The Political Scene | The New Yorker
Thousands of federal prosecutors have been fired or have resigned from their roles since Pam Bondi took over as Attorney General. She has made no secret of weaponizing the Justice Department to pursue Donald Trump’s vendettas. One of those prosecutors is Troy Edwards, who quit a senior national-security position in the Eastern District of Virginia. As an assistant U.S. attorney in DC, Edwardshad won convictions against members of the Oath Keepers for January 6th-related offenses. Edwards is also the son-in-law of the former F.B.I. director James Comey, and, when the Justice Department indicted Comey on grounds widely seen as flimsy, Edwards knew he had reached his red line. (The charges were quickly dismissed, though without prejudice.) The New Yorker’s legal correspondent Ruth Marcus talks with Edwards about his decision to leave, how he broke it to his family, and why he thinks other prosecutors should not follow his lead.
Further reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe Washington Roundtable examines the potential for a “Blue Wave” in the 2026 midterms. The hosts are joined by Morris Katz, a twenty-six-year-old Democratic political strategist for Zohran Mamdani and Graham Platner, a Democratic candidate for Senate in Maine. Katz argues that for the Party to win a historic majority in the next election, it needs to embrace outsider candidates who refuse money from corporate PACs and aren’t “apologetic” about the government’s role in people’s lives. “We can run a campaign that says, ‘Donald Trump said he’d end forever war and lower costs and he hasn’t’—that will be successful,” Katz says. “I think even more successful would be that we are going to end forever wars, and we are going to lower costs by taking on monopolies—by taking on price gouging, by raising wages, by taxing billionaires more.”
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe reporter Cora Engelbrecht joins Tyler Foggatt to discuss what life is like for the people of Iran as war unfolds. They talk about Engelbrecht’s reporting, which is based on dispatches from a dissident in Tehran who maintained contact during an internet blackout, and about how his account reveals some of the challenges of daily life under bombardment from the U.S. and Israel—and under a government that continues to police dissent. They also explore how the conflict has complicated the hopes of many Iranians who once saw foreign intervention as a path to liberation, and the growing fear that, whatever the outcome of the war, everyday citizens will continue to bear the cost.
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe staff writer Jon Lee Anderson has reported from Cuba for many years, and recently wrote about the deteriorating economic conditions on the island. His newest piece for the magazine dives into the potential outcomes of Donald Trump’s desire to pursue regime change. Anderson explores the economic impact of the United States blocking Venezuelan oil from reaching Cuba, which could be a death knell for the Communist government. Anderson and David Remnick discuss the current negotiations between the two countries, Marco Rubio’s strategy, and what cards the Cuban government might still hold. “They’re going to go into this,” Anderson suggests, “like maybe a canny poker player.”
Plus, the historian Ada Ferrer won the Pulitzer Prize for her 2022 book, “Cuba: An American History,” and she has one of the clearest views of the long and vexed relationship between the island and its giant neighbor. Ferrer left Cuba as an infant, coming to the United States with her mother in 1963 when Fidel Castro’s regime was arguably at its peak. David Remnick talks with Ferrer about the impact of U.S. sanctions, the economic collapse of Cuba, and what Donald Trump’s threat of a “takeover” means to the Cuban people and to Cuban Americans in the U.S.
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe Washington Roundtable is off today, and will be back next week. In the meantime, enjoy an episode of The New Yorker’s Critics at Large podcast about the FX series “Love Story,” which drops audiences into the lives of one of the most talked-about couples of the nineties: J.F.K., Jr., and the style icon Carolyn Bessette. The hosts Vinson Cunningham, Naomi Fry, and Alexandra Schwartz, who are staff writers and critics at The New Yorker, discuss how the show re-creates the look and fashion of the era in granular detail while reducing the relationship itself to a generic fairy tale. “Love Story” ’s focus on style underscores how much the Kennedy legacy lives in aesthetics, which risks obscuring some of the darker chapters of its history. “It does seem like we have ever more efficiently stripped the Kennedys and their image, and their style, from any notions of political power,” Cunningham says. “The look of something and the sort of moral thrust of something are not always one to one working in parallel.”
New episodes of “Critics at Large” drop every Thursday, wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe New Yorker staff writer Gideon Lewis-Kraus joins Tyler Foggatt to discuss the escalating standoff between the A.I. company Anthropic and the Department of War. They consider recent reporting on the use of Claude—Anthropic’s family of large language models—in military operations in Venezuela and Iran, and how that news has pushed the company’s relationship with the Pentagon to a breaking point. They also explore how the tech industry is responding to the conflict between the Trump Administration and Anthropic, and the thorny question of whether A.I. should be subject to greater safeguards and more oversight than previous technological innovations.
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesIn the book “The Anxious Generation,” Jonathan Haidt, a social psychologist at New York University, argues that social-media platforms are detrimental to youths’ well-being, and that society needs to treat them as literally addictive. It has spent nearly a hundred weeks on the New York Times best-seller list, and has helped galvanize a movement seeking limits to social media in legislatures, in school districts, and in the courts. David Remnick speaks with Haidt about an Australian law to verify the age of social-media users, the first of its kind in the world, and about lawsuits in California that are aiming to pin liability for harms on social-media companies themselves.
Further reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe Washington Roundtable considers how the ideological commitments of Pete Hegseth, the Secretary of War, are at play in the conflict with Iran. Their guest, the journalist Katherine Stewart, has covered the MAGA right and is the author of “Money, Lies, and God: Inside the Movement to Destroy American Democracy.” The panel discusses how Christian nationalism has moved from the fringes of the culture to the center of American military power, with Hegseth driving the shift. “This is a movement that at its core has never believed in democracy,” Stewart says. “It rejects the principles of equality and pluralism, and, frankly, the rule of law that represents the best of the American promise.”
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe New Yorker staff writer Jonathan Blitzer joins Tyler Foggatt to discuss Kristi Noem’s removal from her post as Secretary of Homeland Security. They talk about the lead-up to her firing—which included accusations of fiscal mismanagement and self-promotion—and her controversial tenure as the head of one of the largest and most powerful departments during Donald Trump’s second Presidential term. They also explore the history and evolution of the Department of Homeland Security and how its founding in the wake of the September 11th attacks laid the groundwork for the sweeping—and, according to some legal experts, unconstitutional—powers it wields today.
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesAs Iran’s retaliation hit American allies throughout the Middle East this week, David Remnick was joined by two New Yorker writers with decades of experience reporting from the region. Robin Wright has reported from Iran extensively, and she met with Ali Khamenei before he became the Supreme Leader of Iran; Dexter Filkins covered the wars in Iraq and Afghanistan, and he has been reporting on the Pentagon and military readiness. Filkins and Wright discuss the possibilities for future leadership in Iran; the Administration’s chaotic statements in regard to its goals and time frame; and the economic impact of the war, which is already being felt around the globe.
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe Washington Roundtable discusses the war that the United States and Israel have started with Iran, how the conflict might evolve and affect the whole region, and the Trump Administration’s rationale for launching the strikes. “I don’t think we have yet heard a clear explanation of what this war is about, what they intend to achieve, what the strategic goals are, and how it’s supposed to end,” the staff writer Jane Mayer says. The group also reflects on the lessons that they learned while reporting on the Iraq War about how conflicts such as these can transform societies.
This week’s reading:
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