Cultpix Radio WCPX 599 - Episode 82 Summary

This episode brings massive news as Cultpix celebrates four years with the biggest announcement yet: the launch of the Something Weird Channel, a brand-new sister streaming service featuring the complete Something Weird Video catalogue in partnership with Lisa Petrucci.

We explore how this new channel emerged following Something Weird Video's decision to discontinue DVD-R production and download-to-own services in October 2024. The Something Weird Channel features approximately 1,000 titles with its own distinct aesthetic, categories, and exclusive content not available on Cultpix.

Despite adding enormous value with a second streaming service, the subscription price is actually being reduced from $6.66 to $5.99 monthly. The release schedule includes 50 new films twice monthly, with unique categories covering compilations, exploitation films, and works by legendary directors like Herschell Gordon Lewis and Doris Wishman.

Technical developments take centre stage as we talk about the new Android TV and Amazon Fire TV apps that have already achieved nearly 1,000 downloads without promotion. Upcoming features like curated box sets are discussed alongside the new membership pause functionality.

Recent Cultpix content gets attention including the popular French erotica collection from Pulse Store, Hungarian Cult Classics Volume 2 featuring a James Bond parody made without having seen any Bond films, and the unique Bronson Canyon theme month celebrating the iconic filming location.

The Cannes Film Festival experience features prominently, covering two positive Variety magazine articles, new distribution deals, and the annual cocktail party with special guest director Dan Wolman. The episode concludes with the trademark "Sorry to See You Go" segment, featuring amusing and bewildering cancellation messages from former subscribers.

Episode Highlights:

• Something Weird Channel launch announcement
• Price reduction to $5.99 despite doubling content
• New streaming apps available
• Cannes Film Festival success
• Recent themed content collections
• Technical updates and new feature

Django Nudo and The Smut Peddler welcome Robert Page, the visionary creator behind the revolutionary sex education series "The Lover's Guide". Page delights listeners with extraordinary behind-the-scenes stories from his illustrious career, including a surreal phone call from Stanley Kubrick seeking advice on directing intimate scenes for "Eyes Wide Shut" and an unexpected encounter with tabloid journalism involving Heather Mills McCartney. Perhaps most surprisingly, Page reveals how his educational series may have influenced the Catholic Church to soften its stance on masturbation after the programme demonstrated how widespread the practice is among both men and women.

The conversation thoroughly explores the remarkable origin story of "The Lover's Guide" in the early 1990s, strategically positioned in a unique cultural window between older clinical sex education films and the explosion of internet pornography. Page recounts his pivotal meeting with British film censor Jim Ferman during the AIDS crisis, where he unexpectedly received permission to show explicit sexual content for educational purposes, including erections, intercourse, and oral sex—provided they "didn't linger" on any particular activity and included a doctor as presenter. This breakthrough allowed Page to create what would become a cultural phenomenon that invested the equivalent of £5 million (in today's money) in production values.

Page shares fascinating insights into the series' development philosophy, explaining their deliberate approach to portraying intimacy with genuine warmth and respect rather than clinical detachment or pornographic sensationalism. He discusses the considerable challenges of finding performers willing to appear in such groundbreaking content, the scandals that erupted when some were discovered to have pornographic backgrounds. The series ultimately proved so popular that it knocked Hollywood blockbusters like "Die Hard" and "The Little Mermaid" off the video charts and was purchased predominantly by women (55%).

The conversation takes several poignant turns as Page reveals personal struggles during production, including his marriage falling apart while creating a series about enhancing relationships. He also shares the tragic story of the series' star couple, Wendy Anne Paige and her husband Tony, who became celebrities through the programme before experiencing a downward spiral that ended with Wendy's death "in penury" in December 2024.

There's revealing anecdotes about international reception, including unauthorised Chinese translations that sold millions without compensation, censorship battles in Japan, and Dutch companies that purchased distribution rights only to bury the product while creating their own competing versions. Page expresses particular pride in the series' unexpected success in France, noting the irony of "the English teaching the French about sex."

The conversation concludes with Page discussing the enduring legacy of "The Lover's Guide" thirty years after its initial release, with both The Guardian and The Sun recently publishing features acknowledging its continuing relevance. Page shares touching stories about receiving thousands of letters from couples whose relationships were saved by the series and expresses hope that its core messages about communication, respect, and genuine intimacy can still positively impact relationships today—values he believes are needed more than ever in our increasingly divided world.

Throughout the interview, Page's passion for his groundbreaking work shines through, along with his sense of humour and genuine belief in the power of education to foster healthier, more loving relationships. This episode offers listeners not just a nostalgic look back at a cultural phenomenon, but a thoughtful reflection on how approaches to sex education have evolved over decades and what might be lost or gained in our modern digital landscape.

Episode 80 finds us back on air after a brief hiatus (and hospital visit!), with plenty of news to share about both the platform and our upcoming releases. We start by addressing the elephant in the room - our transition to GoCardless bank transfers for payments. This change came about because traditional payment processors (boo-hiss Stripe) weren't comfortable with our vintage nudie and erotica content, even though it represents only a small percentage of our library.

We delve on our past and present theme months, with January's "Madness Takes Its Toll" exploring psychological and asylum-themed films, while February brings you "Filthy Fiftieth Feb," a look back at provocative cinema from 1975. We were particularly excited to introduce our new team members, Kalle and Tightsbury, who've been revolutionising our social media presence with creative edits and trailers.

A major highlight is our announcement of upcoming Blu-ray releases. "Anita: Swedish Nymphet" is getting the deluxe treatment with multiple versions and extensive bonus materials, plus we revealed a partnership with Vinegar Syndrome for US distribution. We're also finally bringing "Thriller: A Cruel Picture" (also known as "They Call Her One Eye") to Scandinavian audiences.

We shared our most-watched films of 2024, with "Vintage Erotica Anno 1970s" taking the top spot, followed by "The Swedish Sin 1969-2000." The endless popularity of "Summer with Vanja" continues to mystify us, while "The Intruders" surprisingly topped our "nice list" despite never having received a proper DVD release.

Looking ahead, we're expanding our library with several exciting acquisitions. We've secured twelve restored Hungarian films, and we're particularly thrilled about bringing the complete "Lover's Guide" series to our platform - a groundbreaking educational series that made history in the UK. We're also filling some genre gaps with new additions in spaghetti westerns, Euro horror, and American high school comedies from the 1980s.

Throughout the episode, we seem to keep returning to "Terror in the Midnight Sun" as our foundational film, being the first we ever released across various formats. We wrap up with an amusing (we think so) segment reading feedback from members who decided to leave Cultpix, showing both the challenges and entertainment value of running a niche streaming service dedicated to cult cinema.

Cultpix is more than just a streaming site for classic cult and genre films, as we never tire of saying and we're expanding big time beyond just streaming, with our growing physical media presence and international partnerships setting the stage for what promises to be an exciting 2025 for cult film enthusiasts.

Greetings Cultpix fans! Django Nudo and the Smut Peddler are back with Episode 79 of Cultpix Radio, where we finally crawled back onto the airwaves after a two-month hiatus. Here's what went down during the extended radio silence:

The BIG Topics:

• Why we've been MIA: Turns out credit card companies aren't fans of our "abusive" content (their words, not ours). Stripe kicked us off their platform because apparently showing classic cinema with occasional nudity makes us as risky as selling firearms and dodgy supplements. Who knew?
• The Great Payment Saga: After trying 35+ different payment solutions and getting rejected for having films containing everything from "strangles" to "berserk" content (seriously, they flagged a family comedy), we're moving to direct debit payments. Take that, censorship!
• Growing Strong: Despite the payment drama, we've grown 80% in the first six months of this year and were going strongly until we were de-platformed. Not too shabby for an "abusive" platform!

Recent Theme Months and Weeks:

• Satanic September: Hell yeah!
• Arts-ploitation: When arthouse meets exploitation, featuring heavyweights like Buñuel, Coppola, and Lynch
• The Jaeckin/Kristel Connection: His name is NOT pronounced Just Jackin'
• Black November: A diverse collection of films including some fascinating South African B-scheme movies from the 80s

Coming Up:

• Estonian Fantasy Week: Including "Arabella the Pirate's Daughter" (think Pippi Longstocking meets pirates)
• Dirty Docu December: 31 days of "educational" documentaries from the 70s, including the extremely scientific "Sex and Astrology"
• Apps for big screen viewing are finally coming! (Touch wood)

Special shoutout to our favourite user comment: "Your website is dogshit." Thanks for the constructive feedback, matey! A more sincere thank you to our friends and collaborators Kalle and Tightsbury for all their recent video help.

And yes, for those wondering - our upcoming Blu-ray releases will have slip cases. Because nothing says "quality cinema" like a good slip case.

Stay abusive, stay exploitative, stay with Cultpix! 🎬

In this sizzling episode of Cultpix Radio, we're diving horns-first into Satanic September, our devilishly delightful themed month. Prepare your souls (and your eyeballs) for a hellish ride through our infernal collection!

We kick things off by bragging about our recent documentaries, including some fancy-schmancy lectures from the Wickman Week film festival - we managed to persuade several professors and international academics to come all the way out to rural Sweden to discuss vintage smut. We've even added subtitles to Christina Lindberg's Swedish chatter - because nothing says "exploitation cinema" like educational content!

Then we descend into the fiery pits of Satanic September, featuring such unholy gems as:

1. "Satan in High Heels" (1962) - Because nothing says 'devil worship' like fabulous footwear!
2. "To Hex with Sex" (1969) - A comedy about making deals with the devil. Spoiler: It doesn't end well (but it's hilarious).
3. "Enter the Devil" (1972) - A budget so low, even Satan wouldn't touch it.

We also gush about our eternal flame "Alucarda" (1977) and wax poetic about regional exploitation films. Who knew Texas and Florida were hotbeds of cinematic sin?

Looking ahead, we tease you with upcoming theme weeks that'll make your head spin (maybe literally):

- "31 Nights Until Halloween" - Because 31 days just isn't enough spook for your buck.
- "Art-sploit" week - Where we pretend exploitation films are high art. Bring your beret!
- Joe Sarno week - Swedish-American co-productions that'll make you say "Uff da!"
- A Dutch treat with Just Jaeckin and Sylvia Kristel - Prepare for an Emmanuelle overload!
- Irving Klaw week - Betty Page, anyone?

We wrap up by sharing the most hilarious excuses members have given for unsubscribing. Our personal favorite? "I was drunk and horny when I signed up." Hey, we've all been there, buddy!

Remember, at Cultpix, we're adding new films faster than you can say "Hail Satan!" So stick around, sinners. It's gonna be one hell of a ride!

We're back! After a bit of a hiatus, we're back on the airwaves with a brand new episode of Cultpix Radio. It feels good to be back, and we've got a lot to catch up on. This episode is all about filling you in on what we've been up to during our break, the incredible events we've hosted, and the exciting content we've been adding to Cultpix.

First up, we dive into the recently concluded Wickman Week. This was an event like no other—a celebration of exploitation and genre cinema that took place at a truly unique location in Sweden. We screened films on 35mm, welcomed guest speakers from around the globe, and even handed out our very first Torgny Award to the one and only Lisa Petrucci from Something Weird Video. Lisa's contributions to the world of exploitation cinema are unparalleled, and we were thrilled to honor her in this way. We also streamed all the non-film content live on Facebook and YouTube, and it's still available to watch on our YouTube channel, though we'll be moving it to Cultpix soon.

Next we take you through the recent themed months on Cultpix. We wrapped up Amazonian August, where we dug deep into the Something Weird Video archives to unearth some truly bizarre new jungle films. There’s also the ongoing Italian Genre Maestros week, featuring cult classics like "Massacre in Dinosaur Valley" (1985) and several works by Enzo G. Castellari. These films are quintessential examples of the Italian exploitation genre, and we're excited to showcase them, even if some are geo-blocked to Scandinavia.

Speaking of what's coming up, we're especially excited about the impending arrival of Satanic September. This month, we'll delve into the dark and twisted world of satanic cults and rituals with a carefully curated selection of films from Something Weird Video and beyond. We’ve got everything from "My Tale Is Hot" to "To Hex with Sex," and it’s going to be one hell of a month!

We’ve also been hard at work on something many of you have been asking for—apps! Yes, we are finally developing apps so that you can enjoy Cultpix on more than just your web browser. First an app for the Amazon Fire TV Stick, which will make it easier for us to roll out apps for Android TV as well. Roku is also on our list, and after a few bumps in the road, we're optimistic about launching a Roku app by the end of the year. We’re even eyeing smart TVs and Apple TV as future platforms.

We wrap up the episode by reflecting on the films and events that have made the past few months so memorable. From our juvenile delinquency-themed June to the Swedish Sin celebration in July, we've been busy curating and bringing you the best of cult cinema. And don’t worry—this episode isn’t a one-off. We’re committed to returning to more regular programming, with more episodes, more themed weeks, and more deep dives into the wild and wonderful world of cult films.

So, sit back, relax, and let us take you on a journey through what’s new, what’s coming, and what’s making Cultpix the ultimate destination for exploitation and genre cinema fans. We’ve missed you, and we can’t wait to share all the exciting things we have in store.

Also, enjoy the five-hour (!) Spotify playlist from our recent book launch - order the book HERE! Outro: "Let's go rent a video

Django Nudo and the Smut Peddler are thrilled with the reception to the Mike Vraney Memorial Month, with a wealth of new films from Lisa Petrucci - the first Theme Month when we did TWO films each day - and an influx of new members. (There will be more news from Something Weird Video soon.) 'Roughies' such as "Unholy Matrimony" (1966) were definitely a favourite of Mike's.

We discuss why we don't have any 'subscribers', but only MEMBERS, how we do the Jewish Mother guilt trip to get them to stay and why Cultpix is amazing value at $4.92 if you sign up for a whole year, while some people pay $6.66 to just watch one film.

The theme week is the Scopitone, an amazing machine, described as "If a Wurlitzer Jukebox and an old tube television had a love child, it would look like the Scopitone," by Between the Liner Notes (BTLN). It was the tall and grown up version of the jukebox, placed in cocktail bars, where people were prepared to pay a quarter to see a precursor to the music video. The $3,500 machine ($26,000 in today's money) was expensive, but often paid for itself in as little as three months. There was mobster, Kennery and Debie Reynolds connections, all of which we discuss. If you want to dig deeper, look out for Stevenson’s essay, “The Jukebox that Ate the Cocktail Lounge”, in his book "Land of a Thousand Balconies: Discoveries and Confessions of a B-Movie Archaeologist", and while we are on the subject of Jack...

Cultpix is having a bunch of IRL events in the next month, including:
Scandinavian Sin at the Offscreen Film Festival at Cinema Nova 7th March in Brussels, with Jack Stevenson and Christina Lindberg;
Nordic Horror Fest at Husets Biograf in Copenhagen, 17th February;
We will be at the Berlin Film Festival, so drop us a line if you want to meet up and have a beer.

February's theme is Filthy 50th, in which we celebrate the adult films that were released in 1974, right in the middle of the so-called "golden age of American pornography" or 'porno chic'. We kick off with a porn film by Roberta Findlay called "Angel on Fire" (1974), aka "Angel 9", called "The first erotically explicit film ever made by a woman". At least 20 of the films are new to Cultpix.

Also in February, we will have a take-down of Ingmar Bergman (with his black sheep daughter Anna Bergman), some cool and culty films from the Estonian Film Institute (Nazis!! In a lunatic asylum!) and a Spotlight on Echelon Studios. 

We finish with the intro music to "Libahunt / Werewolf" (1968) from Estonia, directed by Leida Laius. "Tiina, the daughter of a woman burned as a witch, grows up on a farm with the orphan girl Mari and Margus, the son of the Tammaru family. Margus loves the hotblooded, energetic Tiina, but his parents want him to marry Mari. Mari thinks Tiina has bewitched Margus, and spreads a rumor that her stepsister is a werewolf."

The Top 10 films on Cultpix in 2023.

Top 10 Nice:

10. Eve and the Merman (1965) - A 60s nudie, with no (famous) talent behind or in front of the camera! 

9. Alucarda, the Daughter of Darkness/Alucarda, la hija de las tinieblas (1977) - An actual classic! Demonic forces and obsession. 

8. Killer Workout (Aerobicide) (1987) - Cheesy 80s outfits in a Jane-Fonda-meets-Jason slasher.

7. Skräcken har 1000 ögon/Fear Has 1,000 Eyes/Sensous Sorceress (1970) - “A study in fear, sex and magic!”

6. Takin' It Off (1985) - 80’s sex comedy, where Kitten Natividad as a stripper who wants to be an actress, but her boobs get in the way.

5. Zero in and Scream (1971) - An extremely obscure film about a lunatic shooter, killing couples in the Hollywood Hills.

4. Kyrkoherden/The Lustful Vicar (1970) - Finally! A restored film! Wonderful nudie classic, in a historical setting and Cinemascope! 

3. 42nd Street Forever, Vol. 1 - Trailer compilation with a mix of genres: horror, sexploitation, blaxploitation, mondo, roadshow, Euro sleaze…

2. Inkräktarna/The Intruders (1974) - Low-budget and all but forgotten sexploitation film by Torgny Wickman, the Swedish sex-ed pioneer.

1. Colour Correct My Cock - Trailer and clip compilation by the Canada's Vagrancy Films.

Top 10 'Naughty':

10. Den k... familjen/Happy Family (1976) - Yet another shoddy Swedish low budget film, by the crappy Heinz Arland (who did Summer With Vanja). 

9. Jag vill ligga med din älskare, mamma/Swedish Confessions (1977) - Andrei Feher is an interesting name in Swedish erotic movie history. This is his debut.

8. SexWorld (1978) - A sex parody/spoof of the films Westworld (1973). Sex animatronics satisfy every need…

7. Teenage Fantasies II (1980) -  Rene Bond! Of course, she has to be on the top 10. 

6. Debbie Does Dallas (1978) - A true classic!

5. The Young Like it Hot (1983) - From Bob Chinn theme week.

4. Sweet Young Foxes (1983) - Vintage 1983 smut! Also Bob Chinn, also Hyapatia Lee! Are we seeing a pattern here?

3. Pretty Peaches 3: The Quest (1989) - Here’s a real erotic classic directed by Alex de Renzy.

2. The Summer With Vanja/Sommaren med Vanja (1980)  Bad, late Swedish sin porn film. Why, oh, why, did you people want to watch this crap?

1. Den svenska synden/The Swedish Sin (2000) - A compilation of scenes from Swedish sexploitation films from 1969 to 2000. 

Santa Nudo and the Smut Peddler (aka Satan's Little Helper) are back in the studio after a long break. Lots of things has been happening while we were of air and busy with other (Cultpix things), including finances, applications and great plans for 2024!

We had a second Rene Bond Theme Week and there are enough of her films to come for two more weeks.

In October we had 31 Days of Halloween, which inspired us to have regular theme months where we highlight existing films and include some new ones.

As part of the October Halloween theme we had a Theme Week of UK Horror and Fantasy in co-operation with our good friends at Stream Go Media. This gave us the chance to show great titles suc as Blood of the Vampire, Circus of Horrors, Devil Girl from Mars, The Gamma People, The Snake Woman and many others.

Also in October we had the second week of South African exploitation films made during the Apartheid era. This is a slice of film history never screened/streamed anywhere else before.

Last week of October we tried something different with a Theme Week of The Golden Age of Gay Erotica, which we thought might upset some members, but which was wel received and (more importantly) watched. 

November was our Noir-vember, with classic titles (some even considered 'quality') and some titles not previously on Cultpix. Sadly the big blog post about it was wiped by the system.

After that we had an interesting find, again thanks to Stream Go Media, in the form of the super-productive Hong Kong director Godfrey Ho, who gave us one-legged hopping Chinese vampires in "Robo Vampire" (1988)  in  and Cynthia Rothrock in "Honor and Glory" (1992).

IN early November we paid tribute to the great Michael Weldon, by looking back of his touring Psychotronic Films festival in Stockholm and Europe at the very start of our careers. He was and remains a huge influence.

The Taiwan Film and Audiovisual Institute (TFAI) became our 50th content partner when we signed the deal with them in Lyon, giving us access to two great 1960s films.

December was the Cultpix Christmas Calendar theme month, with hand-picked selections of films good enough to hang in your Christmas tree.

December was also the René Cardona Jr theme week, famous for ripping of big blockbusters and for using real animals in a way that Hollywood would never dare.

Last for December was a bit of a break - an intermission, if you will, with Hey Folks, It's Intermission Time! compilation films.

In Januari 2024 we will have a Mike Vraney Memorial Month, to remember 10 years without him, with Lisa Petrucci curating 62 films! Also next year we will have an IRL post exhibition, a new posters coffee table book, the Wickman Week get-together, more theme months/weeks and lots more!

We will also get better at doing the podcast and newspetter, we promise.

So for now, we wish you a Merry Christmas and a Happy New Year, you beautiful Cultpix freaks, geeks and c

Count von Nudo and Schmutt P. Eddler do the time warp back to the musical that started a cult phenomenon exactly 50 years ago - The Rocky Horror (Picture) Show. We celebrate the opening song "Science fiction/Double Feature", which name-checks some of the greatest science fiction and horror films of the 1930s, 40s, 50s and 60s.

We have been able to include six of the 11 films mentioned in this theme week. The other five, such as King Kong (1933) and The Invisible Man (1933) belong to big Hollywood studios, making it more difficult for us to get the rights to show them (but we will keep trying).   

Tony Sokol over at DenofGeek.com has a great overview of each song and film reference, from which we have stolen, sorry, quoted extensively. Do read his original article for more context and in-depth insights. It is remarkable how well Richard O'Brien knew his B-movies, given that there was no Internet or IMDb back in the days, but that is a sign of true geek fandom. Respect!

The Day the Earth Stood Still (1951) -  “Michael Rennie was ill the day the Earth stood still, but he told us where we stand.” A science fiction film with a message for earth to get its s#!t together, by the great director Robert Wise.  “Klaatu barada nikto”.

Flash Gordon (1936) -  “And Flash Gordon was there in silver underwear”. An episodic cinema serial with Buster Crabbe fighting Ming the Merciless. Familiar from television re-runs and of course the more famous 1980 re-make. 

It Came From Outer Space (1953) -  “Then at a deadly pace it came from outer space.” An alien spaceship crash lands in the Arizona desert and people start acting strange. More Cold War paranoia, by director Jack Warner. Originally in 3D but shown here in boring 2D.

Doctor X (1932) -  “Dr X will build a creature.” Doctor Xavier doesn't actually build a creature (Frank N Further does tho), in this pre-code color film by Michael Curtiz, who later directed Bogart again in Casablanca (1942).   

“See androids fighting
Brad and Janet
Anne Francis stars in
Forbidden Planet…”
Oh-oh-oh-oh-oh-oh
At the late night
Double Feature picture show”

The Day of the Triffids (1963) - “And I really got hot when I saw Janette Scott fight a Triffid that spits poison and kills.” Or as Tony Sokol put it,  "Vegetarians eat vegetables. Humanitarians, like Doctor X, eat humans. Triffids are vegetables that eat humans, vegetarian or not." So don't look up at meteor showers, or you'll wake up all "28 Days Later." Freddie Francis co-directs.

Curse of the Demon aka Night of the Demon (1957) - “Dana Andrews said prunes, gave him the runes, and passing them used lots of skills.” Jacques Tourneur, of Cat People (1942) and I Walked with a Zombie (1943) fame, directs this British demonic chiller.

A special shout-out to RKO Radio Pictures.

We have our biggest Spotify playlist EVER, with over 100 songs. 

Denmark might not be the first country you think of when it comes to science fiction films, but Django and Smut put it on the space map with the latest theme week, celebrating two film makers that made their mark on the genre:  Ib Melchior and Sidney W. Pink. The Dane Melchior was a distinguished World War II hero who was awarded the Bronze Heart, before embarking on writing and directing. He met American producer Sidney W. Pink, who moved to Denmark in 1959, as related in this interview by Ib late in his long and rich life. The two would form an un-easy creative partnership that spanned Denmark and the US across several films - and all because of union issues. 

Already on Cultpix:

"Reptilicus" (1961) - Denmark's first and only Kaiju film sees a giant lizard re-grown from a frozen tail rampage downtown Copenhagen, creating un-Hygge feeling. Dirch Passer sings a song with a bunch of kids about Reptilicus, in a scene cut from the US releases of the film.

"Death Race 2000" (1975) - This car race cult classic was based on the short story "The Racer" by Ib Melchior, which you can hear a great reading of in this radio series episode form MindWebs, which aired on WHA Radio in Madison, Wisconsin from the mid-1970s to the mid-1990s.

"Candidate for a Killing" (1968) - Euro-thriller produced by Pink. Ib said Pink eventually became a personan non-grata in both Denmark and Spain.

"13 Demon Street" (1959) - Echoes of "Reptilicus", "Terror in the Midnight Sun" (1959) and "The Thing" (1951) in this TV episode about a women frozen in ice. 

New on Cultpix:

"The Angry Red Planet" (1959) - CineMagic was the process to give this tale of astronauts fighting off carnivorous plants, giant amoebas and a bat-rat-spider-crab creature on Mars a distinctive look. It wasn't quite 3D, but gives the film a unique look. 

"Journey to the Seventh Planet" (1962) - Cue jokes about probes being sent to 'your anus'. But this film has echoes of 'Solaris' in terms of the UN astronauts' memories creating flesh and blood women appear suddenly. Set in the year 2001. 

"Robinson Crusoe on Mars" (1964) - Daniel Defoe's classic story re-told on the red planet.  Byron Haskin directed the Ib Melchior screenplay with great use of Death Valley. Victor Lundin, one of the stars of the film, wrote an eponymous song that he played at sci-fi conventions. 

"Keep Off the Grass" (1970) - Ib's anti-marijuana information film from the era of Nixon's 'War on Drugs'.

Don't miss the next Theme Week: films name checked in Rocky Horror Picture Show's "Science Fiction/Double Feature" song.

There is of course a Danish Dudes Spotify playlist.