Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo   

Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. 

Another week, another national treasure. This week Simon Mayo talks to Olivia Colman, joined by Sophie Hyde, director of the new film Jimpa, in which Olivia stars. The film explores queerness, intergenerational family, and gender fluidity, and places kindness firmly at its heart - but will that be enough for Mark? You’ll have to listen to his verdict in this week’s Take Two to find out. 

In this week’s reviews: The Christophers stars last week’s guest Sir Ian McKellen as a once‑great artist whose awful children plan to forge his unfinished paintings for their own financial gain. Obsession is a creepy love‑horror that’s far too much for Simon, but which Mark is more than happy to peer into. And finally, Normal drops Bob Odenkirk and Henry Winkler into a Fargo‑esque Minnesota small town packed with axe‑throwing, car‑blowing‑up oddballs. Sounds fun - but will Mark enjoy it? 

Oh. And there’s the Laughter Lift. Sorry. 

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo 

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A Sony Music Entertainment production.     

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts   

To advertise on this show contact: [email protected] 

Timecodes: 

00:00:00 Audio start 

00:06:30 Obsession review 

00:15:14 Ad break 

00:15:20 Box Office 10 

00:30:50 Olivia Colman & Sophie Hyde interview 

00:56:17 Laughter Lift 

00:58:26 Ad break 

01:01:53 Normal review 

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo

Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

This week’s very special guest is a living legend and bona fide National Treasure: Sir Ian McKellen. He chats to Simon from the comfort of his very own East London pub The Grapes about his new film ‘The Christophers’. This Steven Soderbergh directed drama of art, family feuds and friendship is a late-career gem from McKellen, who plays cantankerous celebrity artist Julian Sklar in an unlikely and uneasy friendship with Michaela Coel’s Laurie, his new assistant. Sir Ian and Simon prop up the bar and talk grumpy old men, unfinished business… and what it’s like to be Gandalf.

Mark will review The Christophers next week, but for now we’ve got three more fresh film releases to dissect. Three fresh reviews this week too: first up, the new Hugh Jackman-starring family adventure that’s like “Babe meets Knives Out”: ‘The Sheep Detectives’. A star-studded affair with roles played by Hugh Jackman, Emma Thompson, and Molly Gordon with sheep voiced from the likes of Chris O’Dowd, Patrick Stewart and Bryan Cranston, the ‘cozy-crime’ tale sees the sheep turn sleuths. Plus, a full review of Legends, the new Netflix series form last week’s Take guest Steve Coogan, where ordinary customs workers go undercover to fight Britain’s heroin crisis. And finally a look at the fourth time made, second era’d Mortal Kombat II.

And as always we’ve got top correspondence from you lovely listeners, extended and unadulterated wittering from Mark and Simon—and Laughter Lift jokes guaranteed to induce the most exasperated groans. It’s what The Redactor lives for.

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

🌎 Get an exclusive 15% discount on your first Saily data plans! Use code [Take] at checkout. Download Saily app or go to to https://saily.com/Take ⛵

Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Timecodes:

00:00:00 audio start

00:09:59 The Sheep Detectives

00:19:18 Box office 10

00:30:08 Sir Ian McKellen interview

00:46:11 Legends review

00:54:56 Laughter Lift

01:00:27 Mortal Kombat review

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo

Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

On this week’s Take, Mark and Simon return with more of the week’s freshest film reviews – and the Redactor is back from his holibobs (boo hiss).

First on the review slate we’ll revisit the world of fashion, ambition, and withering put-downs in The Devil Wears Prada 2, the much-anticipated sequel to the beloved original. Has the magic survived the runway return, or should some classics be left untouched? Then it’s Surviving Earth, a tender new family drama centred on a refugee harmonica player trying to hold his fractured family together. And finally, Hokum, a chilling Irish-set horror about a haunted hotel and a family secret, starring Adam Scott.

Plus, Steve Coogan stops by to talk about his new Netflix series Legends, based on the true story of ordinary customs workers going deep undercover to tackle Britain’s heroin crisis in the 90s. One of Britain’s most renowned character actors, Coogan chats to Mark and Simon about playing real people, life beyond Partridge, and how he gets deep into his roles. For the football fans, there’s some Saipan chat too.

And as ever, there’s correspondence from the faithful, a few unexpected cinematic tangents, and the familiar blend of conviction, camaraderie, and gentle sparring that keeps the Take motoring along. Oh, and the Laughter Lift—as if we hadn’t all suffered enough.

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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Sony Music Entertainment production.

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To advertise on this show contact: [email protected]

Timecodes:

00:11:50 The Devil Wears Prada 2 review

00:22:43 Box Office Top 10

00:26:20 Lee Cronin's The Mummy review

00:38:03 Steve Coogan interview

00:51:56 Hokum review

01:07:04 Surviving Earth

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo

Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

On this week’s Take, Mark and Simon return with another trio of fresh reviews spanning the big and small screen.

First up, they dive into the BBC’s Half Man, a hard-hitting new series from Baby Reindeer creator and star Richard Gadd, who is also our very special guest on the show. It’s already prompting plenty of discussion—but does it live up to the hype, or crumble under the weight of expectation? Then it’s The Rose of Nevada, Mark Jenkin’s new seafaring feature that could see him launch into the mainstream. And finally, Michael—the Michael Jackson biopic that’s already divided the critics. Find out what Mark makes of it.

And as ever, there’s correspondence from the faithful, a handful of cinematic detours, and the usual mix of passion, persuasion, and playful disagreement that keeps the Take ticking along nicely. Oh, and the Laughter Lift.

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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Sony Music Entertainment production.

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To advertise on this show contact: [email protected]

Timecodes:

00:13:34 Rose of Nevada review

00:23:19 Box Office Top Ten

00:40:20 Richard Gadd interview

00:55:13 Half Man review

01:02:13 Laughter Lift

01:11:16 Michael review

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo

Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

On this week’s Take, Mark and Simon are back with more box fresh film reviews of the latest big screen releases. And we are still reviewing three brand new films out this week, even though it’s Easter holibobs and the show is pre-recorded—because the Good Doctors are actual time travellers now, ICYMI.

First up, they head to the Highlands for Glenrothan, Brian Cox’s whisky-soaked directorial debut family drama—does it live up to its lofty ambitions, or get lost in the Scottish mist? Then it’s Rebuilding, a quietly affecting portrait of second chances and fragile hope starring Josh O’Connor as a cowboy without a ranch. And finally, Wizard of the Kremlin—where Vladamir Putin is played by… Jude Law?!

Plus Mark talks to ‘The Pope of Trash’ John Waters, director of cult classics like Pink Flamingoes and Multiple Maniacs, and high priest of bad taste. He’s celebrating the BFI’s Trash season. Expect a gleeful and provocative conversation on the art of trash cinema, the pleasures of the disreputable, and why good bad films might just be the most honest kind of all.

Plus, as always, there’s the latest correspondence from the faithful, a few choice diversions, and the sort of cinematic enthusiasm (and exasperation) you’ve come to expect.

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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Sony Music Entertainment production.

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To advertise on this show contact: [email protected]

And here is the link to the Faith for Holy Places article as promised in the episode: https://www.churchtimes.co.uk/articles/2026/20-march/faith/faith-for-holy-places/faith-for-holy-places

Timecodes:

00:00:00 Show starts

00:13:01 Glenrothan review

00:36:46 John Waters Interview pt 1

00:38:51 John Waters interview pt 2

00:50:51 Rebuilding review

00:57:08 Laughter Lift

01:02:29 Wizard of the Kremlin review

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo

Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

Fresh film talk and finely tuned cinematic debate await in this week’s episode of Kermode & Mayo’s Take. The Good Doctors return with their trademark blend of insight and irreverence, casting a critical eye over the latest arrivals on the big screen.

Leading the lineup is Father Mother Sister Brother, the latest slanted family drama from Jim Jarmusch, with an all-star cast including Adam Driver, Cate Blanchett, and Charlotte Rampling. Then on to some moody existentialism with The Stranger, an adaptation of Albert Camus’ seminal novel, directed by François Ozon—who was our guest a couple of weeks back. And finally, The Undertone, a podcast-based, sound-forward horror—but will it resonate with Mark?

He’ll also be reviewing Glenrothan—a warming, Scottish-set tale of family reunion through whisky, directed by Brian Cox. Simon sits down with this formidable acting talent to discuss his turn to directing. Cox reflects on the changes and challenges of moving behind the camera, and what we can expect from his feature debut.

All that alongside a generous helping of listener correspondence, probably some spirited disagreement, and the familiar flickers of presenter exasperation—another essential listen for wittertainees the world over.

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Timecodes:

00:00:00 Show starts

00:12:02 Father Mother Sister Brother review

00:20:31 Download Chart

00:31:55 Brian Cox interview

00:45:27 Laughter Lift

00:49:49 Undertone review

01:01:30 The Stranger review

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo

Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

More movie musings and cinematic chat this week on Kermode & Mayo’s Take. The Good Doctors will be reviewing this week’s biggest big screen releases—plus a bit of TV for you too today.

First up, there’s The Drama, a black comedy starring Robert Pattinson and Zendaya as a soon-to-be-married couple whose romantic bliss is derailed by a shocking confession. Then more white-knuckle stuff in Fuze—a bomb disposal meets heist thriller starring Aaron Taylor-Johnson, Theo James and Sam Worthington. On a much more colourful note, we’ve got Super Mario Galaxy—but will this latest screen outing for the videogame franchise be a level up or game over?

On the small screen, the spotlight turns to the BBC’s Twenty Twenty Six—a brand new sequel series that catches up with Hugh Bonneville’s Ian Fletcher in all his bureaucratic glory. This time he’s been appointed ‘Head of Integrity’ on the organizing committee for an international football tournament taking place in summer 2026, which definitely isn’t the FIFA World Cup. Simon sits down with the ever-charming Hugh to unpack the series—plus a word on his latest stage outing in Shadowlands, and little bit of Downton chat too.

All that, along with the usual listener correspondence and presenter cantankerousness—you won’t want to miss this one.

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo

Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

On this week’s episode of Kermode and Mayo’s Take, director François Ozon joins us to talk about his latest film, The Stranger. He sits down with Simon and Mark to discuss the inspirations behind the story, balancing ambiguity and tension, and the challenges of bringing such a distinctive vision to the screen—along with a few reflections on his wider body of work and the themes that continue to draw him in.

You’ll be able to hear Mark’s full verdict on The Stranger in two weeks’ time, and this week we have a packed slate of new releases. First up, The Magic Faraway Tree brings a beloved children’s classic to life with a mix of whimsy, adventure, and a touch of nostalgia. Then there’s Splitsville, a comedy exploring relationships in all their messy, unpredictable glory. And finally, They Will Kill You, a new horror starring Tom Felton—son of Jason Isaacs, of course. They’re really related you know, just like all the Skarsgårds and Sargaards….The

Elsewhere, we’ll have all the usual Take treats: the box office top 10, a Laughter Lift that may (or may not) brighten your week, and your ever-wonderful correspondence. Thanks for listening!

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Timecodes:

00:00:00 Show starts

00:07:57 Splitsville

00:14:59 Box Office top ten

00:31:43 François Ozon Interview

00:44:11 They Will Kill You review

00:51:35 Laughter Lift

00:56:56 The Magic Faraway Tree

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

On this week’s episode of Kermode and Mayo’s Take, Stephen Graham joins us to talk about his new film The Good Boy. It’s an unsettling thriller where he plays a father fixated on a strange rehabilitation ritual for a violent young man who he takes in and…erm… chains up in his basement. Stephen chats to Simon about navigating the film’s darker emotional undercurrents, finding the human intrigue in morally murky territory, and being his usual lovely Liverpudlian self.

You’ll be able to hear Mark’s full verdict on The Good Boy in this week’s show too, alongside a packed slate of other new releases. First up, Project Hail Mary finally lands—bringing big ideas, bigger stakes, and one very lonely astronaut to the big screen. Then there’s Ready or Not 2: Here I Come, which ups the ante on the original’s gleefully gory game of survival. And finally, Dead Man’s Wire, a tense thriller starring Bill Skarsgard that sees a desperate act spiral into a gripping standoff.

Elsewhere, we’ll have all the usual Take treats: the box office top 10, a Laughter Lift that may (or may not) brighten your week, and your ever-wonderful correspondence. Thanks for listening!

Timecodes:

00:00:00 Show starts

00:09:44 Dead Man's Wire review

00:18:12 Box office top ten

00:30:51 Stephen Graham interview

00:44:11 The Good Boy review

00:53:37 Laughter Lift

00:57:06 Ready or Not 2: Here I Come review

01:04:42 What's On?

01:09:21 Project Hail Mary

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

🌎 Get an exclusive 15% discount on your first Saily data plans! Use code [Take] at checkout. Download Saily app or go to to https://saily.com/Take ⛵

A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this Oscars special episode of Kermode & Mayo’s Take, Simon Mayo and Mark Kermode break down the biggest moments from the 2026 Academy Awards. Mark shares his reactions to the ceremony, from Avatar: Fire and Ash winning Visual Effects to the triumph of Sentimental Value.  

Simon and Mark unpack the night’s major wins — including One Battle After Another sweeping six awards and Paul Thomas Anderson’s backstage reflections on politics, culture, and “bringing common sense and decency back into fashion.” They also explore the fierce race between One Battle After Another and Sinners, Michael B. Jordan’s emotional Best Actor win, and Autumn Durald Arkapaw’s groundbreaking Cinematography victory. 

Hear extended backstage moments from Paul Thomas Anderson, Michael B. Jordan, and Jessie Buckley as they reflect on the significance of their awards, artistic responsibility, and historymaking achievements. The duo also discuss Amy Madigan’s longawaited Supporting Actress win, Norway’s triumph with Sentimental Value, and the powerful documentary Mr Nobody Against Putin. 

Plus: the rise of KPop Demon Hunters, Guillermo del Toro’s three craft wins for Frankenstein, a rare Oscars tie, Conan O’Brien’s sharp hosting, emotional tributes to Rob Reiner, Catherine O’Hara, Diane Keaton and Robert Redford — and the films that left emptyhanded. 

The video version of this episode is available on our Patreon: https://www.patreon.com/cw/kermodeandmayo 

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo 

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey  

 
🌎 Get an exclusive 15% discount on your first Saily data plans! Use code [Take] at checkout. Download Saily app or go to to https://saily.com/Take ⛵  

A Sony Music Entertainment production.     

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts   

To advertise on this show contact: [email protected] 

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

On this week’s episode of Kermode and Mayo’s Take, Ryan Gosling is with us to talk about his new sci-fi epic Project Hail Mary. From the challenge of bringing Andy Weir’s beloved novel to the screen to the peculiar pressures of carrying a space-set survival story (often alone), Gosling reflects on the film’s mix of brainy science, cosmic peril and unexpected heart. This week it’s Mark he’ll be chatting to, and they get deep on sci-fi gems from Silent Running to The Abyss—plus some behind the scenes gossip on Project Hail Mary’s epic karaoke scene.

Keep an ear out for Mark’s review next week, and in the meantime there’s a trio of new releases on this week’s review slate. First up is Scarlet, a swashbuckling anime revenge drama based on the story of Hamlet. Then there’s How To Make A Killing, a darkly comic crime caper starring Glen Powell, and loosely based on the Ealing Comedy classic Kind Hearts and Coronets. And finally, One Last Deal—where a sports agent (played by he who shall not be named) battles to land a big contract and save his career. In Mark’s eyes though, the lead actor’s career is way beyond saving. Rant on the horizon, folks!

We’ll also be shouting out our favourite women directors for this Women’s History Month;

Plus all the usual Take treats: the box office top 10, a Laughter Lift that may (or may not) restore your faith in humanity, and your ever-splendid correspondence. Thanks for listening!

Timecodes:

00:00:00 Show starts

00:11:51 Scarlet review

00:19:01 Box Office Top 10

00:39:08 Ryan Gosling interview

00:51:28 How To Make A Killing review

00:57:36 Laughter Lift

01:02:08 One Last Deal review

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

🌎 Get an exclusive 15% discount on your first Saily data plans! Use code [Take] at checkout. Download Saily app or go to to https://saily.com/Take ⛵

A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices