<p>TechStuff is getting a system update. Everything you love about <em>Tech Stuff </em>now twice the bandwidth with new hosts, Oz Woloshyn (<em>Sleepwalkers</em>) and Karah Preiss (<em>Sleepwalkers</em>). </p> <p>Oz and Karah bring humour and wit to the table as they break down what's happening in tech...and what it says about us. </p> <p>TechStuff is the podcast where technology meets culture. </p> <p>We speak to the folks building the future to understand what tomorrow will look like and how our technology is changing us: how we live, how we love, how we work and even how we die. With a healthy dose of drama, too, as tech titans clash over their interstellar ambitions. </p> <p>Get in touch here: <a href="mailto:[email protected]">[email protected]</a></p>
This week: Iranian propaganda gets a Lego makeover — and it's going viral. Kyle Chayka (The New Yorker) tracked down the collective behind the AI-animated videos flooding your feed. Nitasha Tiku (The Washington Post) was in a documentary, The AI Doc: Or How I Became an Apocaloptimist, and the press tour feels like ChatGPT doomsday déjà vu. Reed Albergotti (Semafor) celebrates Apple’s 50th birthday, but wonders if the company is entering its Microsoft era. Plus: SpaceX files for IPO — it could be the largest in history.
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What drives a man to turn down half a million pounds at 18, test Mark Zuckerberg's sincerity over dinner, and wonder aloud if he can win a second Nobel Prize? For Demis Hassabis, co-founder and CEO of Google DeepMind, the answer is a lifelong pursuit of artificial general intelligence — and an unshakeable belief that the technology he's creating will change everything about what it means to be human. Oz speaks with journalist and author Sebastian Mallaby about his new book, The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence, tracing Demis's extraordinary journey from chess prodigy to the man at the center of the most consequential technological race of our time.
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The Week in Tech is back with a new roundtable! Every Friday, Oz and three of the best writers covering tech will discuss the latest news, decode emerging trends and debate what actually matters for the future of technology and for us.
This week: Big Tech loses in court. Twice. Nitasha Tiku (The Washington Post) breaks down what the verdicts mean for Meta and YouTube and why it seems like we’re living in the past. Reed Albergotti (Semafor) explains why OpenAI killed Sora, its video-generation tool, and what it reveals about the resource war quietly reshaping the entire global economy. Plus, Kyle Chayka (The New Yorker) found a weather app worth caring about. We're as surprised as you are.
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A $30,000-a-year piece of software has tech and finance bros beefing on LinkedIn. The Bloomberg Terminal has a rabid Wall Street fanbase. So when some tech bros claimed to have vibe-coded a version of the terminal, with one prompt, there were some strong emotions among its finance superfans. Oz talked to Isabelle Bousquette, a tech reporter for The Wall Street Journal, to break down the drama and what it says about the future of software. Then, Isabelle updates us on Nvidia’s massive developer conference last week, the company’s new OpenClaw obsession and why making a claw almost broke her brain.
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The Week in Tech is now a roundtable! Every Friday, Oz and three of the best writers covering Silicon Valley will discuss the latest news, decode emerging trends and debate what actually matters for the future of technology and for us.
This week, guests Reed Albergotti (Semafor), Kyle Chayka (The New Yorker) and returning panelist Taylor Lorenz (User Mag) each share a story. Reed fills us in on what he saw at the Nvidia GTC conference in San Jose, and why we shouldn’t ignore OpenClaw. Taylor gives a primer on Section 230, the 30-year-old foundational internet law, and why there’s a campaign to repeal it. And finally, Kyle tells us what ‘taste’ means to Silicon Valley’s tech bros and why it may annoy you.
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Iran's Shahed drone costs $30,000 to build. The US missile sent to destroy it? Up to $4 million. Pulitzer Prize-winning conflict journalist Ben C. Solomon wants you to do the math. Oz sits down with Ben to break down the economics driving the conflict with Iran, why the Pentagon may already be making impossible choices about what to defend, and why Ukraine — largely abandoned by the West — has quietly become the world's leading authority on drone warfare.
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The Week in Tech is back and it’s growing. Starting this Friday, Oz will be joined by a panel of the brightest minds covering Silicon Valley. Each week, they will discuss the latest news, decode emerging trends and debate what actually matters for the future of technology and for us.
This week, TechStuff asked Taylor Lorenz, Stephen Witt and Nitasha Tiku to share a story. Nitasha catches us up on the drama unfolding between Anthropic and the Pentagon. Stephen covers another tragic case of AI psychosis with fatal consequences. And Taylor makes the case for why 'social media addiction' is a harmful framework — and how age-verification laws could lead to mass surveillance and censorship of adults and children alike.
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This episode contains mentions of suicide. If you or someone you know needs support, contact the 988 Suicide & Crisis Lifeline by calling or texting 988, or visit 988lifeline.org.
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This week, we're talking 'human technology' — specifically, neuro-linguistic programming, or NLP. If you have any interest in modern day cults like NXIVM or Twin Flames Universe, you may have heard of it. But did you know that NLP also has roots in therapeutic practices like Eye Movement Desensitization and Reprocessing therapy, or that Tony Robbins was an NLP practitioner before becoming a motivational speaker?
In the new podcast Mind Games, journalists and best friends Alice Hines and Zoë Lescaze investigate the origins of NLP, from its roots in the new age movement in 1970s California through the pick-up artist trend of the early 2000s. They even try their hand at hypnotizing themselves. But does it work?
Check out Mind Games from Kaleidoscope and iHeartPodcasts, wherever you get your podcasts.
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When documentary filmmaker Adam Bhala Lough set out to make a movie about OpenAI’s CEO Sam Altman, he hoped to get an interview with his main character. But when that didn’t happen, Adam found a workaround — he created a chatbot version of Sam Altman. From San Francisco to India to Los Angeles, Adam takes “Sambot” and the audience on a journey through the possibilities of what can happen when you deepfake a real person, and that person becomes your friend.
Karah sat down with Adam to discuss the secretive, cult-like nature of OpenAI, Adam’s relationship with “Sambot,” and whether AI chatbots are the future of friendships.
If you’d like to see the film, check out deepfakingsamaltman.com/buy-tickets.
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This week, we’re bringing you an episode from the podcast No Such Thing. Join Manny, Noah, and Devan — three best friends and journalists — as they settle dumb arguments by actually doing the research.
Each week, they start with a debate or discussion. In this episode, they ask: what’s up with Tesla door handles? And why do microwaves have so many buttons? And why are couches so expensive, but so uncomfortable? They’re joined by experts to answer these questions, including friend of the pod, Dexter Thomas, host of kill switch.
For more information, please subscribe to their newsletter at www.nosuchthing.show. And if you have any questions you’d like Manny, Devan and Noah to get to the bottom of, email them at or leave a voicemail: (860) 325-0286.
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Tilly Norwood caused quite a stir when she was introduced in late 2025. Her creator, actor-producer Eline Van der Velden, said she wanted Tilly to be the “Scarlett Johansson” of AI actors. But she immediately felt the backlash from Hollywood. Emily Blunt called Tilly “really, really scary,” and agencies said they wouldn’t sign her. But Eline is pushing forward, creating a TV show around Tilly, filled with all-new AI characters. Karah sat down with Eline to talk about how she created Tilly, how she taught her to “act,” and to discuss how Eline sees the future of AI in filmmaking.
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