In this episode, I discuss the problem with modern social media camera reviews and how reviewers have lost sight of what matters most with cameras (hint: It isn't specifications).

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In this episode, I discuss the new features found in firmware version 1.3.0 for the Canon EOS R1 and Canon EOS R5 MK2. V1.30 is a major firmware upgrade and includes, among other important new features, the ability to bind pre-capture to a custom button.

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In this episode, I discuss how white your snow should be on a print. There’s a lot of high-key photography in which the majority of the image is pure white. Snow, without texture and tone in a print, will appear pure white and can often look unreal. Meanwhile, the actual scene may have been overcast, rendering the snow greyer or bluer. Wildlife paintings often render snow as grey or blue. How should you approach this?

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In this episode, I discuss auto focus techniques that can really help your hit rate in the field. If you have ever struggled with Auto Focus and your 'keeper rate,' then this is the podcast for you. The podcast includes techniques I have learned over more than 30 years as a professional photographer that you can apply in the field.

Photograph of the Month May 2026 

The Australian Photographic Prize 

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In this episode, I discuss my current approach to culling and editing thousands of RAW photographs, whether from a long day in the field or upon returning to the studio at the end of a trip. I cover the software I use, why I use it, how I choose my selects, what gets kept and what gets deleted. Culling and editing can be an extremely time-consuming part of the photographic process, but it is an absolutely critical stage in distilling the work to a manageable level while keeping only the very best.

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In this special anniversary episode, I discuss my travels back to Australia from Europe and review Vincent Munier's latest book Les Chant Des Forêts (The Song of the Forests). Lastly, I discuss the podcast's future and what else is coming.

Book Review Munier

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In this episode, I wrap up the two Svalbard expeditions I just completed (trip reports coming soon) with my thoughts on the experiences and wildlife encounters. I discuss the unfortunate incident in which the Polar Bear researcher's actions in Svalbard have again resulted in the tragic death of a Polar Bear (this time a young cub). Lastly, I also discuss the recent Asia/Pacific Photography awards, a revelation about autofocus when shooting in heavy snow, my plans for the rest of 2026, and more.

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In this episode, I talk briefly about the three different colour spaces - SRGB, Adobe RGB and Pro Photo RGB and when you should use each and why. This is not a deep dive into the colour space world, but rather a short discussion of soft proofing for various outputs and how it relates to colour space choice in the real world.

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In this episode, I discuss tripods, gimbals, skimmer pods and fluid heads, and when you should ditch them all and go handheld. This topic covers the equipment I am currently using, when I use it, when I prefer to ditch it and what I recommend for polar environments.

Sachter Tripods

Gitzo Tripods

LeoFoto

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In this episode, I discuss whether we should be collectors of camera equipment or collectors of photographs. Should you be worried about exposing your expensive equipment to the elements as a Nature Photographer? Or should you be more worried about getting the shot?

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In this episode, I offer a strong opinion about why the 'People's Choice Award' is a bad idea in photographic competitions. Such categories are never won by the 'best' photograph in class but are invariably taken out by whoever can scream the loudest on social media, 'Vote for Me!' This approach is the exact antithesis of why anyone should be entering a photographic competition, and such categories do little to foster the promotion of quality photography. Entering photography competitions should (if we enter for the right reasons) be about improving our work, growing as photographers through the feedback of our professional peers and competing against ourselves, and not worrying about social media popularity.

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