The Political Scene | The New Yorker
The Washington Roundtable discusses the global consequences of the closure of the Strait of Hormuz with Edward Fishman, a senior fellow at the Council on Foreign Relations and the author of the book “Chokepoints: American Power in the Age of Economic Warfare.” The group explores how Donald Trump’s embrace of economic weapons such as tariffs, along with his military escalation in Iran, has upended the world’s economy and weakened his popularity at home. “I think we have not seen the worst of this war yet,” Fishman says. “I don’t see how anyone can view that as a victory, and we all know Donald Trump doesn’t like to look like a loser.”
See the Washington Roundtable live at 92NY on June 4th.
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
The New Yorker staff writer Zach Helfand joins Tyler Foggatt to discuss his Profile of Linda McMahon, the Secretary of Education. They talk about the sweeping layoffs and downsizing at the Department of Education during Donald Trump’s second term—a fulfillment of a long-standing conservative effort to dismantle the agency—and the consequences for students and schools that rely on its services. They also explore how McMahon’s tenure as C.E.O. of World Wrestling Entertainment set her up to be one of Trump’s most reliable and effective Cabinet members, across both his terms—and why the President has long been drawn to McMahon, her husband, Vince, and the world of professional wrestling.
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesOmer Bartov is an Israeli professor of Holocaust and genocide studies at Brown University. He grew up in a Zionist home and served as an officer in the Israel Defense Forces, but he has long been concerned about Israel’s use of military power. In a new book called “Israel: What Went Wrong?,” Bartov argues that Zionism has morphed into an ideology of extremism that led to genocide in Gaza following the Hamas attacks of October 7th. “There is growing criticism of American support for these kinds of Israeli policies, both on the American left and on the American right,” Bartov tells David Remnick. Bartov believes that Israel requires “shock therapy” because “it has not still come to identify the limits of its own power, because those limits are in Washington, DC and it's there that those limits have to be set.” “For Israel, that would be good, because I think Israel needs to be liberated from that kind of dependence on American power. I think, for American society and for American Jewry, that’s a very bad thing because there is a rise of . . . antisemitism from the Tucker Carlsons of the world, who are a rising force right now.”
Further reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe Washington Roundtable discusses how the anti-corruption candidate Péter Magyar brought down Hungary's autocratic Prime Minister, Viktor Orbán, and what implications that victory holds for the far-right movements around the world that Orbán helped embolden. The panel is joined by Kim Lane Scheppele, a Princeton professor who has lived in Hungary and studied its democratic backsliding. Together, they unpack how Magyar’s campaign succeeded by connecting Orbán’s corruption to the everyday struggles of Hungarians, and how that approach might inform Democratic strategy in the 2028 Presidential election.
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
The New Yorker staff writer Molly Fischer joins Tyler Foggatt to discuss Zohran Mamdani’s first hundred days as mayor of New York. They talk about how Mamdani has carried his highly disciplined, media-forward messaging style into office—and how his governing style combines practical city management with a focus on visible and public-facing execution. They also explore the status of his core initiatives, including universal child care and other affordability measures, whether he has scaled back or recalibrated some campaign promises, and how he has navigated relationships with figures such as Governor Kathy Hochul and President Donald Trump as he tries to harness his political momentum into durable results.
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesAt the end of February, OpenAI’s C.E.O., Sam Altman, made headlines by swiftly cutting a deal with the Pentagon for his company to replace Anthropic, which had balked at the Trump Administration’s bid to use its A.I. technology to power autonomous weapons and aid in mass surveillance. Days earlier, Altman had publicly supported Anthropic’s position in the dispute. Altman’s rise to power and his founding of OpenAI were predicated on placing safety above other concerns in developing artificial general intelligence. Why did he change his stance on such a fundamental issue? The New Yorker writers Ronan Farrow and Andrew Marantz spoke with Altman multiple times and interviewed more than a hundred people for their investigation into the leader of one of the most powerful companies in the world, comparing Altman to J. Robert Oppenheimer. Although there is no smoking gun in Altman’s hand, the writers find that persistent allegations about his conduct underscore the danger of entrusting him to wield such vast power over the future.
Further reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe Washington Roundtable discusses Vice-President J. D. Vance’s week on the world stage: stumping for the Kremlin-aligned Hungarian autocrat Viktor Orbán and being tasked with leading American negotiations in Pakistan to resolve the war with Iran, a conflict he reportedly opposed. The panel explores the events and people that shaped Vance, and how his political evolution toward MAGA may not be enough to make him the Republican Presidential nominee in 2028. “Anyone who comes after Trump is going to have a really hard time inheriting a cult of personality and turning that back into a party,” the staff writer Susan B. Glasser says. Vance is “not this kind of charismatic movement leader.”
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe New Yorker contributing writer Ruth Marcus joins Tyler Foggatt to discuss Pam Bondi’s removal from her post as Attorney General. They examine the series of missteps and failures that led to her firing—from her continued mishandling of the Jeffrey Epstein files to her inability to effectively carry out Donald Trump’s efforts to target his political enemies. They also explore the long-term damage Bondi has done to the Department of Justice, and whether her ouster—alongside Kristi Noem’s dismissal as Secretary of Homeland Security—signals a new era of shakeups within the Trump Administration.
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesIn 2021, when Olga Rudenko and other journalists launched the English-language news outlet the Kyiv Independent, they were committed to making a publication that wouldn’t face political pressure from an owner. A few months later, Russia launched a full-scale invasion of Ukraine, and the Independent began reporting breaking news from the front lines, and conducting investigations of the Ukrainian government. David Remnick talks with Rudenko, the Independent’s editor-in-chief, about the challenges of reporting in wartime; President Volodymyr Zelensky’s pushback on independent journalism; how Iran and Russia have been providing military aid to one another; and why Ukraine cannot accept the peace deal with Russia that Donald Trump is insisting that it take.
Further reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThe Washington Roundtable discusses Donald Trump’s address on the Iran war and the playbook that has defined his career in business and politics when confronted with a crisis: escalate and blame others. The panel discusses how that same playbook is being applied to the Iran conflict with potentially disastrous results. “He’s immune to any possibility of accountability,” the staff writer Evan Osnos says. “That became not just one of the ways he tells his own story but actually how he imagines history will unfold in his hands.”
This week’s reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choicesThousands of federal prosecutors have been fired or have resigned from their roles since Pam Bondi took over as Attorney General. She has made no secret of weaponizing the Justice Department to pursue Donald Trump’s vendettas. One of those prosecutors is Troy Edwards, who quit a senior national-security position in the Eastern District of Virginia. As an assistant U.S. attorney in DC, Edwardshad won convictions against members of the Oath Keepers for January 6th-related offenses. Edwards is also the son-in-law of the former F.B.I. director James Comey, and, when the Justice Department indicted Comey on grounds widely seen as flimsy, Edwards knew he had reached his red line. (The charges were quickly dismissed, though without prejudice.) The New Yorker’s legal correspondent Ruth Marcus talks with Edwards about his decision to leave, how he broke it to his family, and why he thinks other prosecutors should not follow his lead.
Further reading:
The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.
Tune in to The Political Scene wherever you get your podcasts.
Learn about your ad choices: dovetail.prx.org/ad-choices