Maria was watching the Benito Bowl when an unexpected artist came on: the one and only Ricky Martin. He sang one of Bad Bunny’s most political, anti-colonial anthems. Maria knew this was a touchstone moment — the artist who most represented the 90’s Latin Boom wasn’t performing to a white audience for recognition or acceptance; he was singing a song of resistance, in Spanish. And then Maria’s 11-year-old son said, “Who’s that???” 

Today, Maria revisits the importance of Ricky Martin’s career and life, and how he had to live “La vida loca” so that Bad Bunny could do “Lo que le da la gana.” 

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En el último episodio de la temporada explicaremos cuál es el verdadero legado de Chalino. Su música revolucionó un género musical que apenas comenzaba. Pero también cambió para siempre la relación entre los artistas que interpretan narcocorridos y el crimen organizado que es inspiración, y mecenas, del género. Al final, entenderemos cómo fue que un niño humilde de Sinaloa se convirtió en un ídolo.

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In the last episode of the season, we explore Chalino's legacy 30 years after his death. His music revolutionized the corrido genre and gave Mexican-Americans an icon of their own. But it also forever changed the relationship between the artists who perform narcocorridos and organized crime and, some argue, paved the way for the normalization of violence and the narco-cultura we see in Mexico today. Ultimately, we reflect on how a humble kid from Sinaloa became an international idol.

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Con un contrato discográfico bajo la mano, Chalino es invitado a dar un show en Culiacán, Sinaloa. Algunos rumoraban que lo habían amenzada con no volver a pisar el estado después de un crimen que cometió. Sin embargo, Chalino no deja pasar los miles de dólares que le ofrecen por cantar en su tierra. En este episodio exploraremos una teoría basada en una canción compuesta años después de la muerte de Chalino y que revela el supuesto nombre y apellido del hombre que lo mató.

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With a new record deal in hand, Chalino is invited to play a few shows in Culiacán, Sinaloa. He's warned not to go because it's a trap. But Chalino doesn't pass up the chance to cash out and sing in his native land. In this episode, an in-depth look at Chalino's final moments. Plus, we explore a final theory about who orchestrated Chalino's murder and decipher a mysterious song that supposedly identifies the man responsible.

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Chalino sobrevive el tiroteo y su fama crece rápidamente en el norte de México y en Estados Unidos. Para muchos este evento confirmaba los rumores sobre su vida recia y pasa de ser visto como un tipo que canta sobre narcos, a un narco que canta. Pero la fama no es tan buena compañera cuando parece que tu cabeza tiene precio. En este episodio exploraremos la peligrosa relación que tiene el corrido con el crimen organizado y cómo Chalino trató de eqilibrar las múltiples facetas de su vida.

Nieves de Enero, interpretada por Chalino Sanchez y Los Amables del Norte aparecen en este episodio por cortesia de Craft Recordings/Concord.

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Chalino survives the Coachella shooting and his fame grows rapidly in northern Mexico and in the United States. For many, the shooting was proof that Chalino wasn't just a guy who sings about drug traffickers, but a badass outlaw himself. However, fame is a dangerous thing when your head has a price. In this episode we explore the delicate relationship between corridos and organized crime.

Nieves de Enero, performed by Chalino Sánchez and Los Amables del Norte, appear in this episode courtesy of Craft Recordings/Concord.

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Existen muchos rumores sobre la vida recia de Chalino, pero hay uno que está comprobado en su totalidad: la balacera en Coachella. Aunque parece el guión de una película, Chalino se agarra a balazos durante un concierto en el Valle de Coachella. El enfrentamiento termina con el atacante detenido y con Chalino herido por dos balas. Esta teoría dice que, meses después, un sicario regresó a terminar el trabajo que comenzó en este show.

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In a story that seems straight out of a movie, Chalino gets into a wild west-style shootout in the middle of his own concert in California's Coachella Valley. The confrontation ends with one person dead, the attacker arrested, multiple concert-goers injured and Chalino wounded by two bullets. Instantly, rumors swirl that the attacker was a cartel hitman hired to end Chalino's life. But was he?

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Chalino termina en una cárcel de Tijuana. Pero contrario a lo que se podría creer, estar tras las rejas lo hizo descubrir su talento como compositor de narcorridos. Meses después es liberado y regresa a los Estados Unidos para grabar sus primeros cassettes. Él mismo los vendía y poco a poco comenzó a ganar popularidad entre sus paisanos. Y de acuerdo a la teoría de este episodio, muchos creen que alguno de los narcocorridos que escribió fue la razón por la que su vida terminó con dos balas en el cuerpo.

Javier Torres y Ya Después de Muerto interpretado por Chalino Sánchez aparecen en este episodio por cortesia de Craft Recordings/Concord

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Chalino returns to Mexico and ends up in a Tijuana prison. But being behind bars leads him to discover his talent as a songwriter, and in prison he begins writing songs for local outlaws. After he is released, Chalino returns to the United States to record his first cassettes. He begins selling his music and gains popularity among Mexicans in Southern California. In this episode's theory, we ask — could Chalino have angered the wrong narco with one of his songs? 

Javier Torres and Ya Después de Muerto performed by Chalino Sánchez, appear in this episode courtesy of Craft Recordings/Concord.

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