I sat down with Troy Carter during SXSW in Austin. We talked about Suno role in music, where record labels stand today, artist management, catalog sales, estates, we covered it all!

The conversation was hosted by Chaka Mahone at his company, DAWA, 4-day event titled Vision 8291, in collaboration with Venice Music, where Troy is the co-founder and CEO.

CHAPTERS

03:30 Stayed Ahead of AI News

08:37 Why Suno Matters

14:38 AI and Fair Use

24:25 Art vs. Content

29:43 Investing in Music Rights

31:26 Prince and Michael Jackson estates

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Is “Artists vs. AI” the wrong way to think about music’s future?

At HumanX, I hosted a conversation with Splice CEO Kakul Srivastava and Universal Music Group’s Michael Nash on how AI can become a creative force multiplier for artists, not a replacement.

We discussed why music’s supply problem existed long before generative AI, how artists are using new tools to reduce production friction, and why authentic connection still matters more than infinite output.

The conversation also breaks down Splice and UMG’s partnership to build AI-powered music creation tools with artist control, copyright respect, and more.

CHAPTERS

01:24 Artists vs. AI

04:27 Splice Tools

06:14 UMG x Splice

08:04 Ethical AI

12:42 Artist Control

14:31 Better Music

17:07 Five-Year Vision

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SoundCloud is at a turning point, and CEO Eliah Seton takes us inside the strategy shaping its future.

In this conversation, we break down how SoundCloud evolved into a two-sided marketplace for artists and fans, why it moved on from potential sales, how it's embracing AI, and doubling down on the moves that work best for both creators and fans.

CHAPTERS

03:34 Update on a Potential Sale

08:23 How SoundCloud is Structured Today

21:20 AI Principles

33:23 Financial Health and Profitability

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In part two, you'll hear Clive Davis reflect on strategic decisions made when running a record label and career revivals he helped shape that defined another chapter of his run.

He discusses the balance of control and economics in label joint ventures, why hitmakers are not always great talent scouts, and how LaFace became a powerful force through artists like Toni Braxton, TLC, and Pink. Davis also shares how he revived the careers of timeless artists, including Dionne Warwick, Aretha Franklin, Rod Stewart, Santana, and Luther Vandross. It’s a conversation about instinct, patience, and the discipline it takes to build lasting success in the music business.

CHAPTERS

02:51 LaFace, Label Deals, and Joint Ventures

09:42 TLC, Toni Braxton, and P!nk

12:37 The Cost of Breaking Artists

17:05 Aretha, Rod Stewart, and Santana

21:14 Catalog vs. Career Revival

25:30 Follow-up Call

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I sat down with the legendary record executive Clive Davis. We looked back on the career-defining moments that made him one of the most influential figures in music.

He shares memories from the Beverly Hills Hotel, where we recorded the conversation. We also discussed the evolution of his famed pre-Grammy gala, and the philosophy behind honoring artists in the room. Davis also revisits being pushed out at Columbia, Arista, launching J Records, and the story behind Whitney Houston recording “Why Does It Hurt So Bad.” It’s a conversation about instinct, reinvention, and what it takes to keep going at the highest levels in business.

CHAPTERS

04:21 Clive Davis' Pre-Grammy Gala

11:30 Lessons Learned at Columbia

15:38 From Arista to J Records

23:41 When Whitney Houston and Clive Disagreed

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Coachella sold out in five days after announcing Justin Bieber as headliner. That's the good news. The bad news? It tells you how hard it's become to book a headline act who can actually move 250,000 tickets for the one of most premiere music festivals in the world.
Dave Brooks, a music correspondent at Puck and host of the Decibel and Docket podcast, joins the show to break down the business of festival season 2026. We get into why the biggest artists no longer need Coachella, which festivals are actually profitable, and what's ahead for live music.
CHAPTERS
07:46 The Bieber Effect
08:02 Stadium Money
11:50 Why Stagecoach is Different
21:13 Lollapalooza
23:43 Chris Brown and Kanye West
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Now that Wasserman Agency has rebrand itself to "The Team," what's next? Who will lead The Team? Who will the new owner be? What will they do with it? Elsewhere in the talent agency world, CAA has a new managing director for music touring, and UTA's longtime leader has stepped down. Who will lead the next era?

I am joined by Ben Sisario from the New York Times to unpack the talent agency business, the leadership and reputational questions surrounding the companies, and what it all signals about succession, private equity, and the future of agency power.

CHAPTERS

05:05 Wasserman's Rebrand

08:23 Sale Scenarios

12:52 Margins And Risk

21:16 Why Music Lags

26:08 The Black Box of Talent Agencies

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Linktree: Share music, sell merch, and connect with fans on one simple link. Linktree is the #1 link in bio tool that musicians and artists use to connect fans to everything they do.

Symphonic: Distribute your music to one of the largest networks in the industry. Symphonic delivers your music to over 200 digital service providers ensuring that you’re monetizing every stream and use of your music on Spotify, TikTok, YouTube, and more

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As streaming growth slows, the music industry is searching for its next big opportunity. One of the leading bets? AI-powered music creation.

I'm joined by MIDiA Research’s Tati Cirisano to break down whether platforms like Suno represent a true growth engine or just another niche product.

We explore the rise of consumer creation, the limits of the “superfan” narrative, and why the future of music revenue may be more fragmented than the industry hopes.

CHAPTERS

02:10 Rise of AI music tools 06:00 The superfan idea 14:30 The superfan landscape 22:30 Suno’s growth 40:00 AI vs. streaming 46:00 Labels and deals 52:00 Streaming’s future

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Linktree: Share music, sell merch, and connect with fans on one simple link. Linktree is the #1 link in bio tool that musicians and artists use to connect fans to everything they do.

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The Department of Justice has settled its lawsuit against Live Nation - Ticketmaster. There will be no breakup of the live entertainment company, but Live Nation has agreed to several remedies in an effort to improve the ticketing industry. But more rust that’s settled… what’s next? What will this change?

In this episode, we are joined by returning guest and NYU professor Larry Miller to break down the DOJ’s settlement with Live Nation/Ticketmaster.

We also dig into the bigger question fans care about most: will this make tickets cheaper?

CHAPTERS

04:13 Why Did DOJ Want to Settle?

11:14 Will Ticket Prices Fall?

13:05 Primary vs. Secondary Ticketing Market

22:48 StubHub and SeatGeek’s Challenge

24:56 Live Nation’s Consent Decree

SPONSORS Chartmetric: Listen in for our Stat of the Week Linktree: Share music, sell merch, and connect with fans on one simple link. Linktree is the #1 link in bio tool that musicians and artists use to connect fans to everything they do.

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Investors have poured more money into music than ever before. Music as an asset class if hotter than ever,. But the public markets have discounted the value of music companies:

• UMG stock is currently trading near its all-time low
• WMG trades at a discount on its earnings relative to UMG
• RSVR is going through a takeover attempt
• Several publicly traded music companies have been taken off the public markets

This is a huge disparity, and it was time to explain why.

In this solo episode, I break down this paradox. We will also connect the dots to real estate, the post-2021 repricing, and why more take-private attempts may be ahead.

CHAPTERS

00:10 Private vs Public Money in Music

07:26 Similarities in Music

08:19 2021 Reset

15:10 WMG and UMG

24:02 What’s Ahead

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• Chartmetric: Listen in for our Stat of the Week
• Linktree: Share music, sell merch, and connect with fans on one simple link. Linktree is the #1 link in bio tool that musicians and artists use to connect fans to everything they do.

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