During my short time away from you, I reach back into the dim past of Talking Scared and unearth treasure. This From the Vault episode is from July 2021, when I first met Ronald Malfi, to talk about his supremely creepy (and weirdly lovely) novel Come With Me.

It’s a big, satisfying, chunky road novel packed full of murder, monstrosity and motel-stays in the creepier corners of the country. I recommend it to everyone.

Ronald joins me to talk about the book, about writing grief and the very real tragedy that underpins Come With Me. We get into in local lore, the link between leaded petrol and serial killers, and why ecology may be the new haunting. And yes, we talk about how marriage should be a bigger theme in horror! Next time your wife, or husband, or significant other gets up in the night – think about that. What are they up to in the bathroom? Could be the usual. Could be something evil.

Enjoy.

Other books mentioned in the show include:

December Park (2014), by Ronald Malfi

Snow (2010), by Ronald Malfi

The Only Good Indians (2020), by Stephen Graham Jones

I’ll Be Gone in the Dark (2018) by Michelle McNamara

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Following the debate and disagreements of the main deep dive into Hearts in Atlantis, Nat stuck around to discuss some more spoiler-laden details. We talk about the wider impact of the Low Men, and how this book is starting to hint at a major secret that Chris can’t yet know.

We also make plans for how to bring this project home – and spend a fair bit of time just calling Chris names!

Enjoy. But for your father’s sake Do Not Listen if you haven’t read the entire Dark Tower saga!!

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Deep dives don’t go any deeper than lost Atlantis!

In this latest station of the Dark Tower readalong, we head back to the 1960s for Stephen King’s Hearts in Atlantis – a book closer to my heart than almost anything King has ever written. As such, this gets a little contentious and arguments ensue. I will not back down!!

We talk about how this capsule of the USA’s most turbulent decade links directly to the Dark Tower. We spot hints of Randall Flagg. We talk peace and love, cynicism and hope, and we celebrate one of King’s greatest ever pieces of character work. Chris meets Low Men for the first time (or is it!?) and Nat gives us his take on the anti-boomer despair at the fulcrum of this novel.

It’s a lot. Hence the 2.45 running time.

Hope you enjoy it.

• Koko (1988), by Peter Straub
• First Blood (1972), by David Morrell
• From a Buick 8 (2002), by Stephen King
• Matterhorn (2009), by Karl Marlantes
• The Sorrow of War (1987), by Bảo Ninh

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You may know Jane Schoenbrun as the genius behind I Saw the TV Glow and Teenage Sex and Death at Camp Miasm, but I’m telling you that you HAVE to check out their debut novel.

Public Access Afterworld is an epic of the inbetween. It’s about a mysterious TV signal that reveals ruptures in reality, and how all of existence is so much stranger than we know. It’s an extension of Jane’s creative obsessions and their work to date, but also entirely it’s own insane thing.

Jane and I talk about the big themes. Media and reality, identity and transformation, horror and love. We give no spoilers, we just invite you in. Come join us between the static and the signal.

Enjoy – and thanks for listening.

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The 300th author interview is here. And I’m delighted it’s with a debut author, about a truly wonderful book.

Dorian Ravenscroft’s The White North Has Thy Bones is a supreme slice of Polar Gothic and Queer Horror alike. It’s the story of a disastrous 1860 expedition to the Arctic, and the competing stories of brutality and survival told by the few who make it home. Despite all the bloodshed and … strange meat… it’s also, somehow, a moving love story.

We talk about all of those elements, as well as the weirder parts of Arctic naval history and just why the great frozen north is such a good backdrop for Queer stories. And I give my advice for how to survive being starvation on the ice.

Enjoy – and thanks for listening.

The Terror (2007), by Dan Simmons

The Wager: A Tale of Shipwreck, Mutiny and Murder (2025), by David Grann

Where the Dead Wait (2023), by Ally Wilkes

Coffin Moon (2025), by Keith Rosson

An Immaculate Deception (2026) by Isabela Livino

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Happy Whalefall Weekend!

Brian Duffield’s incredible adaptation of Daniel Kraus’ novel is now in cinemas. I was lucky enough to see an early screening and even luckier to get time with Brian and Daniel to talk about how the hell they made something so audacious.

We talk daddy issues aplenty, whale stomach sets, practical FX and the toll they took on the star, Austin Abrams. And I get lost in my own rapture over a certain scene that almost made me feel a real, authentic human emotion. Unbelievable.

Enjoy!

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In Solace House, Will Maclean takes us back to the 90s for a drug-fuelled trip through some mindbending architecture. It’s a chance to get nostalgic for a more innocent time, when the clothes were baggy, the music was better, and you could spend a summer spent renovating an old asylum without needing to put in on TikTok.

It’s all fun and games until the existential terror kicks in and the fabric of reality comes unwoven.

Enjoy. This one was a good laugh.

• The Apparition Phase (2020), by Will Maclean
• And He Shall Appear (2025), by Kate van der Borgh
• The Modern Antiquarian (1998), by Julian Cope
• The Prisonhouse of Language (1972), by Fredric Jameson
• The Human Evasion (1969), by Celia Green
• Starmaker (1937), by Olaf Stapledon
• A Short Stay in Hell (2009), by Steven L. Peck
• “The Jaunt,” in Night Shift (1978), by Stephen King
• The Divine Farce (2009), by Michael Graziano

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This episode needs no attempt at a witty introduction. Stephen King is back to talk about Other Worlds Than These – the concluding volume of The Talisman saga, begun with Peter Straub 45 years ago.

We keep it spoiler-free, but we talk about Jack Sawyer’s journey and how it entwines with The Dark Tower. We reflect on The Talisman and Black House, on Wolf and my heartbreak. We discuss Peter’s inspiration for the story and how King summoned him to bring it to a close. And we even get some hints of what’s cooking in Steve’s brain for future projects. It seems he’s never slowing down, no matter what he say.

I hope you enjoy this.

Other books mentioned:

• Julia (1975), by Peter Straub
• Ghost Story (1979), by Peter Straub
• Redheaded Peckerwood (2010), by Christian Patterson
• King Sorrow (2025), by Joe Hill
• Sleeping Beauties (2017), by Stephen and Owen King
• Trad Wife (2026), by Sarah Langan

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Leaning into absolute high geekery this week – with Kyle Winkler’s novel of how family game night can go badly wrong!

The Ship of Death is about a cursed (and I mean CURSED!) tabletop role-playing game and the unlucky couple who choose to play it. Or, as Kyle describes it “Dark Jumanji.”

It prompts a conversation about games in life and fiction. Epistolary structure and found-fiction. We discuss his relationship with the bizarre, his love for mysteries without answers, we consider who is really responsible for the world-building in a story, and we pay a lot of respect to cosmic horror influences beyond Lovecraft.

It’s was a delight to record. Hope you enjoy listening.

Other books mentioned:

• Grasshands (2024), by Kyle Winkler
• Boris Says the Words (2022), by Kyle Winkler
• The Nothing That Is (2020), by Kyle Winkler
• Borne (2017), by Jeff VanderMeer
• Zothique (1970), by Clarke Ashton Smith
• The Dying Earth (1950), by Jack Vance
• Enduring Love (1997), by Ian McEwan
• Negative Space (2020), by B.R. Yeager
• True Crime (2020), by Samantha Kolesnik
• The House Next Door (1978), by Anne River Siddons
• My Dark Places (1996), by James Ellroy
• Penpal (2012), by Dathan Auerbach
• Mockingbird (1980), by Paul Tevis
• The Blacktongue Thief (2021), by Christopher Buehlman

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This week’s episode shows what a good haunted house can do.

Deena Helm is a mixed American-Palestinian author, who’s debut novel, Our Cut of Salt, puts all the power of the Gothic to use in framing the occupation and oppression of Palestine. It takes place before the ongoing genocide, but offer a chance to consider how horror fiction can play its part in framing that obscenity.

That all sounds heavy, and it rightfully is – but this book also has a frightening, tragic and murderous house at its core… so there’s (our kind) of fun to be had as well.

This is an important episode for the show. I hope you listen and enjoy.

Other books mentioned:

White is for Witching (2009), by Helen Oyeyemi

Tell Me I’m Worthless (2021), by Alison Rumfitt

Frankenstein in Baghdad (2013), by Ahmed Saadawi

Mornings in Jenin (2006), by Susan Abulhawa

Behind You is the Sea (2024), by Susan Muaddi Darraj

Gentle Things (2026), by Danielle Giles

Hungerstone (2025), by Kat Dunn

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Home is where the horror is this week, with Chris Panatier and Worry Box!

This latest offering from Panatier’s uniquely strange mind is a complete revision of the haunted house as we know it. It’s a house that means well, but understands little. Couple that with a family in flux and a child suffering intrusive thoughts, and you have a recipe for terrible, no-good disaster.

In short, it’s 400 pages of slowly tightening dread!

I hope you enjoy.

Other books mentioned:

• The Redemption of Morgan Bright (2024), by Chris Panatier
• This House isn’t Haunted but We Are (2025), by Stephen Howard
• Our Cut of Salt (2026), by Deena Helm
• Pet Semetary (1983), by Stephen King
• The Library at Mount Char (2015), by Scott Hawkins
• Gideon the Ninth (2019), by Tamsyn Muir
• Gormenghast (1950), by Mervyn Peak
• Angel Down (2025), by Daniel Kraus
• Chimera Skin (2026), by Johnny Compton
• The Butcher of Nazareth (2026), by David Scott Hay

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