Writer and theatre-maker Travis Alabanza conjures a riotous fantasy of spectacular queer resistance, sparked by the apparently mundane act of four trans friends leaving the house together. With an original score by DJ and producer Mwen. Featuring Afi, Chloe Filani, Alexis Meshida & Ebun Sodipo. Directed by Patrick Eakin Young, with sound design by Ross Flight. Full credits at www.soundworlds.org.

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Musician and theatre-maker Aminita Francis uses looped vocals, song and spoken word to navigate her own mental health crisis in this virtuosic new piece of solo hip-hop theatre. With additional music and production by Matt Huxley, sound design and mixing by Ross Flight, and directed by Patrick Eakin Young. Co-commissioned by Camden People's Theatre. Full credits at www.soundworlds.org.

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Playwright and performer Joana Nastari presents a new sonic theatre piece based on her award-winning theatrical love letter to strippers: Fuck You Pay Me. With a banging favela-funk score by Char Bickley. Starring Joana Nastari and Chloe Petts. Directed by Bethany Pitts, dramaturgy by Bethany Pitts and Patrick Eakin Young, and sound design by Ross Flight. Full credits at www.soundworlds.org.

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Anna Rheingans of folk duo The Rheingans Sisters provides vivid musical tableaux in this sonic adaptation of Joanne Schwartz's award-winning children's book, depicting a day in the life of a young boy growing up in a seaside mining town in Nova Scotia. Featuring Vox Smith as Davey. Directed by Patrick Eakin Young, text by Joanne Schwartz, and sound design/mixing by Ross Flight. Full credits at www.soundworlds.org.

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Canadian performance company Quote Unquote Collective construct a multicultural, multi-national, multi-lingual rallying cry for universal childcare, using a cappella vocal music and verbatim interviews with caregivers from around the world. Crafted by Amy Nostbakken & Norah Sadava. Additional mixing and mastering by Matt Smith. Full credits at www.soundworlds.org.

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Singer-songwriter Douglas Dare plays a festive living-room set at an East London Christmas party in this holiday special, which embroils the listener in all the messiness of the season. With text co-written and performed by George Heyworth. Conceived and directed by Patrick Eakin Young. Full credits at www.soundworlds.org.

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Aho Ssan's experimental electronic album Simulacrum becomes a sonic dystopia and the setting for a chilling fable that draws on the artist's own experiences growing up in the French suburbs. With text by James Ginzburg. Voices by Tevye Matheson. Conceived and directed by Patrick Eakin Young. Full credits at www.soundworlds.org.

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Christopher Cerrone's pulsing electroacoustic album Liminal Highway is transformed into a luminous landscape for this dreamlike journey through city streets, in pursuit of a mysterious woman. With text by Stephanie Fleischmann and flutes by Tim Munro. Performed by Ally Murphy. Conceived and directed by Patrick Eakin Young. Full credits at www.soundworlds.org.

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Welcome back to Soundworlds! Here's a little taste of our upcoming season, which launches on 4th November 2021. We'll be releasing new brand new sonic theatre projects every fortnight. Subscribe to the Soundworlds feed on your favourite podcast app and you'll be sure not to miss out!

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The first of three new sonic theatre commissions from artists on the Erased Tapes label, reflecting on the concept of "home". Composer-saxophonist Daniel Thorne contrasts vivid, sensuous impressions from his childhood home of Perth, Australia, and from his adopted home of Liverpool, England. Written, composed and performed by Daniel Thorne. Editing and dramaturgy by Patrick Eakin Young. Full credits at www.soundworlds.org.

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The second of three new sonic theatre commissions from artists on the Erased Tapes label, reflecting on the concept of "home". American multi-instrumentalist and singer Peter Broderick takes a wander through the landscapes, both natural and manmade, of his adopted home on the west coast of Ireland. Featuring music from his album Blackberry (courtesy of Erased Tapes). Written, performed and recorded by Peter Broderick. Dramaturgy by Patrick Eakin Young. Full credits at www.soundworlds.org.

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