The Bee Gees are one of the most influential and enduring acts in popular music history, a band whose songs have soundtracked generations and transcended genres, eras and trends.

Formed by brothers Barry, Robin and Maurice Gibb, the group’s journey began long before global fame, rooted in family, harmony and an almost instinctive musical bond.

Born on the Isle of Man and raised between England and Australia, the Gibb brothers began performing together as kids.

Music wasn’t just an interest — it was the family language. By the late '50s, the brothers were already writing songs, honing their harmonies and learning the discipline of performance.

Their early success in Australia laid the groundwork for an international career that would soon explode.

The Bee Gees’ first major breakthrough came in the late '60s with emotionally rich, melodic songs like “To Love Somebody,” “Massachusetts,” “Words,” and “I’ve Gotta Get a Message to You.”

Their close, often aching harmonies and introspective songwriting set them apart.

In the '70s, the Bee Gees achieved one of the most dramatic transformations in music history. With Barry’s soaring falsetto, the brothers became the undisputed kings of the disco era.

Songs like “Stayin’ Alive,” “Night Fever,” “How Deep Is Your Love,” and “You Should Be Dancing” dominated charts worldwide, largely through their work on the Saturday Night Fever soundtrack — one of the best-selling albums of all time.

Their songwriting partnership extended beyond their own recordings, producing hits for artists including Barbra Streisand, Diana Ross, Kenny Rogers and Dolly Parton.

Yet behind the global phenomenon was a tight-knit family unit.

It was within this world that Stephen Gibb, Barry’s eldest son, grew up. Raised surrounded by music, Stephen witnessed the Bee Gees at work from an unusually intimate vantage point.

As a child, he watched his father and uncles write, rehearse and refine songs, often assuming that such musical brilliance was simply part of everyday life. Only later did he realise just how extraordinary that environment was.

Stephen chose not to follow directly in his family's musical footsteps. Instead of pop harmonies, he gravitated toward hard rock and heavy metal, inspired by bands like Van Halen and Def Leppard.

Determined to carve out his own identity, he built his own career. It was a conscious decision to step out of the Bee Gees’ long shadow while still deeply respecting it.

Tragedy struck the Gibb family with the loss of Andy Gibb in 1988, followed by Maurice Gibb in 2003 and Robin Gibb in 2012.

These losses marked the end of the Bee Gees as a performing group, but not the end of their music. Barry continued performing and recording, often with Stephen by his side.

Over time, Stephen became a trusted musical collaborator and guitarist in Barry’s touring band, providing both musical and emotional support as his father carried the legacy forward alone.

In 2021, Barry released Greenfields: The Gibb Brothers’ Songbook, a roots-influenced reimagining of classic Bee Gees songs, recorded with a stellar lineup of artists including Dolly Parton, Keith Urban and Alison Krauss.

The album was widely praised and served as a poignant tribute to his brothers and their shared catalogue. It also marked the closing chapter of Barry’s recording career, as he has since stepped into a well-earned and contented retirement.

Today, the Bee Gees’ legacy remains immense. Their songs continue to resonate because they speak to universal emotions — love, heartbreak, resilience and hope — delivered through melodies that feel both intimate and timeless.

Through Barry, and through the respect and care shown by Stephen, that legacy is protected with dignity rather than spectacle.

The Bee Gees were never just a band. They were a family, bound by blood, harmony and an extraordinary gift for songwriting — a gift that continues to echo across generations.

Today Stephen Gibb joins us with the story of The Bee Gees.

Drummer Michael Shrieve’s story reads like a rock-and-roll fairy tale — the kind of musical journey that blends youthful serendipity with restless creativity, and a lifelong appetite for pushing boundaries.

Before he was a name on Santana’s classic albums or a Rock & Roll Hall of Famer, he was a kid with sticks and big dreams.

Born in California, Shrieve grew up deeply drawn to music. As a teenager he played in his first serious band and gigged around backing rhythm and blues acts — even sitting in with seasoned performers like B.B. King and Etta James.

At just 16, a pivotal moment came when he sat in during a jam at San Francisco’s famed Fillmore Auditorium. His playing caught someone's ear — Santana’s manager Stan Marcum — setting the stage for his astonishing ascent.

At 19, Shrieve met Carlos Santana in a studio and was invited to join the band on the spot. It was a leap that would change his life.

Almost immediately after joining, Shrieve found himself at the center of one of rock’s defining moments: Santana’s performance at Woodstock in August 1969.

Barely 20 years old, his explosive drum solo on “Soul Sacrifice” became one of the enduring visual and sonic highlights of the event’s documentary.

Between '69 and '74, Shrieve played on Santana’s first seven albums: Santana (1969), Abraxas (1970), Santana III (1971), Caravanserai (1972), Welcome (1973) and Borboletta (1974), plus the live album Lotus (1974).

He wasn’t just a timekeeper. On Caravanserai he co-produced and co-wrote four tracks, helping guide the band into more experimental, jazz-infused territory. His work helped broaden the possibilities of rock percussion, drawing on influences from jazz greats and Latin rhythms alike.

By the mid-'70s, Shrieve was ready to expand his musical palette beyond Santana. He left the band to pursue solo projects and relocated to London.

One of his first ventures was Automatic Man , a group that blended rock with progressive and funk elements.

He then joined the avant-garde fusion supergroup Go, alongside formidable musicians like Steve Winwood, Stomu Yamashta, Klaus Schulze and Al Di Meola. The band released multiple albums and toured, diving deep into jazz, electronic and world music textures.

Throughout the late ’70s and ’80s Shrieve stayed busy, playing with Hagar Schon Aaronson Shrieve (with Neal Schon and Sammy Hagar) and contributing to albums by artists as diverse as The Rolling Stones (Emotional Rescue, 1980) and Roger Hodgson of Supertramp. He also collaborated on Richard Wahnfried projects with electronic composer Klaus Schulze and recorded his own electronic music.

After leaving Santana, Shrieve didn’t slow down — he reinvented himself again and again. Beyond rock and fusion bands, he became a composer and session player whose credits include work with Mick Jagger, George Harrison, Pete Townshend, Andy Summers, Jaco Pastorius and many others.

He also ventured into film music, composing scores for movies including Tempest and Apollo 13, and continued collaborations with musicians across genres.

In 1997 he reunited with former Santana members — Neal Schon, Gregg Rolie, José Areas and Michael Carabello — in Abraxas Pool, a project that revisited and re-imagined elements of the classic Santana sound.

Shrieve’s contributions were formally recognized when he was inducted into the Rock & Roll Hall of Fame in 1998 for his work with Santana, and later honored with Guitar Center’s Lifetime Achievement Award in 2005. He’s also been cited by Rolling Stone as one of rock’s greatest drummers.

In 2016, he briefly reunited with the original Santana lineup for the album Santana IV, again marking his deep connection to the music that made his name.

Today, Michael Shrieve remains a vibrant artist. His band Spellbinder, blends jazz and improvisatory rock; he works on ambitious solo projects like Drums of Compassion; and continues to collaborate with forward-thinking musicians across genres.

Michael joins us today to share his story.

Frankie Miller has one of those voices that stops you mid-sentence — gritty, soulful, aching, and unmistakably real.

It’s the sound of lived experience, shaped by smoky pubs, late nights, hard miles on the road, and a deep love of rhythm and blues.

Born Francis Miller in 1949, in Glasgow, Scotland, Frankie grew up in a working-class environment where music wasn’t a luxury — it was a lifeline.

As a teenager, Frankie was already soaking up American blues and soul records, falling hard for artists like Muddy Waters, Otis Redding, and Ray Charles.

Those influences never left him. You can hear them in every rasp, every shout, every tender moment in his singing. By the late 1960s, he was fronting his own band, building a reputation as a formidable live performer around the UK. Long before the record deals and chart success, Frankie was earning his stripes the old-fashioned way — on stage, night after night.

His big break came in the early '70s when he signed to Chrysalis Records. His debut album Once in a Blue Moon (1972) immediately showcased his emotional range and powerful voice.

The album also revealed something else: Frankie wasn’t just a belter — he was a storyteller. Songs like “I’m Falling in Love” hinted at the soulful depth that would define his career.

Over the next decade, Frankie Miller released a run of albums that firmly established him as one of the great blue-eyed soul singers of his generation. Records like High Life (1974), The Rock (1975), and Full House (1977) blended rock, soul, and blues with effortless confidence. The Rock in particular is often cited as a high point — raw, energetic, and brimming with personality. It also helped cement his reputation internationally, especially in the United States, where his sound resonated deeply.

Frankie’s songwriting talent didn’t go unnoticed either. In fact, some of his most famous songs became hits for other artists. “I Can't Change It" was covered by artists like Ray Charles.

Rod Stewart also became a close friend and champion, recording several Frankie Miller songs and helping introduce his music to an even wider audience. It was clear: musicians loved him as much as fans did.

Despite the success, Frankie never chased trends or tried to polish away the rough edges that made him special. His voice remained raw and honest, often sounding like it might crack — and sometimes it did — but that vulnerability was exactly the point. He sang like someone who meant every word.

Then, in 1994, everything changed. Frankie suffered a massive brain hemorrhage that left him unable to speak or sing, abruptly ending his performing career. It was a devastating blow, not just to fans, but to the music world as a whole. One of rock and soul’s most distinctive voices was suddenly silenced.

In the years that followed, Frankie’s wife helped him through a long and difficult recovery. While he would never return to the stage, Frankie’s spirit — and his music — endured.

Fellow musicians rallied around him, and albums like Frankie Millers Double Take where Elton, Rod, Willie Nelson and others duetted with him, helped reintroduce his catalogue to new listeners while honoring his immense influence.

Today, Frankie Miller is remembered not just for his powerful voice, but for his authenticity. He was never a glossy superstar or a carefully manufactured rock icon. He was a singer’s singer — admired by peers, respected by critics, and adored by fans who recognised something deeply human in his music.

Frankie Miller’s songs still feel alive because they come from a place of truth. Whether he was roaring through a blues rocker or whispering through a tender ballad, he sang like a man laying his heart on the line.

Joining us this week is Scottish author, Davy Arthur who has recently penned a book to honour Frankie. You can pick up the book 'Long Way Home' - The Frankie MIller story here. It's published by New Haven

On this week’s A Breath of Fresh Air, Sandy welcomes a man whose songs have woven themselves into the fabric of several generations.

Tommy James, the legendary frontman of Tommy James & The Shondells, joins us for a deep, revealing conversation about the highs, the heartbreaks and the astonishing twists behind one of the most successful hit-making careers of the 1960s and beyond.

Tommy’s journey is the kind of story Hollywood couldn’t invent — though they’re certainly trying, with his bestselling memoir Me, the Mob and the Music currently being adapted for the big screen.

He takes us right back to his childhood in Niles, Michigan, where loving rock ’n’ roll meant picking up a guitar, forming a band and hoping the magic would follow. It did — but not in any way Tommy expected.

He talks us through the incredible moment when Hanky Panky, a forgotten B-side recorded years earlier, suddenly blew up in Pittsburgh after a bootlegger pressed tens of thousands of copies.

One minute Tommy was playing small clubs; the next he and his band were national chart-toppers. That whirlwind success swept him straight into the arms of Roulette Records — a label run by the charming but notoriously dangerous Morris Levy, a man later revealed to have deep ties to the Genovese crime family.

Tommy opens up about the complicated relationship that followed: the protection, the pressure, the creative freedom, and the financial exploitation that kept millions of dollars out of his hands.

In this wonderfully open chat, Tommy revisits the creation of the monster hits that still light up dance floors today.

He tells Sandy how I Think We’re Alone Now reinvented the band’s sound, how a flashing neon sign inspired the name for Mony Mony, and how Crimson and Clover marked a bold new chapter in studio experimentation — a leap that helped Tommy move from AM pop dominance to the era of FM album rock.

He describes the excitement of breaking musical ground, the thrill of hearing his songs explode on radio, and the constant sense of danger swirling around Roulette’s offices.

Sandy and Tommy also explore the cultural shifts that shaped his era: the rise of psychedelia, the breakup of The Shondells, and the changing landscape of the record business as artists were suddenly expected to deliver albums with artistic depth, not just hit singles. He recalls touring America in the late ’60s, his surprising involvement in Hubert Humphrey’s presidential campaign, and the little-known story of why he turned down Woodstock — a decision that has fascinated fans for decades.

Today, Tommy remains as passionate and creative as ever. With new music, a thriving fan base, and an extraordinary life story headed for film adaptation, he’s enjoying a well-deserved renaissance.

His music still pulses through movies, TV, commercials and global radio, connecting across generations and reminding listeners why these songs have never stopped mattering.

This episode is a joyful, eye-opening, often jaw-dropping journey through one of the most colourful careers in rock ’n’ roll. If you love the artists who shaped the soundtrack of our lives — the stars of the ’60s, ’70s and ’80s — then settle in. Tommy James has stories you’ll be telling your friends for days.

In this deeply personal and wonderfully candid episode, we’re joined by one of rock’s most recognisable and influential drummers: Liberty DeVitto.

For three decades, Liberty was the rhythmic engine behind Billy Joel — the man whose explosive, intuitive playing powered classics like “Only the Good Die Young,” “Movin’ Out,” “You May Be Right,” “Scenes from an Italian Restaurant,” and so many more. But as you’ll hear, his story is so much bigger than the music that made him famous.

Liberty opens up about his Brooklyn upbringing, marked by a tough home life and a school system that didn’t quite know what to do with a kid like him.

He talks about the teacher who dismissed his dreams outright, and the moment that changed everything: seeing the Beatles on television and suddenly realising what he wanted to do for the rest of his life.

From there, Liberty takes us on a vivid journey through the early days — the basement rehearsals, the bar gigs, the scramble to get noticed — until fate put him in the same room as a young Billy Joel.

The chemistry was instant, electric, and undeniable. Liberty reminisces about the early records where the band was still finding its voice, the Stranger sessions where everything clicked, and the whirlwind that followed as Billy Joel became one of the biggest artists on the planet.

Of course, success rarely comes without friction.

Liberty speaks honestly about life inside the Billy Joel band, the tight-knit camaraderie, the touring madness, the studio magic, and the growing tensions that eventually fractured the group.

He doesn’t shy away from the painful parts — the confusion, hurt, and years of silence after he was let go. But he also shares the long path back toward healing, forgiveness, and ultimately reconciliation with Billy after fifteen years apart.

Along the way, he talks about fatherhood, sobriety, personal growth, and the rediscovery of joy through new creative partnerships and projects — including his heartfelt work with the band The Slim Kings and his passion for mentoring young musicians.

This conversation is full of humour, honesty, vulnerability, and wisdom, offering a rare, behind-the-scenes look at the life of a man who helped shape some of the most iconic songs of the ’70s, ’80s, and beyond.

Whether you’re a longtime Billy Joel fan, a drummer, or simply someone who loves a good story of resilience and reinvention, this episode delivers in spades.

Settle in — Liberty DeVitto’s journey is one you won’t forget.

For more about Liberty head for his website https://libertydevitto.com/

I hope you enjoy his story.

In this episode, I finally get to sit down with a man I’ve been chasing for more than four years — the incomparable Ian Gillan of Deep Purple.

If you grew up on classic rock the way I did, you already know exactly what a monumental figure he is. Ian’s the powerhouse vocalist who helped define the sound of hard rock, pushed the limits of vocal technique, and gave us some of the most enduring songs in modern music history.

But this isn’t your typical rock-star chat. Ian opens up about everything — from hearing Elvis for the first time and singing as a boy soprano to scraping by with half-broken instruments, makeshift drum kits, and a single pair of trousers he rotated with Roger Glover.

He talks candidly about those early club days in Germany, the magic of the transistor radio, and how the surf-rock craze swept through London in the mid-60s.

We dive right into the evolution of Episode Six, the songwriting partnership with Roger Glover, the birth of Deep Purple’s legendary hard-rock sound, and the incredible creative chemistry that powered albums like In Rock, Fireball, and Machine Head.

Ian shares what it was really like inside the whirlwind of fame — the money, the mayhem, the distractions, the growing pains, and the moment he realised the band’s unity was starting to fracture.

He also reflects on the pressures of success, the importance of staying true to your artistic identity, and why he ultimately walked away from one of the biggest bands in the world. It’s raw, honest, funny, nostalgic, and full of the kind of stories only Ian Gillan can tell.

If you love Deep Purple, classic rock history, behind-the-scenes stories, or simply a great conversation with a remarkably self-aware and entertaining storyteller, this episode is going to be a treat.

Tune in and step inside the life, the voice, and the unstoppable spirit of Ian Gillan.

To learn more about Ian head to:

Ian Gillan (official site) www.gillan.com

Deep Purple – official band site deep-purple.com deep-purple.com

Deep Purple – Ian Gillan’s page on band site deep-purple.com/band/ian-gillan/ deep-purple.com

Born Patricia Louise Holte in 1944 in Southwest Philadelphia, Pennsylvania, the woman we know as Patti LaBelle was raised in a large family as the second-youngest of five children.

Her father worked on the railroad and performed in clubs, while her mother was a domestic worker. From a young age, Patti found solace and purpose in music — she joined her church choir at age 10 and by 12 was singing solo.

Her early life wasn’t easy. The marriage of her parents was troubled, and after her parents separated when she was 12, she experienced deep personal trauma. Yet despite hardship, she held onto music — both for comfort and as an outlet — listening to jazz, R&B and gospel as she grew up.

In her mid-teens Patti began dreaming of making music beyond the church. By 1960, she formed a girl group called The Ordettes with friends at school. The next year members changed and the group evolved into Patti LaBelle and the Bluebelles — soon to become simply Labelle in the '70s.

The Bluebelles enjoyed moderate success: in '62 they scored a Top-20 hit. Later, they found acclaim covering classics like “Somewhere Over the Rainbow.”

In the '70s Labelle’s sound evolved. The group embraced funk, soul, and rock — culminating in the '74 smash hit Lady Marmalade. The song and its style cemented their place in music history.

But amidst growing fame, internal tensions and changing musical landscapes led to the group’s split in '77. That difficult moment became the launchpad for Patti’s solo journey.

Patti’s debut solo album, simply titled Patti LaBelle, came out in '77.

Her true breakthrough came mid-'80s. A string of hits turned Patti into a household name.

1986’s album Winner in You — featuring the duet On My Own with Michael McDonald — topped U.S. charts and solidified her commercial success.

In the '90s Patti continued to release albums. She earned a second and sold tens of millions of records worldwide.

Patti’s talents reach far beyond singing. Over the decades she’s dabbled in acting and is also a successful author.

Her 1996 memoir Don't Block the Blessings: Revelations of a Lifetime gives insight into her hardships, faith and perseverance. She later penned cookbooks, launched a food brand with frozen comfort foods, and her signature sweet-potato pies.

Today Patti LaBelle shows no signs of slowing down. In 2024, she marked her 80th birthday by announcing a brand new album titled 8065 — a tribute to her 80 years alive and 65 years in show business.

She’s also hit the road with the “8065 Celebration Tour,” which will take her to audiences around the world — including stops planned for Australia and New Zealand early in 2026.

At 81, Patti remains a powerhouse performer. Her message to fans? Age is just a number — and she’s proof.

Reflecting on her decades-long career, she recently said she feels blessed to still be “standing” — able to sing, walk, and create. Her fans, across generations, couldn’t agree more.

From “The Ordettes” to Stardom, this episode details the rise and rise of the legend we knowas Patti Labelle.

Catch her on tour here:

Jan 16 Rancho Mirage, CA, United States

Jan 17 Thunder Valley Casino Resort Lincoln, CA,

Jan 20 Riverside Theatre Perth, Australia

Jan 22 Palais Theatre St Kilda,

Jan 24 Adelaide Entertainment Centre

Jan 25 Sydney Event Centre

Jan 28 The Star Gold Coast

Jan 30 The Civic Auckland, New Zealand

Feb 12 Jacksonville, FL,

Feb 13 Charlotte, NC, United States

Feb 15 St Louis, MO

Feb 19 New Orleans

Feb 20 Houston, TX

Feb 22 Fort Worth, TX

Mar 14 Westbury South, NY

Bob “Bongo” Starkie was one of Australian rock’s most colourful and enduring guitarists — a player whose sharp riffs, cheeky humour, and rhythmic pulse powered Skyhooks from Melbourne cult heroes to national icons.

Bongo's journey before, during, and after the band reflects a musician who never lost his spark. Starkie passed away on 29 November 2025, prompting an outpouring of affection from fans and fellow artists who saw him as a vital thread in the fabric of Australian music.

Growing up in Melbourne, Bob was drawn to guitar early and spent his young adulthood shaping his craft in pubs, clubs, and rehearsal rooms.

He played in a string of local outfits where he built a reputation for clean, punchy rhythm work and an upbeat stage presence. Even before he had a national profile, musicians around the city knew him as reliable, talented, and quietly charismatic — the sort of guitarist other bands wanted to poach.

Starkie joined Skyhooks in 1973, stepping into a band that would become one of Australia’s most influential rock acts.

Skyhooks arrived like a shockwave: irreverent, glammy, theatrical, and unmistakably Australian.
Bob’s guitar style became a pillar of their sound — tight, melodic, rhythmic, and full of playful swagger.

His work powered hits from Living in the ’70s and Ego Is Not a Dirty Word, including classics like “Horror Movie,” “You Just Like Me ’Cause I’m Good in Bed,” “Ego Is Not a Dirty Word,” and “Women in Uniform.”

Onstage, Bob brought a grounded confidence that balanced the band’s wilder theatrical edges. He wasn’t the loudest personality in Skyhooks, but his presence was essential — the rhythmic engine room that kept the glitter-covered chaos driving forward.

After the band’s original era wound down, Starkie remained a working musician through and through. He played in a variety of groups, collaborated widely, and stayed active across Melbourne’s music scene.

Eventually, he took on a role that fans adored: fronting Bob Starkie’s Skyhooks Show, a touring act that kept the band’s catalogue alive with humour, heart, and authenticity. Unlike a tribute act, this was the real thing — Starkie playing the music he helped make famous. Audiences loved him for it, and the shows often became celebrations shared across generations.

He also contributed frequently to interviews, documentaries, and retrospectives, offering his memories with warmth and clarity. Starkie took pride in the band’s legacy and made sure the stories — and the songs — stayed alive.

In his final years, Starkie continued performing and engaging with the music community whenever his health allowed. His death led to a wave of tributes across Australia.

Artists, fans, music journalists, and former bandmates remembered him as a generous, grounded musician who gave everything to his craft and never lost his sense of fun.

Bob “Bongo” Starkie leaves behind more than riffs and records — he leaves behind decades of memories, laughter, friendship, and the unmistakable sound of Skyhooks, a band that helped Australia find its own voice in rock ’n’ roll. From his early days in Melbourne pubs to his final shows proudly flying the Skyhooks flag, he stayed true to the music and the people who loved it.

His legacy will continue to ring out every time a Skyhooks classic blasts through a speaker.

In this episode we explore Bongo's musical life, listening to hin tell his own story, in his own words. Whether you're already familar with the band Skyhooks, or just discovering them for the first time, I'm sure you're going to enjoy hearing Bob's story.

For more information, comments or feedback, head to ny website https://www.abreathoffreshair.com.au

Gladys Knight & the Pips hold an essential place in American music history, but within the ensemble’s smooth choreography and signature harmonies, one member often stood out for his quiet consistency, unmistakable stage presence, and velvet-textured vocals: William Guest.

His contributions helped shape the unmistakable sound of the group, even if he wasn’t always the one in the spotlight.

The story begins in Atlanta, Georgia, where Gladys Knight was already turning heads with her powerhouse vocals as a child.

In 1952, after winning a televised talent competition, she joined forces with her brother Merald “Bubba” Knight and cousins Edward Patten and William Guest.

The four formed a family group called The Pips, named after another cousin, James “Pip” Woods.

Even in the early days, Guest’s natural musicality was obvious. His voice had a warm, fluid tone, and he possessed a dancer’s instinct — smooth, rhythmic, and always in total sync with the group.

Throughout the '50s and early ’60s, The Pips worked tirelessly, playing hometown shows and steadily building a reputation for their professionalism and perfectly blended harmony parts.

William was a key part of the group’s vocal chemistry. While Gladys carried the lead, it was William, Edward, and Bubba who built the lush vocal bed the group became famous for.

Their first hit, “Every Beat of My Heart,” arrived in '61 and put the group on the national radar. But the real transformation came in '66 when they signed with Motown Records.

Surrounded by giants of the era, Gladys Knight & the Pips carved out their own lane. What many don’t realise is just how physically demanding the group’s work was during the Motown years.

William wasn’t simply a backing singer — he was part of the group’s visual identity. His dance lines with Bubba and Edward became part of the group’s signature.

In '73, after moving to Buddah Records, the group hit an extraordinary creative stride. “Midnight Train to Georgia,” “Best Thing That Ever Happened to Me,” and “I’ve Got to Use My Imagination” defined an era, and William Guest was right there at the heart of it.

Behind the scenes, he was known as a gentle, steady soul — humble, thoughtful, and devoted to the craft. His professionalism was legendary: he rehearsed meticulously, respected the group’s tight vocal blend, and helped maintain the discipline that kept the band performing at an elite level for decades.

The group continued releasing hits through the ’70s and ’80s, including “Love Overboard,” which won a Grammy and introduced the group to a new generation. By the time they retired in '89, they had become one of the longest-running and most respected vocal groups in American music.

William Guest didn’t step away from music after the group’s farewell. Instead, he poured his energy into nurturing new talent.

He co-founded the Crew Records label and later the Gladys Knight & the Pips Foundation, focusing on youth development and musical education — a reflection of his belief in giving young performers the kind of opportunities he’d had as a child.

When Gladys Knight & the Pips were inducted into the Rock and Roll Hall of Fame in '96, it was a moment that finally spotlighted the collective contributions of all four members — including the man whose steady artistry helped carry the group across four decades.

William Guest passed away in 2015. His sister in law, author Lady Dhyana Ziegler spent years interviewing him and recently published his story " Midnight Train From Georgia"

It speaks of his voice, his movement, and his unwavering commitment to excellence that helped shape one of the greatest soul ensembles of all time .

Lady D joins us today to share the story of William Guest whose influence lives on in the countless R&B vocal groups who model themselves on the Pips’ precision and style today.

Jimmy Cliff, born James Chambers on 30 July 1944 in Somerton, St. James Parish, Jamaica, emerged from humble beginnings to become one of reggae’s most beloved and influential figures.

His parents worked modest jobs on a rural farm, and from a young age, Cliff showed a natural gift for singing. As a child, he sang in his church choir; by his early teens he had moved with his family to Kingston, determined to carve out a career in music.

At just 14 years old, Cliff scored his first hit with the self-penned single “Hurricane Hattie”, a song that nods to his own miraculous arrival during a storm.

With his early success in Jamaica, he soon caught the attention of producer Leslie Kong, whose Beverly’s label would provide a platform for Cliff to record more material and refine his style.

In 1965, Cliff followed an invitation from Chris Blackwell, founder of Island Records, to move to the United Kingdom.

While in London, he experimented with combining ska, rocksteady, and soul influences, earning recognition beyond Jamaica. Over the late 1960s, he released key tracks like “Wonderful World, Beautiful People” and “Vietnam”, the latter gaining admiration for its protest message.

A turning point in his career—and in the global recognition of reggae—came in 1972 with the film The Harder They Come, directed by Perry Henzell. Cliff starred as Ivan Martin, a small-time musician who is forced into a life of crime. The movie’s gritty realism and its all-star soundtrack, featuring Cliff’s vocals on songs such as “Many Rivers to Cross”, “Sitting in Limbo”, and the title track itself, resonated widely. The film is often credited with helping bring reggae to a wider international audience.

Though Cliff continued to release music through the 1970s, he also explored his spiritual side—spending time in Africa and embracing Islam, as well as other spiritual practices.

In the 1980s, he returned to a more mainstream sound and released Cliff Hanger, winning his first Grammy Award in 1985.

The success continued: in 1993, his cover of Johnny Nash’s “I Can See Clearly Now” for the Cool Runnings movie soundtrack became a global hit, reintroducing his voice to a new generation.

Throughout his life, Cliff recorded prolifically—producing over 30 albums. His later work continued to reflect his commitment to social justice: in 2012, his album Rebirth, co-produced with Tim Armstrong of Rancid, won him another Grammy.

In 2022, he released Refugees, a deeply humanitarian record inspired by global crises, which he used to voice solidarity with displaced people.

Jimmy Cliff’s influence extended far beyond his singing. He collaborated with a wide array of artists—from the Rolling Stones to Annie Lennox to Paul Simon—and his songs were covered by many others, underlining the universal appeal of his message.

In recognition of his impact, he was inducted into the Rock & Roll Hall of Fame in 2010.

In Jamaica, he was honored with the Order of Merit, one of the nation’s highest accolades.

On a personal level, Cliff was intensely private. He had several children, and his longtime partner, Latifa Chambers, survived him. His wife announced his passing on 24 November 2025, revealing that he died following a seizure and pneumonia.

Jimmy Cliff’s legacy is defined not just by his music, but by the spirit it carried: hope, resistance and unity. From his rural Jamaican beginnings to global stages, he remained true to his message and his people. In his words, he always believed in crossing to the other side—to higher ground.

Now, his journey has come full circle, but his songs continue to carry that same power to uplift, to challenge, and to heal.

To learn more about Jimmy Cliff head to his website https://www.jimmycliff.com/

Tom Hambridge is a Grammy Award-winning drummer, songwriter, and producer whose fingerprints are all over modern blues and rock music.

Known for his powerhouse drumming, soulful songwriting, and Grammy-winning production work, Hambridge has built an extraordinary career that bridges the worlds of stage and studio — working alongside some of the biggest legends in American music.

Born and raised in Buffalo, New York, Tom began playing drums at the age of five, showing an instinctive sense of rhythm that would shape his life.

He studied at the prestigious Berklee College of Music in Boston, where he honed his craft not only as a drummer but also as a singer, songwriter, and producer.

Before becoming one of Nashville’s most in-demand producers, Hambridge led his own band, Tom Hambridge & The Rattlesnakes, building a devoted following for his high-energy live shows and original songs that blended blues, rock, and Americana influences.

Hambridge’s reputation as a go-to songwriter and producer skyrocketed when he began collaborating with blues icon Buddy Guy.

Their creative partnership produced a string of critically acclaimed albums, including Skin Deep, Living Proof, and The Blues Don’t Lie. These records not only revitalized Guy’s career but also earned multiple Grammy Awards and Blues Music Awards, cementing Hambridge’s place as one of the leading producers in contemporary blues.

Beyond Buddy Guy, Tom has written and produced for an impressive roster of legendary artists, including Susan Tedeschi, George Thorogood, Joe Bonamassa, James Cotton, Kenny Wayne Shepherd, ZZ Top’s Billy Gibbons, and Johnny Winter.

His songs have been covered and recorded by icons across genres, from rock to country, demonstrating his remarkable versatility and storytelling gift.

While his songwriting and production credits are extensive, Tom Hambridge’s drumming credentials are equally impressive.

He has toured and recorded with artists such as Delbert McClinton, Boston, and Chuck Berry, always delivering his signature mix of groove, drive, and precision. Whether behind the kit in the studio or on stage at major festivals, Hambridge’s playing exudes both heart and technical mastery.

As a solo artist, Tom has released several acclaimed albums that showcase his gritty vocals and songwriting depth.

Today, Tom Hambridge stands as one of the most respected figures in modern blues and roots music. With multiple Grammys, dozens of producer credits, and a reputation for elevating every artist he works with, Hambridge’s influence reaches far beyond the studio.

Whether producing chart-topping albums, writing soulful hits, or performing his own electrifying shows, he continues to shape the sound of contemporary American music — one song, one beat, and one record at a time.

What’s Inside This Episode

• Tom Hambridge’s early years, musical upbringing, and path to Berklee

• How he built his career before writing for major artists

• The rise of Tom Hambridge & The Rattlesnakes and his early solo work

• His game-changing songwriting and production partnership with Buddy Guy

• The major artists he has written for and produced, from Joe Bonamassa to Susan Tedeschi

• The legendary musicians he has drummed for on stage and in the studio

• A look at his acclaimed solo albums including Boom!, The NOLA Sessions, and Blues Don’t Care

• How Hambridge helped shape the modern blues sound

• His ongoing influence as a drummer, songwriter, and Grammy-winning producer
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For further information on Tom head to his website: http://hambridgetunes.com/

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