Debut author Miranda Shulman joins literary agent CeCe Lyra to talk about turning a childhood dream into her literary suspense novel ‘Harmless’—and why the stories we tell ourselves about adulthood don’t always hold up. From writing her first draft at Planned Parenthood to landing an agent through a fellowship (no traditional querying required), Miranda shares her unconventional path to publication. They dive into obsession, messy female friendships, and the existential spiral of your late 20s—plus what it really takes to shape a compelling, complex protagonist.

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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This week, Carly and CeCe dive into major shifts in publishing—from quiet updates to the ‘New York Times’ bestseller list to growing concerns about editors using AI behind the scenes. Carly and CeCe unpack what these changes signal about industry trends, including the rise of audiobooks and the decline of mass market paperbacks. They also tackle the controversy around manuscripts being fed into AI tools—and what that means for author trust and confidentiality. Plus, a fascinating breakdown of debut author advances reveals what writers are really getting paid today.

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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AS SHARED ON THE PODCAST:

https://open.substack.com/pub/emilyzipps/p/2025-debuts-data-part-two?r=h5j0&utm_campaign=post&utm_medium=web

https://www.nytco.com/press/announcing-updates-to-our-best-seller-lists/?mc_cid=edfbfdb621&mc_eid=c3c057229b

https://www.thebookseller.com/news/some-editors-uploading-confidential-manuscripts-to-chatgpt-to-read-quickly-agent-claims

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This week on Books with Hooks, Bianca, CeCe and Carly break down two query letters—and pull no punches. From missing plot lines to overstuffed author bios, they highlight the biggest mistakes writers make when pitching their work. They dig into why subplots don’t belong in queries, how vague “vibes” kill momentum, and why your protagonist must think on the page—not just act. Plus: the danger of performing for the reader, the myth of show don’t tell, and what agents actually need to say yes. 

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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It’s chaos in publishing—and Carly and CeCe are breaking it all down. From the AI controversy behind Shy Girl to growing fears around trust, authorship, and what readers actually want. They get real and talk about layoffs, imprint closures, and what it means for writers navigating an already tough landscape. Plus: the reality of editor turnover, the flood of self-published books, and why literary fiction might be poised for a comeback.

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

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Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

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AS SHARED ON THE PODCAST:

https://newrepublic.com/article/207659/non-fiction-publishing-threat-important-ever\

https://www.threads.com/@deeshaphilyaw/post/DWITRYgDD7W?xmt=AQF0Fl2ZZ9Yzr6vOCqP5Rn06mB

XnH6Wo48wf0CG3MrKm6Q

https://substack.com/@janefriedman/note/c-230548625?r=h5j0&utm_source=notes-share-action&utm_medium=web

https://www.nytimes.com/2026/03/19/books/shy-girl-book-ai.html?unlocked_article_code=1.UlA.R8RW.PFdWmcI_UreZ&smid=nytcore-android-share

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A double author interview you don’t want to miss! Bestselling author Beth O’Leary breaks down her signature approach to writing high-concept, emotionally grounded romance—starting with a compelling “what if” hook and building outward into layered characters, structure, and setting. She shares how ‘The Name Game’ evolved from a simple premise into a complex, multi-POV narrative with intentional use of diaries, emails, and dual timelines to deepen tension and deliver surprising twists. Beth also dives into craft essentials like differentiating character voice, managing pacing across timelines, and why first drafts are meant to be messy. From false starts and massive rewrites to the power of immersive world-building (even in contemporary fiction), this interview is a masterclass in trusting the process, refining your craft, and turning raw ideas into deeply satisfying stories.

Author Kate Hilton shares how ‘City of the Muse’ grew from a collision of real-world academic scandals and archival discoveries into a richly layered dual-timeline mystery spanning Egypt and modern-day Toronto. Drawing on her lifelong fascination with archaeology—and years of research into papyrology, forgotten histories, and women in early excavation work—she unpacks the craft behind balancing past and present narratives, sustaining momentum across timelines, and creating distinct, psychologically grounded characters. Kate also offers candid insight into the realities of long-haul writing (including six years of drafting between other projects), the push-pull between research and procrastination, and how intuition ultimately guides decisions around voice, POV, and structure—reminding writers that every story is, at its core, a mystery waiting to be uncovered.

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

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Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

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Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

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March’s bonus episode is jam packed. We start off with an engaging conversation, Bianca speaks with author Kerry Clare about her latest novel, 'Definitely Thriving.' They explore the inspirations behind the book, including the influence of Barbara Pym and Rebecca Solnit, and discuss the complexities of writing, character development, and the importance of community and female empowerment in literature. Kerry shares her experiences of writing during the COVID-19 pandemic and reflects on the challenges of marketing unconventional narratives. The discussion highlights the joy of storytelling and the significance of living life on one's own terms.

Part two shifts to Bianca connecting with actor-turned-author Summer N. England. She shares her unconventional path to publishing—going from storytelling on TikTok to landing a literary agent (without ever writing a query letter) and ultimately selling ‘The Impossible Garden of Clara Thorne’ at auction. In this lively conversation, she breaks down her character-first writing process, how her background in acting shapes immersive, physical storytelling, and why platform built from joy—not strategy—can open unexpected doors. 

Part three turns to publishing insider Chris Houston who pulls back the curtain on what actually sells books today—from why traditional publicity timelines are shrinking to just a few months, to the surprising truth that legacy media (like CBC, The Globe and Mail, and the New York Times) still moves the needle more than social media alone. Chris shares candid insights on why most great books go unnoticed, how platform and consistent online presence can build long-term momentum, and why authors must actively partner in their own publicity (no “set it and forget it” allowed). He also shares why investing in publicity is really an investment in your entire writing career. 

Don’t forget to stick around for another comps episode with Emilie Sommer of East City Book Shop!

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

Threads: https://www.threads.net/@the_shit_about_writing

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Instagram: https://www.instagram.com/the_shit_about_writing/

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Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

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This week’s Books with Hooks gets real. The hosts dissect two query letters — one with a jaw-dropping horror premise and another that sparks big conversations about comps, pacing, and giving away too much too soon. From believable character choices to the difference between strong writing vs strong storytelling, this episode is packed with blunt, actionable feedback emerging writers need to hear. If you’re querying, revising, or obsessing over your first pages — don’t miss this one.

​​Trigger Warning: This episode contains adult language and discussions of mature themes. Listener discretion is advised.

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

Threads: https://www.threads.net/@the_shit_about_writing

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Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com

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Publishing isn’t broken… or is it?

This week, Carly and CeCe unpack the explosive reaction to last episode—burnout, disillusionment, and the uncomfortable truths no one wants to say out loud. Plus: a stat that proves a tiny group of readers is carrying the entire industry (yikes). They also call out London Book Fair myths, Instagram fatigue, and why long-form thinking is making a comeback.

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

For the newsletter lovers who enjoy Carly’s off-duty takes on books,

motherhood, culture, money, wellness and more she launched her

substack THE WEEKEND RANT. Her first post is about the blockbuster

memoir STRANGERS by Belle Burden and why financially independent women

are so triggered by it. Check it out:

https://theweekendrant.substack.com/p/why-financially-independent-women?r=h5j0

Find us on our socials:

Threads: https://www.threads.net/@the_shit_about_writing

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Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

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You can also read: https://substack.com/home/post/p-190921451

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In this week’s episode, bestselling author J.R. Ward—creator of the wildly popular ‘Black Dagger Brotherhood’ series—joins the show to talk about her new romantasy novel ‘Crown of War and Shadow’ and the evolution of fantasy romance. J.R. and Bianca explore the difference between paranormal romance and romantasy, why collectible book editions are booming, and how immersive worlds help readers experience powerful human emotions in extraordinary settings. J.R. shares her unconventional writing process—“watching movies in her head” and transcribing them onto the page—and discusses the challenges of writing in first-person POV, balancing world-building with pacing, and crafting compelling character arcs. She also digs into storytelling craft, including planting curiosity seeds, revealing character through adversity, and why the best stories make readers care deeply about the people on the page.

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

Threads: https://www.threads.net/@the_shit_about_writing

https://www.threads.net/@biancamarais_author

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Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com

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In this week’s Shooting the Shit, Carly and CeCe bounce from industry gossip to big philosophical questions about publishing. They announce an exciting live podcast recording at the 'When Words Collide 2026’ conference in Calgary and share what’s buzzing around the London Book Fair—from politics and AI to the state of nonfiction. The conversation gets deeper when they unpack a viral Reddit post from a disillusioned editor questioning the publishing industry and what it really values. That leads to a bigger debate: high-brow vs. commercial fiction, literary prestige vs. sales, and whether success in publishing should be measured by awards or by the number of readers a book reaches. It’s an episode you don’t want to miss!

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

For the newsletter lovers who enjoy Carly’s off-duty takes on books,

motherhood, culture, money, wellness and more she launched her

substack THE WEEKEND RANT. Her first post is about the blockbuster

memoir STRANGERS by Belle Burden and why financially independent women

are so triggered by it. Check it out: https://theweekendrant.substack.com/p/why-financially-independent-women?r=h5j0

Find us on our socials:

Threads: https://www.threads.net/@the_shit_about_writing

https://www.threads.net/@biancamarais_author

https://www.threads.net/@carlywatters https://www.threads.net/@cece_lyra_agent

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com

Our Sponsors:
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In this week’s episode of Books with Hooks, Bianca, Carly, and CeCe critique two very different query letters—and what makes (or breaks) them on the page. First, they workshop an upmarket literary novel about an accountant heading to the brutal Mongol Derby, questioning stakes, starting point, and whether the pitch is selling the story or simply summarizing it. Then, they pivot to a 1970s dual-POV sports romance about a trailblazing female ultrarunner, breaking down strong comps, a compelling premise, and why opening pages need disruption, emotion, and seduction—not just context. Two queries, two first pages, and a masterclass in what agents are really looking for.

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

Threads: https://www.threads.net/@the_shit_about_writing

https://www.threads.net/@biancamarais_author

https://www.threads.net/@carlywatters https://www.threads.net/@cece_lyra_agent

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com

Our Sponsors:
* Check out Quince: https://quince.com/tsnotyaw
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