Erica N. Cardwell reflects on writing Wrong Is Not My Name: Notes on (Black) Art, a possible anti-memoir that features essays on the importance of art criticism, visuality, grief, and radical Black imagination. Because the visual aspects of Cardwell's stories and analysis are so striking, she also shares stories of the art featured on the book cover and accompanying essays.

Dr. Matthieu Chapman discusses his experiences with genre shift from academic writing to his beautiful hybrid memoir, Shattered: Fragments of a Black Life. He shares his thoughts on craft, genre, “the canon” in Early Modern Studies, the fallacy that Shakespeare is inclusive, and the importance of Afropessimism.

At the beginning of the new year, I talked to Athena Dixon about the release of her latest book, The Loneliness Files: A Memoir in Essays. She shares how the book came to be and how she interrogated the concept of loneliness in all of its manifestations through research, personal life, fandoms, pop culture, technology, the pandemic, and more. 

In Nishanth Injam's stunning debut collection, The Best Possible Experience, examines the social ails of life abroad as an adult immigrant. In the episode, Nishanth discusses how fragments and contours of his personal life weave into his fiction as a way to translate, preserve, and document memories of home and family. He also shares his thoughts on technology and labor, craft decisions, and more.

In her debut book, A Flat Place: A Memoir, Dr. Noreen Masud traces the longstanding impacts of colonialism in flat places and landscapes while sharing intimate stories of her formative years in Pakistan, her family, trauma and therapy, and her sojourns to Orford Ness, Morecambe Bay, Newcastle Moor, and Orkney. In the interview, we also address the two different subtitles in their respective U.K. and U.S. contexts, the possibility of being misread as reparative, and much more.

What would resistance against capitalism and neoliberalism look like in the intimate sphere is one of the major questions Sophie K. Rosa reflects upon in her debut book, Radical Intimacy. Thinking through many social movements (Black Lives Matter, climate justice, FreeBritney, political scandals in the U.K.), she shares her thoughts on using theoretical language (e.g., Sophie Lewis’s work on abolition in family and Dr. Kim Tallbear’s scholarship on anticolonial perspective on kinship, love, and relationships) while being attuned to their local and global contexts. 

Mai Nardone talks about his first book, the story collection Welcome Me to the Kingdom, which spans four decades and traces urbanization of the late 1980s, the financial crisis of 1997, and the current landscape in Thailand. He talks about his studies in economics and how this perspective shaped the focus on labor and the many industries (tourism, sex), racialization, travel, religious communities in Thailand, and writing against the global imagination of the country.

Lamya H. speaks about writing an unapologetically queer and Muslim text in her debut work, Hijab Butch Blues: A Memoir, which chronicles her formative years in a Middle Eastern country and her continuing education in the United States. She recalls writing “Hajar” as a standalone essay, and how she formed and shaped a narrative arc that shaped the memoir extrapolating foundational texts like the Quran to share stories about her upbringing, relationships, academia, critical nostalgia, geographies, and intertextualities. 

Rebecca May Johnson charts her writing and thinking processes in what became her first book, Small Fires: An Epic in the Kitchen, a text that embodies and challenges notions of language and form, recipe writing, domestic spaces, performativity, and the body and labor, all of which gestures to the possibilities and pleasures of the text. She shares how writing her dissertation on The Odyssey is an allegorical, shadow text to the epic in Small Fires, memoir vs./or epic, her travels in Arkansas, and more.

Dr. Allan E.S. Lumba (Concordia University), author of Monetary Authorities: Capitalism and Decolonization in the American Colonial Philippines, discusses critically examining the seemingly quotidian object of money to write about the history of the Philippines by engaging questions of racial capitalism and hierarchies, imperialism, unconditional decolonization, and materialism. In the interview, he also shares insights on the evergreen topics of interdisciplinarity, narrativizing the archives, expertise, and more.

In anticipation of his debut novel, Jinwoo Chong shares the genealogy of writing Flux, an ambitious novel told through multiple perspectives. Chong talks about being inspired by Elizabeth Holmes and Theranos, and weaving them into a complex novel that examines multiple discourses, including technocapitalism, overblown promises of technology, nostalgia, pop culture, representation, and much more.