Marilyn Monroe was born Norma Jeane Mortenson 100 years ago on June 1, 1926. In late 1954, on the cusp of major Hollywood stardom, Marilyn moved to New York City on a quest to become a better actress and to find a little peace on streets where she could sometimes go unnoticed.

The year 1955 was one of discovery for the star of The Seven-Year Itch and Gentlemen Prefer Blondes — exploring the city, working on her craft and generally being the toast of the town.

In particular, she came to New York to become a better actress via the Actors Studio and the influence of Lee Strasberg. But she also managed to see the most glamorous corners of New York.

That deep connection she made with New York City never left her.

As an extra treat, Greg and Tom are joined on the show by Alicia Malone of TCM (and Tom’s co-host on “The Official Gilded Age Podcast”) and author of the book Girls on Film: Lessons from a Life of Watching Women in Movies to discuss how the city changed her career and performances.

We’re big old movie buffs here on the Bowery Boys, and to celebrate a century of Marilyn, we’ve remastered and re-edited a show we recorded on Marilyn’s New York back in 2022. So raise a toast to Marilyn tonight — and put on something a little extra glamorous for fun.

This episode was remastered by Kieran Gannon.

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She arrived in New York calling herself Eliza Brown — but she’d been born Betsy Bowen, daughter of a woman jailed for running a disorderly house in Providence.

By the time she died in 1865, she was Eliza Jumel -- Manhattan’s richest woman, mistress of a hilltop mansion in Washington Heights, the widow of a former vice president, and the subject of so many wild rumors that even her New York Timesobituary couldn’t keep the facts straight.

Tom is joined by Catherine Hughes and Danielle Gaita of the historic Morris-Jumel Mansion to sort the legend from the life. Born in 1775 to grinding poverty, Eliza reinvented herself as an actress at the Park Theater, married the French merchant Stephen Jumel in 1804, and in 1810 moved into the grand house that had served as George Washington’s headquarters in the fall of 1776 — Manhattan’s oldest surviving residence.

And from there the story only grows more intriguing. Paris in the age of Napoleon. A staggering art collection. Real estate dealings while her husband stayed an ocean away. A whirlwind second marriage to the 77-year-old Aaron Burr — and a scandalous divorce, finalized on the very day Burr died.

Plus: Lin-Manuel Miranda writing Hamilton lyrics in Burr’s old bedroom!

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The Lincoln Center revival of Ragtime — with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, adapted from the novel by E. L. Doctorow — has just garnered 11 Tony Award nominations, including Best Revival of a Musical, along with multiple acting nods for its acclaimed cast.

This new production feels more timely and resonant than the one that first played on Broadway in 1998. In addition to the fictional Coalhouse Walker Jr. and the archetypal figures known simply as Father, Mother, and Younger Brother, Ragtime brings to life several real celebrities and power brokers from turn-of-the-century New York.

Anna Grace Barlow, who portrays Broadway sensation Evelyn Nesbit, and Rodd Cyrus, who embodies legendary illusionist Harry Houdini, join Carl Raymond from The Gilded Gentleman podcast for a behind-the-scenes conversation about their characters and their experiences bringing this revival to the stage.

This show is brought to you by The Gilded Gentleman podcast, produced by the Bowery Boys and edited and produced by Kieran Gannon.

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Perched over the Hudson River near the city of Hudson sits Olana State Historic Site, once the wondrous home of painter Frederic Church. This Gilded Age mansion is unlike any in the valley, mystical and imposing, evoking Persian and Moorish architectural styles and reflecting the art and ambitions of its former owner.

Church was more than a Hudson River School painter; he was an adventurer and dreamer, bringing the vistas of the world to America within his massive landscape creations. In 1859, when his Heart of the Andes made its New York debut, thousands lined up to soak in its impossible beauty.

Victoria Johnson, author of the new biography Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World, has walked in his footsteps — from the Ecuadorian volcano Cotopaxi to the heights of ancient Petra.

She joins Greg and Tom on the podcast this week to discuss Church’s unusual life — both as a New Yorker and as a daring traveler. After this show, you may never look at a landscape painting the same way again.

This show was edited and produced by Kieran Gannon

Visit the website to take a look at some of Church's paintings, as well as a list of other Bowery Boys podcasts related to this show. 

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The Garment District in Midtown Manhattan has been the center of American fashion for almost one hundred years. The lofts and office buildings here still buzz with the business of making clothing — from design to distribution.

But the district has become endangered today as clothing manufacturers move out and the entire industry faces new challenges from online sales and overseas production.

During the mid-19th century, garment production thrived in New York thanks to thousands of arriving immigrants skilled in making clothes. Most clothing in the United States was made below 14th Street, in the city’s tenement neighborhoods, especially the Lower East Side.

As the industry grew more prominent, the residents and merchants of Fifth Avenue feared it would overtake their fashionable street. So, by the 1930s, a new district was born. Hardly a stitch was sewn in the United States without passing through the blocks between 34th Street and 42nd Street, west of Sixth Avenue.

Listen in as we describe the Garment District’s chaotic flurry of activity — from the fabulous showrooms of the world’s greatest designers to the nitty-gritty bustle of its crowded streets.

Visit our website for images related to this subject and other podcasts related to the Garment District and New York's garment-making history.

In celebration of Made In NYC Week, we present our tribute to New York City's active and thriving garment industry. A version of this show was originally presented in January 2016. Now with a new introduction and ending, this show was reedited by Kieran Gannon.

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In our modern world, people are turning to all sorts of unusual beliefs and fringe disciplines just outside the bounds of medical science and psychology, all in search of a better understanding of the human mind and the origins of personality.

In the mid-19th century, New Yorkers with similar questions became obsessed with the unusual practice of phrenology, which promised to unlock the secrets of the brain through a careful examination and mapping of the human skull.

By the 1840s, visitors to New York City Hall and Barnum’s American Museum could walk just a short distance to the curiosity cabinet run by the Fowler family, a group of phrenologists and publishers who helped popularize this now-debunked practice. At this very odd tourist attraction, visitors could examine rows of skulls and casts of skulls taken from both celebrated figures in human history and some of the world’s most infamous criminals.

Phrenology attracted the interest of some of the 19th century’s most notable figures, including P. T. Barnum and Walt Whitman. The Fowlers’ empire of unusual disciplines soon expanded to include mesmerism and even spiritualism. But there was also a darker side to phrenology: it was used by many to justify elitist and racist philosophies.

Greg is joined in the studio by Paul Stob, author of the new book Empire of Skulls: Phrenology, the Fowler Family, and a New Nation’s Quest to Unlock the Secrets of the Mind, to explore this strange craze, what people believed they saw when they looked at the skull, and why New York City played such a crucial role in its rise.

Visit the website for more images and others relating to this topic. You can also watch this show on YouTube

This show was produced and edited by Kieran Gannon.

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Carnegie Hall is one of America’s greatest and most enduring cultural landmarks, enchanting audiences and making history since its opening night on May 5, 1891, when Pyotr Ilyich Tchaikovsky appeared there in his first performance in the United States.

This groundbreaking performance space (originally known simply as “Music Hall”) is in fact a trio of distinct venues, all nestled within a single, opulent Italian Renaissance–style building.

Although its benefactor Andrew Carnegie and his fellow Gilded Age elites had moved their grand residences farther up Fifth Avenue, New York’s established cultural institutions, like the venerable Academy of Music, still lingered well to the south. Carnegie Hall helped shift that center of gravity uptown.

Yet the true history of Carnegie Hall lives inside its walls—within the experiences of the audiences and the artists, and, for this week’s show, within the archives themselves. Tom and Greg have been invited into the Carnegie Hall archives for an exclusive, unprecedented encounter with the story of American music.

Kathleen Sabogal and Robert Hudson of the Rose Museum & Archives guide the Bowery Boys through the Hall’s past, using some of their collection’s most cherished artifacts: a clarinet, mysterious locks, ledger books, stickpins, suffrage buttons, beaded jackets, photographs, and autograph books that together bring the spirit of Carnegie Hall vividly to life.

And in the end -- they even take to the stage!

Visit the website for more information and to listen to more episodes of the Bowery Boys podcast. You can also watch this show on YouTube.

This episode was proudly sponsored by Carnegie Hall. Visit CarnegieHall.org for information on upcoming shows, including the United in Sound: America at 250 festival, a multifaceted reflection of the United States 250 years since the signing of the Declaration of Independence.

This episode was produced and edited by Kieran Gannon

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Once upon a time, the streets of the Lower East Side were lined with pushcarts and salespeople haggling with customers over the price of fruits, fish and pickles. Whatever became of them?

New York’s earliest marketplaces were large and surprisingly well regulated hubs for commerce that kept the city fed. When the city was small, they served the hungry population well.

But by the mid 19th century, mass waves of immigration and the necessary expansion of the city meant a lack of affordable food options for the city’s poorest residents in overcrowded tenement districts.

Then along came the peddler, pushcart vendors who brought bargains of all types — edible and nonedible — to neighborhood streets throughout the city. In particular, on the Lower East Side, the pushcarts created makeshift marketplaces.

Many shoppers loved the set-up! But not a certain mayor — Fiorello La Guardia, who promised to sweep away these old-fashioned pushcarts that packed the streets — and instead house some of those vendors in new municipal market buildings.

For those immigrant peddlers, the Essex Street Market — in sight of the Williamsburg Bridge — would provide a diverse shopping experience representing a swirl of various cultures: Eastern European, Puerto Rican, Italian and more.

But could these markets survive competition from supermarkets? Or the many economic changes of life in New York City?

Originally released in November 2020. This show was re-edited and remastered by Kieran Gannon

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In 1889, Robert Ray Hamilton, great-grandson of Alexander Hamilton, became ensnared in a sensational web of deceit — forged identities, attempted murder, and brazen fraud that captured headlines across the country. Although this gripping saga played out over a two-year period, it has largely faded from public memory.

 In his book The Scandalous Hamiltons, author Bill Shaffer resurrects the scandal in vivid detail. Bill joins The Gilded Gentleman to unravel this astonishing true-crime drama, a story that shocked Gilded Age readers and is sure to raise eyebrows even today.

This show is brought to you by The Gilded Gentleman podcast, produced by the Bowery Boys and edited and produced by Kieran Gannon.

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Why is the West Village both historically important and incredibly expensive? In the final part of our West Village mini-series, we look at the elements that define the modern neighborhood — from battles with Robert Moses to the protests that galvanized the gay-rights movement.

The 19th-century charms of the old Village seem timeless, but they survive thanks to the 1969 Greenwich Village Historic District. The fight to save the neighborhood, however, began two decades earlier, and those early conflicts even popularized the name “West Village.” Jane Jacobs, fresh off the publication of her landmark book The Death and Life of Great American Cities, would become the leading voice in protecting this uniquely New York enclave.

That same year, clashes between police and patrons at the Stonewall Inn united the area’s LGBT residents, culminating in the first Christopher Street Liberation Day Parade (today’s NYC Pride March). A vibrant, radical queer culture flourished — from leather bars to the Christopher Street Piers.

In the 1980s, thousands of New Yorkers died of AIDS, and St. Vincent’s Hospital became known for its pioneering care. Today, long-running establishments like the Monster and Julius’ form a kind of “legacy cultural district,” linking present-day nightlife to those transformative years.

In the 1990s, pop-cultural phenomena Friends and Sex and the City (which made one Perry Street brownstone famous) brought international attention to the neighborhood. By the 21st century, the West Village had become a luxury enclave, even as its history was further elevated with Stonewall’s designation as a U.S. National Monument.

This episode was produced and edited by Kieran Gannon

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In Part Two of our mini-series, The Streets of the West Village, we turn to the people who gave the neighborhood its character and vitality — from Irish longshoremen on the docks to actors on the off-Broadway stage, from street gangs to speakeasy proprietors. From Eugene O’Neill to Bea Arthur, their stories help define this corner of Manhattan.

Well into the early 19th century, the West Village still felt like a true village, with its preserved, winding lanes. Over the following decades, a diverse array of residents arrived and made the neighborhood their own, working along the waterfront or gathering at local haunts like the beloved White Horse Tavern.

The promise of a new subway line once seemed entirely beneficial, but it brought a devastating consequence: Seventh Avenue had to be extended straight through the western Village, cutting a swath through the existing streetscape and wiping away hundreds of buildings. 

Prohibition and the Jazz Age are seemingly etched into the very fabric of the West Village, reflected in the many institutions that date from the 1920s and ’30s, including numerous former speakeasies. Join us as we wander through the Jazz Age Village — Fedora, Chumley’s, the Cherry Lane Theatre, and more — and trace the echoes of that exuberant era.

This episode was produced and edited by Kieran Gannon.

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