Iva Davies was born and raised in regional Australia, where his early exposure to music set the stage for his remarkable career. Trained as a classical musician, he excelled as an oboist. However, the allure of rock music and the emerging punk and new wave scenes in the 70s inspired him to shift gears.

Influenced by artists like David Bowie, Roxy Music, and Brian Eno, Iva began exploring electronic and experimental sounds, which would later define Icehouse’s unique style.

In 1977, Davies formed Flowers with bassist Keith Welsh, marking the beginning of a significant chapter in Australian music. Originally a covers band, Flowers soon began incorporating original material. Their raw energy and Iva’s charismatic stage presence quickly made them a favourite in Sydney’s pub rock circuit.

The release of their debut album, Icehouse, in 1980, was a game-changer. Featuring tracks like "We Can Get Together" and "Can't Help Myself," the album showcased a blend of new wave, punk, and synth-driven rock. Its success led to an international record deal but a legal conflict over the name Flowers prompted the band to rebrand as Icehouse.

As Icehouse, the group became a vehicle for Iva’s creative vision. Their 1982 album, Primitive Man, marked a major turning point. The album included the upbeat "Great Southern Land," a song that became an unofficial Australian anthem.

The next album, Sidewalk (1984), showcased Davies’ maturing songwriting and reflected his growing interest in themes of isolation and urban life. Though less commercially successful than its predecessor, it set the stage for the band’s magnum opus, Man of Colours (1987).

Man of Colours was Icehouse's most commercially successful album, cementing their place as global stars. Tracks like "Electric Blue," co-written with John Oates of Hall & Oates dominated international charts. The album resonated with fans worldwide. In Australia, Man of Colours became the highest-selling album of 1987 and earned multiple ARIA Awards, including Album of the Year.

Iva's passion for technology and experimentation was evident throughout Icehouse's career. He embraced cutting-edge digital synthesizers and recording techniques, creating a sound that was both innovative and timeless. In addition to his work with Icehouse, Iva composed scores for films like Razorback (1984) and collaborated with the Sydney Dance Company on Boxes (1985) and Berlin (1995), blending classical and modern musical elements.

Despite lineup changes and shifts in the music industry, Icehouse remained a beloved act. In the 1990s, the band released Code Blue (1990) and Big Wheel (1993), which explored deeper and more personal themes. Although these albums didn’t match the commercial heights of earlier works, they reinforced Davies’ reputation as a versatile and introspective artist.

By the 2000s, Icehouse focused on live performances, reconnecting with fans through nostalgia-fueled tours. Davies also reworked classic tracks for the 2011 album Icehouse: White Heat 30 Hits, which celebrated the band’s enduring legacy.

Iva Davies and Icehouse have left an indelible mark on Australian music and beyond. Great Southern Land is regularly cited as one of Australia’s greatest songs, and Icehouse’s albums continue to influence generations of musicians. Davies’ fusion of classical training, electronic innovation, and rock sensibility has made him one of Australia’s most iconic and enduring musical talents.

Today Icehouse remains active, with Iva at the helm, performing to loyal audiences and to new fans. The band are celebrated as pioneers of Australian music and continue to bridge the gap between the past and the future of rock and electronic sounds.

Catch Icehouse when they headline the RED HOT SUMMER TOUR starting January 2025. Supported by several other notable Australian bands in Noiseworks, Wolfmother, Eskimo Joe, Baby Aniamls, Killing Heidi and Bachelor Girl - this is sure to be an incredible outdoor music festival.

Mike Brewer, who partnered with Tom Shipley in the folk-rock duo Brewer & Shipley beginning in the late ’60s - best known for their 1971 hit single, “One Toke Over the Line,” has died.

The news of his passing at age 80 at his home in Missouri, was announced by Shipley. The latter had visited “my friend of 65 years and musical partner for over 60” three days earlier at a hospital in Branson.

By the mid-’60s, Brewer had relocated to Los Angeles and formed a band with Tom Mastin, Billy Mundi (later of the Mothers of Invention) and Jim Fielder (who became an original member of Blood, Sweat and Tears).

When Brewer became a staff song writer for A&M Records’ music publishing company, he reunited with Shipley and they began writing songs together. The pair recorded a debut album for A&M but ultimately moved back to the midwest, settling in Kansas City, Missouri.

Mike Brewer was born in 1944, in Oklahoma City, Okla. While in high school, he played in a rock ‘n’ roll band with Jesse Ed Davis, a native American who went on to perform with such stars as Taj Mahal, Eric Clapton and John Lennon, among many others. After graduating, he traveled the folk circuit performing in coffee houses. Though he met Shipley in 1964, they didn’t become musical partners until 1968.

They were soon signed to Kama Sutra Records in New York and their second album for the label, 1970’s Tarkio, featured “One Toke Over the Line,” written a few years earlier, as its lead-off track.

During this interview Mike Brewer tells us all about his life and that famous track.

Liberty DeVitto has long been recognised as one of the most influential drummers in rock history, renowned for his explosive energy, innovative rhythms, and deep connection to the music.

Born in Brooklyn, New York, he was captivated by drumming at an early age, inspired by legends like Ringo Starr, Dino Danelli, and Keith Moon.

Raised in a vibrant, music-loving family, DeVitto honed his craft by playing along to records and developing his signature style—a mix of finesse, power, and an uncanny ability to elevate a song's emotional impact.

DeVitto's career reached new heights when he joined Billy Joel's band in 1974, a partnership that spanned over three decades.

As Joel’s drummer, DeVitto was the driving force behind countless hits, including "Piano Man," "Scenes from an Italian Restaurant," and "My Life." His intuitive understanding of Joel’s songwriting allowed him to craft drum parts that became as iconic as the melodies themselves.

Albums like The Stranger, 52nd Street, and Glass Houses showcased his ability to balance technical brilliance with raw emotion, solidifying his place in music history.

Beyond Billy Joel, DeVitto has collaborated with a wide range of iconic artists, including Paul McCartney, Stevie Nicks, Carly Simon, and Karen Carpenter, displaying his versatility and adaptability across genres. He has also performed on numerous studio sessions, further contributing to his impressive discography.

In addition to his illustrious career as a sideman, DeVitto formed The Slim Kings, a band that combines classic rock influences with a fresh, modern sound. The Slim Kings have released several critically acclaimed tracks, earning a loyal following for their authentic and energetic performances. He also has The Lords of 52nd St which is the original band behind Billy Joel - a band that has sold more than 150 million records and helped establish Billy Joel’s formidable sound.

In recent years, DeVitto has shared his incredible journey through his memoir, Liberty: Life, Billy, and the Pursuit of Happiness. The book provides an intimate, behind-the-scenes look at his life on and off the stage, detailing his childhood in Brooklyn, his experiences with Billy Joel, and his personal struggles and triumphs. It’s a testament to his resilience and passion for music.

DeVitto continues to be an active presence in the music industry, performing live, recording new music, and mentoring aspiring musicians.

His latest project is recording with Studio D’Lux - a supergroup led by keyboardist-vocalist Doug Kistner (Trans-Siberian Orchestra/Blood Sweat & Tears/John Waite). Liberty Devitto is joined by guitarist Jon Herington (Steely Dan), New Brunswick singer Glen Burtnik (Styx), Asbury Park singer Reagan Richards (Williams Honor), bassist Malcolm Gold (Sheryl Crow) and saxophonist Tom Timko (Gloria Estefan).  

Liberty remains a vocal advocate for drummers, regularly appearing at drum clinics and industry events to inspire the next generation of percussionists.

With a career that spans decades and a legacy that continues to grow, Liberty DeVitto is more than a drummer—he is a cornerstone of modern music, whose beats will echo for generations to come.

Liberty joins us this week to share what continues to be an amazing ride through the music industry. A ride he has dedicated his entire life to.

Wondering what ever happened to Don Walker and Cold Chisel? Or maybe what songs Don wrote for the band and what his solo stuff is like?

Check this out ...

Don Walker, hailed as one of Australia's finest songwriters, has built an enduring legacy through his work with Cold Chisel, his solo career, and his literary pursuits.

Born in Ayr, Queensland, in 1951, Don spent his formative years on a sugarcane farm, an environment that shaped his deep appreciation for storytelling and the Australian landscape.

Despite excelling academically and earning a physics degree from the University of Queensland, music remained his true calling. He began writing songs in his teenage years, influenced by country, blues, and the emerging rock 'n' roll sounds of the 1960s.

In 1973, while living in Adelaide, Don co-founded Cold Chisel with Ian Moss, Phil Small, Steve Prestwich, and Jimmy Barnes. As the band's principal songwriter and keyboardist, Don crafted songs that resonated with the Australian experience, blending gritty realism with poetic lyricism.

Cold Chisel's music, powered by Don's writing, captured the struggles, triumphs, and heartbreaks of ordinary lives. Tracks like Khe Sanh, a tale of a Vietnam veteran's post-war alienation, and Flame Trees, a nostalgic reflection on love and small-town life, became Australian anthems.

Cold Chisel rose to prominence in the late '70s and early '80s, releasing landmark albums such as East and Circus Animals. Don's songwriting was praised for its depth and sophistication, setting the band apart in the Australian rock scene.

Despite their massive success, internal tensions led to the band's breakup in 1983. Their farewell concert, The Last Stand, cemented their place in Australian music history.

After Cold Chisel's breakup, Don turned his focus to solo projects. He formed the Catfish, releasing the album Unlimited Address in 89, which showcased his ability to blend rock, blues, and jazz influences.

He later pursued a solo career under his own name, releasing We're All Gunna Die (1995), Cutting Back (2006), and Hully Gully (2013). These albums highlighted his distinctive narrative voice and ability to explore the darker corners of human experience with wit and insight.

Beyond music, Don ventured into literature, publishing Shots in 2009, a memoir that offered a vivid and unflinching look at his life and career. The book was praised for its raw honesty and lyrical prose, further cementing his reputation as a master storyteller.

Cold Chisel reunited several times, releasing new music and touring to the delight of their loyal fan base. Don's role in the band remained central, as he continued to pen songs that connected with audiences across generations.

His collaborations with other artists, including Slim Dusty, Troy Cassar-Daley, and Tex Perkins, underscored his influence on Australian music.

Don Walker's career spans decades of creative output, from iconic anthems to introspective solo works and literary achievements. His ability to capture the essence of Australian life through his art has made him a cultural icon and a revered figure in the nation's musical and storytelling traditions.

Don joins us this week to share his incredible story.

If you have a comment, query or suggestion for a future guest, please get in touch with me through my website

I hope you enjoy this episode!

Do you remember Cream? Of course you do.

They were the first supergroup of the '60s.

Ginger Baker, Eric Clapton and Jack Bruce made some amazing music in just under three years.

Today, musician Malcolm Bruce, the son of Jack has dedicated himself to preserving the musical legacy of his father who was one of rock’s most influential figures.

Jack Bruce was a trailblazing bassist, vocalist, and songwriter, best known as a founding member of Cream, alongside guitar legend Eric Clapton and the fiercely innovative drummer Ginger Baker.

Cream, formed in 1966. They were at the forefront of a musical revolution that defined the '60s. Blending blues, rock, and psychedelic styles, Cream pioneered a sound that would shape the future of rock music. With hits like "Sunshine of Your Love," "White Room," and "Badge," their music was groundbreaking, pushing the boundaries of improvisation and power trio dynamics.

The mid-1960s marked a fertile period for music, with the British Invasion introducing bands like The Beatles, The Rolling Stones, and The Who to global audiences. Cream carved a unique niche, fusing blues roots with virtuoso instrumental prowess and delivering intense live performances.

Jack Bruce was at the heart of the band’s success, contributing intricate basslines, soulful vocals, and timeless compositions. His collaborative work with lyricist Pete Brown produced some of Cream's most enduring songs.

Though the band’s lifespan was brief—they disbanded in 1968 due to creative tensions—their impact was monumental, cementing them as one of the first supergroups and one of the greatest bands in rock history.

A young Malcolm Bruce grew up surrounded by music, deeply influenced by his father’s genius and the rich legacy of Cream. A multi-instrumentalist proficient in guitar, piano, and bass, Malcolm has since forged his own path as a solo artist while honouring his father's contributions.

Malcolm is also a key figure in the "Music of Cream" project, a touring tribute band featuring Kofi Baker (son of Ginger Baker) and Will Johns (Eric Clapton’s nephew). Together, they celebrate Cream's groundbreaking music with live performances that recreate the band’s electrifying energy, introducing its legacy to new generations.

Beyond his work with the "Music of Cream," Malcolm Bruce is deeply committed to preserving Jack Bruce’s catalogue and sharing his father’s artistry with the world. He has worked on remastering projects, archival releases, and curated performances to highlight the depth of Jack Bruce’s solo career, which extended far beyond Cream.

Through his dedication, Malcolm ensures that the innovations of his father—and the era-defining work of Cream—continue to inspire musicians and fans alike.

Today, Malcolm joins us to share his experiences and tell us why it's so important to advocate for his father’s legacy.

If you know Cream's music - or if you're wanting to discover it - you're going to love this episode.

Please let me know your thoughts. You can always reach me through my website

Ever wondered what happened to Little River Band's Glenn Shorrock?

Do you know which songs Glenn wrote for the band?

Or how the original LRB lost their name?

Listen in here to find out answers to these and a whole lot of other questions about Australia's most famous band as Glenn Shorrock joins us for an intimate chat.

English born Glenn Shorrock is one of the most iconic and influential singer-songwriters to emerge from Australia’s rich music scene. Best known as the founding lead vocalist of Little River Band, Glenn's career spans over six decades, marked by global chart success, critically acclaimed albums, and unforgettable live performances.

His deep, resonant voice and exceptional songwriting have defined the soundtracks of generations, contributing timeless classics that have shaped the landscape of classic rock and pop.

Glenn's family moved to Adelaide in the 50s, where his love for music blossomed. By the early 60s, he co-founded The Twilights, a rock band that became one of Australia’s most popular groups. The Twilights achieved national fame then in 69, Glenn co-founded Axiom, often regarded as one of Australia’s first ‘supergroups.’

Alongside music legend Brian Cadd, Axiom crafted sophisticated, soulful rock with hits like A Little Ray of Sunshine and Arkansas Grass. The band’s blend of folk, rock, and pop elements set a new standard for Australian music, earning both critical and commercial success.

The mid-70s saw Glenn co-found Little River Band . Combining lush harmonies and rock-driven melodies, LRB became the first Australian band to achieve sustained international success.

As the lead vocalist, Glenn was the unmistakable voice behind all of their global hits, including “Reminiscing,” “Help Is on Its Way,” “Lonesome Loser,” “Cool Change,” and “Lady.”

Little River Band enjoyed unprecedented success in the US with their sophisticated sound earning them 13 American Top 40 hits between 75 and 83. Shorrock's voice became synonymous with the band’s transcontinental appeal.

In 82, after some infighting amongst band members, Glenn went solo and has enjoyed considerable success ever since.

Throughout the 80s and beyond, Shorrock released a series of solo works, dabbled in musical theatre and collaborated with several of his musical mates.

Glenn was inducted into the ARIA Hall of Fame as part of Little River Band in 2004.

Today at 80, Glenn Shorrock still inspires generations of musicians and songwriters and his songs which are often infused with themes of nostalgia, love, and self-reflection, continue to resonate with listeners around the world.

Glenn remains a vibrant force in the music scene. He still performs live, delighting fans with renditions of his classic hits while introducing new music that highlights his ever-evolving artistry.

His autobiography, Now, Where Was I?, offers an intimate glimpse into his storied life and career, showcasing the ups and downs of a truly remarkable musical journey.

Shorrock’s longevity in the industry is a testament to his talent, passion, and connection to his fans. His voice remains as captivating as ever, and his influence on rock, pop, and the Australian music legacy is enduring.

#glennshorrock #littleriverband #australianrockhistory #1970srockmusic

I truly hope you enjoy this episode with Glenn. Getting to know him a little better has been a highlight of mine. If there's someone you'd like to hear interviewed, please reach out to me by sending me a message through the website A Breath of Fresh Air

So you'd like to know if any of the Wailers played with Bob Marley? What happened to the Wailers after Bob's death?How many songs did the group have? And what was Bob Marley's biggest hit?

We answer all of these questions and more in this episode.

Bob Marley was born in 1945, in Saint Ann, Jamaica. His father was a Jamaican of English descent. His mother was a black teenager.
Bob started his career with the Wailers, a group he formed with Peter Tosh and Bunny Livingston in 1963. Marley married Rita Marley in 1966, and it was she who introduced him to Rastafarianism. By '69 Bob, Tosh and Livingston had fully embraced Rastafarianism, which greatly influenced not only Marley's music but reggae music in general.

It didn't take long for Bob Marley's music to come to the attention of Chris Blackwell, the owner of Island Records. Chris immediately signed the Wailers and produced their first album, "Catch a Fire". This was followed by "Burnin'", featuring tracks as "Get Up Stand Up" and "I Shot the Sheriff." Eric Clapton's cover of that song reached #1 in the US.

In 1974 Tosh and Livingston left the Wailers to start solo careers. Marley later formed the band "Bob Marley and the Wailers", with his wife Rita as one of three backup singers called the I-Trees. This period saw the release of some groundbreaking albums, such as "Natty Dread" and "Rastaman Vibration".
In 1976, during a period of spiraling political violence in Jamaica, an attempt was made on Marley's life. Marley left for England, where he lived in self-exile for two years. In England "Exodus" was produced, and it remained on the British charts for 56 straight weeks. This was followed by another successful album, "Kaya." These successes introduced reggae music to the western world for the first time, and established the beginning of Marley's international status.
In 1977 Marley consulted with a doctor when a wound in his big toe would not heal. More tests revealed malignant melanoma. He refused to have his toe amputated as his doctors recommended, claiming it contradicted his Rastafarian beliefs. Others, however, claim that the main reason behind his refusal was the possible negative impact on his dancing skills. The cancer was kept secret from the general public while Bob continued working.
Returning to Jamaica in 78, he continued work and released "Survival" in 1979 which was followed by a successful European tour. In 1980 he was the only foreign artist to participated in the independence ceremony of Zimbabwe. It was a time of great success for Marley, and he started an American tour to reach blacks in the US. He played two shows at Madison Square Garden, but collapsed while jogging in NYC's Central Park in 1980. The cancer diagnosed earlier had spread to his brain, lungs and stomach. Bob Marley died in a Miami hospital on May 11, 1981. He was 36 years old.

This week we are joined by one of the original Wailers, Al Anderson - an American guitarist who became Bob's closest and most trusted friend. Bob had asked Al to make sure that his beloved music transcended his death and Al has obliged him all these years.

Today, Al Anderson leads the group called The Original Wailers and their constant touring ensures that audiences everywhere still know and enjoy the incredible music of Bob Marley.

For more information about Bob and the Wailers head to the website https://www.bobmarley.com/

I really hope you enjoy the story of Reggae's founder - Bob Marley.

If there's someone you'd like to hear interviewed, please send me a message through my website

Do you know it's been 50 years since 'Radar Love', first hit the airwaves? Ever thought Golden Earring was a one-hit wonder? Do you know how they got their name? Find out all during this episode as Drummer Cesar Zuiderwik shares his stories and memories.

Golden Earring, formed in 1961 in The Hague, stands as one of rock's longest-running and most influential bands, boasting a career that spanned 60 years before disbanding in 2021.

Originally called The Golden Earrings, they were inspired by 1960s pop but soon evolved their sound, embracing hard rock and progressive rock, which led them to international fame. Founding members George Kooymans (guitar, vocals) and Rinus Gerritsen (bass, keyboards) were later joined by Barry Hay (vocals, guitar, flute) and Cesar Zuiderwijk (drums), solidifying a lineup that would remain remarkably stable for decades.

Drummer Cesar Zuiderwijk joined Golden Earring in 1970, bringing a raw energy and technical prowess that transformed their rhythm section. Known for his explosive, versatile drumming, Cesar quickly became central to the band's sound, especially on tracks like the iconic Radar Love from their Moontan album. His dynamic and precise playing style added a layer of complexity and excitement, with live performances often showcasing his spectacular showmanship, including high-flying drum leaps and onstage antics that thrilled audiences worldwide.

Cesar’s impact was evident on other standout hits, such as Twilight Zone and When the Lady Smiles, where his drumming drove the intensity and drama of each song. His syncopated beats and intricate fills gave Golden Earring a powerful, unique edge that appealed to fans of both classic rock and hard rock genres. He was known not only as a musician but also as a performer with a theatrical edge, sometimes incorporating pyrotechnics and solo drumming displays that made Golden Earring’s concerts legendary in the Netherlands and abroad.

Throughout the 1970s and 1980s, Golden Earring continued to release successful albums and tour internationally, becoming a mainstay on both European and American stages. Cesar's influence extended beyond the band, as he became an inspiration for aspiring drummers, known for his attention to rhythm and his ability to adapt to different musical styles within rock. He continued to play with Golden Earring right up until their retirement in 2021, after George Kooymans was diagnosed with ALS.

Today, Cesar remains active in the Dutch music scene, contributing to various projects, teaching drumming workshops, and mentoring young musicians. He is also active in another band called Sloper. Check them out here https://sloperband.com/

Do you know why Huey Lewis doesn't perform anymore? What he's been diagnosed with and how many hits the band has had?

Find out this week as Bill Gibson, Huey's friend and drummer for Huey Lewis and the News shares the stories that led to the band's global success.

Bill has been a vital force behind the band’s distinctive sound since its formation in the late 70s. Growing up in Northern California, he was immersed in the local rock and blues scene, which shaped his versatile drumming style. His early passion for music led him to master multiple instruments before dedicating himself to drums.

Gibson joined Huey Lewis and the News just as the band was finding its footing, bringing a solid rhythmic foundation that helped propel them to stardom.

The band’s rise paralleled that of their charismatic frontman, Huey Lewis. Born Hugh Anthony Cregg III in New York City, Lewis moved to California and, after stints in various bands, joined the Bay Area group Clover, which later evolved into Huey Lewis and the News.

Known for his soulful voice and stage presence, Lewis brought warmth and humor to the band’s image, setting them apart from other rock acts of the time. His childhood wasn’t easy, as his parents divorced when he was young, yet he channeled his experiences into music, developing a unique vocal style that blended rock, soul, and blues.

Huey Lewis and the News saw a major breakthrough with their 1983 album Sports, which went multi-platinum and solidified them as one of the defining acts of the decade. Bill Gibson’s drumming provided the pulse for hits like “Heart and Soul,” “I Want a New Drug,” and “The Heart of Rock & Roll,” songs that exemplified the band’s energetic mix of rock, pop, and rhythm and blues. Gibson’s style, combining precision with a deep sense of groove, became crucial to the band’s commercial success and unique sound.

Following the success of Sports, Huey Lewis and the News released Fore! in 1986, which featured smash hits like “Stuck with You” and “Jacob’s Ladder.” The band’s brass-heavy arrangements and harmonized vocals distinguished them further in the rock world, with Gibson’s drumming as a consistent, driving force.

Their iconic track “The Power of Love” gained additional fame after being featured in the Back to the Future soundtrack, earning them a Grammy nomination and cementing their cultural impact. Gibson’s drumming on “The Power of Love” demonstrated his adaptability, seamlessly shifting between energetic rock tempos and a bluesy, danceable beat.

The band’s lineup stayed remarkably stable, creating a sense of family and camaraderie that resonated with fans.

Over time, Huey Lewis emerged as a beloved figure both on and off stage, known for his sharp wit and commitment to his craft. Despite facing hearing issues that began affecting him in 2018, Lewis has remained determined to keep performing. The band continued recording and released Weather in 2020, showcasing their resilience and commitment to fans even after four decades.

Bill Gibson has stayed deeply involved with the band’s creative process, contributing to songwriting and recording. His rhythmic approach and technical skill have earned him widespread respect, making him an influential figure among drummers and rock enthusiasts. Both Gibson and Lewis, along with the rest of Huey Lewis and the News, have created a legacy rooted in the authenticity and relatability that made their music timeless.

Huey Lewis has just picked up The Lifetime Achievement Award from Rockers on Broadway. To learn more about him head to his website https://hueylewisandthenews.com/

I hope you enjoy exploring the story of Huey Lewis and the News.

Ever wondered why Chris Norman left Smokie? What he's doing now or if the band wrote their own songs?

Tune in for all of these answers and more.

As you know, Chris is a British singer-songwriter renowned for his iconic voice and role as the lead vocalist of the band Smokie. Born in 1950, Chris was exposed to music from an early age, influenced by the rise of rock ‘n’ roll in the 50s and early 60s.

Inspired by legends like Elvis Presley, Little Richard, and The Beatles, he developed a passion for music that would shape his career. In the late '60s, Chris teamed up with school friends Alan Silson, Terry Uttley, and Ron Kelly to form a band initially known as The Yen and later Kindness. Their musical journey took a turn when they became Smokie in the early 70s, after being discovered by producers Mike Chapman and Nicky Chinn.

Smokie quickly rose to international fame with their distinctive blend of soft rock and pop. Their first major hit was "If You Think You Know How to Love Me" in 75, followed by chart-topping tracks like "Living Next Door to Alice," "Lay Back in the Arms of Someone," and "Oh Carol."

Norman’s raspy, emotive voice became the hallmark of Smokie’s sound. With their catchy melodies and accessible rock style, Smokie became one of the most successful British bands of the 70s. The band's music was characterised by its heartfelt lyrics and warm harmonies with Chris' vocals often drawing comparisons to Rod Stewart.

In 1982 Chris Norman decided to leave the band to pursue a solo career. While his departure marked the end of an era for Smokie, he quickly found his footing as a solo artist.

He initially gained fame outside the UK, particularly in Germany, where he found a loyal fan base. His first major solo success came in 78 when he recorded the hit "Stumblin' In," a duet with Suzi Quatro.

It was his 1986 single "Midnight Lady" that truly cemented his solo career. Hugely popular in Europe, he continued to release successful albums throughout the 80s and 90s.

His solo work took on a more polished pop-rock sound, with hints of folk and country influences, which appealed to a broad audience. Tracks like "Some Hearts Are Diamonds" and "Broken Heroes" became fan favoruites.

Chris' solo career continued to flourish into the 2000s, with regular album releases and extensive touring. Despite his departure from Smokie, he maintained a good relationship with his former bandmates and occasionally reunited with them for special performances. While Smokie continued with new vocalists, Chris Norman remained the voice most associated with the band’s biggest hits.

In 1995, Norman was honored with an award for “International Video Star of the Year” by CMT Europe. Over the years, he has experimented with different styles, blending rock, pop, folk, and country in his solo work, showcasing his versatility as an artist.

Today Chris continues to tour extensively across Europe and other regions, performing both Smokie classics and his solo hits. His live performances draw large audiences, captivated by his timeless voice and charismatic stage presence.

Chris Norman’s career has spanned over five decades and as he continues to perform and record new music, he delights fans both old and new.

From his time as the lead singer of Smokie to his successful solo career, Chris Norman remains a beloved figure in the global music scene, with a legacy that continues to grow.

Chris Norman joins us this week to share his story. You can learn more about him here https://www.chris-norman.co.uk/

Ever wondered what Foreigner's biggest hit was? Or why they were called Foreigner in the first place? Maybe you'd like to know if there are any original members left and what happened to their lead singer?

Did you see the band finally being inducted into the Rock N Roll Hall of Fame?

All of these questions and more answered this week as Foreigner co-founder Al Greenwood joins us for a chat.

Al is best known as the keyboardist of the iconic rock band Foreigner, formed in 1976 alongside Mick Jones, Lou Gramm, Ian McDonald, Ed Gagliardi, and Dennis Elliott.

His classical training and experience in jazz and progressive rock were essential in crafting the band's sound, which blended hard rock with sophisticated keyboard arrangements.

During his time with Foreigner, Al contributed to the band's first three multi-platinum albums: "Foreigner" (1977), "Double Vision" (1978), and "Head Games" (1979).

He co-wrote several of the band's hit songs, including the classic tracks "Cold As Ice" and "Blue Morning, Blue Day."

After parting ways with Foreigner in 1980, Al didn't step away from the music scene. He went on to co-found the band Spys in 1981, a group known for their blend of rock, pop, and new wave influences. With Spys, Al continued to showcase his skills as a songwriter and keyboardist, releasing two albums that received critical acclaim for their innovative sound. Beyond his work with that band, he became a sought-after session musician, arranger, and producer, contributing to various artists across different genres.

Al's work in the music industry also expanded into composing for film and television, where his versatility allowed him to create scores that resonated with a wide audience.

His legacy with Foreigner, combined with his later projects, has cemented his reputation as a pioneering figure in rock music, particularly in integrating synthesizers into the genre.

Today he plays with the 'new' Foreigner with singer Kelly Hansen out front. He says they're an act to behold.

Al also tells us that the biggest thrill of his life has been the original band's induction into the Rock N Roll Hall of Fame very recently and although it's long overdue, he's incredibly proud to have finally been recognised for the contribution that Foreigner made to the rock sound of the '70s.

I hope you'll enjoy my chat with Al as he unravels much abut one of our best loved band's history.