Ever wondered what Foreigner's biggest hit was? Or why they were called Foreigner in the first place? Maybe you'd like to know if there are any original members left and what happened to their lead singer?

Did you see the band finally being inducted into the Rock N Roll Hall of Fame?

All of these questions and more answered this week as Foreigner co-founder Al Greenwood joins us for a chat.

Al is best known as the keyboardist of the iconic rock band Foreigner, formed in 1976 alongside Mick Jones, Lou Gramm, Ian McDonald, Ed Gagliardi, and Dennis Elliott.

His classical training and experience in jazz and progressive rock were essential in crafting the band's sound, which blended hard rock with sophisticated keyboard arrangements.

During his time with Foreigner, Al contributed to the band's first three multi-platinum albums: "Foreigner" (1977), "Double Vision" (1978), and "Head Games" (1979).

He co-wrote several of the band's hit songs, including the classic tracks "Cold As Ice" and "Blue Morning, Blue Day."

After parting ways with Foreigner in 1980, Al didn't step away from the music scene. He went on to co-found the band Spys in 1981, a group known for their blend of rock, pop, and new wave influences. With Spys, Al continued to showcase his skills as a songwriter and keyboardist, releasing two albums that received critical acclaim for their innovative sound. Beyond his work with that band, he became a sought-after session musician, arranger, and producer, contributing to various artists across different genres.

Al's work in the music industry also expanded into composing for film and television, where his versatility allowed him to create scores that resonated with a wide audience.

His legacy with Foreigner, combined with his later projects, has cemented his reputation as a pioneering figure in rock music, particularly in integrating synthesizers into the genre.

Today he plays with the 'new' Foreigner with singer Kelly Hansen out front. He says they're an act to behold.

Al also tells us that the biggest thrill of his life has been the original band's induction into the Rock N Roll Hall of Fame very recently and although it's long overdue, he's incredibly proud to have finally been recognised for the contribution that Foreigner made to the rock sound of the '70s.

I hope you'll enjoy my chat with Al as he unravels much abut one of our best loved band's history.

Tito Jackson, born Toriano Adaryll Jackson on October 15, 1953, in Gary, Indiana, was a pioneering musician, singer, songwriter, and guitarist, most famous for his role as a founding member of the legendary Jackson 5.

Growing up in a musical family, Tito's talent became apparent at a young age. He was the one who introduced the guitar to the Jackson family's sound, which soon became an essential element of their style.

Alongside his brothers Jackie, Jermaine, Marlon, and Michael, Tito helped the Jackson 5 skyrocket to fame with their groundbreaking blend of pop, soul, funk, and R&B.

The Jackson 5's rise to international stardom began with their signing to Motown Records in 1969, leading to a string of chart-topping hits like "I Want You Back," "ABC," "The Love You Save," and "I'll Be There."

Tito's guitar work, combined with the group's tight harmonies and Michael's magnetic lead vocals, played a key role in defining their unique sound. The band's infectious energy and innovative performances broke racial barriers in the music industry and laid the groundwork for future generations of artists.

When the Jackson 5 left Motown for Epic Records in 1975, they reinvented themselves as The Jacksons, allowing more creative control and deeper involvement in the songwriting and production process.

Tito contributed significantly to this new phase, co-writing songs like "Torture" and "Body," which showcased his evolving artistry. The Jacksons continued their success with hit albums and world tours, solidifying their place as one of the most influential musical acts of all time.

Tito Jackson's journey as a solo artist officially began in the 2000s, as he explored his passion for blues, a genre that had always resonated with him. His debut solo album, "Tito Time," released in 2016, marked his return to the spotlight, blending contemporary R&B, soul, and blues with tracks like "Get It Baby" featuring Big Daddy Kane. This album highlighted Tito's smooth vocal delivery, skilled guitar playing, and his ability to adapt his style to modern music trends while staying true to his roots.

His last solo album in 2021 "Under Your Spell" was a return to his blues roots and was many years in the making.

Outside of his musical pursuits, Tito Jackson became a respected figure in the music industry, mentoring aspiring musicians and producing records for other artists. He also participated in reality TV and charity events, using his platform to give back to the community and raise awareness for various causes. His dedication to philanthropy and music earned him widespread respect and admiration beyond his family’s legacy.

Until Tito passed away at the age of 70, in 2024, he had continued to perform live, captivating audiences both as a solo act and with his brothers in The Jacksons. His energetic stage presence and infectious charisma reminded fans of the timeless appeal of the Jackson sound. He remained a vital link to the past while continuously evolving, influencing both contemporary and classic genres.

Tito Jackson's journey from the Jackson 5's soulful beginnings to his solo achievements stands as a testament to his enduring talent, adaptability, and passion for music. His legacy is not just as a member of a legendary family but as a groundbreaking artist in his own right. Through his work with The Jackson 5 and as a solo artist, Tito’s songs and brilliant performances will never be forgotten.

This week we pay homage to the late Tito Jackson.

I spoke with him recently and in this podcast, he shares stories from his fabulous career. I hope you enjoy the episode.

If you feel like reaching out to me, I'd love to hear from you. Simply send me a message through the website https://www.abreathoffreshair.com.au

Chris White is a highly respected British saxophonist and multi-instrumentalist, best known for his significant contributions to Dire Straits during the band's most commercially successful era.

Born in Bristol, England, Chris's musical journey began at a young age, with a deep appreciation for jazz and blues music.

Inspired by saxophone legends like John Coltrane and Charlie Parker, he honed his craft throughout the '70s and early '80s, becoming a sought-after session musician for both jazz and pop artists. His skill on the saxophone, combined with his ability to play multiple instruments, set him apart in the competitive world of session work.

Chris White's big break came in '85 when he was invited to join Dire Straits, one of the world's most popular rock bands at the time.

He joined the band for the "Brothers in Arms" world tour, a monumental event in rock history that spanned over two years and played to millions of fans across the globe. The tour, which supported the Brothers in Arms album, featured White’s distinctive saxophone playing, adding a rich new layer to Dire Straits’ signature sound.

His solo on "Your Latest Trick" became a fan favourite, showcasing his ability to blend rock with jazz influences seamlessly. The Brothers in Arms album itself went on to sell over 30 million copies, becoming one of the best-selling albums of all time, and Chris's contributions were central to its success.

In '91, Chris White was a key figure on Dire Straits' final studio album, On Every Street. His multi-instrumental talents were fully utilised, as he played saxophone, flute, and provided backing vocals, further solidifying his place within the band's sound. The subsequent world tour, supporting On Every Street, once again saw him playing a pivotal role in live performances, where his versatility and dynamic stage presence shone.

Despite Dire Straits disbanding in '95, Chris's time with the band left an indelible mark on the music world, and he remains closely associated with their enduring legacy.

Beyond his work with Dire Straits, Chris White has built an impressive career as a session and touring musician, working with some of the biggest names in the industry.

He collaborated frequently with former Dire Straits frontman Mark Knopfler, contributing to Knopfler's solo projects and tours. White’s versatility allowed him to work across various musical genres, and he performed with a wide range of artists, including Paul McCartney, Mick Jagger, Joe Cocker, and Robbie Williams.

His ability to adapt to different styles and his reputation as a reliable, talented musician kept him in high demand in the post-Dire Straits years.

In addition to performing, Chris White ventured into music production, arrangement, and composition, expanding his influence beyond the stage. He contributed to several film soundtracks and was a member of multiple bands, showcasing his musical diversity. His career has spanned decades, and his contributions to rock, jazz, and pop music have solidified his place among the greats.

Chris White’s legacy is inseparably linked to his time with Dire Straits, where his saxophone work helped define some of the band’s most iconic sounds. His distinctive style, blending rock, jazz, and pop influences, made him a standout musician, and his career has continued to flourish long after his time with Dire Straits.

Today Chris leads a band called The Dire Straits Experience, which he co-founded to keep the spirit of Dire Straits' music alive. The band brings together world-class musicians to perform classic Dire Straits songs like "Sultans of Swing," "Romeo and Juliet," "Money for Nothing," and, of course, "Your Latest Trick."

The band tours globally, celebrating the legacy of one of rock’s most enduring groups.

Chris White joins us today to share the story of his incredible rise to fame.

Spencer Davis was a British rock musician and bandleader who became a major figure in the 1960s British Invasion, most notably as the founder of The Spencer Davis Group.

Born in Swansea, Wales, Davis began his musical journey at a young age, inspired by American blues, jazz, and skiffle music. After moving to Birmingham to attend university, Davis immersed himself in the city's burgeoning music scene, forming the Rhythm and Blues Quartet in 1963, which quickly evolved into The Spencer Davis Group.

The band’s classic lineup—featuring Spencer Davis on guitar and vocals, Steve Winwood on keyboards and vocals, Muff Winwood on bass, and Pete York on drums—created a distinctive blend of R&B, blues, and rock. With Steve Winwood’s soulful voice at the forefront, the band quickly found success with chart-topping hits like "Keep On Running," "Somebody Help Me," "Gimme Some Lovin'," and "I'm a Man." These tracks became iconic anthems of the era, solidifying their place in British rock history.

The Spencer Davis Group was known for its energetic performances and blues-driven sound, and their influence extended across the Atlantic, helping to shape the sound of the British Invasion in the U.S. Davis's keen eye for talent was evident in his discovery of Steve Winwood, whose vocals and keyboard skills were integral to the group's success. While Steve Winwood's presence made the band famous, Davis was the guiding force, handling the management and direction of the group.

When Winwood left in 1967 to form Traffic, The Spencer Davis Group underwent changes but continued to release music. Though the post-Winwood years didn't achieve the same level of success, Davis remained an active and passionate musician. He relocated to the U.S. in the late 1970s and became involved in various music projects, including collaborations with other musicians and solo work. He also became an advocate for preserving the legacy of 1960s rock music.

Spencer Davis’s contributions to rock extended beyond just his band’s success. He played a crucial role in bringing American blues and R&B influences into the British mainstream, helping shape the direction of rock music in the 1960s. His ability to bridge these genres created a lasting impact on both sides of the Atlantic.

Davis continued performing well into his later years, touring and reuniting with various iterations of The Spencer Davis Group. His career, spanning over six decades, is a testament to his enduring passion for music. Spencer Davis passed away in 2020 at the age of 81, leaving behind a legacy that continues to inspire generations of musicians.

His influence on rock music, particularly the fusion of blues and rock, remains a cornerstone of his legacy. As the leader of one of the British Invasion’s most iconic bands, Spencer Davis helped to define the sound of an era, and his contributions to music continue to resonate today.

This week we're joined by Spencer's friend and bandmate, Ed Tree who is a highly respected American guitarist, producer, and songwriter known for his versatile work across genres like rock, Americana, country, and blues.

He gained widespread recognition for his collaboration with British rock icon Spencer Davis, performing as Davis’s guitarist and musical partner for many years. Tree’s exceptional guitar skills and keen musical sensibilities made him an integral part of Davis’s live performances, adding depth to the iconic sound of The Spencer Davis Group in its later iterations.

Beyond his work with Spencer, Ed Tree has enjoyed a rich career as a session musician, playing with renowned artists such as Rita Coolidge, Juice Newton, and Al Stewart. He has also produced numerous albums, further solidifying his reputation in the music industry. As a songwriter, Tree has contributed to a wide array of projects, showcasing his talent for crafting songs that resonate across multiple genres.

Ed honours his friend Spencer by sharing his story with us.

Coco Montoya is a celebrated American blues guitarist and vocalist, recognized for his passionate performances and mastery of the blues genre.

Born in Santa Monica, California, Montoya began his musical journey as a drummer, and his career took a pivotal turn when he met the legendary Albert Collins in the 1970s.

Albert Collins became his mentor, teaching him the fundamentals of the blues and urging him to transition to guitar. Coco Montoya's left-handed, upside-down playing style and emotional phrasing became his signature, blending fiery intensity with heartfelt soul.

In the 1980s, Montoya joined John Mayall’s Bluesbreakers, a band that had launched the careers of iconic guitarists like Eric Clapton, Peter Green, and Mick Taylor.

During his decade with John Mayall, Coco Montoya refined his craft, gaining widespread recognition as a formidable blues guitarist. His work with the Bluesbreakers helped solidify his reputation and set the stage for his solo career.

Coco Montoya's solo debut, Gotta Mind to Travel (1995), marked the beginning of a string of successful albums that showcased his gritty, emotive guitar playing and powerful vocals. Notable releases include Ya Think I'd Know Better (1996), Suspicion (2000), and Hard Truth (2017). His music, rooted in traditional blues but with a contemporary edge, earned critical acclaim and a loyal fanbase.

Touring extensively, CocoMontoya is known for his dynamic live performances, where his combination of technical prowess and raw emotion leave audiences spellbound.

His contributions to the blues genre have earned him awards and accolades, including the Blues Music Award for Best New Blues Artist in 1996.

Montoya remains a vital force in the modern blues scene, with his playing often compared to legends like Albert Collins and B.B. King, ensuring his enduring influence on future generations of blues musicians.

Coco Montoya joins us this week to share his story. For more information about him, check out his website https://www.cocomontoyaband.com/ and don't forget, if you'd like to request a guest, send me a message through my website https://www.abreathoffreshair.com.au

Charlie Musselwhite and Elvin Bishop, two towering legends in the blues world, have carved their places in music history through decades of innovation, collaboration, and a shared love for the blues. Both emerged from the heart of Chicago’s thriving 1960s blues scene, though they took distinct paths that would eventually lead to an unforgettable partnership.

Musselwhite, born in Kosciusko, Mississippi, and raised in Memphis, Tennessee, grew up surrounded by the rich musical traditions of Delta blues, country, and gospel. Moving to Chicago in the early 1960s, he quickly became part of the city's electric blues explosion, playing alongside legends like Muddy Waters and Howlin' Wolf.

His 1967 debut album, Stand Back! Here Comes Charley Musselwhite’s Southside Band, was a groundbreaking success, blending traditional blues with elements of jazz, rock, and country, and establishing him as one of the foremost harmonica players in the world.

Over the years, Musselwhite's deep, soulful harmonica playing and gritty, heartfelt vocals earned him multiple Grammy Awards and Blues Music Awards, solidifying his place as a key figure in the preservation and progression of blues music.

Elvin Bishop, born in California and raised in Oklahoma, brought his own unique style to the blues. Influenced by the sounds of country and rhythm and blues, Bishop’s guitar playing drew from his Southern roots, blending blues with rock and country in a way that was both electrifying and soulful. After moving to Chicago to attend the University of Chicago, Bishop found himself immersed in the local blues scene, joining forces with the Paul Butterfield Blues Band in the early 1960s.

His time with the band was pivotal, as they helped pioneer the fusion of blues and rock, which would soon come to define much of the music of that era.

Bishop’s solo career took off in the 1970s, highlighted by the massive hit “Fooled Around and Fell in Love” (1976), which remains a classic of the rock and blues genres. Over the course of his career, Bishop has released more than 20 albums, receiving critical acclaim for his fiery guitar work, playful lyrics, and his seamless blending of blues, boogie-woogie, country, and rock.

The collaboration between Musselwhite and Bishop brought together two titans of blues who shared a deep respect for the genre’s traditions while continuously pushing its boundaries.

The pair had crossed paths many times throughout their careers, but their formal collaboration came to full fruition with the release of their album 100 Years of Blues (2020). The album, steeped in the authenticity of their combined experience, features raw, unfiltered blues with a modern twist.

Their chemistry, honed over years of friendship and mutual admiration, shines through on every track, with Musselwhite’s masterful harmonica complementing Bishop’s electrifying guitar riffs and distinctive vocals.

Together, Charlie Musselwhite and Elvin Bishop represent a unique blend of two blues journeys that began in the same place but evolved along different paths. Whether playing in a stripped-down duo format or backed by a full band, their collaboration embodies the timelessness of the blues while showcasing the creative innovation that has kept the genre alive and thriving for over half a century.

Today, they continue to perform and record, keeping their sound fresh, vital, and deeply rooted in the authentic blues tradition, ensuring that their legacy will influence future generations of musicians and fans alike.

The Allman Brothers Band, established in 1969 in Georgia, stands as a cornerstone of Southern rock and American music history. Founded by brothers Duane and Gregg Allman, along with Dickey Betts, Butch Trucks, Berry Oakley, and Jai Johanny "Jaimoe" Johanson, the band was instrumental in blending rock, blues, jazz, and country music into a genre-defining sound. Their innovative use of dual lead guitars and extended improvisational jams set them apart, creating a live experience that was both powerful and deeply emotional.

Tragically, Duane Allman’s death in a motorcycle accident in 1971 was a devastating blow, but the band soldiered on, with guitarist Dickey Betts stepping up as a leading creative force. The subsequent album, Eat a Peach (1972), featured both live and studio tracks.

Throughout the 70s, the Allman Brothers Band produced a series of critically acclaimed albums, intertwining guitar lines earned them a massive following. However, the late 70s brought internal tensions, substance abuse issues, and the death of bassist Berry Oakley, leading to several breakups and reunions.

The band experienced a resurgence in the late 80s and 90s and officially disbanded in 2014.

During this time Gregg Allman shared a complex and evolving relationship with his son, Devon. Born in 1972 Devon grew up largely separated from his famous father due to Gregg's demanding career and his battle with substance abuse. Despite this distance, Devon was profoundly influenced by his father’s music and the legacy of the Allman Brothers Band.

As Devon grew, he pursued his own path in music, forming the band Honeytribe and later joining the Royal Southern Brotherhood. Despite their time apart, music became a bridge between father and son. Gregg and Devon reconnected and shared the stage at various times.

Following Gregg’s death in 2017, Devon continued to carry the torch of Southern rock through The Allman Betts Band, a group he formed with Duane Betts, son of Allman Brothers guitarist Dickey Betts.

The Allman Betts Band re-captures the spirit of the Allman Brothers and the chemistry between Devon and Duane is palpable.

Their collaboration is not just a continuation of their family legacies but a creative partnership that has revitalised the Southern rock genre for the modern era.

For more on Devon Allman head for https://devonallmanproject.com/

Burton Cummings' voice has been rated among the finest in rock music. Today he continues at the top of his game as performer, singer, songwriter, poet and recording artist.

As lead singer and songwriter for Canada’s original rock ‘n’ roll superstars, The Guess Who, Burton scored an unprecedented string of international hit singles and albums including “American Woman,” “These Eyes,” “Laughing,” “No Time,” “Share the Land,” “No Sugar Tonight/New Mother Nature,” “Clap for the Wolfman”, “Albert Flasher” and others, all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined before breaking up in 1975.

The group achieved a long list of firsts including first Canadian group to reach #1 on Billboard charts -- holding that spot for three weeks - and first to earn a platinum album for U.S. sales of more than one million copies. Rolling Stone magazine hailed The Guess Who as “one of rock’s most consistently fascinating maverick bands” with a succession of songs “that has few equals among contemporary North American groups.” Dick Clark described the group as rock innovators and ambassadors of Canadian music.

Beginning his career as a solo artist in 1976, Burton continued his winning streak with a gold record for his solo debut single “Stand Tall,” produced by legendary hitmaker Richard Perry who numbered among his clients Barbra Streisand, Carly Simon and Ringo Starr. The choice of producer was evidence of Burton’s star power in the music industry. He followed his inaugural solo success with more than a dozen hit singles and albums including “I’m Scared,” “My Own Way to Rock,” “I Will Play a Rhapsody,” “Timeless Love,” “Break It to Them Gently,” “Dream of a Child,” and “You Saved My Soul.”

Sold-out tours across Canada and the United States solidified Burton’s stature as a top entertainer. He starred in several highly rated television specials and, between 1977 and 1980, earned five Juno Awards for Best Male Vocalist and Best Album, serving as host of the annual Juno gala a record four times. Burton’s 1978 album Dream of a Child became the first quadruple platinum-selling album by a Canadian artist.

Through the ‘80s and ‘90s, Burton continued to tour and joined Beatles drummer Ringo Starr’s All Starr Band. In 1980, a starring role in the feature film Melanie with Miami Vice star Don Johnson earned Burton a Genie Award for Best Original Song.

He also launched his acclaimed Up Close and Alone solo concert series. A live album of the same name followed.

The success of Lenny Kravitz’ cover of “American Woman” in the hit feature film Austin Powers: The Spy Who Shagged Me brought renewed attention to the original Guess Who. The group reunited in 1999 for the closing ceremonies of the Pan-American Games with a television audience numbering in the tens of millions. Several high-profile North American tours followed.

As the VOICE of all the classic Guess Who hit songs, Burton has toured with his long-time band, for the past twenty-three years across North America as well as joining Randy Bachman onstage as Bachman Cummings, performing his songs from the original The Guess Who, Bachman-Turner Overdrive and Burton’s solo career.

Described as Canadian rock ‘n’ roll royalty, a national treasure, and a living legend, for Burton Cummings there has always been one constant: he remains true to himself and his own way to rock… and continuing to perform the songs the way they were originally conceived by the artist who sang and wrote/co-wrote them.

Burton joins us this week to share his musical story and lets us know about his other passion - writing poetry.

For more information head to his website burtoncummings.com

Born in New York City and raised in the Caribbean as Richard Gerstein - Richard T. Bear boasts a career that spans more than 40 years, one that led to a string of acclaimed solo albums and collaborations with a number of influential icons, including Al Kooper, Stephen Stills, former Rascals Gene Cornish and Dino Danelli, Kiss, Pat Benatar and many more. He has shared stages with artists such as Dave Mason, Mick Fleetwood, the Doobie Brothers, Richie Havens and Odetta. T. Bear penned "Love and Pain," a track found on Take Me Home, one of Cher's most successful albums and also tallied several hits on his own, including the single "Sunshine Hotel" from his debut album Red, Hot and Blue. He has appeared on a number of recordings including CSN's Southern Cross, Billy Squier's Tale of the Tape and The Blues Brothers Soundtrack album.

After taking some time to focus on his own sobriety, T. Bear became an early activist helping others with addiction. His self-imposed hiatus lasted nearly three decades, and now T Bear is back with two striking new releases, Fresh Bear Tracks and The Way of the World, his first studio albums in 25+ years.

Richard is a distinctive singer and talented keyboard player. His latest albums feature a host of special guests. From Stephen Stills, Robby Krieger, Edgar Winter, Walter Trout, to former Paul McCartney & Wings members Laurence Juber and Denny Seiwell and The Heartbreakers’ Benmont Tench.

His latest album, The Way of The World, was written and recorded as the world emerged from the pandemic. It boasts a stunning set of 13 original songs. Musically, it's a stirring melodic mix of blues, rock n roll, Americana, and roots.

T. Bear's first album spawned the single “Sunshine Hotel.” A remix of the song climbed to #4 on the world dance charts before becoming the dance staple that it remains today. Richard has appeared on numerous recordings by iconic artists including Crosby, Stills and Nash's Southern Cross, The Blues Brothers Soundtrack, Richie Havens Mixed Bag II, Kiss members Gene Simmons and Peter Criss' solo ventures, as well as Toby Beau’s hit single My Angel Baby.

As a soloist T Bear found his initial inspiration in the sounds of the British Invasion. At age 13 he was writing his own songs.  An early break came when he was working at Manny’s Music in New York City when Hot Tuna’s Jorma Kaukonen and Jack Casady stopped in and hear him improvising on piano. They were impressed enough to ask him to sit in with them during a Hot Tuna show at the famed Fillmore East. He worked for a time as Carly Simon’s road manager and opened shows for the likes of Jeff Beck and Richie Havens before moving to Los Angeles. 

In 1983, he took a lengthy hiatus from making music to get his personal life in order before returning to action in 2017. Fast forward to the present and T Bear is so excited about the new album.  As he puts it, “Making The Way of the World was like getting a new pair of glasses. I see everything more clearly and in focus around me. These are songs that made me think and dream. It’s an oasis for the mind.”

Meet Richard T Bear this week as he unravels his incredible story of survival and comeback against all odds.

I hope you really enjoy this episode.

UB40, a reggae band from Birmingham, UK, emerged in the late 70s from humble beginnings, with members scraping by on unemployment benefits. The band's original lineup consisted of friends from Moseley School of Art and local schools: Robin and Ali Campbell, Earl Falconer, Brian Travers, Jimmy Brown, Norman Hassan, and later, Michael Virtue and Astro. They named themselves after the unemployment benefit form "UB40" and quickly became known for their left-wing political stance, aligning themselves with causes like Rock Against Racism and anti-National Front protests.

In 1980, UB40's debut single "King b/w Food For Thought" reached the UK Top 5, setting the stage for their success. Their first album, Signing Off (1980), was a blend of reggae, dub, and politically charged lyrics, reaching No. 2 in the UK and staying in the charts for 72 weeks. By 1981, their second album, Present Arms, solidified their reputation, with the hit single "One In Ten" becoming an anthem for the unemployed and a protest against the UK government's policies.

UB40's third album, UB44 (1982), marked a transition, but it was Labour of Love (1983) that truly catapulted them to international fame. This album of reggae covers, including the iconic "Red Red Wine," became their first UK No. 1 album and produced their first US No. 1 single. This success established UB40 as reggae ambassadors, introducing reggae to new audiences worldwide.

Throughout the 1980s, UB40 continued to release successful albums, including Geffery Morgan (1984), Rat In The Kitchen (1986), and UB40 (1988). Their collaborations with Chrissie Hynde on "I Got You Babe" and "Breakfast In Bed" were also hits.

The late 80s and early 90s saw the band achieve global success with Labour Of Love II and Promises and Lies, the latter featuring "Can’t Help Falling In Love," which became another US No. 1 hit.

In the mid-90s, the band took a break, with members pursuing solo projects. However, they returned with Guns In The Ghetto and Labour Of Love III , continuing to tour extensively. Their influence and success were underscored by their contribution to the England rugby team's 2003 World Cup campaign with "Swing Low" and the Grammy-nominated Who You Fighting For (2005), which featured politically charged songs and love ballads.

In 2008, Ali Campbell left the band to pursue a solo career, replaced by his brother Duncan Campbell. The band continued to release albums and tour, with TwentyFourSeven receiving critical acclaim. Despite Astro's departure in 2013, UB40 continued to tour successfully, playing sold-out shows across the UK, Europe, and beyond.

UB40's enduring appeal lies in their ability to blend reggae with socially conscious lyrics, making them one of the most influential reggae bands in history. Their journey from Birmingham's working-class roots to global stardom is a testament to their talent, resilience, and commitment to their music and message.

To celebrate their 45th anniversary, the band has just released the album UB45.

Joining us this week to share the story of their rise to international fame is original member, drummer Jimmy Brown.

For more head to their website https://ub40.global/

Has Gerry Beckley retired? Does he still sing with America? Who influenced the band America? All these questions answered this week.

Gerry Beckley is a singer/songwriter best known as a founding member of the classic soft rock outfit America. Alongside bandmates Dewey Bunnell and Dan Peek, Gerry first gained recognition for hits like 1971's "Horse with No Name," 1972's "Ventura Highway," 1975's "Sister Golden Hair," and others. Though he and Dewey have continued to perform as America until recenlty, Gery has also recorded under his own name since the mid '90s, releasing such mellow, well-crafted albums as 2022's Aurora and 2024's self -titled album Gerry Beckley.

Gerry was born in Texas in 1952. He grew up as the son of an American air force officer and a British mother. Interested in music from a young age, he began playing piano at age three and later added guitar. By the time he was ten, Gerry was a promising musician playing in the surf rock band the Vanguards. He had also come under the influence of The Beatles and other British Invasion-era bands as a result of spending his summer vacations in England.

In 1967, Gerry moved with his family to London after his father took over as commander at the United States Air Force base. It was while attending High School that he befriended classmates Dewey Bunnell and Dan Peek. The three quickly formed a band and began performing at a local all-ages club, playing covers by bands like Crosby, Stills and Nash, Neil Young and others.

The trio eventually caught the attention of a local promoter and producer, who recorded them and helped them get a record deal. In 1971, they released the single, "A Horse with No Name." A hit the world over, the single propelled the band to early success.

With America, Gerry Beckley enjoyed decades of popularity, releasing over 20 albums, touring globally, and penning numerous songs that helped to define both the soft rock and adult contemporary radio formats.

Gerry Beckley began to release successful solo material in 1995 with Van Go Gan. The album featured Gerry backed by a bevy of longtime friends and collaborators, including Dewey Bunnell, trumpeter Mark Isham, the Eagles' Timonthy B. Schmit and others. That album was followed by a remix album.

Away from America, Gerry next delivered 2000's LIke A Brother- a collaboration with Chicago singer/keyboardist Robert Lamm and the Beach Boys' Carl WIlson who died from lung cancer after completing the album in 1998. The record featured a mix of originals from each member of the band , as well as a cover of Harry Wilson's "Without You"

In 2006, Beckley returned with his third solo album, Horizontal Fall. The compilation album Happy Hour was released in 2009.

SInce then many solos albums have followed.

Gerry has recently married and moved to Sydney Australia where he spends six months of the year. He has resigned from touring with America to concentrate on furthering his solo career.

His latest self titled solo album is being touted as his best ever. Gerry plays the bulk of the instruments but gets help from a core group of players that includes former Chicago bassist Jason Scheff, guitarist Steve Fekete, drummers Brian Young and Ryland Steen along with backing vocalists Jeff Larson and Brian Eichenberger. Nick Lane and Matt Combs, also longtime musical fellow travelers, arranged horn and string parts, respectively. It's a collection of 12 original tunes featuring the singles "Red and Blue" and "Well Worn Shoes."

Gerry Beckley joins us this week to walk us through his incredible career.

For more information head to https://www.gerrybeckley.com/