The summer box office is already popping, with The Devil Wears Prada 2 and Michael raking in millions before Memorial Day — and with new movies coming from Christopher Nolan, Steven Spielberg, Marvel, Pixar and A24’s youngest director ever, it feels like the industry might have its best summer since 2019. (Even if The Mandalorian and Grogu fails to launch.) Elaine Low, Sean McNulty and Natalie Jarvey make their picks for the season’s biggest hits in Ankler Agenda‘s first-ever summer box office draft (fantasy football-style), as they predict the next top performers of the summer.

Plus: With President Trump voicing support for The Hills alum Spencer Pratt in his run for mayor of Los Angeles — “I’d like to see him do well” — and Pratt gaining ground among the Hollywood elite, the town gets closer to seeing the reality show president push the reality show mayoral candidate to the top (or is it bottom?) of the food chain.

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People still want to be scared out of their minds together, and Atomic Monster president Michael Clear, M3GAN writer Akela Cooper and YouTuber-turned-filmmaker Mark Fischbach (aka Markiplier) are all in the business of giving audiences those thrills. Their conversation, which was moderated by Like & Subscribe’s Natalie Jarvey on the Ankler’s Business of Media and Entertainment Stage at NAB Show in April, also highlights how horror is opening new doors into Hollywood. Fischbach details how fan demand helped boost his self-distributed film, Iron Lung, to $50 million at the global box office, while Clear points to more YouTube creators like Backrooms filmmaker Kane Parsons disrupting Hollywood's horror pipeline.

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It’s the end of Upfronts week, better known as Hollywood’s annual pilgrimage to woo Madison Ave. Formerly about broadcast TV schedules, Upfronts has become a showcase for a much stranger, fragmented TV future: creators, podcasts, live sports, live events, movies, dog shows and, yes, lots of AI, the cringe buzzword of the week (and jeez, sorry, scripted). Elaine Low, Sean McNulty and Natalie Jarvey break down the major themes from Disney, Netflix, WBD and others, including top living room streamer YouTube, whose competing Brandcast cast a long shadow over the festivities — and the choices highlighted on rivals’ stages. The gang also crowns the best and worst celeb cameos (Anne Hathaway, Mia Hamm and Matthew Stafford), musical performances (Olivia Rodrigo, Maren Morris and Kacey Musgraves) and, of course, ad pitches.

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Quarterly earnings season isn’t just MBA word salad. Earnings calls are where Hollywood’s biggest companies tell Wall Street what matters most — and where employees often learn what’s really happening inside their own studios. This week, Disney, Warner Bros. Discovery and Paramount reported earnings, and Elaine Low, Sean McNulty and Natalie Jarvey break down what the companies are signaling about the future of Hollywood: Disney’s “super app” ambitions, the industry’s AI push, vertical video and what the looming Warner-Paramount merger could mean for the business. Plus: What did new Disney CEO Josh D'Amaro reveal in his first earnings call from the C-suite? And what does Warners have planned as it exits the stage?

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The agency formerly known as Wasserman — made infamous in recent months by founder Casey Wasserman’s flirtatious emails with Jeffrey Epstein accomplice, Ghislaine Maxwell — is up for sale. So who wants it? Elaine Low, Sean McNulty and Ashley Cullins break down the bidders, the stakes for the representation business and what the multibillion-dollar price tag reveals about the industry — and who has the juice. Plus, Kimmelgate 2.0: The FCC goes after Disney, and Paramount discloses just how foreign-funded a combined Paramount-WBD could be. (Hint: a lot!)

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The entertainment industry’s economic and existential tailspin is playing out on the political stage, as Los Angeles’ mayoral candidates curry favor with the Hollywood set before the June 2 primary. Incumbent Karen Bass, city council member Nithya Raman and former The Hills star Spencer Pratt aren’t wooing the A-list, but the rank-and-file of an industry being squeezed by runaway production. Elaine Low, Sean McNulty and Ashley Cullins break down the crisis and — finally! — the growing bidding war between California, New York, New Jersey and beyond as states fight to keep film and TV projects in the U.S. Plus, Natalie Jarvey gives us the NAB Show recap, and the crew contemplates what comes next for WarnerMount.

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Everyone talks about taking big swings again, but few Hollywood execs feel like they’re actually in a position to do it — without fearing for their jobs. But former Showtime head Jana Winograde and ex-Warner Bros. Television pres Susan Rovner are greenlighting shows from the backseats of cars and searching for new talent right out of film school, after making the leap from legacy TV to microdramas with aTwist (nee MicroCo), a vertical series app backed by Chris McGurk-led Cineverse and former WME chair Lloyd Braun. 

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During Warner Bros.’ supersized CinemaCon presentation in Las Vegas, the studio’s sale to Paramount went unmentioned — even as it touted a theatrical slate stretching into 2028. But the contentious merger was impossible to ignore, dominating chatter across the convention floor and even inadvertently pulling The Ankler into the mix thanks to what’s now being dubbed “pin-gate.” Elaine Low, Sean McNulty and Natalie Jarvey break down the drama, along with the biggest takeaways from this year’s theatrical showcase.

Plus, the trio is joined by special guest John August — Big Fish and Corpse Bride screenwriter and co-chair of the WGA West negotiating committee — to go inside the guild’s surprisingly swift deal with the studios. He unpacks the WGA’s divisive bargaining agreement now up for a vote, including major changes to the healthcare plan, and addresses the criticism head-on.

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The tentative deal between the Writers Guild and Hollywood’s major studios has quelled fears of another strike — all while shaking up the major guilds’ contract cycle. Elaine Low, Sean McNulty and Natalie Jarvey break down the key terms, including a $321 million infusion into the WGA health plan (alongside higher deductibles and premiums) and a shift to a four-year bargaining agreement rather than the usual three. The deal — and its limited movement on AI — will shape not just the upcoming SAG and DGA negotiations, but the industry’s broader trajectory. Plus, the trio looks at a rare bright spot: box office ticket sales are up 23 percent year over year, fueled by hits like Super Mario Galaxy Movie, Project Hail Mary and other family-friendly fare.

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Sean Penn, puffing away inside the Beverly Hilton at the Golden Globes. Kylie Jenner, with a cigarette dangling out of her mouth, on the cover of Vanity Fair. Nurse Dana, taking a drag on The Pitt. Smoking is back — both IRL and on screen — just as Hollywood’s shrinking career ladder leaves many millennials feeling stuck and a stressed-out Gen Z, inheriting the collapse, searches for connection and release. Editor, writer and former pack-a-day smoker Degen Pener joins Elaine Low and Sean McNulty to explain what’s driving young Hollywood workers to light up after talking to young industry workers outside clubs across Los Angeles — and what Gen Xers like him and Sean make of it. Plus, Elaine and Sean debate which generation really has it worse in today’s business — and whether boomers are to blame.

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Silicon Valley was supposed to be satire. In 2026, it plays more like a warning. In a look back on the iconic 2010s HBO comedy, co-creator Mike Judge and exec producer Alec Berg reflect on how “incredibly intentional” they were in making tech startup life feel plausible. But what’s wilder is how close to reality some of their storylines actually got, from AI to the ruthless capitalism of the real-world Silicon Valley. Judge and Berg recall the real-life tech titans who informed the show, the Stanford math professor who helped them construct academically sound dick jokes, and the making of the series' mockumentary-style finale. As Berg puts it: “It’s beyond satire.”

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