On the first episode of Fair Game, Vanity Fair’s new interview show, Mark Guiducci sits down with actor, writer, and director Colman Domingo for a conversation about Colman’s career, sense of style, and philosophy on the world. They touch on Colman’s role as a peacemaker on the set of Euphoria, his performance as Joe Jackson in Michael, and his early work in a political children’s circus where he played a salamander on stilts. “I've had to build this career,” Domingo says. “There's no career that looks like mine. No one writes musicals and plays and directs and acts and sings and dances… I created this space for myself. But it's not because I wanted to, it's because I had to”

Listen to and follow Fair Game from Vanity Fair on YouTube or wherever you get your podcasts.

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“The Journey,” an audio investigation hosted by the New Yorker staff writer Ava Kofman, unravels the mystery of how Guojun Xuan and Silvia Zhang, a wealthy Los Angeles couple, obtained dozens of children through nearly as many surrogates—and exposes a scandal that threatens to undermine the entire surrogacy industry.
In Episode 1, "Gifts," a woman in Texas agrees to carry a child for the couple. She thinks she’s helping a family in need. Then, she becomes a whistleblower.
In the Dark is an acclaimed investigative-journalism podcast that launched in 2016. Its third season won the 2025 Pulitzer Prize for audio.
To keep listening to "The Journey," search for In the Dark wherever you get your podcasts.

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Five family members, murdered. A sixth in prison for life. It’s one of Britain’s most infamous crimes. But did the justice system get it wrong? “Blood Relatives,” a six-part series from In the Dark, is coming on October 28th.

New Yorker subscribers get early, ad-free access to “Blood Relatives.” In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app.

In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.

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This spring, Catherine, Princess of Wales, ended a long silence and rampant public speculation with a solemn video announcing her cancer diagnosis. In the final episode of DYNASTY: The Windsors’ Most Difficult Year, hosts Claire Howorth, Katie Nicholl, and Erin Vanderhoof explain why the message that accompanied her diagnosis was the most important speech of her royal career, and what it says about the Catherine we will see in the future. After a year of struggle, is the monarchy emerging into a new, calmer era? And what lessons will the Windsors take away from their brushes with ill-health and public speculation?

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It’s been four years since Meghan Markle and Prince Harry walked away from their royal roles, sparking an endless stream of media attention and second-guessing in the UK. This year, the biggest headlines—from historic health challenges for Kate Middleton and King Charles III to royal banquets and honor ceremonies—have been coming from Windsor Castle and Buckingham Palace. Meanwhile, the Duke and Duchess of Sussex have been carving out their own luxurious, semi-royal, and very philanthropic path thousands of miles away, in the court of Montecito. 

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When King Charles III announced his cancer diagnosis in February, there was an outpouring of emotion in the UK, along with some concern about what it would look like if the monarch not wasn’t able to greet his public on a daily basis. From the beginning, the king balanced his treatments with his duties, and privately he told his medical team that attending Trooping the Colour, the parade that marks his birthday, was nonnegotiable. By the time the June celebration rolled around, the king was out on the Buckingham Palace balcony with Queen Camilla at his side, and the clouds over the Windsors’ future seemed to part. 

On this week’s episode of DYNASTY: The Royal Family’s Most Challenging Year, hosts Claire Howorth, Katie Nicholl, and Erin Vanderhoof return to the unprecedented events of the year, and Charles’ embrace of radical (for royals, anyway) transparency.

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After a year in which the British Royal Family has been forced to foreground its humanity and vulnerability, DYNASTY is returning for a special four-episode series to examine the events and share behind-the-scenes details. On this inaugural episode, hosts Claire Howorth, Katie Nicholl, and Erin Vanderhoof discuss Prince William’s role as the royal responsible for holding the family together amid a maelstrom of illness and personal rifts. How has William balanced his public role with his private challenges? Has he recovered from the hit to his reputation when Harry spilled  in his memoir, Spare? And if his reign were to come sooner than anyone imagined, would he be ready? 

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 At what point do you walk away from your dreams? Kashy gave himself a deadline: if he didn’t become a pop star by the time he turned 25, he’d give up music. But years after he left his music career behind, the universe gave him a second chance, thousands of miles from home.

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The wives and daughters of Dubai’s ruler live in unbelievable luxury. So why do the women in Sheikh Mohammed’s family keep trying to run away? The New Yorker staff writer Heidi Blake joins In the Dark’s Madeleine Baran to tell the story of the royal women who risked everything to flee the brutality of one of the world’s most powerful men. In four episodes, drawing on thousands of pages of secret correspondence and never-before-heard audio recordings, “The Runaway Princesses” takes listeners behind palace walls, revealing a story of astonishing courage and cruelty.

“The Runaway Princesses” is a four-part narrative series from In the Dark and The New Yorker. To keep listening, follow In the Dark wherever you get your podcasts or via this link https://link.chtbl.com/itd_f

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The king’s speech? That may mean far less than what has so far gone unsaid over the days of celebration and circumstance. What comes next for the man and his family?

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The DYNASTY hosts recap King Charles’s coronation, the highs and lows, and the Prince Harry of it all

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