Colman Domingo is nominated for two Emmy Awards for two very different performances — in the Netflix comedy The Four Seasons and in HBO's Euphoria. "I can go very deep with my characters," he tells co-host Tonya Mosley. He talks about doing comedy with masters like Tina Fey, filling in for Jimmy Kimmel, why he loves being in his 50s. 

Also, Lloyd Schwartz reviews a remastered album of Handel arias by Lorraine Hunt Lieberson. 


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China produces at least 70% of the world’s drones, electric vehicles, lithium-ion batteries and solar cells. And with the U.S. stockpile of munitions diminished from the Iran war, would the U.S. have what it needs to defend Taiwan if China invaded? Terry Gross talks with New Yorker staff writer Evan Osnos about his latest story, “The Future Made in China.” “The irony here is that we are in some ways beholden right now to the Chinese factory in order to produce the munitions that we need to defend American interests from China. That’s the exquisite problem that we've found ourselves in,” Osnos says. 


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Cretton grew up in Hawaii, and says movies expanded his perspective: “That is how I traveled. That is how I was exposed to other cultures. That's how I understand how kids grew up in high school on the mainland,” he tells co-host Tonya Mosley. He explains how his job at a group home for at-risk teens inspired his film Short Term 12, how he relates to Peter Parker’s loneliness, and how his difficult relationship with his father helps him with directing.


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Journalist Gil Durán argues that a small circle of Silicon Valley billionaires and venture capitalists have concluded that democracy is in their way — and that they should be governing in its place. Durán traces their fringe ideologies from blogs, manifestos and private talks straight to the White House. “The weird stuff these guys say in their blogs or in their speeches is not just eccentric fluff. Because they have so much money, they can turn these weird ideas into policy and cause tremendous damage.” His book is The Nerd Reich. 

Also, Ken Tucker has a 50th anniversary appreciation of the Sparkle soundtrack. Loosely based on the girl group The Supremes, the 1976 film starred Aretha Franklin and the music was written and produced by Curtis Mayfield. 

In the audio of this story, we incorrectly say the theme music of the movie Shaft was by Curtis Mayfield. It was by Isaac Hayes.

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Seven years ago, New Yorker staff writer Jia Tolentino coined the term “Instagram Face.” Now we talk about how current beauty standards are changing our relationship to reality. “It seems more explicitly anti-human right now than ever before,” she tells Tonya Mosley. “There seems to be something that’s dove-tailing with the age of AI.” 

Also, we hear from Lee Sung Jin, creator of the Netflix series Beef. The second season is a story about class and blackmail at an exclusive country club. He talks about how he has pulled ideas from his own life, and his experience working in writers rooms as the only Asian person. 

Film critic Justin Chang reviews the new erotic comedy I Want Your Sex, starring Olivia Wilde.


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The internationally acclaimed horseman Monty Roberts defied the conventional method of breaking horses and developed his own gentler approach — based on horses' non-verbal language. He died on July 31st at 91. Roberts spoke with Terry Gross in 1997, at the time of his memoir.

Also, jazz critic Martin Johnson reviews Jason Moran’s record of Duke Ellington tracks, and John Powers reviews Tony, the Anthony Bourdain biopic that focuses on his first time working in a kitchen. 


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Claire Vaye Watkins' new novel, 'Yellow Pine,' is about a group of misfits and activists in the Mojave desert, fighting a corporate solar development. Living in the desert is "not for everybody," she tells Terry Gross. Her home, near Death Valley, is staggeringly beautiful and brutal. She talks about growing up around environmental activism, solitude, and her father's escape from the Manson Family.

Also, TV critic David Bianculli reviews the new thriller series ‘Furious,’ starring Emmy Rossum, by ‘New Girl’ creator Elizabeth Meriwether. 

In the audio version of this story, we incorrectly use she/her pronouns for the actor Lola Petticrew. Petticrew uses they/them pronouns.

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New York Times reporter Eric Lipton discusses his Pulitzer Prize-winning investigations into Trump’s conflicts of interest and whether he’s exploiting the power of the presidency for self-enrichment. Lipton spoke with Terry Gross. 

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The fifth and final season of the HBO comedy series ‘Hacks’ is nominated for 24 Emmys, including one for Smart as best actress in a comedy series. The writers “raised the bar every single season," Smart tells guest interviewer Aarti Shahani. They talk about why the show is ending, Smart’s distant relative who narrowly escaped the Salem Witch Trials, and adopting a baby when she was in her 50s. 

Also, book critic Maureen Corrigan reviews the novel ‘Country People,’ by Daniel Mason. 

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Historian Micki McElya’s book, ‘Liberation Summer,’ revisits September 1968, when three groups of women converged on the Atlantic City boardwalk: feminists protesting the Miss America Pageant, contestants in the first-ever Miss Black America Pageant, and women defending Miss America herself. McElya argues the collision that day created a politics of beauty that runs through the rise of the religious right, the #MeToo era, all the way to today. She spoke with Tonya Mosley. 

Also, TV critic David Bianculli reviews HBO’s ‘Big Bang’ spin-off,  ‘Stuart Fails to Save the Universe.’ 

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Christopher Nolan’s new film ‘The Odyssey’ is a box-office hit, but classics scholar Emily Wilson, who translated Homer’s poem from the original text, says the film’s script is abysmally written, lacking in emotional depth and character development. She talks about her translation and divisive criticism of the film. 

Also, we hear from actor Jon Bernthal who plays Menelaus, King of Sparta in ‘The Odyssey’ and the Punisher in the new Spider-Man movie.  


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