Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

Bodices will be ripped in this week’s Take, because we’re talking Wuthering Heights. Emerald Fennell heads to the wild and windy moors for a cinematic storm of obsession, repression, lots of rain and, well… let’s just say nobody’s getting this worked up about the weather alone. Controversially starring Jacob Elordi as Heathcliff and Margot Robbie as Catherine, it’s already dividing the critics, so where does Mark stand?

The lascivious literary adaptation’s director is our guest this week. She joins Simon to talk about the story’s sensuality, toxicity, and how much glaring, breathing, and storm-lashed longing is too much glaring, breathing, and storm-lashed longing? She tells us how it felt to realise her teenage dream of bringing her vision for this classic to the screen, and why its tale of love, revenge, and emotional chaos still gets pulses racing.

Plus reviews of three more of the week’s cinematic offerings. There’s Crime 101, Bart Layton’s sleek thriller pairing Chris Hemsworth’s precision jewel thief with Mark Ruffalo’s relentlessly pursuing detective, and proving once again that nobody in LA should ever relax. Whistle brings supernatural horror and the world’s worst extracurricular activity, as students discover that cursed ancient Aztec artefacts are best left well alone. And Little Amélie offers something altogether gentler — an animated adaptation of Amélie Nothomb’s autobiographical story of childhood, identity, and wonder.

All this, plus the box office top 10, a trip to the dizziest heights of humour in the Laughter Lift, and the customary digressions and delights of another top Take.

00:00:00 Show starts

00:08:53 Crime 101 review

00:18:33 Box Office Top 10

00:32:14 Emerald Fennell interview

00:46:27 Wuthering Heights review

01:00:06 Laughter Lift

01:03:11 Little Amelie review

01:08:49 Whistle review

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

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Hello hello, Take listeners!
A quick heads‑up: if you’re not yet part of our brilliant Patreon community, you’re missing out on an entire extra episode every single week.

Take 2 is where Mark & Simon stretch out, go deeper, get sillier, and answer the questions we simply can’t squeeze into the main show. And that’s just the start. Our Patreon subscribers also get polls, behind‑the‑scenes photos and videos, newsletters, video versions of Take 2, and Take Ultra — our fortnightly extra video and audio show packed with even more of the good stuff.

Here’s a free taste of this week’s Take 2. If you enjoy it, come join us on Patreon — you’ll instantly unlock a whole world of bonus content and become part of something genuinely special.

Head over to Patreon for more. And here's a code to get 90% off your first month: T90. Just add it at checkout. Join Mark and Simon here: https://www.patreon.com/cw/kermodeandmayo/membership

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

It’s the take you’ve all been waiting for... Mark’s Melania review. Did he enjoy this, er, ‘documentary’ about the FLOTUS? Obviously not. Will you enjoy listening to him slate it? We think so. Buckle up.

Our guest this week is Riz Ahmed—actor, musician, writer and all-round creative force—joining Simon to talk about his bold new film adaptation of Hamlet. Reimagining Shakespeare’s most introspective tragedy for the screen, Ahmed takes on the iconic role of the Prince of Denmark in a version that fuses classic text with contemporary urgency. He tells Simon what it means to wrestle with “to be or not to be” in the modern world.

Mark also reviews Hamlet, plus three more of this week’s notable releases. There’s Send Help, Sam Raimi’s survival thriller that strands its characters in a fight against both nature and themselves; The Chronology of Water, a visceral adaptation of Lidia Yuknavitch’s memoir, and Kristen Stewart’s directorial debut; and It’s Never Over, Jeff Buckley, a documentary portrait of the elusive, mythic musician whose influence still reverberates decades on.

All this, plus the box office top 10, the lofty pleasures of the Laughter Lift, and the usual conversational twists, turns, and small-hill-pedantry you’ve come to expect.

Timecodes with YT clip codes (for Vanguardistas listening ad-free)

Send Help review - 08:53 ( clip: 11:27 – 12:18

Box Office Top 10 - 00:15:56

Melania review - 00:18:46 (clip 00:19:10 - 00:19:58)

Riz Ahmed interview - 00:38:50 (film clip Universal 00:39:16 - 00:40:02)

Hamlet review - 00:55:07

Laughter Lift - 01:02:50

Chronology of Water review - 01:04:46 (clip 01:05:41 - 01:06:32)

It’s Never Over, Jeff Buckley 01:11:19 (clip 01:11:56 - 01:12:44)

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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A Sony Music Entertainment production.

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Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

Our guests this week are two comedy giants: star of Arrested Development, 30 Rock and BoJack Horseman, Will Arnett—and mega-successful scouse standup John Bishop. It’s Bishop’s unlikely comedy origin story that inspired Is This Thing On?, the new Hollywood feelgood blockbuster directed by Bradley Cooper. In it, Arnett plays a divorced dad who puts his name down for an open mic at a bar just to save the entry fee—then accidentally catches the comedy bug. As he secretly follows his new standup dreams, can comedy save his sanity—and maybe even his marriage?

Find out what Mark makes of it, plus two more of this week’s big screen releases. First up its Nouvelle Vague, Richard Linklater’s homage to the French new wave film movement of the 1960s. Linklater’s film dramatises the making of one of its essential movies, Jean Luc Godard’s Breathless. And from uber-cool Parisians murderous monkey’s, we’ll be reviewing Primate too: a tongue in cheek horror where a pet chimp goes bad.

The boys are here in the studio IRL this week, so you’ll be getting all of this, plus the box office top 10 and the banterous heights of the laughter lift, beamed right at you from the room where movie-reviewing magic happens. Keep it real, Vanguardistas and all-comers!

Timecodes with YT clip codes (for Vanguardistas listening ad-free)

Nouvelle Vague review - 10:32

Box Office Top 10 - 23:51

Will Arnett and John Bishop interview - 39:19

Is This Thing On? review 56:11

Laughter Lift - 01:03:04

Primate review - 01:07:20

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

Claire Foy is our special guest this week—and we promise that’s not just because her dad keeps writing in to the show... It’s also because she’s starring in H is For Hawk, out in cinemas this week. She plays Helen, who decides to keep and train a notoriously difficult goshawk as a means of coming to terms with the death of her father (played by Brendan Gleeson). Claire chats to Simon about bringing this bestselling memoir to the screen and learning to falcon with one of these ‘perfectly evolved psychopaths’ for real.

Mark reviews H is for Hawk, plus three more fresh film releases—it's a packed show! First, Saipan—the football drama starring Éanna Hardwicke as Roy Keane and Steve Coogan as Ireland manager Mick McCarthy, which charts their legendary bust-up ahead of the 2002 world cup. From Korean cinema superstar Park Chan-wook we’ve got No Other Choice, a black comedy about a white-collar worker who turns lethal after being laid off. And last but certainly not least we’ve got even more Josh O’Connor and more Paul Mescal (surely those two lads deserve a holiday?) in The History of Sound—a gay romance between two student musicians in WW1 era America.

Plus all the cinema action from the box office top 10, the endless hilarity of the laughter lift, and your tip top correspondence. Don’t miss it!

Timecodes with YT clip codes (for Vanguardistas listening ad-free)

Saipan review 08:36

Box Office Top 10 - 18:43

Claire Foy interview – 42:09

H is For Hawk review 58:08

Laughter Lift - 01:07:47

The History of Sound review 1:16:01

No Other Choice review 1:10:54

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

The chilling on screen (but charming IRL) Jack O’Connell joins us on the Take this week to talk 28 Years Later: the Bone Temple. Directed by Nia DaCosta, who loyal listeners may remember from our live Christmas Extravaganza, it’s the second installment in a sequel trilogy to Danny Boyle’s zombie smash hit. Jack talks tracksuits, tiaras and being the most villainous actor of the past year—plus lots more on-set insights from the horror-thriller that’s got you all talking. Don;t miss this one!

Mark reviews Bone Temple too, plus more of this week’s fresh new films. First up, Rental Family—which sees Brendan Fraser’s Philip join a Japanese agency providing fake ‘family for hire’ for its clients’ social and companionship needs. Plus a tougher but important watch, The Voice of Hind Rajab, which replays the tragic death of six-year-old Hind Rajab—killed in Gaza in January 2024—based on real audio of her final recorded calls to the Palestine Red Crescent Society and the efforts of its volunteers to save her life.

Plus all the usual top quality nonsense on all things film-related and beyond, and your emergency mails of course. Thanks for listening!

Timecodes with YT clip codes (for Vanguardistas listening ad-free)

Rental Family review 09:55

Box Office Top 10 - 17:23

Jack O’Connell interview - 44:30

28 Years Later: The Bone Temple review 59:15

Laughter Lift - 1:15:14

The Voice of Hind Rajab review

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

It’s a New Year’s correspondence special this week on the Take. Simon and Mark will be breaking open our bursting postbag and cracking into your excellent emergency mails from across the holiday period. We’ll be hearing your top takes on the films that made your festive breaks—and one repentant confession from the poor soul who made the mistake of watching The Lighthouse with their granny...

We’ve got reviews of the freshest films from 2026’s first week too. First up it’s Becoming Victoria Wood, a documentary looking for the true personality behind the comedy persona of the national treasure. Plus you’ll hear Mark’s verdict on the new British boxing drama GIANT—which follows the true story of ring star Naseem Hamed (Amir El-Masry) and his fractious relationship with trainer Brendan Ingle, played by Pierce Brosnan.

Not forgetting the much-anticipated Hamnet—the Chloé Zhao-directed biopic of William Shakespeare and his family during a period of personal turmoil and tragedy—based on Maggie O’Farrell’s bestselling novel. It’s already tipped for awards success—especially for lead performances by Jessie Buckley and Paul Mescal—but do the Good Doctors believe the hype?

Timecodes with YT clip codes (for Vanguardistas listening ad-free)

Becoming Victoria Wood review – 15:46

BO10 – 31:11

Hamnet review – 55:25

Laughter Lift – 1:10:25

GIANT review – 1:13:51

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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It’s that time of year on the Take when Mark runs down his best and worst films of the year—so get ready for a reminder of 2025’s biggest raves and rants from I’m Still Here to Tron: Ares. It’s all new content as he ranks the big-screen bangers and clangers of the last 12 months and picks the Take’s best picture. We’ll also look at the year’s best small screen releases, revisiting stunning series like the gruelling Narrow Road to the Deep North and the gripping Pluribus (00:43:00 https://tv.apple.com/gb/show/pluribus/umc.cmc.37axgovs2yozlyh3c2cmwzlza).

For Vanguardistas listening ad-free, Pluribus is at 00:39:31.

Brand new reviews too of two new cinema releases. First up, Song Sung Blue—a feelgood musical drama biopic about a real-life couple who form a Neil Diamond tribute band and follow their long-held musical dreams, starring Hugh Jackman and Kate Hudson. There’s Peter Hujar’s Day too—which follows the everyday life on the 70s Downtown New York arts scene of the titular photographer, played by Ben Whishaw.

Plus we remember the greats we lost in 2025. We’ve said goodbye to some true cinema legends this year, including Robert Redford, Diane Keaton, David Lynch—and of course tragically and most recently Rob Reiner. Mark and Simon celebrate their exceptional contributions to cinema.

Timecodes (for Vanguardistas listening ad-free):

00:00:00 Start of Discussion

00:02:51 Song Sung Blue review

00:17:15 Best films of 2025:

00:30:20 Peter Hujar’s Day review

00:36:12 Best TV of 2025

00:45:39 Worst films of 2025

00:56:45 They Lived Their Dash (obits)

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

We’ve got a proper festive treat for you in this week’s Christmas week Take special. The one and only Kate Winslet—Oscar winner, Hollywood royalty and all round very good egg. She’s given acclaimed performances as an actress in films like Titanic, Eternal Sunshine of the Spotless Mind, Sense and Sensibility, Steve Jobs and more—as well as in HBO’s Mare of Easttown series. She looks back over all that with Simon and Mark in this bumper chat—plus this time she’s getting behind the camera to direct her first film, Goodbye June.

It’s a Christmas movie about a dysfunctional family thrown together when the elderly matriarch (June) falls ill during the festive period. As well as directing, Winslet plays Julia, one of June's four adult children. She came in person to our studio to unpack it with the Good Doctors—and she was so brilliant that she gets this Christmas Take special all to herself. She talks about her experiences as a debut director, working with her screenwriter son Joe Anders, and the incredible cast—from Helen Mirren and Timothy Spall to Toni Colette, Johnny Flynn and Andrea Riseborough. We even got a sneak peak of what a Winslet Christmas looks like. You won’t want to miss this. Happy holidays one and all!

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

Howdy Take listeners! We’re approaching the very end of the Christmas corridor—and we’ve got all the movie reviews you need to get you through the final push and onto the sofa eating Quality Street and turkey leftovers. First up, The Housemaid—Paul Feig’s psychological thriller starring Sydney Sweeney as a live-in maid for a family with dark secrets. Plus Marty Supreme, the high-speed Josh Safdie drama starring Timothée Chalamet as a aspiring table-tennis star in 1950s New York—and finally, Avatar: Fire and Ash. Regular listeners will know about Mark’s longstanding love for (slating) the Avatar films—so buckle up for a festive rant.

The wonderful Paul Bettany—star of A Knights Tale, Dogville, and more recently the Marvel Cinematic Universe as both the voice of J.A.R.V.I.S. and as Vision—is our guest this week. He’s with us to discuss the new Sky adaptation of Amadeus—in which he plays Salieri, the frustratedly mediocre nemesis of Will Sharpe’s Mozart. The Oscar-winning 1984 film adaptation is Simon’s favourite movie of all time—but will Bettany win him over to this new TV version? They unpack it and talk music, the truth about Mozart, and whether Paul will ever direct again.

Thanks for listening, and Merry Christmas ya filthy animals!

Timecodes (for Vanguardistas listening ad-free)

The Housemaid review – 11:17

BO10 – 20:34

Paul Bettany Interview: 28:20

Laughter Lift – 53:55

Marty Supreme review 57:55

Avatar Fire & Ash review 1:10:24

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

To those of you who joined us for our Live Christmas Spectacular at the Prince Edward Theatre in London’s West End last weekend—thank you for being a fabulous audience and we hope you had as much festive film buff fun as we did. To those of you who couldn’t be there—fear not! This week’s Take brings it directly to your ears. Recorded live from the auditorium, it’s stuffed full of more goodies than your Christmas stocking, including interviews with Nia DaCosta on next year’s 28 Years Later sequel The Bone Temple, and Jason Isaacs beamed to us chatting about whatever he was doing in a massive conference centre in New Orleans...

Plus reviews of some brand new films you can watch in cinemas and at home this holiday: Wake Up Dead Man: A Knives Out Mystery—the latest instalment in the whodunnit franchise that’s fast becoming a Christmastime screen staple, starring the fabulously accented Daniel Craig as detective Benoit Blanc and Josh O’Connor as a priest at the centre of the case—alongside the stellar ensemble cast we’ve come to expect from Knives Out. Plus we’ve got Goodbye June—the directorial debut from Kate Winslet that sees a dysfunctional family thrown together when their matriarch falls gravely ill at Christmas. The ensemble cast includes Helen Mirren, Toni Colette, Johnny Flynn, Timothy Spall, and Andrea Riseborough, alongside Winslet herself—and its screenplay was penned by her son Joe Anders. Kate Winslet will be joining us for an extended Christmas special interview on the Take—so you’ll hear a little sneak peek of that too. And finally, on a less festive note we’ve got Lurker—a fame and fandom psychodrama about a retail worker who becomes part of a pop star’s inner circle.

We’ve got a Christmas cracker edition of the Laughter Lift too (oh you lucky things). Enjoy it, and we hope to see some more of your fabulous faces in the audience next year!

Timecodes (for Vanguardistas listening ad-free)

Wake Up Dead Man: A Knives Out Mystery review: 11:19

Nia DaCosta Interview: 19:27

Christmas Cracker Laughter Lift: 42:22

Lurker review: p1 47’17

Jason Isaacs interview: 48:50

Lurker review pt 2: 1:00:53

Goodbye June review: 01:05:35

You can contact the show by emailing [email protected] or you can find us on social media, @KermodeandMayo

Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey

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A Sony Music Entertainment production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts

To advertise on this show contact: [email protected]

Learn more about your ad choices. Visit podcastchoices.com/adchoices