Dozens of takes for a single line, a leading lady who terrified her director, and cinema's best closing gag. John, Luke, and Matt pick the story back up. Part 2 turns to the crew, the score and Jack Lemmon's maracas trick, before the reception, the awards, the sequels and legacy, plus the hosts' final verdict and scores. And yes, we finally get to that ending. Part 1 is where the massacre, the disguises and the dash out of Chicago all kick off. Well worth doubling back for.

Telling the story of Hollywood, one film at a time.

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Often crowned the funniest film Hollywood ever made, and it nearly killed everyone who made it. John, Luke, and Matt begin the story of Billy Wilder's cross-dressing, mob-dodging masterpiece. Part 1 takes in the St Valentine's Day Massacre opening, Wilder's choice to shoot in black and white, and a cast led by Tony Curtis, Jack Lemmon and Marilyn Monroe, right through to Sugar, the bourbon and that yacht. The maracas, the millionaire and one very famous last line are still to come. Part 2 has the crew, finale, reception and legacy. Out now.

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Two composers were thrown off the film before Friedkin found thirty seconds of Tubular Bells by accident. Luke, Matt, and Westy continue the story, heading up the stairs to that bedroom.

In Part 2 we cover the crew, Blatty's screenplay and the real 1949 case behind it, Owen Roizman's flatly-lit refusal to hide anything from you, and Dick Smith, who get inventive when testing his mechanical. All of that before the exorcism, the reception and the legacy. Plus the hosts' verdicts and scores.

Part 1 is where the unease takes hold: Iraq, Friedkin, the cast. Worth starting there if you haven't listened already.

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The set burned to the ground overnight. Regan's bedroom came out of it without a mark. Luke, Matt, and Westy begin the story of the film that dragged horror out of the drive-in and all the way to the Academy Awards.

In Part 1 we cover the prologue shot in 130-degree heat in northern Iraq, the casting of Burstyn, Blair and Jason Miller, and William Friedkin's methods for getting a performance, which ran from firing guns on set to hiding rotting meat around it. Standard directing.

Merrin hasn't arrived and nobody has been down those steps yet. Part 2 goes upstairs: the crew, the exorcism, the ending, the legacy. Out now.

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Luke, Matt and Westy return with a review of three brand new movie releases and recommend which are worth searching out.

Reviewed this episode:

• The Odyssey
• Spider-Man: Brand New Day
• Over Your Dead Body

Tune in for our spoiler free take on these new releases.

Three more reviews are waiting in the patron half of the show, alongside everything else in the ATRM patron package. Find it on Patreon, Spotify, Apple Podcasts and YouTube.

Another trip back to the editing desk, this time raiding January to March 2026 of the ATRM Classic archive. We've pulled out the strongest takes, the sharpest analysis, and the detours that turned out to be going somewhere all along. Consider it a sifting service: three months of deep dives condensed into the moments that landed hardest, with some moments a of pure hilarity. New listener trying to work out what this is? Old hand fancying a nostalgia run? Step right in.

Telling the story of Hollywood, one film at a time.

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Luke, Matt and Westy return with a review of three brand new movie releases and recommend which are worth searching out.

Reviewed this episode:

• Masters Of The Universe
• Toy Story 5
• Evil Dead Burn

Tune in for our spoiler free take on these new releases.

Three more reviews are available in the patron half of the show, alongside everything else in the ATRM patron package. Find it on Patreon, Spotify, Apple Podcasts and YouTube.

The climactic chase reportedly held the world record for the most cars destroyed in a single film for decades. John, Westy, and Matt continue the story, careering towards that mass-pile-up finale.

We dig into the crew behind the film — the Aykroyd and Landis screenplay, the wall-to-wall soul and R&B soundtrack featuring Aretha, Ray Charles and James Brown, and the stunt and effects work behind the demolition — before breaking down the finale, the reception, and the film's status as one of the great cult classics. Plus the hosts' final verdict and scores.

Part 1 is where the band gets back together — Landis, the cast, the first half. Worth starting there.

Telling the story of Hollywood, one film at a time.

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It contains one of the largest car pile-ups ever filmed, and that's not even the most ambitious thing about it. John, Westy, and Matt begin the story of the musical-comedy-action-disaster movie that shouldn't have worked and absolutely did.

In Part 1 we cover the film's opening, director John Landis, the cast, and the second act — including Jake and Elwood reuniting on a mission from God, the legendary musical guest list, and a production that ran wildly over budget chasing Landis's vision.

The Bluesmobile still has a long way to drive, and Chicago hasn't been wrecked yet. Part 2 floors it: crew, finale, reception, legacy. Out now.

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Part 2 of our video podcast episode on Michael Bay's action extravaganza The Rock. John, Westy, and Matt get into the crew behind the camera, the spectacular climax to the movie and answer some fascinating questions from our patrons including "who's the real bad guy?"

Telling the story of Hollywood, one film at a time.

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The Rock is on the rock! John, Westy, and Matt break down Michael Bay's 1996 action classic — Connery's swagger, Cage's chemistry quirks, Ed Harris's tortured general, and how a script nobody could crack became one of the 90s' loudest, glossiest, most quotable blockbusters. Big opinions, big laughs, and a lot of green smoke.

Telling the story of Hollywood, one film at a time.

Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:

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