murdoch's New York Post and later Fox News Network stoked the fear and the fury of a stunning number of Americans.
Drawing from never-before-seen archival materials, legal files, and more, Heather Ann Thompson narrates the Bernie Goetz Subway shootings and their decades-long reverberations, while deftly recovering the lives of the boys whom too many decided didn't matter. Fear and Fury is the remarkable account and a searing indictment of a crucial turning point in American history. FEAR AND FURY: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage—Heather Ann Thompson

September 1990. In Shaker Heights, Ohio, teenage honors student Lisa Lee Pruett vanishes into the night. A boy calls 911 when she does not arrive for a secret late-night meet-up. Police soon find her nearby, stabbed to death and left exposed.
Lisa had just passed an important test and earned her driver’s license. She was a Girl Scout, athlete, musician, and lover of poetry. Then her life was cut short.
Investigators quickly focused on a troubled young man who lived a few blocks away. His name leaked, the media swarmed, and the case became a spectacle. Two years later, he was indicted on controversial testimony, tried under national attention, and ultimately acquitted. His life never recovered.
Decades later, the murder remains unsolved.
Now a former police officer, Michael Kelly, reopens the trail, determined to separate rumor from evidence and find the truth, if it is still there to be found. IN PUBLIC RECORD: A Journey to the Truth of a Murder and Trial—Michael Kelly

The latter part of the Victorian era bore witness to a series of unexplained female dismemberment cases that plagued London for a period of thirty years. All the cases remain unsolved and only two women were ever identified. Today, the circumstances surrounding these deaths have largely become a footnote in history, dwarfed in attention by their much larger cousin, Jack the Ripper.
In this, Suzanne Huntington’s groundbreaking exploration of the subject, we see the first in-depth analysis into all the cases, where 150 years of assumption and misinformation is stripped back and the evidence re-examined, allowing the reader to comprehend not only the complexity of the cases themselves but also the background and context of the investigations. THE THAMES TORSO MURDERS: Fact or Fiction—Suzanne Huntington

The murder of a retired Los Angeles schoolteacher in 2004 never made the evening news, yet within hours arrests were made, charges filed, and a speedy conviction sent to prison Jimmy Kitlas, an incredibly shy, special needs teenager with no criminal history whatsoever.
20 years after the murder, a woman named Kelley Leigh asked Burl Barer and Frank C. Girardot to investigate. She believed that the case’s rapid resolution concealed a deeper, more troubling narrative—one marked by deception, manipulation, dishonesty, and a profound disregard for truth and justice.
She was right. Of the last three people to see the victim alive, only one had both the motive and the opportunity to strangle him to death, and it wasn’t Jimmy Kitlas.
What begins with a dead body on the bed leads to a bizarre scheme to steal a fortune in gold, a plot to smuggle MDMA, and an incredible joint effort by the American Mafia and the Russian Mob to defraud the United States Government out of billions of dollars. WHERE MURDER LIES: Death and Deception in West Hollywood—Burl Barer and Frank C. Giradot Jr.