<p>We’re here to offer no-nonsense advice for illustrators and image-makers navigating a creative career. <br><br>At The Good Ship Illustration, we are all about finding your creative voice, standing out from the crowd, building career-longevity, and being yourself. <br><br>We are Helen Stephens, Katie Chappell and Tania Willis - 3 full-time bread winning (mmm, bread) illustrators working in 3 separate niches of the illustration industry. Between us we've clocked up over 60 years of experience and illustration wisdom, and we're here to share it!<br><br>You’d love your creative work if only you could find more time to do it, make more money, and feel confident with what you make. We believe you DO have what it takes, illustration needn’t be scary, and we’re with you all the way, along with the rest of the crew in our online community.</p>
Interview #1 is with Paulina Zawiska and Kate Osmond.
Interview #2 is with Lorna Burt (begins at 05:30)
Bon apetit!
We just announced the winners of our iPad giveaway and art supply shop vouchers - come and celebrate the winners with us over on Instagram! https://www.instagram.com/thegoodshipillustration/
Timestamps:
00:00 – Welcome to Bologna (the audio isn't perfect but neither are we 🤪)
00:30 – Paulina’s third time… still overwhelmed
01:30 – The illustrator wall and comparisonitis
02:00 – Kate’s first time and top tips for arriving
02:30 – Portfolio reviews: exciting or terrifying?
03:15 – Should you approach publishers at the fair?
04:00 – First Bologna experiences: sensory overload
04:45 – Making a plan (being brave)
05:00 – Good Shippers in the wild 🥹
05:30 – Lorna’s story
06:30 – “You need bears”
07:00 – The work that felt most you = the work that landed
08:00 – Not all feedback is equal
09:00 – Researching portfolio reviewers before you listen to them
10:00 – The danger of trying to fit the mould
11:00 – Letting your “weird” lead the way
12:00 – Using courses to reset when you wobble
13:00 – From fashion designer to children’s book illustrator
14:30 – Fast-tracking your learning vs figuring it out alone
15:00 – Pitching stories
In these interviews we talked about the Find Your Creative Voice course, fly your freak flag! As well as the Picture Book course and last, but not least: Illustration Business Club.
(Doors to illustration business club will open again in September/October so get your name on the waiting list if you want to join in next time.
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
Ever worried your work looks a bit too much like somebody else’s? 😬 This one’s for youuuu.
In this episode, our Helen chats with the brilliant Martin Salisbury about plagiarism. The temptation to borrow a bit too heavily when you’re surrounded by endless beautiful work online is real. Hopefully this conversation helps you fly your own freak flag :)
Timestamps:
00:00 Hello Martin Salisbury
01:00 Instagram has changed creative influence
03:00 Art school before the internet
04:00 Drawing from life and finding your voice
06:00 Start with drawing
07:00 Materials, experimentation and “botching it”
09:00 How publishers and agents fuel sameness
10:00 Confidence, privilege and access
12:00 Competitions rewarding over-influenced work
14:00 Imitation and lack of awareness
16:00 Copycat styles
18:00 Learning from artists without copying
19:00 Taste, culture and creative voice
20:00 Everyday life and visual language
21:00 Sketchbooks and what’s behind polished work
23:00 School art and loss of originality
26:00 Finding your voice matters
29:00 Awkward work feels more alive
30:00 Writing and drawing from your own ideas
31:00 Trends and short-lived careers
33:00 What publishers want
35:00 Ambition
38:00 Helen’s journey and taking time out
43:00 Place and lived experience in your work
44:00 Moving on from imitation
45:00 Martin’s upcoming book
Martin Salisbury is Professor of Illustration at the Cambridge School of Art, where he leads the renowned MA Children's Book Illustration Programme. He has previously chaired the International Jury at the Bologna Children's Book Fair, and been a member of the jury at the Global Illustration Awards in China. Mr Salisbury is the author of a number of books on the practice and theory of illustration, which have been published in numerous languages around the world.
Links mentioned in this episode:
Martin Salisbury on Instagram: https://www.instagram.com/profmartinsalisbury/
Cambridge School of Art MA in Children’s Book Illustration
Martin’s book Illustrator Sketchbooks
Martin’s books Children’s Picturebooks and Play Pen
Find Your Creative Voice: Fly Your Freak Flag with The Good Ship Illustration
Byeeee for now!
x The Good Ship Illustration (Helen, Katie & Tania)
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
Absolutely knackered just thinking about Bologna? Same 😅
Here are our Bologna Children’s Book Fair survival tips. Whether it's your first time or you're a seasoned Bologna Book Fair-er.
Exciting news: The Good Ship Illustration is exhibiting this year in Hall 25, and we’d love to see you there!
This episode:
Timestamps:
Links mentioned in this episode:
Byeeee for now!
x The Good Ship Illustration (Helen, Katie & Tania)
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
This week, our Katie is chatting to Carys Wright - a London-based writer and illustrator, hardcore Good Shipper, and all-round excellent example of what can happen when you follow the creative thread, even if your path looks a bit wiggly.
Carys went from acting and theatre into illustration, and we chat about how sketchbooking helped her find her creative voice, and what it’s looked like to keep building an illustration career alongside marketing work and baby. (No mean feat!)
There’s chat about markets, picture books, digital vs traditional materials and finding your way back to your own weirdness. Mmmm.
Timestamps, for the timestamp fans:
00:00 – Intro to Carys Wright and her creative journey so far
02:00 – Sketchbooks, childhood drawing, and getting back into a regular practice
04:30 – From acting and theatre to illustration
07:30 – Lockdown, Fly Your Freak Flag, and following the drawing thread properly
09:00 – Early illustration jobs, theatre clients, and picture book ambitions
10:30 – Mentoring, competitions, and building confidence through deadlines
11:30 – Illustrating her first book for the Lord Mayor of London
12:30 – Motherhood, maternity leave, and drawing with a baby in the background
16:00 – Portfolios, perfectionism, and letting things evolve
18:00 – Staying connected to your weirdness while doing client work
19:30 – Digital tools, Procreate, and not panicking about how you make the work
23:00 – Opening an online shop, doing markets, and live portraits
26:00 – Other ways illustrators can work, from events to corporate projects
28:00 – AI, humanity, and why weird human imagination still matters
30:30 – Wearing lots of creative hats and letting your interests overlap
33:00 – Coming to illustration later can actually be a strength
35:00 – It’s not too late, you’re not behind, and yes, you should still start
Links mentioned:
Byeeee for now!
x The Good Ship Illustration (Helen, Katie & Tania)
p.s. Want to find your creative voice too? Come and fly your freak flag with Good Ship. We'd love to have you sailing with us!
Read all about the course here.
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
Nobody is born knowing how to pitch.
(Katie here) I've been known to pitch once, hear nothing, and decide 'Oh well. Never mind.' Then never reach out ever again. 😅
So you can imagine my SHOCK and INCREDULITY (is that a word?) when Kira told me that she will reach out 7 times to a brand before giving up. Whaaaaaat!?
Kira Matthews (aka Kira the Bold), is like confidence in a bottle. She's mastered pitching and landing work with names like Squarespace, Ganni, and lots more.
If contacting publishers and/or potential clients makes you do a little bit of sick in your mouth, this episode will definitely help! At the very least you'll feel inspired to send more than one follow up email.
In this episode, we chat about:
Timestamps:
00:00 Meet Kira (Queen of Pitching 👑)
01:00 From fashion styling to building a business
02:00 When the work disappeared… and what she did next
03:00 Learning to pitch (while still being terrified)
05:00 Fear doesn’t go away. You just get used to it
06:00 The 3-year journey to landing Squarespace
08:00 Why most people give up after one email
09:00 The stories we tell ourselves about rejection
10:00 Why you need to follow up (a lot more than you think)
11:00 How to make each email actually count
12:00 Applying this to illustration and getting your work seen
13:00 Inside Kira’s talent agency experiment
15:00 Why smaller creatives need to pitch more, not less
17:00 Agents, money, and what’s really going on behind the scenes
19:00 Why agents aren’t a magic solution
20:00 Sales: the bit everyone wants to avoid
23:00 Why follow-up feels rude (but isn’t)
24:00 Rejection challenges and building resilience
26:00 Rejection = start of the conversation
28:00 Momentum, energy, and creating your own opportunities
30:00 The actions that actually lead to results
31:00 Telling people what you do (important!!)
32:00 Katie’s rejection challenge story
34:00 Auditing your time and what’s worth it
35:00 Kira’s final pep talk
Links & stuff wot we mentioned
Byeeee for now!
x The Good Ship Illustration (Helen, Katie & Tania)
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
This week we're pulling up a chair at Helen's kitchen table to finally spill the beans on Salty. Salty Dog and Pals is the book that started as The Picture Book Course branding and somehow ended up as a 2-book deal with Walker Books.
The big question: How do you write a zillion short stories with your pal in 10 sessions flat?
We chat about the origins of Salty (and which printmaker Bernard the duck is named after), the brilliant questions from the editors at Walker Books, why Kitty is basically Tania 😆, and the Nissen Hut story that didn't make it into the final draft no matter how hard we trieeed!
p.s. Salty Dog & Pals (Helen & Katie's new picture book) is now available to pre-order and will be in shops from May. To say thank you, all pre-orders get access to a picture book MASTERCLASS.
You can sign up for your free picture book masterclass here:
https://www.thegoodshipillustration.com/salty-dog-and-pals-the-storm-other-stories
It's instant access, so no need to wait.
(And if you've already pre-ordered, thank you!)
Rough timestamps for our timestamp-fans:
00:00 – Where did Salty Dog come from?
01:00 – From course mascot to Walker Books character
03:00 – Bernard the duck, and colour palette chat
05:00 – The thumbnail template that started it all
07:00 – The Jarvis format: not a picture book, not a chapter book
09:00 – Writing at the kitchen table: how it worked
11:00 – The Walker Books character questionnaire (we read it out)
13:00 – Who is Bernard, really? (William Hanson + Cameron)
15:00 – Kitty is Tania (reckless, chaotic, beloved)
17:00 – Lindisfarne, upturned boats + Helen's grandparents' Nissan Hut
20:00 – The story that was too violent to make it in
22:00 – Titles first, stories second
24:00 – What the editors actually did (magic, basically)
26:00 – Procreate vs paper + the cover saga
28:00 – Pre-order Salty Dog and Pals + free masterclass! (You can sign up for your free picture book masterclass here.)
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
This week we're dragging ourselves away from our hypothetical gardens and custom urn businesses (lol) to have a proper sofa-chat about the big question: what would you do if you weren't an illustrator?
Specifically: Is your identity too wrapped up in your work? What happens when things go quiet on the work front?
COMMUNITY IS MAGIC.
That is all.
Happy listening.
p.s. Salty Dog & Pals (Helen & Katie's new picture book) is now available to pre-order and will be in shops from May. To say thank you, all pre-orders get access to a picture book MASTERCLASS.
You can sign up for your free picture book masterclass here:
https://www.thegoodshipillustration.com/salty-dog-and-pals-the-storm-other-stories
It's instant access, so no need to wait.
(And if you've already pre-ordered, thank you!)
Rough timestamps for our timestamp-fans:
00:00 – What would you do if you weren't an illustrator?
01:00 – Tania's custom urn business plan (trademark pending)
03:00 – Katie's nanny agency pivot
05:00 – The famine panic spiral ("day three with no enquiries: my life is over")
06:00 – Identity and rejection: when your work IS you
08:00 – Service illustration vs the author-illustrator beast
10:00 – Picture book advances, royalties + why multiple income streams matter
12:00 – Artist dates and keeping your ideas fed
15:00 – The real deal: what makes author-illustration different
16:00 – Katie & Helen's picture book Salty Dog & Pals (!!!) + the Walker Books Irish jig
18:00 – Live illustration: when the job you loved becomes just a job
20:00 – Community as salvation
22:00 – Good Ship origin story + the Christmas fair era
24:00 – Isolation is corrosive (and what to do about it)
25:00 – Finding your people: local groups, Instagram communities + Pencils on Toast
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
This week we’re wrapped up in some blankets havin' a proper sofa-chat about Instagram.
Specificallyyyy:
Should your Instagram be your portfolio?
What's the difference between a snazzy website folio and the mad addictive world of social media?
We also get into showing your human face, illustrators following illustrators, AI-era credibility, and why you absolutely do not owe the algorithm/tech bros your nervous system.
Rough timestamps for our timestamp-fans:
00:00 – Blankets
01:00 – Instagram as a folio: should it be?
03:00 – The golden algorithm years (remember those?)
05:00 – You don’t own Instagram
06:30 – Portfolio pressure vs social sharing
08:00 – The 360° artist: personality, process + presence
10:00 – AI, visibility + being human
12:00 – Showing your face. Do it!
14:00 – Content creator burnout (no fanks)
16:00 – “Held hostage by consistency” rebellion
18:00 – Who is Instagram actually for?
20:00 – Community vs clients
22:00 – Annuals, competitions + the old-school ways
24:00 – Bologna Book Fair chat
26:00 – Books as permanent portfolios
28:00 – Sales pages vs old-school static folios
30:00 – Final takeaway: use Instagram, don’t let it use you
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
This week we roll headfirst into the interestin' world of aphantasia.
It all started with conversations inside Find Your Creative Voice and The Picture Book Course - when Good Shippers were telling us, “I can’t see ANYTHING in my head.” Which sent us down a rabbit hole of aphantasia, imagination. And does everyone experience it the same way?
Nope.
In this episode, we chat about:
Timestamps for our timestamp fans
00:00 – Elephantasia? Aphantasia? However you say it…
02:00 – The apple spectrum and vivid vs blank imagery
03:00 – Reading fiction without mental pictures
05:00 – Emotional memory and creepy seaside steps
07:00 – Mental collage vs drawing from scratch
10:00 – Drawing bikes from memory
11:00 – Why aphantasia might make you a better designer
14:00 – Idioms, haystacks and giant bears
16:00 – Smells, lemons and sensory imagination
17:30 – Synesthesia and coloured weekdays
20:00 – Wolves, dreams and Google as reference
23:00 – Teenage bedrooms and peak memory moments
25:00 – Is creativity in your head or your hands?
28:00 – Blind Art Club challenge incoming 👀
What about you?
Can you see the shiny apple? Or is it more of a murky apple-shaped idea?
We’d genuinely love to know. Come over to Instagram and tell us how your brain works. We're nosy.
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
Permission to play can change EVERYTHING!
This week we’re chatting to Anna Mac - artist, printmaker, illustrator, product designer, sleep counsellor, mum of twins, and hardcore Good Shipper who's been sailing with us since 2020.
In this episode, we talk about scenic creative routes, why permission to play can change everything, creative voice vs paying the bills, and why sometimes felting a jumper is juuuust what your brain needs.
Rough timestamps for our timestamp-fans:
00:00 – Intro + course news
01:00 – Anna’s background: fine art, printmaking + retail product design
03:00 – Social work → creative rediscovery
05:00 – Sweden influence + graphic print inspiration
06:00 – Lockdown pivot + 100 day project energy
07:00 – Finding creative voice even when you’re already “successful”
09:00 – Taste is everywhere (home, clothes, environment)
11:00 – Confidence, feedback and trusting your own eye
13:00 – Agent life + picture book submissions
14:00 – Balancing creativity, family life and part-time sleep counselling
16:00 – Creative hobbies that are just for you
17:00 – Creativity as a way of being (Rick Rubin chat)
19:00 – Personal manifestos vs New Year’s resolutions
21:00 – Listening to your gut when making work
23:00 – Journalling + morning pages (ish, not perfectly)
25:00 – Visual diaries and recording life through drawing
27:00 – Stories we tell ourselves about who gets to be creative
28:00 – Rejection collections + persistence mindset
30:00 – Rejection rituals (tea, brownie, gallery trip recommended)
31:00 – Creative voice is never “finished”
32:00 – Lifetime access + coming back to learning later in life
Stuff mentioned:
Anna's website - www.annamacstudio.com
Anna's Instagram - @annamacstudio
Find Your Creative Voice: Fly Your Freak Flag course
The Artist’s Way – Julia Cameron
The Creative Act – Rick Rubin
Good Ship Illustration Monthly Numbers Tracker (freebie) - To help you keep on top of your monthly numbers and track progress in your creative career.
Byeeee for now!
x The Good Ship Illustration (Helen, Katie & Tania)
Anna is an illustrator who works from her home studio in Perthshire, Scotland.
She has a background in fine art and printmaking and spent several years creating design-led product collections for the retail market. Client commissions included heritage retailers and international buyers, and her work has sold in shops and galleries in the UK and abroad.
Anna combines printmaking techniques, drawing and collage to produce her work, with a focus on children’s illustration. Anna also loves to work with lino, and she uses this approach to create prints and book covers.
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙
Here's the audio replay from our AI workshop last week. There are slides too - the full replay with slides is available to watch HERE (but it goes away today. We're putting the workshop inside Find Your Creative Voice: Fly Your Freak Flag.) There's a PDF handout to download there too. Go grab it before it disappears!
https://www.thegoodshipillustration.com/aiworkshop
The audio isn't perfect, but neither are we 😅
🚢 In this episode we cover:
Timestamps
00:00 Workshop intro + why everyone is panicking about AI
01:00 The good news
04:00 Why companies still need human illustrators
07:00 The “AI ick” and why audiences can feel it too
10:00 The power of personal voice and life experience
12:00 Human prompts to help you mine your own ideas
15:00 Anti-AI backlash in branding and marketing
17:00 Obsessions, hobbies, and niche interests = creative gold
20:00 Why we don’t teach “house style” illustration
23:00 Copyright, campaigns, and protecting creators
26:00 How AI is (and isn’t) affecting different illustration fields
29:00 Advice for grads and early career illustrators
32:00 Radical incrementalism and not fixing everything at once
35:00 Finding community without spending loads
Links & things mentioned
Aaand last but not least... Find your creative voice!
Come and say hello!
✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com
p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙