Goose’s live act attracts a devoted following—and the band's studio work highlights the sharp songs that spark their legendary jams. So on this summer edition of the podcast, we're exploring both sides of the Goose experience, from the studio to the stage, and hearing from the band as well as their fans along the way. Episode credits: Produced, engineered, and edited by John Mirisola Coproduced by Bryan Parys Theme music by Sleeping Lion Media excerpted (all songs by Goose, available at goosetheband.bandcamp.com): "The Whales" and "Feel It Now" from '2023​/​07​/​06 Thompson's Point, Portland, ME' "Hungersite" from 'Live at the Salt Shed' "Dripfield," "Arrow," "Honeybee," and "Hot Tea" from 'Dripfield' Enjoy the show? Have thoughts or questions for the Sounds of Berklee team? Let us know at [email protected].

The Berklee student and Boston Calling–bound indie folk artist explores how discovering songwriting and a supportive queer community led to deeper self-discovery.

"Electro-symphonic” composer David Ibbett breaks down his process for turning scientific data into musical notes.

The alum and leader of Illuminati Hotties discusses the long road to her latest album and how her work as a producer gave her the confidence to finish the record. [Image by Courtney Cole]

Composer Ray Soul takes us behind the making of his track, "Seu Aprendiz," which is an honest, moving, and cathartic reckoning with his mother's suicide.

The author and trumpeter discusses his new book, which features intimate interviews with jazz greats from Bertha Hope to Robert Glasper. The book and its companion album shine a light on how personal history is cultural history. (Theme music is "You Made Me" by Sleeping Lion)

There are three hashtags at the bottom of the YouTube page for the song "Outliers," by the band Aviations. The first two are #aviationsband and #progressivemetal—pretty standard. But the last one is a bit surprising: #cozymetal. In this episode of Sounds of Berklee, the band's drummer, James Knoerl B.M. '15 talks about why you might want to curl up with cup of tea when listening to this 11-minute prog metal epic . Take a listen.

Michela McDonagh B.M. '19, who goes by the artist name MHIC (pronounced “Mick"), remembers sensing the uneasiness in the air just before lockdown began in Manhattan, where she worked while living at home with her parents on Long Island. The ambient tension made her think about how her generation, the last to have a memory of 9/11, was brought up in an anxious world and is graduating into a particularly distressed moment.

The Turkish guitarist and producer shares his musical arrangement of a poem by the great Chilean poet Pablo Neruda.

The long-time Berklee faculty member talks imagination, her opera 'Rumpelstiltskin,' composing without computers, and more. Note to listeners: this episode refers to a planned performance of 'Rumpelstiltskin' at the Kennedy Center that has now been canceled.

The Berklee alumna discusses her shift from instrumentalist to singer/songwriter, her love of sad music, and how translating lyrics can be a metaphor for making music in general.