In this special deep-dive episode, we explore the extraordinary story of Gilbert O’Sullivan, the iconic Irish singer-songwriter who defined an era of melodic, thoughtful 1970s pop. From humble beginnings in Waterford, Ireland, and later Swindon, England, young Raymond O’Sullivan dreamed of creating music that was both emotionally honest and musically timeless. What he achieved went beyond even his wildest dreams.

We trace Gilbert’s transformation from a quiet, artistic boy into the global pop sensation known for timeless hits like “Alone Again (Naturally),” “Clair,” “Get Down,” and “Nothing Rhymed.” Along the way, he invented a persona all his own—complete with a schoolboy haircut, flat cap, and short pants—that helped him stand out in an industry dominated by glam rock, heavy metal, and psychedelic bands. His look was quirky, but his sound was grounded in elegant piano pop and biting lyricism.

He wasn’t chasing fads—he was creating his own lane.

We’ll look at how Gilbert’s early influences—from Buddy Holly, Jerry Lee Lewis, and Fats Domino to the British Invasion bands like The Beatles and The Kinks—shaped his unique sound. You’ll hear the story behind his breakout moment, how he almost gave up before finding success, and why “Alone Again (Naturally)” became one of the most impactful and controversial pop ballads of the '70s.

We also dig into the often-overlooked second chapter of his career: the legal battles, the fight for artistic control, and his ongoing legacy as a fiercely independent songwriter who continues to tour and release new music decades after his biggest hits.

Whether you’re a lifelong fan, a 70s music aficionado, or just discovering Gilbert O’Sullivan for the first time, this episode is a heartfelt and eye-opening journey through one of pop music’s most compelling careers.

🧠 What You'll Learn in This Episode

• What Gilbert O’Sullivan was like as a child growing up in Ireland and England

• Why he adopted the “schoolboy” image and created the name “Gilbert”

• His early struggles in the music business—and what finally clicked

• The emotional depth and lyrical genius behind “Alone Again (Naturally)”

• How hits like “Clair” and “Get Down” dominated the charts

• The truth about his legal battle with his manager and the fight for artist rights

• How he stayed true to his songwriting vision, even when trends changed

• Why Gilbert’s music still resonates with fans around the world

If you loved this episode, don’t forget to like, subscribe, and leave a review—it helps us reach other fans of classic pop and rock. Share this episode with a fellow 70s music lover or someone who’s never heard Gilbert’s story.

You can also tag us on socials with your favourite Gilbert O’Sullivan memory or song! And check Gilbert O'Sullivan's website https://www.gilbertosullivan.co.uk/ to learn more.

To contact me - head for my website https://www.abreathoffreshair.com.au

Hope you enjoy the episode!

Little Anthony and the Imperials: A Doo-Wop Legend Who Still Shines Bright

In the golden age of American music, few voices soared as high—or cut as deep—as that of Little Anthony.

Born Jerome Gourdine in Brooklyn, Little Anthony became one of the most distinctive and emotional falsettos in soul, doo-wop, and classic pop music history.

As the lead singer of Little Anthony and the Imperials, his voice helped define an era, touching hearts with hits like “Tears on My Pillow,” “Goin’ Out of My Head,” and “Hurt So Bad.”

His music not only broke chart records but also broke barriers between genres, blending doo-wop harmonies, soul grooves, and pop sensibilities in a way that left a lasting mark on American R&B history.

Before the spotlight, Little Anthony grew up in a neighbourhood immersed in gospel and street-corner harmonies. Young Jerome began singing doo-wop as a teenager. He joined a vocal group called The Duponts, who released a single in 57.

His big break came when he joined The Chesters, a vocal group that would soon rename itself The Imperials.

With Jerome now taking center stage as “Little Anthony”—a nickname given by a legendary due to his youthful appearance and high-pitched voice—the group’s sound clicked immediately. His natural falsetto became their signature.

In 58, the group signed to a label. Their debut single, “Tears on My Pillow,” exploded on the charts. With its raw emotion, aching falsetto, and lush harmonies, the song became an anthem of teen heartache and a pillar of 1950s American pop.

From that point, Little Anthony and the Imperials embarked on a journey that would bring them lasting fame. They followed up with hits like “Shimmy Shimmy Ko-Ko Bop,” “I’m on the Outside (Looking In),” “Goin’ Out of My Head,” and “Hurt So Bad.”

It was Little Anthony's voice that made the group stand out during the changing tides of 60s music, when the British Invasion and Motown were reshaping the industry.

Songs like “Goin’ Out of My Head” became pop-soul classics, covered by countless artists across genres—from Frank Sinatra to The Lettermen.

Their sound matured in the 60s, becoming more orchestrated and polished. Working with producers like Teddy Randazzo, they crafted sophisticated, adult-oriented pop-soul that prefigured the lush soul ballads of later decades.

In 2009, Little Anthony and the Imperials were inducted into the Rock and Roll Hall of Fame. The induction was presented by Smokey Robinson, who praised Anthony’s emotive voice and the group’s groundbreaking blend of genres.

Unlike many of his peers, Little Anthony has remained active well into his 80s, still taking to the stage with the same passion and charisma that made him a star in the 50s. Whether singing at doo-wop revival shows, soul festivals, or headlining his own concerts, Little Anthony still delights audiences wherever he goes.

His presence remains strong on platforms like PBS specials, oldies cruises, and classic soul tours, where fans young and old gather to hear the voice that made them fall in love with music in the first place.

Little Anthony’s music is more than a nostalgic reminder of the past—it’s a living, breathing testament to the power of vocal harmony, heartfelt songwriting, and soul-stirring performance. His contributions helped shape not only the sound of doo-wop but also the emotional core of American soul and pop. His hits continue to be rediscovered by younger audiences and sampled in modern tracks, proving the timeless appeal of his work.

As the frontman of one of the most influential vocal groups of all time, Little Anthony remains a legend—not just for his voice, but for his passion, resilience, and devotion to the music.

In this episode, we explore the life and career of Kenney Jones, the legendary drummer who played a crucial role in shaping the sound of British rock music during the '60s and '70s. From his early days with The Small Faces, through the raucous years with The Faces, to his tenure with The Who, Jones's rhythmic prowess and adaptability made him a sought-after musician in the evolving rock landscape.

Born in Whitechapel, London, Kenney Jones grew up immersed in the vibrant music scene of post-war Britain. Influenced by the burgeoning British Invasion, Jones was drawn to the energetic rhythms of bands like The Beatles and The Rolling Stones, as well as the soulful sounds of American R&B. His early exposure to these genres laid the foundation for his distinctive drumming style, characterized by a blend of precision and flair.

In 65, Jones co-founded The Small Faces alongside Steve Marriott, Ronnie Lane, and Jimmy Winston. The band quickly became emblematic of the Mod movement, delivering hits like "Itchycoo Park," "Tin Soldier," and "All or Nothing." Their music, a fusion of psychedelic rock and soulful melodies, resonated with a generation seeking a fresh, dynamic sound.

Jones's drumming provided a solid backbone for the band's intricate arrangements. The Small Faces' influence extended beyond their music, impacting fashion and youth culture in '60s Britain.

The departure of Steve Marriott in '69 marked a turning point for the band. The remaining members—Jones, Lane, and keyboardist Ian McLagan—joined forces with Rod Stewart and Ronnie Wood, both from the Jeff Beck Group, to form The Faces.

The Faces quickly gained a reputation for their electrifying live performances and unpretentious style. Albums like "A Nod Is As Good As a Wink... to a Blind Horse" and "Ooh La La" captured their energetic spirit and musical prowess.

Rod Stewart's simultaneous solo career, particularly the success of "Every Picture Tells a Story" and the hit single "Maggie May," brought additional attention to The Faces. However, this dual focus eventually led to tensions within the group.

The Faces' blend of rock, soul, and blues, combined with their charismatic stage presence, earned them a devoted fan base. Tracks like "Stay with Me," "Cindy Incidentally," and "Ooh La La" became anthems of the era, showcasing the band's versatility and Jones's dynamic drumming.

Despite their success, internal tensions and the members' individual pursuits led to the band's dissolution in '75.

In '78, following the death of drummer Keith Moon, Jones was invited to join The Who. His tenure with the band included contributions to albums like Face Dances and It's Hard, as well as performances at significant events such as Live Aid in '85.

While his drumming style differed from Moon's, Jones brought a steady, reliable rhythm to the band's music during a period of transition. His professionalism and experience were invaluable assets to The Who during this time.

Beyond his musical endeavours, Jones authored an autobiography titled "Let the Good Times Roll: My Life in Small Faces, Faces, and The Who", providing an in-depth look at his life and career.

Kenney Jones's contributions to music have been recognised with inductions into the Rock and Roll Hall of Fame as a member of both The Small Faces and The Faces. His influence continues to inspire musicians and fans alike, ensuring his legacy endures in the annals of music history.

Join us as we delve into the remarkable journey of Kenney Jones, exploring his impact on British rock music and the enduring legacy of The Small Faces, The Faces, and The Who. Whether you're a longtime fan or new to his story, this episode offers a comprehensive look at one of rock's most influential drummers.

#thesmallfaces #thefaces #thewho #britishinvasion

Mike Skill from The Romantics discusses the rise of '80s New Wave. Dive into his journey in the Detroit music scene.

The Romantics, a band synonymous with the vibrant energy of American rock and the catchy hooks of '80s new wave, havea story deeply rooted in the musical landscape of Detroit.

At the heart of this narrative is Mike Skill, the band's founding lead guitarist and a principal songwriter, whose journey before and during his time with The Romantics showcases a blend of influences, adaptability, and a passion for music thatcontinues to resonate with audiences today.​

Mike Skill grew up on the east side of Detroit, a city pulsating with musical innovation. The '60s brought the British Invasion,with bands like The Kinks, The Who, The Beatles, The Hollies, and The Rolling Stones capturing the imagination of young musicians worldwide.

Skill was no exception; he found himself captivated by the raw energy and melodic sensibilities of these British acts. This fascination wasn't just about the music—it was about the attitude, the style, and the revolutionary spirit that these bands embodied.

But Detroit had its own musical heartbeat. The city was a melting pot of sounds, from the soulful rhythms of Motown to the gritty garage rock of local bands. Influences like the MC5, the Stooges, and early Bob Seger were instrumental in shaping Skill's musical outlook. He absorbed the sincerity, irony, spontaneity, and volume that characterised Detroit's late '60s rock scene, blending it with the melodic hooks of theBritish bands he admired.​

By the mid-70s, Skill was ready to channel his influences into something original. In 1977, he joined forces with Wally Palmar, Rich Cole, and Jimmy Marinos to form The Romantics—a name befitting their debut on the day of love. Their mission was clear: to create music that was fresh yet familiar, blending the infectious energy of British pop with the raw power ofAmerican rock.​

Detroit's music scene was both a challenge and aninspiration. The city was teeming with talent, and standing out required not just skill but also a unique identity. The Romantics distinguished themselves with their short hair, tailored suits, and high-energy performances. They favoured concise, punchy songs that got straight to the point—a reflection of both their punk influences and the pop sensibilities of the British Invasion.

The Romantics' relentless gigging paid off and they recorded their self-titled debut album with British producer Pete Solley.

Released in 1980, this album marked the dawn of a new decade and introduced the world to "What I Like About You."​ With its infectious beat and catchy chorus, the song became a defining track of the era.

As the musical landscape shifted in the early '80s, the emergence of new wave brought synthesizers, polished production, and a more commercial sound to the forefront. The Romantics, rooted in garage rock and power pop, faced the challenge of evolving without losing their identity.​ Mike Skill's left the band after the 1980 release of "National Breakout."

The lineup change coincided with the band's subtle incorporation of new wave elements into their music. Their 83 album, "In Heat," showcased this evolution, with tracks like "Talking in Your Sleep" blending their signature rock energy with the melodic hooks and production sheen characteristic of new wave. The song became one of their biggest hits.

Despite lineup changes and the ebb and flow ofmusical trends, The Romantics have remained a constant presence in the rock scene. Mike Skill's return to the band in 2010 revitalised their live performances.

The story of The Romantics, with Mike Skill's journey at its core, is the embodiment of the timeless spirit of rock music—a blend of passion, innovation, and an unwavering commitment to the craft.

Mike joins us today to share his story,

#theromantics #musichistory #newwavemusic #80smusic

Jessie Peck of The Spinners shares their journey through Motown to success.

The Spinners’ story is one of perseverance, evolution, and timeless music that continues to resonate with fans of Motown, Philly Soul, funk, and classic R&B.

Their smooth harmonies, intricate vocal arrangements, and signature choreography have made them one of the most enduring groups in soul music history.

From their early days in Detroit with Motown to their meteoric rise with Atlantic Records, The Spinners are true legends of the genre.

Formed in the '50s in Michigan, The Spinners came together as a vocal group determined to make their mark in the burgeoning R&B scene. They found themselves signed to Motown Records in the '60s, a label that was home to acts like The Temptations, The Supremes, and Marvin Gaye.

But The Spinners never quite achieved the same success as their labelmates during their time there. They struggled to break through in a roster filled with some of the biggest names in soul music.

Their fate changed in the early '70s when they made a decision that would define their career. Leaving Motown, the band joined Atlantic, under the guidance of producer Thom Bell.

With Bell at the helm, The Spinners recorded a string of hits that defined an era. Songs like I’ll Be Around, Could It Be I’m Falling in Love, One of a Kind (Love Affair), Mighty Love, and Then Came You—their duet with Dionne Warwick—all became massive hits.

Their run of success continued throughout the '70s, with classic tracks like Games People Play and Rubberband Man.

The group became known not only for their vocal prowess but also for their stage presence. Their synchronized dance moves and sharp suits made them one of the most exciting live acts of the era.

As time passed, The Spinners underwent several lineup changes. They continued to tour and perform, keeping their music fresh for new generations of fans. Even as the music industry evolved, The Spinners remained a staple of classic soul, their songs continuing to be played on R&B stations and featured in movies, commercials, and TV shows.

Amidst the transitions, one of the most significant moments in the group’s more recent history was the inclusion of Jessie Peck.

A longtime fan of The Spinners, Jessie grew up admiring them as a child, wishing one day to be a part of their act.

Before joining the group, Jessie had already made a name for himself as a talented vocalist with a deep appreciation for classic R&B. His rich baritone and smooth delivery made him a natural fit for The Spinners’ sound, and when the opportunity arose for him to join the legendary group, it was a dream come true.

Jessie’s arrival injected new energy into the group while maintaining the signature style that fans had come to love. He stepped into his role with the utmost respect for the foundation laid by those who came before him. His passion for the music, combined with his natural talent and stage presence, made him a seamless addition to the lineup.

As a performer, Jessie embraced The Spinners’ commitment to delivering not just great music but an unforgettable show.

The Spinners have always been about more than just singing—they’re entertainers in the truest sense, combining tight harmonies with choreographed moves that keep audiences engaged from the first note to the last.

Even after decades in the industry, The Spinners continue to thrive, bringing their soulful sound to audiences around the world. Their influence can be heard in countless artists who followed in their footsteps, and their ability to bridge generations of music lovers is a testament to the timeless nature of their songs.

Jessie Peck’s presence in the group is a reflection of their commitment to excellence, ensuring that The Spinners remain not just a nostalgic act but a living, breathing force in the world of soul, R&B, and classic funk.

Jessie Peck joins us this week to share some amazing stories about The Spinners.

#classichits #r&b #musiclegends

Kim Carnes discusses her journey as a legendary songwriter and performer, featuring her hit 'Bette Davis Eyes'.

Kim never set out to be a pop star. But life had a way of nudging her toward the spotlight, and before long she was belting out hits that defined an era. Growing up in Los Angeles, Kim was the kind of kid who could lose herself in a song, spending hours at the piano, crafting melodies.

She started as a songwriter, penning tunes for others long before the world ever heard her own husky, unmistakable voice. Her first real break came when she landed a songwriting contract in the late ‘60s. It wasn’t long before people started to notice that this young woman wasn’t just writing good songs—she had a voice that could make them unforgettable.

In the ‘70s, Kim found herself working with some of the best. She teamed up with David Essex. Their friendship led to collaboration.

She also became close with Kenny Rogers. Kim co-wrote Don’t Fall in Love with a Dreamer with her husband, Dave Ellingson, and when she and Kenny recorded it as a duet in 1980, magic happened.

But it was Bette Davis Eyes that changed everything. The song was originally recorded by Jackie DeShannon in the mid-’70s. But when Kim got her hands on it, she and producer Val Garay transformed it into something completely new. The arrangement was stripped down, the synths were bold, and Kim’s raw, smoky vocals carried a haunting kind of power."When I first heard Jackie’s version, I loved it," Kim says. "But it was so different from what we ended up doing. The minute we started playing around with it, I knew we had something special. That intro, those drums, the way it just pulls you in—I still get chills when I hear it."

When Bette Davis Eyes hit the airwaves in 1981, it was like a shockwave. It climbed the charts fast, sitting at No. 1 for nine weeks—longer than any other song that year. It wasn’t just a hit; it was THE hit.

Even Bette Davis herself loved it, sending Kim flowers and thanking her for the song that made her a household name all over again. "Getting that letter from Bette Davis was surreal," Kim recalls. "She was so gracious, so kind. She told me she played the song at her parties, which just blew my mind."

Kim could have ridden that wave forever, but she was never one to rest on past success. She kept writing, kept recording, and kept working with the people she admired.

One of those people was Barbra Streisand."Barbra is a force," Kim says. "When we worked together on Make No Mistake, He’s Mine, I knew I had to bring my A-game. She has this presence—she knows exactly what she wants, and she’ll work until it’s perfect. And that’s why she’s Barbra Streisand."The song felt like a conversation between two women who knew exactly what heartbreak sounded like. Their voices blended in an unexpected way—Barbra’s controlled precision meeting Kim’s gravelly warmth—and the result was stunning.

Through the ‘80s and into the ‘90s, Kim remained a force in the industry, both as a performer and a songwriter. She wrote for some of the biggest artists out there, proving again and again that she had a gift not just for melody, but for telling stories that stuck with people.

Fast forward to today, and Kim is still making music, still revisiting the songs that made her who she is. In 2024, she released Bette Davis Eyes (Kim’s Version), a new take on her signature song. This wasn’t just a rehash—it was a love letter to the original, re-recorded with some of the same musicians who helped shape it the first time around. "I wanted to do it justice," Kim explains. "I wasn’t interested in just re-recording it for the sake of it. I wanted to feel that magic again."

And the response? Incredible.

Looking back, Kim Carnes' career wasn’t about chasing fame—it was about making music that mattered. Whether writing for others or stepping up to the microphone herself, she’s always been an artist first. And that’s exactly why, all these years later, we’re still listening.

Remembering Jesse Colin Young, an influential figure in folk and rock. Explore his impact and legacy.

Jesse Colin Young, the legendary singer/songwriter known for his work with the Youngbloods as well as a prolific solo career, has died at the age of 83.

Jesse leaves a unique mark on the intersecting worlds of folk, blues, jazz, country, and rock & roll.

As the frontman of The Youngbloods, he immortalised the ideals of the Woodstock generation with “Get Together,” an international hit that called for peace and brotherhood during the turbulent 1960s.

An acclaimed songwriter, singer, instrumentalist, producer, label owner, podcast host, and longtime social/environmental activist, he has established a permanent place in America’s musical landscape – while continuing to make modern music that’s every bit as vital as his work during the counterculture era.

We will miss you and your music Jesse.

This interview recorded shortly after the release of his latest solo effort.

In the mid '70s Skyhooks basically gave the Australian music industry the enema it had been needing. For too long many Australian bands spent hours copying their UK/USA cousins and Australian content in songs was far and few between.

Skyhooks were cheeky, brash and colourful: wearing makeup years before Kiss were even conceived. Songwriter Greg Macainsh composed many amazing tunes-many sprinkled with Melbourne place names and Australian themes and he put together the band that would change the musical history of the country.

Greg Macainsh grew up in Melbourne, Australia. He was exposed to a diverse array of musical influences and his passion for music developed during his teenage years, leading him to pick up the bass guitar. In 66, while at high school, Macainsh formed his first band, Spare Parts, alongside drummer Imants "Freddie" Strauks.

This initial foray into the world of music marked the beginning of a collaborative relationship that would prove pivotal in the years to come. The duo laid the groundwork for subsequent projects, including bands like Sound Pump, Reuben Tice, Claptrap, and Frame.

In 73, Macainsh co-founded Skyhooks.

Skyhooks quickly gained a cult following in Melbourne, captivating audiences with their theatrical performances and provocative lyrics that addressed themes such as drugs, sex, and the Australian gay scene. Their music was distinctly Australian, often referencing local places and culture. However, it wasn't until the addition of lead vocalist Graeme "Shirley" Strachan in 1974 that the band solidified its classic lineup and began its ascent to national prominence.

The release of their debut album, "Living in the 70's," in 74 marked a turning point for Skyhooks and Australian rock music. Produced by Daddy Cool's Ross Wilson, the album showcased Macainsh's songwriting prowess. Despite six of its ten songs being banned by Australian commercial radio due to their controversial content, the album soared to the top of the charts, remaining at number one for 16 weeks and selling over 200,000 copies—a record-breaking achievement at the time.

Skyhooks' success was further propelled by their dynamic performances on tv programs like ABC's "Countdown."

The band's second album, "Ego Is Not a Dirty Word," released in 1975, continued their winning streak, topping the charts for 11 weeks and solidifying their status as Australian rock icons.

Despite their monumental success, Skyhooks faced challenges, particularly in breaking into the international market. A 1976 tour of the United States yielded limited success, as American audiences struggled to connect with the band's uniquely Australian references and flamboyant style. Internal changes followed, with guitarist Red Symons departing in 1977 and lead vocalist Shirley Strachan leaving in 1978. These shifts marked the beginning of a transitional period for the band, leading to a decline in commercial success and culminating in their disbandment in 1980.

Following the dissolution of Skyhooks, Greg Macainsh embarked on a diverse and fulfilling career. He earned a law degree, and applied his creative talents to various projects.  Macainsh also developed a passion for mountain biking and culinary arts, notably perfecting a kosher chicken stock.

Skyhooks' impact on Australian music and culture is immeasurable. Their fearless exploration of taboo subjects and incorporation of Australian vernacular into their lyrics challenged the status quo and paved the way for future artists to express authentic narratives.

In this episode we journey through Greg Macainsh's life. From his early days in Melbourne to the heights of fame with Skyhooks and his subsequent personal and professional endeavours, Greg story is one of creativity, resilience, and lasting impact. This episode is certain to resonate with music lovers, baby boomers, Australian music fans, Skyhooks enthusiasts, and aficionados of 70s music all over the world.

#skyhooks #australianrockmusic #'70srock #hits

Chaz Jankel came to prominence as the musical director for Ian Dury's Blockheads,  helping to steer those pub rock survivors away from punk and toward funk, disco, and pop.

Chaz went further into fusion on his own, creating a stylish music that bridged the boundaries between new wave and the mainstream. 

When Quincy Jones spotted "Ai No Corrida" on Chaz's eponymous solo debut and decided to have Dune sing the tune, the song became an international hit, reaching 28 on Billboard's Hot 100 and 14 on the U.K. charts,. This established Jankel as a force outside of the Blockheads.

Over the next decade, Chaz Jankel worked on his own, releasing a total of four solo albums in the first half of the '80s and scoring a massive dance club hit with '81's "Glad to Know You."

Eventually Chaz wound his way back to Ian Dury Iserving as his chief collaborator on 98's  Mr. Love Pants and 2000's Ten More Turnips from the Tip.  

Ian Dury died shortly afterward, leaving Chaz as the leader of the Blockheads, a role he'd maintain alongside his solo career.

Born in 1952 in Middlesex, Chaz Jankel was drawn to music by Lonnie Donergan , the king of Britain's skiffle craze of the '60s. He had picked up the guitar as a child, then learned piano but while at boarding school, he fell in love with soul and funk. His first major band was the folk-rock group Byzantium and later he joined Jonathan Kelly's Outside, appearing on their '74 LP  Waiting on You, then he went on to play with Kilburn and the High Roads during their final days in the mid-'70s.

Jankel hit it off with Kilburn leader Ian Dury, so once  the High Roads split, the pair formed the Blockheads, a punk band that supported Ian Dury on his '77 solo debut, New Boots and Panties! It wa at this time that the band steered itself towards funk and disco - a shift in direction that accentuated Chaz Jankel's musical interests.

The album Do It Yourself turned into a huge hit for Ian Dury, providing momentum for Chaz to launch a solo career in 1980; although he'd continue to write with Ian Dury, notably collaborating on "Spasticus Autisticus" from 1981's  Lord Upminster.

Signing with A&M, he released his eponymous solo debut Chasanova in 1981 and made inroads in the U.S. thanks to the single "Glad to Know You," which became a number one hit on Billboard's Hot Dance Club Play chart, staying there for seven weeks.

That same year, Quincy Jones covered "Ai No Corrida," Chaz's lead track.   Quincy's version became an international hit, turning the song into something of a new wave disco standard. 

The album Chazablanca arrived in 83 and Looking at You came out in 85.

Jankel relocated to the US in the late 1980s, where he started to work as a film composer beginning with the Dennis Quaid -starring remake of the 1949 film noir D.O.A.; the latter was co-directed by Chaz's sister Annabel.

Chaz eventually returned to the UK in the mid-'90s, leading to a reunion with Ian Dury and the Blockheads. Jankel and Dury collaborated on the singer's final two albums, 1998's Mr Love Pants and 2000's Ten More Turnips from the Tip. Ian Dury died shortly after this in 2000 and Chaz Jankel continued to lead the Blockheads through a number of tours and records, all the while continuing to work on a solo career of his own. Throughout the 2000s, he regularly released albums. During the 2010s, his recording projects involved the Blockheads, who released Same Horse Different Jockey in 2013 and Beyond the Call of Dury in 2017.

Cherry Red Records released Glad to Knot You: The Anthology 1980 - 1986, a five-disc compilation of Jankel's recordings, in 2020 and more recently Chaz has released and reissued a recording of DOA Reimagined.

Chaz joins us today to share stories from his amazing journey.

#iandury&theblockheads #britishpunk #chazjankel #newwave #funk #disco

Join us as we delve into the remarkable journey of Garry Gary Beers, the bassist of the legendary Australian rock band INXS. From his early beginnings, through the meteoric rise of INXS, to his current musical endeavours with AshenMoon, Garry's story is a testament to passion, resilience, and evolution in the music industry.

Early Life and Musical Genesis

Born in Manly, Sydney, Australia, Garry was introduced to the world of music during his high school years. He initially picked up the acoustic guitar and formed a band with his schoolmates. A twist of fate led him to switch to the bass guitar, a decision that would shape his entire future . The transition was serendipitous, and paved the way for him to meet Andrew Farriss. Together, they formed the band Dr. Dolphin, which eventually evolved into The Farriss Brothers, and later, the globally acclaimed INXS.

INXS emerged as a powerhouse in the rock and new wave scenes of the 80s and 90s. The band's unique blend of rock, pop, and dance elements resonated with audiences worldwide. Garry's bass lines became the backbone of numerous chart-topping hits, including "Need You Tonight," "Devil Inside," "Never Tear Us Apart," and "Suicide Blonde."

Garry also co-wrote several tracks like "Listen Like Thieves," "Don't Change," and "Perfect Strangers."

The band toured relentlessly and Michael Hutchence's dynamic stage presence solidified the band's reputation, leading to sales of over 70 million albums and induction into the ARIA Hall of Fame in 2001.

Following Michael's tragic passing in 1997, INXS faced tumultuous times. Garry explored various musical avenues and in 89, during a hiatus from INXS, joined the group Absent Friends.

Garry soonn relocated to Los Angeles, immersing himself in songwriting and production. His passion for craftsmanship led him to design and build his own line of bass guitars under the brand GGB Basses, merging his love for music with his skills in woodwork and electronics.

Garry co-founded AshenMoon when he teamed up with fellow Australian vocalist Toby Rand. The band embarked on a journey to create a fresh yet nostalgically resonant sound. Their self-produced tracks, including singles like "GODTANK," "DON'T WAKE ME," and "STARGAZE," have garnered attention for their raw energy and melodic depth. The band is about to tour Australia for the very first time.

Garry Gary Beers's story is a fascinating one. As a member of INXS, he played a crucial role in shaping the band's sound, which continues to influence artists across genres. His dedication to his craft, whether through performing, songwriting, or instrument design, underscores a career marked by passion and creativity. Throughout his career, Garry has also maintained a strong connection with his fans. His engaging stage presence and genuine appreciation for his audience have endeared him to music lovers everywhere. With AshenMoon, Garry continues this tradition, offering fans new music that resonates with the energy and spirit of his earlier work while exploring new artistic horizons.

From the heights of global fame with INXS to the creative ventures with AshenMoon, Garry Gary Beers exemplifies the journey of a true rockstar. His unwavering dedication to music, innovative spirit, and ability to evolve with the times make his story a compelling narrative of talent and tenacity. As he continues to create and perform, Garry's legacy as a musician and artist remains influential and inspiring.

For those eager to experience Garry's latest musical endeavours, explore AshenMoon's music and stay updated on their upcoming projects. Garry Gary Beers's journey is a testament to the enduring power of music and the relentless pursuit of artistic passion.

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Todd Rundgren is a true musical visionary whose career spans decades, influences multiple genres, and continues to inspire generations of music lovers.

From his early days with the psychedelic rock band Nazz to his groundbreaking solo career and innovative work with Utopia, Rundgren has continually redefined what it means to be an artist.

His work as a singer, songwriter, record producer, and multi-instrumentalist has left an indelible mark on rock, pop, progressive, and experimental music.

In this in-depth feature, we explore the highs and lows of his storied career, highlighting his unique blend of catchy melodies, technical expertise, and bold experimentation that have made him a lasting icon in the music industry.

Born into an era of musical revolution, Todd Rundgren’s early years were shaped by the sounds of the 60s. Embracing the counterculture movement, he found his first taste of musical success with Nazz, where he served as the lead guitarist and primary songwriter, crafting songs that were both innovative and accessible. Tracks such as “Open My Eyes” and “Hello It’s Me.”

Rundgren’s leap from band member to solo superstar came in the early 70s. It was the seminal album Something/Anything? that truly set him apart. It featured enduring hits like “I Saw the Light” and a reimagined version of “Hello It’s Me,” songs that still resonate with fans today. The album was celebrated for its innovative production techniques and intricate arrangements.

Never content to follow the status quo, Todd Rundgren has always been driven by a desire to experiment. His subsequent albums are celebrated as landmarks of avant-garde music production. He became one of the pioneers of home recording technology, demonstrating that innovative music could be produced outside the confines of a traditional studio. Todd's approach to music-making has inspired artists to take creative risks and explore uncharted sonic territories.

In the mid-70s, seeking new avenues for creative expression, Rundgren formed the band Utopia. With them he crafted extended compositions that featured dynamic shifts, complex time signatures, and an eclectic mix of rock, pop, and classical influences.

Beyond his achievements as a performer, Todd Rundgren is also revered for his pioneering work as a record producer. His studio prowess and keen musical instincts have made him one of the most sought-after producers in rock history. Rundgren’s production credits include his work on Meat Loaf’s album Bat Out of Hell. This record, one of the best-selling albums of all time, showcases his ability to harness raw talent and transform it into something transcendent. Todd also lent his production genius to artists such as Badfinger, Grand Funk Railroad, The New York Dolls, Hall & Oates, Patti Smith, XTC, and many more.

A lifelong admirer of The Beatles, Todd's musical style and production techniques bear the unmistakable influence of the Fab Four. He has collaborated with Ringo Starr & His All-Starr Band and he has inspired a diverse array of artists across multiple genres.

As we reflect on the life and career of Todd Rundgren, it becomes clear that his influence on music is both profound and far-reaching. He's a gifted performer, songwriter and trailblazer.

His work continues to inspire musicians and captivate fans, ensuring that his contributions to rock, pop, and progressive music will be celebrated for generations to come.

By exploring the life and work of Todd Rundgren in this feature episode, we celebrate not only his achievements but also the spirit of innovation that he has instilled in the world of music.

His career serves as an inspiration to anyone who dares to dream, experiment, and redefine what is possible in the realm of sound. Whether you are a longtime fan or a newcomer to his music, this deep dive into his storied journey offers an invaluable glimpse into the mind of one of rock’s most fearless innovators.

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