British journalist Vicky Ward first profiled sex offender Jeffrey Epstein in 2003 for Vanity Fair. The experience was so alarming and stressful that she went into labor with her twins at 30 weeks, two months early. More than 20 years later, Ward, still following the case, talks with Tonya Mosley about the fallout from the millions of publicly released documents, and why this story took so long to come out.

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We look back at the 1992 siege at Ruby Ridge in Idaho, where gunfire left two civilians and a deputy U.S. Marshal dead. Chris Jennings’ new book explores the apocalyptic religious beliefs that led Randy Weaver and his family to move to a remote cabin, armed to resist government intrusion. He traces the impact of Ruby Ridge on the spread of conspiratorial anti-government and white-supremacist movements. His book is ‘End of Days.’

Also, Maureen Corrigan reviews the memoir 'Dizzy,’ by Rachel Weaver.  

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Julia Loktev’s latest documentary, ‘My Undesirable Friends - Part 1: Last Air in Moscow,’ follows independent Russian journalists in the months leading up to, and just after, Russia’s full-scale invasion of Ukraine. The film has arrived in the U.S. at a moment when questions about press freedom feel newly present. “Every day it feels like there is something to bring the story home for Americans, where it almost feels like there’s Easter eggs in the film that become more and more relevant.” she says. 

Also, Pulitzer Prize-winning historian Heather Ann Thompson revisits a 1984 New York City subway shooting, when Bernhard Goetz, a white man, shot four Black teenagers. In the days that followed, Goetz became  a hometown hero. “We are watching someone tell us exactly who they are, exactly what they did, and it will not matter. Up will become down, down will become up. And that also felt very, very familiar to where we are today.” Her book is ‘Fear and Fury.’ 

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Martin Scorsese's masterpiece about loneliness, urban decay, and vigilantism is 50 years old this month. We’re revisiting archival interviews about ‘Taxi Driver’ with Scorsese, screenwriter Paul Schrader and actors Harvey Keitel, Cybill Shepherd, Jodie Foster, and Al Brooks.

Also, film critic Justin Chang reviews 'Pillion.'

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Julia Loktev's acclaimed documentary, ‘My Undesirable Friends,’ follows young Russian journalists in the months before and after Putin's invasion of Ukraine — and the impossible choices they face when dissent means prison or exile. 

Also, jazz historian Kevin Whitehead revisits a two-night set Miles Davis did in Chicago in 1965.


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Atlantic writer Robert Kagan says as President Trump violates norms, laws and the Constitution, including his call to nationalize elections, we’re on the edge of the consolidation of dictatorship. “I think we're already well into a dictatorship. It's just a question of whether [Trump] will go ahead and basically disrupt the '26 elections, which I think he's made it clear he has every intention of doing now,” Kagan tells Terry Gross. “So I think that this should be a five-alarm fire for everybody.”

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We go inside the real succession story within the Murdoch family media empire. It includes Fox News, The Wall Street Journal and the New York Post. In 2023 Rupert Murdoch chose his eldest son and most conservative child, Lachlan, as his successor – buying out three of his other children from the family trust and estranging them in the process. “His dream was to build a family business. And what he built was a business that destroyed his family,” journalist Gabriel Sherman says. His book, ‘Bonfire of the Murdochs,’ also examines how the Murdochs changed politics on three continents over half a century. He spoke with guest interviewer Sam Fragoso. 

Later, TV critic David Bianculli reviews the return of ‘The Muppets.’ 

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"Every now and then you bump up against a part that presses you to the wall of your ability," Hawke says of playing lyricist Lorenz Hart in ‘Blue Moon.’ He’s nominated for an Oscar for his performance. Hawke spoke with Terry Gross about collaborating with Richard Linklater, losing his friend River Phoenix, and his thoughts on aging. 


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Liz Moore’s bestselling book, ‘Long Bright River,’ was set in a troubled Philadelphia neighborhood where she’d worked on a photo essay. “My own family has a long history of addiction. I was kind of emotionally drawn back to the neighborhood over and over again because of that,” she tells Dave Davies. The resulting thriller about a policewoman searching for her missing sister was made into a series on Peacock. Moore’s latest book, ‘The God of the Woods,’ where a child goes missing from a remote children’s camp, will be adapted to a Netflix series.

Also, we hear from one of England’s most acclaimed writers, Julian Barnes. He has a new book, which he says will be his last. It’s called ‘Departures.’ He spoke with Terry Gross.

Maureen Corrigan reviews George Saunders’ new novel, ‘Vigil.’

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When Oscar-winning filmmaker Guillermo del Toro was a kid growing up in Guadalajara, Mexico, he would draw monsters all day. His deeply Catholic grandmother even had him exorcised because of it. But when del Toro saw the 1931 film ‘Frankenstein,’ his life changed. "I realized I understood my faith or my dogmas better through Frankenstein than through Sunday mass." His adaptation of Mary Shelley's classic book is nominated for nine Academy Awards, including Best Picture. Del Toro spoke with Terry Gross about getting over his fear of death, the design of Frankenstein's creature, and his opinion on generative AI.

Also, John Powers reviews the noirish drama ‘Islands.’ 

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