Indie Lable Always lookin for new Artist..
On the aching Dunya, the artist stands at an east-west crossroads, trying to resolve a young striver's years of trauma with a folklorist's drive to preserve what's left.
(Image credit: Courtesy of the artist)
Many music lovers consider Ives, who died in 1954, to be the first truly great American composer. A new recording by pianist Donald Berman is a major addition to the Ives discography.
Dylan's 40-show 1974 tour with The Band produced a live double-album later that year. Now, the music available from that tour has increased dramatically with the release of a new 27-CD set.
The FORCE finds the rapper looser and more agile than he's sounded in years, assisted by eclectic production from Q-Tip.'/>On surprising new albums, '80s trailblazers LL Cool J and MC Lyte sound thrillingly revitalized, thanks to sharp production choices and a willingness to bend their signature styles toward the moment.
Born Sept. 27, 1924, Powell helped set the style for jazz piano after WWII. While earlier pianists played busy bass patterns, he helped establish a more fragmented, punctuating role for the left hand.
Morgenstern, who died Sept. 7, directed the Rutgers Institute of Jazz Studies for 35 years, building a one-of-a-kind collection of recordings, memorabilia and writings. Originally broadcast in 2004.
Manning Fireworks, finds inspiration in The Band and the Drive-By Truckers.'/>Ann Powers considers the breakthrough of indie rock up-and-comer MJ Lenderman, and finds that he’s got some classic rock in his tales of romantic woe.
(Image credit: Charlie Boss)

The magnetic bond between Gillian Welch and David Rawlings, partners in life and in music, has always been central to their songs. On their latest album, the "we" becomes existential.
(Image credit: Alysse Gafkjen)

Viral stardom is often a prison — but on the dazzling and frequently hilarious Alligator Bites Never Heal, the "Yucky Blucky Fruitcake" rapper proves those walls can't contain her talent.

Over a decade after their classic run upended digital culture, the rapper and mixtape mogul reunite to show listeners why it mattered — and what a younger generation of trap artists has learned.
(Image credit: Srdjan Stevanovic)