Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

This week, we begin with a look at how Stephen King’s work strikes at the heart of our most basic fears. Caroline Bicks takes us inside Stephen King’s private archives to explore how horror works, and why King’s stories continue to haunt us. Her book is Monsters In The Archives.

“He doesn’t just write about monsters. He’s really writing about human emotions of grief and trauma and using horror as a way to help us metabolize our own very human experiences and fears.”

Then, another kind of fear: the dizzying precarity plaguing so many college graduates. Novelist Maria Adelmann joins me to talk about Adjunct, her darkly funny and deeply unsettling novel about exploitation, debt, and survival inside higher education.

“I wanted to make the point that a few things go wrong — a medical issue, no family support — and you can, even as a professor at a good college, become so poor that you don’t have a place to live.”

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Tags: Stephen King, Monsters in the Archives, Caroline Bicks, Stephen King archive, Pet Sematary, Carrie, Salem’s Lot, The Shining, Night Shift, horror writing craft, adjunct professor, Marie Adelmann, Adjunct novel, contingent faculty, academic precarity, student debt, university adjuncts, adjunct pay, adjunct crisis, Writer’s Voice podcast,

Love good coffee that’s also Fair-Trade? Want to support Writer’s Voice? Head on over to Larry’s Coffee using this LINK, and you’ll earn $30 for the show!

You Might Also Like: Anthony Horowitz, THE SENTENCE IS DEATH, Brian Goldstone on THERE IS NO PLACE FOR US

Caroline Bicks, Monsters In The Archives

Caroline Bicks is the inaugural Stephen E. King Chair in Literature at the University of Maine and a scholar of Renaissance literature and Shakespeare.

She spent her sabbatical year inside the Kings’ private archive—reading the first drafts, copy-editor exchanges, and revision notes behind five major works including Pet Sematary, Carrie, Salem’s Lot, The Shining, and “The Boogeyman.” Her book, Monsters in the Archives: My Year of Fear with Stephen King, is the result.

In this conversation, Bicks explains why King’s horror works not just because of monsters, but because of the human emotions—grief, trauma, the fear of abandonment—that the monsters stand in for.

She traces her own childhood fear of the boogeyman back to the specific psychological mechanisms King exploits, and walks us through what the archives reveal: the version of Carrie that was almost an alien, the copy-editor arguments over the word “rattly,” the draft of Salem’s Lot where the town wasn’t a character yet. She also describes what it was like when King himself called her at home—and what happened when he walked into a room full of students, to their huge delight.

Key Topics

• Why Stephen King’s horror taps universal fears of grief, trauma, and abandonment
• What King’s private archives reveal about his revision process
• The transformation of Carrie from alien monster to empathetic victim
• Why Salem’s Lot is really about a town, not vampires
• King’s philosophy: words as matter, not just meaning
• Why King’s stories meet you differently at different points in your life
• King’s character-driven vs. plot-driven approach to storytelling
• The Shining drafts, and King’s complicated feelings about Kubrick’s film

Maria Adelmann, Adjunct

Maria Adelmann is the author of three books, including the novel Adjunct.

The book follows Sam, a PhD-holding adjunct professor whose financial situation deteriorates over the course of a single semester—from precarious to genuinely desperate—until she’s hiding under a desk in the adjunct office at 2am. On the surface, the novel is satire — but it might be closer to documentary.

In this conversation, Adelmann and Writer’s Voice host Francesca Rheannon—who was herself an adjunct at Keene State College in the 1990s for $1,500 per course—talk about what the numbers actually mean: 70% of college instructors are contingent laborers, 40% specifically labeled adjuncts, and a quarter of those make less than $25,000 a year.

They discuss how student debt, the gig economy, gender inequality, and a willful institutional blindness all converge in the figure of the adjunct. And they examine the campus novel as a genre: why it’s always been romantic, and why Adelmann’s deliberately isn’t.

Key Topics

• The adjunct labor crisis: statistics, causes, and human cost
• Class divisions within academia: adjuncts vs. tenure-track professors
• Student debt as structural trap
• Gender and race disparities among adjunct faculty
• Why universities became dependent on contingent labor
• The campus novel as genre — and why Adjunct is an “anti-campus novel”
• Unionization efforts and their unique challenges for adjuncts
• The gig economy parallel: academia and hustle culture

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

This week’s Writer’s Voice features two new books that take us into very different realms of hidden history.

First, Julia Cooke joins Francesca to talk about Starry and Restless, her vivid group portrait of Rebecca West, Martha Gellhorn, and Emily Hahn, three adventurous women writers who expanded what journalism could be, often while battling the constraints placed on women in their time.

“Women were central to voice-driven narrative journalism for at least the last century and a half.”

Then, we move from literary history to natural history, as nature journalist Sophie Pavelle takes us into a very different realm with her book To Have or To Hold. It’s a fascinating exploration of symbiosis, parasitism, and the intricate relationships that sustain the living world.

“The natural world is structured and founded upon these really intricate, complicated, ancient relationships.”

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Tags: Julia Cooke, Starry and Restless, Rebecca West, Martha Gellhorn, Emily Hahn, women journalists, Sophie Pavelle, To Have or To Hold, symbiosis, ecology, biodiversity, Writer’s Voice podcast,

Love good coffee that’s also Fair-Trade? Want to support Writer’s Voice? Head on over to Larry’s Coffee using this LINK, and you’ll earn $30 for the show! Buy today and get a FREE pair of Handmade Grass Coasters from their fair-trade artisan partners in Guatemala! A $15 value, yours free with purchase.

You Might Also Like: Ethel Payne, First Lady Of The Black Press, Slippery Beast: Ellen Ruppel Shell on Eels, Ecology, and the Global Wildlife Trade

Segment One: Julia Cooke, Starry & Restless

Julia Cooke’s Starry and Restless brings three remarkable women journalists back into focus: Rebecca West, Martha Gellhorn, and Emily Hahn.

These writers refused to stay within the limits set for women in the early twentieth century. They traveled widely, reported from conflict zones, and wrote with a voice and authority that helped shape what we now call literary journalism. Yet despite their influence and fame in their own time, their contributions were later minimized or left out of the canon.

In our conversation, Cooke makes a strong case that women were not peripheral but central to the development of narrative, voice-driven reporting. She points to the sheer scale of women’s contributions, from immersive reporting to stylistic innovation, and shows how constraints, like being barred from the front lines of war, actually pushed women journalists to tell different kinds of stories. They focused on civilian life, domestic spaces, and the human consequences of conflict, expanding what counted as news.

We also talk about how these writers challenged the idea of objectivity. By inserting themselves into their reporting and questioning authority, they offered a broader, more inclusive view of the world. Cooke highlights how they paid attention to people often overlooked, women, children, and working-class lives, and in doing so widened journalism’s field of vision.

The interview also explores the tension between creative work and domestic life, a thread that runs through the book and still resonates today. Cooke reflects on the ways motherhood, partnership, and economic necessity shaped these women’s careers, and how their “restlessness” was both a personal drive and a form of resistance.

Segment Two: Sophie Pavelle, To Have Or To Hold

In To Have or To Hold, science journalist Sophie Pavelle takes us into the intricate and often surprising world of symbiosis, the relationships between living things that make life possible.

From parasites to pollinators, from microbes in our bodies to complex marine ecosystems, Pavelle shows that life on Earth is not built on isolation, but on constant interaction, dependence, and exchange.

In our conversation, Pavelle explains that symbiosis is far more complex than the simple idea of mutual benefit. These relationships can be cooperative, exploitative, or somewhere in between, and they are always shifting. She shares vivid examples, like the “mint sauce worm,” a tiny creature that hosts algae inside its body and lives partly like a plant, and parasites that move through multiple hosts, shaping entire ecosystems in the process.

We also talk about how deeply embedded humans are in these systems. Our own bodies are ecosystems, dependent on microbes for health and survival, and our relationship with the natural world is itself symbiotic. Pavelle challenges the idea that humans stand apart from nature, arguing instead that our survival depends on recognizing and respecting these connections.

The interview also turns to what’s at risk. Climate change, habitat loss, and even light pollution are disrupting these delicate relationships. But Pavelle also offers a hopeful perspective. By paying attention to how nature operates, taking only what we need, allowing complexity and balance, we might begin to repair some of the damage and build a more sustainable relationship with the living world.

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

What if the energy transition is arriving faster than anyone imagined? And what if paying attention to the smallest things can change how we live?

This Earth Day, Writer’s Voice revisits our interview with Bill McKibben about Here Comes the Sun, a bracing and hopeful argument that cheap, abundant solar power could reshape geopolitics, weaken authoritarianism, and help us meet the climate emergency. 

“About five years ago, we crossed some invisible line where it became cheaper to generate power from the sun and the wind than from burning coal and gas and oil.” 

Then, Anne Fadiman turns our attention from planetary systems to intimate acts of noticing. In her acclaimed essay collection Frog, she finds wonder and moral inquiry in a neglected pet frog, the burden of literary inheritance, pronouns, grammar, and other seemingly modest subjects that open into large human questions — along with a good dose of humor.

“I’m interested in writing about things that other people haven’t noticed.” 

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Love good coffee? Want to support Writer’s Voice? Head on over to Larry’s Coffee using this LINK, and you’ll earn $30 for the show!

You Might Also Like: Bill McKibben, Here Comes The Sun (full interview), Margaret Renkl, The Comfort of Crows

Tags: Bill McKibben, Anne Fadiman, Here Comes the Sun, Frog essays, solar power, climate solutions, renewable energy, they/them pronounce, literary essays, Writer’s Voice podcast, climate politics, energy transition, literature podcast, interviews with writers, book author interviews, author interviews,

Segment One: Bill McKibben, HERE COMES THE SUN

Bill McKibben can finally see a path forward, and it’s lit by the sun.

Last November, I sat down with Bill McKibben to talk about his new book, Here Comes the Sun, and what he told me then feels even more urgent right now. With global oil supplies disrupted by the Iran conflict, the case for solar has never been stronger.

And even though Donald Trump has dismantled federal incentives for renewable energy, states are stepping up, communities are moving fast, and the economics of solar have already crossed a point of no return.

McKibben explains that for the first time in the history of the climate fight, the technology to fix the problem is also the cheapest option on the market. Solar and wind have crossed the threshold where they cost less than fossil fuels, and the world is producing a third more energy from the sun this year than last. 

We talk about Pakistan’s solar revolution driven by ordinary people with YouTube tutorials, California running on 100% renewables for stretches of the day, and why McKibben thinks the barriers to change are no longer technical or financial. They’re political and bureaucratic. And he’s working to fix that, too.

Segment Two: Anne Fadiman, FROG

Anne Fadiman can turn a household frog into a meditation on love, guilt, and what we owe the creatures we barely notice.

Anne Fadiman’s new essay collection, Frog, is exactly the kind of book I love most: deeply intelligent, full of wit, and somehow able to make you care passionately about things you never knew you cared about.

The title essay follows Bunkie, her family’s African Clawed Frog,  a creature she now realizes she didn’t appreciate nearly enough while he was alive.

But don’t let the humble subject fool you. This book is a collection of essays that move from a pet frog, to the grammar wars over the singular ‘they’, to what it means to be the literary child of a famous literary parent, and to the poetic beauty of lists.

Sam Anderson of the New York Times Magazine, who wrote the foreword, says Fadiman has a gift for finding the universe hidden inside the ordinary. I think that’s exactly right. And I think you’re going to love this conversation. 

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

In this episode of Writer’s Voice, Francesca Rheannon speaks with Andy Lee Roth of Project Censored about the State of the Free Press 2026, marking 50 years of tracking underreported stories.

“Censorship by proxy… corporate entities… are in effect doing the dirty work of the government.” 

Then, Michael Ellsberg discusses Truth and Consequence, a powerful collection of writings by his father, whistleblower Daniel Ellsberg, exploring moral responsibility, war, and resistance.

“What do you do as an official when you realize that the policy that you are enacting is crazy or immoral or evil?”

Together, these conversations examine the forces shaping what we know—and what we don’t—and the landscape of moral choice in confronting injustice.

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Tags: free press 2026, media censorship, Project Censored, independent journalism, ICE surveillance, Meta censorship, climate crisis news coverage, Daniel Ellsberg, Pentagon Papers, media consolidation, Writer’s Voice podcast, literature podcast, interviews with writers, book author interviews, interviews with authors,

Love good coffee? Want to support Writer’s Voice? Head on over to Larry’s Coffee using this LINK, and you’ll earn $30 for the show!

You Might Also Like: Daniel Ellsberg, THE DOOMSDAY MACHINE, Andy Lee Roth, STATE OF THE FREE PRESS 2024

Segment One: Andy Lee Roth — Project Censored, State of the Free Press 2026

Fifty years after its founding, Project Censored continues to document the most important underreported stories in U.S. media. Andy Lee Roth discusses how media consolidation, “censorship by proxy,” and algorithmic control are reshaping the information landscape.

He highlights key censored stories, including ICE surveillance of critics, Meta’s mass takedown of pro-Palestinian content, underreported police violence, and the climate crisis.

Roth also warns of growing threats to press freedom and emphasizes the vital role of independent journalism.

 Read A Sample

Segment Two: Michael Ellsberg — Truth and Consequence

Michael Ellsberg discusses Truth and Consequence, a posthumous collection of writings by Daniel Ellsberg, best known for releasing the Pentagon Papers.

The book explores Ellsberg’s central moral question: how ordinary people become complicit in massive harm—and how they can resist.

From nuclear war planning to Vietnam, Ellsberg’s writings challenge readers to confront the ethics of power, obedience, and dissent—and to embrace moral courage in the face of injustice.

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

In this episode of Writer’s Voice, two powerful voices explore the climate crisis from complementary perspectives.

Novelist Ellen Meeropol imagines communities navigating climate disruption in Sometimes an Island.

“The challenge is enormous. How do you dramatize doom?… You have to find a balance between the science and the story… the story can inspire action through empathy with the characters.”  

Then, environmental leader Judith Enck exposes the systemic forces behind plastic pollution—and what we can do about it—in The Problem with Plastic.

“This is a climate change issue. This is an environmental justice issue. This is an ocean issue… mostly, this is a health issue, because none of us should have microplastics in our bodies. But we all do.”  

Together, these conversations reveal both the human stories and structural realities shaping our environmental future.

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Tags: climate fiction, climate change novels, plastic pollution, microplastics health effects, Ellen Meeropol, Judith Enck, Beyond Plastics, literature podcast, interviews with writers, book author interviews, interviews with authors, women authors interviews, 

You Might Also Like: Ellen Meeropol, HER SISTER’S TATTOO, Jennie Romer, CAN I RECYCLE THIS?

Segment One: Ellen Meeropol — Sometimes an Island

What does it take to imagine survival in a world shaped by climate disruption? Ellen Meeropol’s climate novel unfolds as a “mosaic” of interconnected lives shaped by migration, memory, and environmental upheaval.

Set against the backdrop of a worsening climate emergency, the book follows three communities—from an island in Maine to an off-the-grid cooperative—seeking new ways to live sustainably and collectively.

Meeropol explores the parallels between past migrations—like Jewish refugees fleeing pogroms—and present-day climate displacement. At the heart of the novel is a belief in storytelling as a force for empathy and transformation.

In our conversation, Meeropol explores:

Key Themes

• Climate migration and historical memory
• Community resilience and cooperation
• The role of storytelling in shaping action
• Multigenerational activism, especially elder leadership
• Balancing realism and hope in climate fiction

Listen to our other conversations with Ellen Meeropol.

Segment Two: Judith Enck — The Problem with Plastic

Judith Enck argues that the global plastic crisis is not an accident—but a strategic shift by the fossil fuel industry. As demand for fossil fuels declines in energy and transportation, companies have turned to plastics as a new growth market.

Enck breaks down the myths of plastic recycling, the health impacts of plastic pollution, and the policy solutions needed to reduce plastic production and waste. She emphasizes local and state-level action as key leverage points for change.

Judith Enck was the Regional Administrator of Region 2 of the U.S. Environmental Protection Agency (EPA). Enck is the founder of Beyond Plastics, a national organization that works on  the problem of plastic pollution,

Key Themes:

• Plastic as a fossil fuel “Plan B”
• The myth of widespread plastic recycling
• Health impacts of microplastics and toxic chemicals
• Environmental justice and “Cancer Alley”
• Policy solutions: reduction, reuse, refill, rethink

Learn more about the plastics crisis and solutions.

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

Pulitzer Prize–winning poet Philip Schultz joins Writer’s Voice to discuss his new collection, Enormous Morning. Writing from the vantage point of his 80th year, Schultz reflects on aging, memory, family, regret—and the possibility of transcendence.

“Age has… given me a kind of love of my life and the lives of others that I always didn’t have.”

In this conversation, Schultz explores how perspective changes over time, how poetry can transform suffering into insight, and why creativity itself can be a source of resilience and even joy. He also reads several poems from the collection, including “Enormous Morning,” “Good News,” and “My Mistakes.”

The conversation moves from the personal to the political, as Schultz reflects on democracy, moral courage, and the ethical questions raised by our current moment.

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Tags: Philip Schultz, Enormous Morning, poetry interview, contemporary poetry, Writer’s Voice podcast, Pulitzer Prize poet, American poets interview.

You Might Also Like: Philip Schultz, LUXURY, Philip Schultz, The Poet & His Dyslexia

Episode Summary: Philip Schultz

Philip Schultz is the Pulitzer Prize–winning author of Failure and one of America’s most distinctive contemporary poets. His work has long explored the inner life—its doubts, contradictions, and longings—with a rare mix of emotional honesty, philosophical depth, and, often, surprising humor.

Now, in his new collection, Enormous Morning, Schultz writes from a new vantage point: his 80th year. These poems take on aging, memory, family, and mortality—but also something else: renewal. The possibility of gaining a new, more joyous perspective on life

The book opens with a walk through a cemetery—yet what emerges is not just a meditation on death, but a vivid sense of continuity. The past and present coexist. The living and the dead are in conversation. And throughout the collection, Schultz moves from the particulars of daily life—a movie, a memory, a friendship—into larger questions about meaning, suffering, and what it means to live ethically in a troubled world.

We talk about how age changes perception, how poetry can transform regret into something like forgiveness, and how creativity itself can be a form of resilience—even joy.

We also talk about the political dimension of the book—poems that grapple with democracy, moral courage, and the unsettling forces shaping our current moment. For Schultz, poetry is not an escape from reality—it’s a way of entering it more deeply, asking harder questions.

As he puts it, writing a poem can be a way of confronting even the most difficult truths—and finding, if not answers, then a kind of clarity, or even transcendence.

About the Poet

Philip Schultz is the founder and director of the Writers Studio in New York. He is the author of numerous poetry collections, including the Pulitzer Prize–winning Failure, as well as The God of Loneliness: Selected and New Poems.

His work often explores personal history, family, and Jewish and immigrant experience, including his father’s struggles, which he addressed with striking honesty in Failure. He lives in East Hampton, New York, with his wife, sculptor Monica Banks.

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

In this episode of Writer’s Voice, Julia Cooke discusses Starry and Restless, her group biography of Rebecca West, Martha Gellhorn, and Emily “Mickey” Hahn—women journalists whose restless lives and innovative writing helped shape modern literary journalism, even as their contributions were later minimized.

“Women have been central to voice-driven narrative journalism for at least the last century and a half.”

Then, Iida Turpeinen explores extinction, empire, and the ethics of science in her novel Beasts of the Sea, beginning with the tragic story of the Steller’s sea cow and expanding into a meditation on memory, loss, and the human relationship to the natural world.

“They had no idea that species can go extinct.”

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Tags: women journalists, literary journalism history, Rebecca West, Martha Gellhorn, Emily Hahn, Julia Cooke interview, Beasts of the Sea novel, Iida Turpeinen interview, extinction history, Steller sea cow, women in science history, Writer’s Voice podcast

You Might Also Like: Eiren Caffall, ALL THE WATER IN THE WORLD, Ellen Ruppel, SLIPPERY BEAST

Segment One: Julia Cooke – Starry and Restless

Julia Cooke reexamines the legacy of three pioneering women journalists—Rebecca West, Martha Gellhorn, and Emily Hahn—arguing that women were not peripheral but central to the development of literary journalism.

Cooke explores how constraints placed on women—barred from war fronts, dismissed as “sob sisters”—actually pushed them to innovate, expanding the scope of reporting to include domestic life, civilian experience, and overlooked voices. Their work challenged conventional ideas of objectivity, incorporating first-person perspective and a broader understanding of who counts as a subject.

The conversation also traces the tension between ambition and domestic life, the role of restlessness as both personal drive and cultural force, and the ways these writers navigated financial, professional, and social barriers.

Read An Excerpt

Segment Two: Iida Turpeinen – Beasts of the Sea

Iida Turpeinen discusses her novel centered on the Steller’s sea cow, a massive Arctic animal driven to extinction within decades of its discovery in the 18th century.

The novel begins with a museum skeleton—an entry point into questions of memory, loss, and scientific history. Turpeinen examines how imperial expansion, scientific inquiry, and extraction were deeply intertwined, and how early naturalists lacked even the concept of extinction.

She also introduces overlooked figures like Hilda Olsson, a 19th-century scientific illustrator whose work—once erased—has been rediscovered. Through her story, the novel contrasts modes of seeing: possession versus attention, extraction versus care.

At its heart, Beasts of the Sea is an elegy—and a call to remember the many species lost without notice.

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

On this episode of Writer’s Voice, we talk with novelist Justin C. Key about The Hospital at the End of the World, a gripping speculative story that explores the ethical and human stakes of AI in medicine.

“Technology is best when it’s a tool wielded by humans.”

Then, memory champion Nelson Dellis joins us to talk about Everyday Genius—and how ordinary people can train their minds for sharper memory, deeper focus, and far-reaching intuition.

“I never had a good memory growing up. It was something that I was inspired to change and learned all about it and really started to work on it about 15 years ago. And my mind has been different ever since.” 

Two conversations that explore what the human mind can do — and what AI never will.

Read or Listen to A Sample from The Hospital At The End of the World

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Read The Transcript

Tags: AI ethics, AI in medicine, speculative fiction AI, human vs machine intelligence, physician patient relationship, memory techniques, memory palace, cognitive training, intuition, remote viewing, Writer’s Voice podcast, Nelson Dellis, Justin C. Key,

You Might Also Like: Silvia Park, LUMINOUS, Bruce Holsinger, CULPABILITY

Segment One: Justin C. Key

What happens when artificial intelligence becomes more than a tool—and starts making decisions for us?

In this episode of Writer’s Voice, Justin C. Key’s gripping novel imagines a world where AI controls medicine, exposing the ethical and human stakes of technological dependence.

The Hospital At The End of the World is a speculative novel set in a near-future America where an AI corporation controls not only medicine but society at large. The story follows a young medical student forced to flee New York for a human-centered hospital in New Orleans—the last city resisting AI dominance.

Key explores the tension between machine efficiency and human intuition, the risks of technological dependency, and the political forces shaping how technology is used.

Segment Two: Nelson Dellis

What if the reason you forget things has nothing to do with your memory — and everything to do with how you retrieve information?

Nelson Dellis, six-time USA Memory Champion and author of Everyday Genius, joins Writer’s Voice to explain how ordinary people can develop extraordinary mental skills.

Dellis — who grew up with no exceptional memory — began studying memory techniques 15 years ago and transformed his mind entirely.

In this conversation, he breaks down the ancient method of the memory palace, explains why multitasking is a myth built on dopamine, offers practical tricks for anyone who fears numbers, and describes his unexpected encounter with a classified government program that trained psychics to gather Cold War intelligence.

His book, Everyday Genius, covers memory, focus, number sense, creativity, decision-making, and intuition — making the case that every one of us has an inner genius waiting to be developed.

Check Out Nelson Dellis’ YouTube Channel

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

This week on Writer’s Voice, two authors explore fascinating episodes from women’s history—stories of bold individuals who challenged the boundaries of power, speech, and social convention.

Journalist Eden Collinsworth discusses The Improbable Mrs. Woodhull, her biography of Victoria Woodhull—an astonishing figure who rose from poverty to become a stockbroker, newspaper publisher, and the first woman to run for President of the United States in 1872.

“I, like you and most Americans, knew nothing of her.”

Then novelist Shelley Noble joins us to talk about The Sisters of Book Row, a historical novel set in 1915 New York during Anthony Comstock’s aggressive crusade against books and information he deemed “obscene.” Noble’s story centers on three sisters running a bookstore in Manhattan’s famous Book Row, where booksellers faced censorship, raids, and the threat of imprisonment.

“My thing as an author is to find those little niches of people who actually make history that we should know about, but we very often don’t know about.”

Together, these conversations illuminate forgotten histories about the power of books and the struggle for women’s rights.

Read or Listen to A Sample from The Improbable Victoria Woodhull

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Read The Transcript on Substack

Tags: Victoria Woodhull, Eden Collinsworth, Shelley Noble, The Improbable Mrs. Woodhull, The Sisters of Book Row, Writer’s Voice podcast, women’s history,

Segment One: Victoria Woodhull: Radical Reformer – Eden Collinsworth

Victoria Woodhull was one of the most remarkable and controversial figures of the nineteenth century. Born into poverty with little formal education, she reinvented herself repeatedly—first as a spiritualist, then as a stockbroker on Wall Street, a newspaper publisher, and eventually the first woman to run for President of the United States.

Journalist Eden Collinsworth first encountered Woodhull’s story in an unlikely place: the archives of the British Museum. There she discovered the transcripts of a lawsuit Woodhull brought against the museum—a discovery that opened the door to a life story filled with audacity, ambition, and reinvention.

In this conversation, Collinsworth explores Woodhull’s complex legacy. Woodhull was a fierce advocate for women’s rights, labor reform, and what she called “free love,” arguing that women should have control over their own bodies and marriages. Her ideas shocked Victorian society and earned her both devoted supporters and bitter enemies.

Woodhull’s run for the presidency in 1872 was largely symbolic—women could not even vote at the time—but it made her a national sensation. Her life intersected with many of the major social movements of her era, from suffrage to spiritualism to the labor movement.

Collinsworth’s biography brings new attention to this extraordinary figure and examines why Woodhull’s story has largely been forgotten despite the boldness of her achievements.

Segment Two: The Sisters of Book Row – Shelley Noble

In her novel The Sisters of Book Row, Shelley Noble recreates a vanished literary world: Manhattan’s famous Book Row, a stretch of Fourth Avenue that once housed dozens of rare and secondhand bookstores.

The story takes place in 1915, when Anthony Comstock’s anti-obscenity crusade cast a long shadow over American publishing. Comstock, a powerful moral reformer and postal inspector, used federal law to seize and destroy books, artworks, and even information about women’s health.

Noble’s novel follows three sisters who inherit their father’s bookstore and struggle to keep the shop alive amid increasing censorship and social pressure. As the sisters navigate their own ambitions and secrets, they become entangled in the broader struggle over knowledge, books, and freedom of expression.

Drawing on the rich history of Book Row and the world of early twentieth-century bookselling, Noble portrays a vibrant community of merchants, collectors, and readers who believed deeply in the cultural importance of books.

The novel also touches on the underground circulation of information about women’s health during the era of the Comstock laws, connecting the story of censorship with the emerging fight for reproductive rights.

Through the lives of ordinary people—booksellers, printers, activists—The Sisters of Book Row shows how cultural change often begins with individuals quietly resisting authority.

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

In this episode of Writer’s Voice, Francesca Rheannon speaks with bestselling author Jung Chang about her memoir Fly, Wild Swans: My Mother, Myself, and China, the long-awaited sequel to her landmark book Wild Swans.

Chang recounts how her parents — once devoted Communists — became disillusioned by famine, repression, and the violence of the Cultural Revolution. Their refusal to betray their beliefs shaped her own commitment to truth and integrity.

“My mother was made to kneel on broken glass… but she still refused to denounce my father.”  

She also reflects on her extraordinary journey from Mao’s isolated China to becoming one of the first Chinese students to study in Britain, and how that experience transformed her thinking.

“I must only follow the evidence and arrive at conclusions from the evidence gathered.”  

Finally, Chang discusses the resurgence of authoritarianism under Xi Jinping and why she still believes China’s people ultimately desire freedom.

Read A Sample from Fly, Wild Swans

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Read The Transcript on Substack

Tags: Jung Chang interview, Fly Wild Swans, Wild Swans author, Chinese history memoir, China under Xi Jinping, authoritarianism China, Writer’s Voice podcast

Segment: Jung Chang — Fly, Wild Swans

After Jung Chang wrote her first memoir, Wild Swans, she went on to write biographies of Mao Tse Tung and the last Empress of China. 

Now, 25 years after her first book, Chang returns with Fly, Wild Swans: My Mother, Myself, and China, continuing the story after she became one of the first Chinese students allowed to leave Communist China and study in the West.

Jung Chang recounts how her parents — once devoted Communists — became disillusioned by famine, repression, and the violence of the Cultural Revolution. She describes how her father’s protest against Mao’s policies led to brutal punishment — and how her mother refused to denounce him despite immense pressure. Their refusal to betray their beliefs shaped her own commitment to truth and integrity.

She also reflects on her extraordinary journey from Mao’s isolated China to becoming one of the first Chinese students to study in Britain, and how that experience transformed her thinking.

Finally, Chang tells us about the resurgence of authoritarianism under Xi Jinping and why she still believes China’s people ultimately want to be free.

In addition to her other books, Jung Chang is the author of Big Sister, Little Sister, Red Sister.

Key Topics

• Jung Chang’s memoir Fly, Wild Swans

• The legacy of Wild Swans

• Mao’s China and the Cultural Revolution

• Political courage and moral integrity

• The Great Chinese Famine

• Intellectual freedom and scholarship

• China under Xi Jinping

• Resistance to authoritarianism

Writer’s Voice: compelling conversations with authors who challenge, inspire, and inform.

In this episode of Writer’s Voice, Francesca Rheannon speaks with political philosopher Lea Ypi about Indignity: A Life Reimagined, a genre-blending work of memoir, history, and philosophical inquiry that explores dignity under authoritarian regimes.

“I think of [dignity] as a property that is really what makes us human.” — Lea Ypi

Then novelist Eleanor Shearer discusses Fireflies in Winter, a lyrical historical novel following Jamaican Maroons exiled to Nova Scotia after the Second Maroon War. Through the story of Cora, Agnes, and Thursday, Shearer examines freedom, queer love, grief, and the moral tension between survival and solidarity.

“You were only ever a kind of set of stolen papers away… from having your freedom snatched from you.” — Eleanor Shearer

Together, these conversations probe enduring questions:

• What is dignity?
• What does it mean to be free inside systems designed to deny freedom?
• How do we maintain moral agency when our survival is at stake?

Follow us on Bluesky @writersvoice.bsky.social and subscribe to our Substack. Or find us on Instagram @WritersVoicePodcast.

Read The Transcript on Substack

Tags: Lea Ypi interview, Indignity book, Eleanor Shearer interview, Fireflies in Winter novel, Jamaican Maroons history, historical fiction about slavery, queer historical fiction, Writer’s Voice podcast.

You may also like: Jacob Mikanowski, GOODBYE EASTERN EUROPE, DaMaris Hill, A Bound Woman Is A Dangerous Thing

Segment One: Lea Ypi

A haunting honeymoon photograph of her grandmother — posted online by a stranger and met with accusations and insults — launches Lea Ypi into a philosophical and archival investigation.

Ypi’s grandmother lived through the collapse of the Ottoman Empire, fascism, communism, and neoliberal capitalism. The book asks: What does it cost to defend dignity when systems of power are dedicated to erase it?

Ypi explores:

• Dignity as a universal human capacity for moral agency
• The archive as an instrument of power
• Communist surveillance and modern surveillance capitalism
• Nationalism, fascism, and historical repetition
• The responsibility of art to “rescue dignity”

Read An Excerpt

Segment Two: Eleanor Shearer

Shearer brings to life the little-known history of Jamaican Maroons exiled to Nova Scotia in the 1790s.

Her protagonist Cora has never been enslaved — yet her freedom is deeply precarious. In Nova Scotia, she encounters Agnes, a formerly enslaved woman surviving in the forest, and Thursday, an indentured laborer whose freedom hangs by a thread.

Shearer explores:

• The ambiguity between legal freedom and lived freedom
• Indentureship and stolen contracts
• Queer love as resistance
• The moral collision between survival and solidarity
• Grief as a shaping force

Read or Listen to A Sample