With their father in very bad health and rumours of his death swirling around the empire, Shah Jahan’s four sons decide it is their time to take his place. Only one has been chosen by Shah Jahan… The accomplished oldest son Dara Shukoh. However the war of succession has begun, and it will be brutal and stained by betrayal. 

The people of Delhi are terrified at the coming storm. Shops are boarded as they prepare for a possible bloodbath. Two of Shah Jahan’s sons, Murad and Shuja, make the first move. They go through coronation ceremonies while Aurangzeb bides his time. He sends his father letters and fruit from the Deccan, acting like a loyal son. 

Miraculously Shah Jahan does not die but begins to recover, only to see his sons tear each other apart and in open rebellion against him. Dara Shukoh, his anointed heir, rallies the imperial army to protect the weakened emperor. Aurangzeb, springs into action, rallying his own armies to advance not only on his brother but his father too. This will be one of the most crucial battles in the subcontinent’s history…

Listen as William and Anita are joined again by Supriya Gandhi to discuss the rise of Aurangzeb, one of the most controversial historical figures in India today.

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Assistant Producers: Anouska Lewis & Becki Hills

Producer: Callum Hill

Exec Producer: Neil Fearn

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The battle of succession that erupted during a severe illness of Shah Jahan is often regarded as one which determined the fate of India.

The eldest of Shah Jahan’s sons was Dara Shukoh—the Glory of Darius. Contemporary miniatures show that Dara bore a striking resemblance to his father, and like him he was luxurious in his tastes and refined in his sensibilities. He preferred life at court to the hardships of campaigning; he liked to deck himself in strings of precious stones and belts studded with priceless gems; he wore clothes of the finest silk and from each ear lobe he hung a single pearl of remarkable size. Dara was a tolerant Sufi and composed a study of Hinduism and Islam, ‘The Mingling of Two Oceans’, which stressed the affinities of the two faiths and what he believed to be the Vedic origins of the Quran.

Then there was Aurangzeb, unloved by his father, a bitter and bigoted puritan, as intolerant as he was grimly dogmatic. He was a ruthlessly talented general and a brilliantly calculating strategist, but entirely lacked the winning charm of his predecessors. 

Listen as William and Anita are joined by Supriya Gandhi, author of The Emperor Who Never Was: Dara Shukoh in Mughal India, to discuss the brothers who fought for the crown, and with it the future of India.

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Assistant Producers: Anouska Lewis & Becki Hills

Producer: Callum Hill

Exec Producer: Neil Fearn

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Within days of his beloved wife’s death, Shah Jahan starts designing his grandest architectural project yet to express his love for her. Her mausoleum is to be a domed, symmetrical, bright white building surrounded by aromatic gardens. But the Taj Mahal is not the only beautiful structure the Mughal Emperor commissions. One of the most extravagant examples of his work is the Peacock Throne, a dazzling display of precious gems, including the Koh-i-Noor diamond and the Timur Ruby. And Shah Jahan's architectural vision soon extends beyond Agra. He later leaves the capital, perhaps to escape the grief associated with his wife’s death, and embarks on building the city of Shahjahanabad, otherwise known as Old Delhi. 

Listen as William and Anita discuss Shah Jahan’s magnificent architecture…

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Shah Jahan, the third son of the opium-addicted Jahangir, was born in 1592 with the name Khurram. More interested in precious gems and architecture than dancing girls at court, Khurram was reserved and carefully crafted his image as the “millennial sovereign”. Upon Jahangir's death, Khurram finds himself embroiled in a fierce succession struggle. His cunning and military experience, honed from years of avoiding his father's armies, proves invaluable in this fight for the throne. 

But Khurram was not powerful on his own. He was surrounded by powerful women – raised by his step-grandmother Ruquiya Sultan, adored by his eldest daughter Jahanara, and most important of all loved and supported by his wife Mumtaz Mahal. She was his confidante and best friend, and to lose her would break his heart. But his broken heart would lead to the building of one of the most beautiful buildings in the world…

Join Anita and William as they explore the early life of the fifth Mughal Emperor, Shah Jahan.

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Often overshadowed by his son’s architectural wonders like the Taj Mahal, Emperor Jahangir was a true connoisseur of beauty. 

His reign witnessed a flourishing of art, architecture, and craftsmanship through his patronage of impressive workshops of artists who created vibrant masterpieces. Jahangir continued expressing his love of the natural world through the paintings he commissioned: from zebras to squirrels to exotic birds. And women were not excluded from his world of art. His powerful wife Nur Jahan oversaw architectural projects like the “Baby Taj”, and female painters at court documented the intimate life of the imperial harem. But beyond documenting the world around him, how did Jahangir use art as propaganda, and what is the meaning behind the mysterious zodiac coins he created?

Listen as William and Anita are joined by Susan Stronge, curator of the V&A exhibition, The Great Mughals: Art, Architecture and Opulence, to discuss the visual culture of the court of Jahangir.

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Assistant Producers: Anouska Lewis & Aaliyah Akude

Producer: Callum Hill

Exec Producer: Neil Fearn

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What do you buy for a man who has everything? 

Thomas Roe is tasked with wooing the Emperor Jahangir. On March 6th 1615, he sets sail from England on the 8 month voyage to the Mughal Empire, home to one fifth of the world’s population. He has been sent by James I and the East India Company on a diplomatic mission to improve trading relations. The English envy the fabulously rich Emperor Jahangir whose personal wealth is ten times that of the national revenue of England at the time. Expecting to be greeted as a diplomat, Roe arrives in India and is forced to undergo a customs check. He is ill and accompanied by a badly behaved cook and a drunk chaplain. He hasn’t even reached court in Ajmer and everything seems to be going wrong. Will he succeed in his mission to win over Jahangir?

Listen as Anita and William are joined by Nandini Das, author of Courting India: England, Mughal India and the Origins of Empire, to discuss the grumpy ambassador’s stay at Jahangir’s court and how it shaped the East India Company.

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Assistant Producers: Anouska Lewis & Alice Horrell

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Prince Salim grows up in the continuously expanding empire of his father, Akbar. The young prince is being primed to take on this legacy, but he is more interested in studying the natural world with intense curiosity by dissecting animals and observing their mating rituals. Later, with Akbar dead and Salim ready to rule, he fights off claims to power from his own son, blinding him as punishment for his insubordination. In 1605, Prince Salim becomes Emperor Jahangir, but is it his love of nature or his brutish desire for revenge that characterises his rule? Is he more David Attenborough or Hannibal Lecter? 

Join Anita and William as they debate this question and explore the early life of the fourth Mughal Emperor.

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Assistant Producers: Anouska Lewis & Alice Horrell

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“The Nabateans are a silent partner in everything that goes on in the high summer of the Ancient period” - Bettany Hughes

By the time of Jesus’ birth, a mysterious empire had built its wealth through trading two of the gifts present at the Nativity: frankincense and myrrh. Aromatic crystals harvested from the sap of gnarled trees, frankincense and myrrh were highly desirable commodities known as the tears or the breath of the gods. Based along the coast of the Red Sea, the nomadic Nabatean people were engineers, mariners and savvy traders, and they cleverly placed themselves as the middlemen in the trade of this incense. The Nabateans gave the world Arabic, and had a kingdom that even Alexander the Great could not siege - so why do so many of us know nothing about them?

Listen as Anita and William are joined by Bettany Hughes to discuss how the Christmas gifts of frankincense and myrrh powered a mysterious and innovative kingdom…

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Assistant Producers: Anouska Lewis & Evan Green

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The story of the Three Wise Men has been reinterpreted since it was first written down. The gift-bearing visitors to the newborn Jesus were initially described as “Magi”, meaning Persians of a priestly caste, but by the 4th century they were given the individual names of Gaspar, Melchior and Balthazar. And in Medieval Europe they were described not as Three Wise Men, but as Three Kings. Yet there’s more to the evolution of the Magi than Western ideas, in Syriac Christian traditions there are up to 24 Magi, and in the Ethiopian church they are named Hor, Karsudan, and Basanater. So how have these ideas developed over time?

Listen as William and Anita are again joined by Professor Lloyd Lewellyn-Jones to discuss the evolution of the story of the Magi, and the influence of British imperialism on their symbolism…

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The truth behind the story of the Three Wise Men has more connections to empire than many of us realise…

Featured in every Nativity scene in school plays, churches, and art around the world, the Three Wise Men are key characters in the Christmas story. They are only mentioned once in the Bible, appearing in Matthew’s gospel described as the Magi - meaning Persians of a priestly caste from Persia. But who were they? Where were they from? And what was the meaning behind their gifts?

Listen as Anita and William are joined by Professor Lloyd Lewellyn-Jones to discuss how the story of the Magi highlights the intermingling of Persian and Jewish culture at the time, as well as tensions between two great empires: the Parthians and Rome…

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Assistant Producers: Anouska Lewis & Becki Hills

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As a dyslexic child, Akbar explored his curiosities about the world through visual wonders, and by having literature read aloud to him. As an adult, his love of art evolved as he became the patron of a multicultural group of calligraphers, painters, poets and more. A now renowned Mughal artistic style developed from his court, with iconic paintings full of bright colours and meticulous details. How did Akbar shape this style? And how was his art and architecture impacted by the religious tolerance he promoted?

Listen as William and Anita explore the art and architecture that emerged from Akbar’s court.

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Assistant Producer: Anouska Lewis

Producer: Callum Hill

Exec Producer: Neil Fearn

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