Co-artistic Directors and Theatre educators Adam Marple and Budi Miller discuss the Theatre moving past the Covid-19 shutdown with topics such as the roles of the Audience, Actor, Director, Playwright, and Space in our new reality.To submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to [email protected] Messages may be quoted by name unless the writer stipulates otherwise. If you enjoyed this podcast, we´d love for you to leave a review at https://ratethispodcast.com/too. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even better. Music credit: https://www.purple-planet.comhttp://www.theatreofothers.com
Send your questions or provocations to Adam or Budi here!
Robert Barry Fleming is the Executive Artistic Director of Actors Theatre of Louisville, KY. They have a varied portfolio and a wealth of experience as an artistic leader/administrator, producer, director, choreographer, performing artist, teacher and coach. Their directing/choreography credits include Laura Kaminsky’s transgender journey contemporary opera As One (KY Opera); the world premiere of Jonathan Norton’s I Am Delivered’t (Dallas Theatre Center/Actors Theatre of Louisville co-production); the world premiere of Grace, a new musical by Nolan Williams, Jr., and Pulitzer Prize nominee Nikkole Salter (Ford’s Theatre) which was honored as a Broadway World Winner for Best Direction of a Musical and Best Choreography of a Play or Musical; the Humana Festival of New American Plays Professional Training Company’s production of Vivian Barnes, Jonathan Norton and Gab Reisman’s Are You There?
Robert’s original ballet suite Hydra for Program 4 mixed repertory (Louisville Ballet); The world premiere of Idris Goodwin’s Ali Summit (Actors Theatre of Louisville), Once On This Island (Actors/Cincinnati Playhouse in the Park co-production), Native Gardens (Cleveland Play House), NEXT TO NORMAL (Tantrum Theater), The Royale (CPH), Destiny of Desire (OSF), Caroline Or Change (Tantrum Theater), and Between Riverside And Crazy (CPH).
Robert formerly served as Director of Artistic Programming at Arena Stage and Associate Artistic Director at Cleveland Play House. Arena Stage world-premieres commissioned, developed and/or championed under their watch include the 2017 Best Musical Tony-winner, Dear Evan Hansen, Mary Kathryn Nagle’s Sovereignty, John Strand’s The Originalist, Katori Hall’s Blood Quilt, Karen Zacarías’ Destiny of Desire and the 2017 Pulitzer Prize winner, Sweat by Lynn Nottage.
Robert was an Associate Producer for the Off-Broadway premiere of The Two Character Play by Tennessee Williams, starring Amanda Plummer and Brad Dourif. Robert is a proud member of the Professional Non-Profit Theatre Coalition (PNTC) planning committee endeavoring to evolve our relationship with governmental support for the arts as well as, our SDC, AEA, and TCG collectives working in solidarity for an equitable and sustainable praxis for our arts ecosystem.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
In this episode, Adam and Budi chat with Joshua Morgan, the founder of Artist's Strategy, to talk about the business side of an acting career. From financial planning to networking, they explore how artists can build sustainable careers while navigating the transition from training to the industry.
Joshua Morgan is a versatile actor, director, and educator who has performed at prominent theatres across the U.S., including Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Signature Theatre, and many more. He originated the role of legendary manager Shelly Berger in Ain’t Too Proud: The Life and Times of The Temptations on Broaday and stayed with the production for four years.
Before moving to New York to join the last revival of Les Misérables, Joshua co-founded No Rules Theatre Company, the first dual-city theatre based in Washington, D.C., and Winston-Salem, NC. During his tenure, he produced award-winning premieres, directed acclaimed productions, and developed outreach programs for underrepresented communities, including the Deaf/Hard of Hearing.
As a director, his credits include In Love and Warcraft (Helen Hayes Nomination), Hedwig and the Angry Inch, The Last Five Years, and more. He has taught at esteemed institutions such as American University, Gallaudet University, and the University of North Carolina School of the Arts.
Joshua is also the founder of Artist's Strategy, an organization dedicated to helping freelance artists build sustainable careers and co-host of Creative Risk, a podcast exploring all things art, entrepreneurialism and everything in-between.
Follow him on all platforms at @jmorganarts.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
In this episode, Budi and Adam sit down with Amarantha Robinson, the playwright and performer of "ILARUN: The Cutting Comb", which also features company members Jack Burmeister and Jade Hibbert.
Amarantha is a multi-talented artist with a passion for producing, performing, and writing. Born and raised in Kingston, Jamaica, Amarantha has been involved in the arts since the age of five, specializing in Afro-Caribbean dance. She honed her skills with L'Acadco Dance Company, the University of the West Indies Dance Society, and the National Dance Theatre Company of Jamaica while studying Media and Communication at the University of the West Indies.
After completing her degree, Amarantha became a familiar face on Jamaican television as the host and producer of the entertainment news show, Review on RETV. She then transitioned into freelance producing and production management for music videos and television shows, working with icons such as Shaggy and Sean Paul.
Amarantha pursued further education in the UK, earning a Master's degree in Film and TV Production from London Metropolitan University. In 2011, she made the bold move to immigrate to Australia on her own, facing the challenges of being an immigrant woman of colour in a new country.
Her first one-woman show, "Oshun," was developed with the help of a City of Melbourne Annual arts grant, and it premiered to sold-out audiences at La Mama theatre in December 2022. Due to its success, the play will be remounted in La Mama's main season in 2024.
Show Notes
Zora Neale Hurston
A People's History of the United States
Equity & Racial Literacy List
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
In this episode, Adam and Budi are joined by Andy Paris. Join us as Andy talks through the process of creation of 'The Laramie Project', to his personal practice.
Andy Paris is a director, writer, actor, teacher, and entrepreneur. As an original member of Tectonic Theater Project, he co-wrote and directed Uncommon Sense, developed and acted in Gross Indecency and The Laramie Cycle (Emmy nomination for writing) and co-wrote the book, Moment Work: Tectonic Theater Project’s Process of Devising Theatre (Vintage 2018). Other favorite directing projects include Goldstar, Ohio (A Times Newspaper’s Theatre Tribute for Outstanding Direction), The American Family, and at UNCSA: Inheritance and the Taub/Woolery musical adaptation of As You Like It. Other favorite acting credits include Or,, The Quiet Room, Innocents, The Necklace, and Love’s Labours Lost. Regional: La Jolla, Berkely Rep, Huntington, Cincinnati Playhouse, et al. TV: L&O SVU. Andy is a 3-time AUDIE Award winner for his audiobook narrations. www.andyparis.net www.voiceworksaudio.com
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
In this episode, Budi reflects on the 2024 US presidential election.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
In this episode, Budi sits down with Richard Schechner to talk about his extradoinary career in theatre.
Richard Schechner, one of the founders of Performance Studies, is a performance theorist, theater director, author, editor of TDR and the Enactments book series, University Professor, and Professor of Performance Studies. Schechner combines his work in performance theory with innovative approaches to the broad spectrum of performance including theatre, play, ritual, dance, music, popular entertainments, sports, politics, performance in everyday life, etc. in order to understand performative behavior not just as an object of study, but also as an active artistic-intellectual practice. He founded The Performance Group and East Coast Artists. His theatre productions include Dionysus in 69, Commune, The Tooth of Crime, Mother Courage and Her Children, Seneca's Oedipus, Faust/gastronome, Three Sisters, Hamlet, The Oresteia, YokastaS, Swimming to Spalding, and Imagining O. His books include Public Domain, Environmental Theater, Performance Theory, The Future of Ritual, Between Theater and Anthropology, Performance Studies: An Introduction, and Performed Imaginaries. As of 2018, his books have been translated into 18 languages. His theatre work has been seen in Asia, Africa, Europe, and North America. He has directed performance workshops and lectured on every continent except Antarctica. He has been awarded numerous fellowships including Guggenheim, NEH, ACLS, and fellowships at Dartmouth, Cornell, Yale, Princeton, and the Central School of Speech and Drama, London.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
In this episode, Adam and Budi sit down with Yao to discuss their career spanning theatre and film.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
Ragas Of The Rooted Heart is a journey through the intertwined emotions of love, identity, and home. Shila, an Indian immigrant artist, reflects on her experiences in New York City while holding onto her deep connection to India. As she stands at the crossroads of two worlds, Shila navigates the complexities of cultural displacement, the evolving meaning of home, and the vulnerability of love.
Through poetic monologue and the soulful echoes of India through her lens, Shila invites us into her inner world—a place of longing, resilience, and quiet strength. She questions societal expectations, confronts the isolation of being an outsider, and finds solace in the memories of her roots. Ragas Of The Rooted Heart is a tender exploration of what it means to create a life, a home, and a sense of belonging in an unfamiliar land, all while staying open to love and the unknown.
CAST
Shila - Tanvi Jhansi
Saheba - Prashant Tiwari
Immigration Officer - Jacob Brandt
Linda - Pearl Rhein
Karen - Amanda Naughton
Black Women Officer / Joan - Whitney Andrews
Papa - Rahul Dodwani
Playwright - Sneha Sakhare
Director - Cloteal L. Horne
Dramaturg - Steven Gaultney
Sound Designer - Jack Burmeister
Sound Associate - Lulu Perry
Vocals by Sri Satya Sai Media Center, Prashanti Nilayam, India.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
For our final playwright interview in the 2024 Audio New Play Festival, Adam and Budi sit down with Sneha Sakhare to discuss her audio play 'Ragas of the Rooted Heart'.
Sneha is an actor, singer, writer, voiceover artist, and teacher from Yavatmal, India, currently based in New York City. Her work is deeply rooted in ‘Prasada Budhi,’ which means a mindset of thinking that everything is a divine offering with whatever is presented to us, shaped by her spiritual background in Yoga through her father and the teachings in Vedas.
As an actor, Sneha is a classically trained clown with intensive four-year training with her teacher-mentor Christopher Bayes at the Pandamonium Studio. She has also been trained with Aitor Basauri (Clown, Bouffon), Jim Calder (Intensive Acting, Commedia), and Budi Miller (Balinese performing arts and mask work) in Bali, Indonesia. Sneha has completed her 1-year acting conservatory program at The Barrow Group theatre company, Manhattan, 2017-18.
As a singer trained in Indian Classical Music for almost a decade, Sneha as a bhajan (devotional song) singer has been offering her performances at numerous spiritual centers, pilgrimages, and temples in India. She has received many prestigious accolades like ‘Singing Idol’ and ‘Voice of the Region’ through which she performed on National television and had experience performing in concerts in front of thousands of people in various cities of India.
Sneha received her Bachelor's in Electronics and Telecommunication Engineering from India and worked for 4 years as an engineer where she created corporate theatre performances immersed in music and corporate theories.
Sneha has been awarded multiple scholarships as a performer which includes a one-year full scholarship by Christopher Bayes at Pandamonium Studio in 2020, ‘The Eugene O'Neill Scholarship’ in 2021 at Oneil Theatre, Waterford, CT, and “A distinct 2-year fellowship from Lin-Manuel Miranda and the Miranda Family for emerging artists of color who have exhibited exceptional passion, drive, and unique points of view in various artistic mediums – including but not limited to theatre, dance, film, visual arts, and music – and is actively working to expand her professional development,2021-2023”
She has written and performed original works like ‘Pandemic Chapati’ and devised a piece called ‘Glimpse’ in collaboration with Global majority artists for Rattlestick Theatre Company, New York City in 2021.
Currently, Sneha is on her one-year apprenticeship program as a teacher with Christopher Bayes at the David Geffen School of Drama at Yale University, New Haven, CT, and at the Pandamonium Studio, Brooklyn, for the year 2023-2024. At present, she is developing a solo woman show under the mentorship and direction of Budi Miller, supported by the Lin Manuel Miranda Family Fellowship, set to debut in New York City in 2024.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
After losing their grandmother, first-cousins Ziad and Layla are reunited for the first time in years and they are forced to confront the distance that had grown between them.
Directed by Nour Haitham
Written by Nour El Captan
Ziad: Youssef Ghannam
Layla: Farida Abdelaziz
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!
In this episode Adam is joined by returned playwright, Nour El Captan, to talk about her new audio play - Prayers of Mourning.
Nour El Captan is a graduate of the AUC Theatre program. She is a writer and director and has written several works among which are the short films 74 and Wedn Ota and plays Insih, Ward, Three and a Roof, and Meet me at Liberation with The Theatre of Others podcast. She has also worked as a dramaturg and assistant director on Bank of Anxiety and has directed Gaylek ya Philadelphia with Kenoma Theatre Company and American Fast with the AUC Theatre program.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- [email protected]
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
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