In this week’s episode, bestselling author J.R. Ward—creator of the wildly popular ‘Black Dagger Brotherhood’ series—joins the show to talk about her new romantasy novel ‘Crown of War and Shadow’ and the evolution of fantasy romance. J.R. and Bianca explore the difference between paranormal romance and romantasy, why collectible book editions are booming, and how immersive worlds help readers experience powerful human emotions in extraordinary settings. J.R. shares her unconventional writing process—“watching movies in her head” and transcribing them onto the page—and discusses the challenges of writing in first-person POV, balancing world-building with pacing, and crafting compelling character arcs. She also digs into storytelling craft, including planting curiosity seeds, revealing character through adversity, and why the best stories make readers care deeply about the people on the page.
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
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In this week’s Shooting the Shit, Carly and CeCe bounce from industry gossip to big philosophical questions about publishing. They announce an exciting live podcast recording at the 'When Words Collide 2026’ conference in Calgary and share what’s buzzing around the London Book Fair—from politics and AI to the state of nonfiction. The conversation gets deeper when they unpack a viral Reddit post from a disillusioned editor questioning the publishing industry and what it really values. That leads to a bigger debate: high-brow vs. commercial fiction, literary prestige vs. sales, and whether success in publishing should be measured by awards or by the number of readers a book reaches. It’s an episode you don’t want to miss!
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
For the newsletter lovers who enjoy Carly’s off-duty takes on books,
motherhood, culture, money, wellness and more she launched her
substack THE WEEKEND RANT. Her first post is about the blockbuster
memoir STRANGERS by Belle Burden and why financially independent women
are so triggered by it. Check it out: https://theweekendrant.substack.com/p/why-financially-independent-women?r=h5j0
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Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
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In this week’s episode of Books with Hooks, Bianca, Carly, and CeCe critique two very different query letters—and what makes (or breaks) them on the page. First, they workshop an upmarket literary novel about an accountant heading to the brutal Mongol Derby, questioning stakes, starting point, and whether the pitch is selling the story or simply summarizing it. Then, they pivot to a 1970s dual-POV sports romance about a trailblazing female ultrarunner, breaking down strong comps, a compelling premise, and why opening pages need disruption, emotion, and seduction—not just context. Two queries, two first pages, and a masterclass in what agents are really looking for.
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
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This week, Carly and CeCe are covering a little bit of everything—from surprising publishing mishaps to the realities of author blurbs and the strange psychology of the slush pile. They unpack what happens when an offer lands in an agent’s inbox… with the author’s name spelled wrong, why blurbs still matter (even when authors are overwhelmed by requests), and the unspoken etiquette of returning the favor in publishing’s “blurb economy.” The conversation also dives into overused comp titles in queries, how agents manage the emotional rollercoaster of the job, and why beta reader praise doesn’t always translate into agent requests.
Plus: magazine guilty pleasures, audiobook debates, and the self-care strategies agents rely on when the job gets intense.
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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Instagram: https://www.instagram.com/the_shit_about_writing/
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Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com
Bestselling thriller author Lisa Unger joins the show to talk about longevity, creativity, and the craft behind writing dark, layered stories. From surviving industry shifts to protecting your creative “deep work,” Lisa shares what it really takes to build a long writing career — and why the only constant is showing up at the page. Bianca and Lisa dive into writing multiple first-person POVs, creating authentic character voices, embracing organic storytelling, and how empathy and research shape powerful fiction. Plus: social media boundaries, reader relationships, and why the work always comes back to character.
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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Instagram: https://www.instagram.com/the_shit_about_writing/
https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/
Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com
Carly and CeCe are back! This week they chat about audiobook double-dipping stats, the behind-the-scenes “fires” agents constantly put out (covers, contracts, timelines, leverage), and whether traditional media still moves the needle—or just feeds our very human need for validation. They also dive into buzzy memoirs, literary-agent characters in fiction, and why AI submissions are getting spotted instantly and what that means for writers who don’t trust their own voice.
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/
Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com
In this episode of Books with Hooks, Bianca, CeCe, and Carly workshop two anonymous submissions—a YA dystopian and an adult thriller—breaking down what’s working, what’s missing, and how to level both projects up for the slush pile. First up: a YA dystopian about a society built on “modification,” where failure means servitude—and survival may depend on a dangerous twin-swap. Then they turn to an adult thriller about a woman who returns to her hometown, finds her missing sister’s diary, and uncovers links to a present-day disappearance. Packed with craft insights on hooks, openings, world-building, and psychological depth, this episode is a hands-on lesson in how to move from “good submission” to “I can’t stop reading.”
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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Instagram: https://www.instagram.com/the_shit_about_writing/
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Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com
February’s bonus episode is packed with oodles of amazing writing tips from incredible authors. In part one of this month’s bonus episode, Bianca, connects with bestselling thriller author Robyn Harding and breaks down how she builds slow-burn suspense in ‘Strangers in the Villa’—from sneaky prologues and curiosity seeds to power imbalances, inciting incidents, and structuring twists that keep readers guessing.
In part two of this month’s bonus episode, Bianca chats with debut romance author and former professional editor Emily Ohanjanians about the winding, very human journey behind ‘The Book Tour’—from leaving in-house publishing to writing her first novel, querying in small batches, and the whirlwind of submission. Emily reflects on being edited as an editor, why fast pacing and early tension matter in romance, and why a guaranteed happy ending is a non-negotiable promise to readers. They dig into tropes (grumpy/sunshine, forced proximity), the joy of secondary characters, and how “spicy” scenes should deepen character and move the story forward. Along the way, Emily discusses second-generation identity, family expectations, and how social commentary can coexist with escapist, feel-good romance.
And lastly, don’t miss out on Emilie’s comps!
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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Instagram: https://www.instagram.com/the_shit_about_writing/
https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/
Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com
In this week’s episode, Bianca connects with rising women’s-fiction author Mara Williams. Mara shares her winding road to publication, the Books with Hooks → beta reader → agent pipeline, and why community matters. They dig into writing emotionally charged openings, handling buried secrets, balancing romance with women’s fiction, and learning which feedback to take—and which to trust yourself to ignore.
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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Instagram: https://www.instagram.com/the_shit_about_writing/
https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/
Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com
This week’s Shooting the Shit is pure publishing chaos — in the best way. CeCe and Carly swap hilariously relatable publishing pet peeves (reply-all disasters, missing phone numbers, email thread nightmares), answer listener DMs about agent offers, beauty contests, and what to do when your “yes” doesn’t feel right, and dive into real talk about author marketing budgets and industry expectations.
They also unpack big publishing news — from Spotify’s new audiobook partnership to a fiery debate on AI-generated books that has the writing world talking. Plus: behind-the-scenes updates on what’s coming next for the podcast.
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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https://www.threads.net/@carlywatters https://www.threads.net/@cece_lyra_agent
Instagram: https://www.instagram.com/the_shit_about_writing/
https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/
Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.co
In this special Books with Hooks segment, the team sits down with author Sarah Miller-Adams to workshop her query letter for Bilateral Breathing, an upmarket, literary-leaning novel about three mid-career women in medicine on the brink of personal and professional collapse.
They break down what’s working (a striking voice, emotional depth, and powerful themes) and what needs sharpening—especially clarity around plot, POV, power dynamics, and how to handle multi-POV queries. From title choices to character introductions, stakes, and specificity, this episode is a masterclass in how to make agents both curious and impressed.
Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
Find us on our socials:
Threads: https://www.threads.net/@the_shit_about_writing
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https://www.threads.net/@carlywatters https://www.threads.net/@cece_lyra_agent
Instagram: https://www.instagram.com/the_shit_about_writing/
https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/
Facebook: https://www.facebook.com/TSNOTYAW
Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com
Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting
To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com