SUBTEXT Literature and Film Podcast
Wes Alwan and Erin O'Luanaigh
Analysis of a book, film, play, or poem.
- 49 minutes 27 secondsThe Character of Authority in Shakespeare’s “Julius Caesar” (Part 2)
Wes & Erin continue their discussion of Shakespeare’s “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated.
Upcoming Episodes: “Amadeus,” Susan Sontag.
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
26 January 2026, 10:00 am - 49 minutes 51 secondsThe Character of Authority in Shakespeare’s “Julius Caesar”
Brutus is an honorable man, but Caesar is Caesar: at the beginning of Shakespeare’s play, his name is near the point of becoming synonymous with dictatorial power, and his every wish, as Mark Antony points out, has the substance of a command. For the rebels who oppose him, this identification of political authority with personal will is a perversion of republican institutions, and a form of corruption that justifies any means of putting an end to it, even if that means killing a friend. Yet Brutus’s conception of himself as unflaggingly virtuous is one he in fact shares with Caesar, and perhaps reflects the same authoritarian tendency, in grounding the legitimacy of political action in the character of a particular actor. Then again, it is not clear that democratic institutions will always forestall authoritarian tendencies, rather than enable the masses to sanction absolute power in a charismatic leader. Wes & Erin discuss Shakespeare’s “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated.
Upcoming Episodes: “Amadeus,” Susan Sontag.
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
20 January 2026, 2:22 am - 40 minutes 7 secondsSociety as Swindle in “The Third Man” (1949) – Part 2
Wes & Erin continue their discussion of the 1949 classic film “The Third Man,” about friendship and betrayal, and about the stories we tell ourselves in order to love, survive, kill, or even die.
Upcoming Episodes: “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
12 January 2026, 10:00 am - 43 minutes 19 secondsSociety as Swindle in “The Third Man” (1949)
The so-called “third man factor” is a phenomenon in which people in dire circumstances experience the presence of an extra person in their midst who gives comfort and aid when it’s most needed—a guardian angel, perhaps, or some figure of divine intervention. Harry Lime seems to have played just such a role in the lives of Holly Martins and Anna Schmidt. But is Lime from heaven or from hell? Perhaps a less-than-angelic third man might estrange rather than bring together, muddle rather than clarify, adulterate rather than help. And indeed, as a black market middle-man, Lime has the devilish power to intervene in people’s lives for the worse—like a narrator who edits out characters and manipulates the plot. Wes & Erin discuss the 1949 classic film “The Third Man,” about friendship and betrayal, and about the stories we tell ourselves in order to love, survive, kill, or even die.
Upcoming Episodes: “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
5 January 2026, 6:58 am - 35 minutes 51 secondsThe Meaning of Christmas Spirit in “Elf” (2003) – Part 2
Like many of its genre, the film “Elf” connects Christmas spirit to the sorts of bonds that hold together families and communities, despite their inevitable tendencies towards conflict and dissolution. Wes & Erin discuss this 2003 classic, what it means to believe in Christmas, and how this is connected to the possibility of a genuine community.
Upcoming Episodes: “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
22 December 2025, 10:00 am - 40 minutes 35 secondsThe Meaning of Christmas Spirit in “Elf” (2003)
Half the plot involves a man reuniting with his father—and his species—after being raised by Christmas elves. The other involves saving Christmas itself from the growing cynicism of humanity. And so like many of its genre, the film “Elf” connects Christmas spirit to the sorts of bonds that hold together families and communities, despite their inevitable tendencies towards conflict and dissolution. Indeed, there’s a sense in which Christmas elves are, in making gifts, hard at work maintaining the social fabric against the forces of individual selfishness. But in this story, the elf in question turns out to be a bumbling man-child—a holy fool of sorts—who helps re-enchant communal life by holding up its social deficits to a naive mirror. Wes & Erin discuss this 2003 classic, what it means to believe in Christmas, and how this is connected to the possibility of a genuine community.
Upcoming Episodes: “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
16 December 2025, 7:36 pm - 56 minutes 47 secondsErin’s New Book “Avail”
Erin just published her first book, “Avail,” which you can order here: https://www.pauldrybooks.com/products/avail
“Avail” features a long prose-poem which titles the book and winds through sections of lineated, often formal poems. The prose-poem comprises a series of lyric meditations on the image of the veil—from religious and cultural veils, to veils imbedded in idiom and metaphor, to veiled women in art and classic films, to veils drawn and parted by illness and death—which slowly divulge the harrowing details of the poet’s blood disorder.
Throughout, allusions to classic film, literature, and art serve as the “veils” with which the poet attempts to obscure the self-estrangement and vulnerability her illness has induced—insecurities which follow her long after her recovery. In a poem about a break-up set during her career as a jazz singer and against the backdrop of a 1930s screwball comedy, she longs “to shake life by the martini (but stay self- / possessed), to star in the movie of myself / instead of playing second lead.” During a visit to Naples, Mt. Vesuvius becomes “a Crawford eyebrow / arched over the bay.” And in California, after a trip to the Getty Villa, she recalls Sontag’s “missive on allusion, that no part / of any work is new, that all is reproduction.” By the end of the collection, O’Luanaigh has fashioned from the sum of these various allusions her own poetic identity, unveiled in the poems themselves.
Upcoming Episodes: “The Third Man,” “Elf,” “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
30 November 2025, 9:25 pm - 45 minutes 36 secondsBacchic Redemption in “One Flew Over the Cuckoo’s Nest” (1975) (Part 2)
What happens when the Godzilla of superegos takes on a libidinal King Kong? Wes & Erin continue their discussion of the 1975 film “One Flew Over the Cuckoo’s Nest.”
Upcoming Episodes: Erin’s book “Avail,” “The Third Man,” “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
25 November 2025, 1:32 am - 41 minutes 54 secondsBacchic Redemption in “One Flew Over the Cuckoo’s Nest” (1975)
Nurse Ratched likes a rigged game, according to R.P. McMurphy. And it’s true that the game he is playing—lawless and hedonistic, but also vital and free-spirited—is unwinnable on her sandlot. As their conflict develops, we seem to be asked to compare the therapeutic value of McMurphy’s introduction of the Dionysian, to Ratched’s attempt to enforce an ordered calm within the psychiatric ward over which she is absolute ruler. What happens when the Godzilla of superegos takes on a libidinal King Kong? Wes & Erin discuss the 1975 film “One Flew Over the Cuckoo’s Nest.”
Upcoming Episodes: Erin’s book “Avail,” “The Third Man,” “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
17 November 2025, 1:31 am - 45 minutes 34 secondsSpirit Unbound in Hawthorne’s “The Birth-Mark” and “Drowne’s Wooden Image” (Part 2)
What’s the difference between collaborating with Nature and mining her secrets? Where is the line between imitation and interpretation? And can love only work its magic through the creative, rather than the critical, faculty? Wes & Erin continue their discussion of two short stories by Nathaniel Hawthorne: “The Birth-Mark” and “Drowne’s Wooden Image.”
Upcoming Episodes: “One Flew Over the Cuckoo’s Nest,” “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
3 November 2025, 10:00 am - 51 minutes 58 secondsSpirit Unbound in Hawthorne’s “The Birth-Mark” and “Drowne’s Wooden Image”
The short stories we cover in this episode pit the magic of art against that of scientific discovery. In one story, a woodcarver transcends his materials and his own humble talents to create a sculpture that bears an otherworldly resemblance to a real woman. In the other, a scientist uses his estimable but flawed powers to improve on Nature’s design by removing a birthmark from his wife’s otherwise-perfect face. The varying results of these efforts seem to correspond to the extent with which love, that most magical of forces, underscores them. “You cannot love what shocks you,” the scientist’s wife remarks when her husband expresses how disturbed he is by her imperfection. What’s the difference between collaborating with Nature and mining her secrets? Where is the line between imitation and interpretation? And can love only work its magic through the creative, rather than the critical, faculty? Wes & Erin discuss two short stories by Nathaniel Hawthorne: “The Birth-Mark” and “Drowne’s Wooden Image.”
Upcoming Episodes: “One Flew Over the Cuckoo’s Nest,” “Julius Caesar.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email [email protected] to enquire about advertising on the podcast.
27 October 2025, 2:17 am - More Episodes? Get the App