-The duo of DJ Morty Coyle & Wayne Federman return to talk about one of the more overlooked bands from the British Invasion era, The Byrds.  

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This album is the most eclectic and experimental in the Byrds' catalog. The album’s content ranged from folk and country music to psychedelic and electronic music.  DJ Morty Coyle & Wayne Federman go through the tracks with Josh and discuss the end of David Crosby’s time with the band. 

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DistroKid Artist Of The Week: Cory Marks

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The third studio album by Stewart is a mix of hard rock, folk, and blues styles. It went to number one in the United States and the UK, including Rod's breakthrough hit, "Maggie May”. Wayne Federman is back to discuss an album right in his wheelhouse: Early 1970s rock and roll. 

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DistroKid Artist Of The Week: Paul Carrack

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After releasing Something/Anything, Rundgren said he evolved as an artist and reached beyond writing about love and relationships. The proficient Producer and Musician produced every track on the album and performed all of the instruments on three of the four sides. W. Kamau Bell stops by to talk about the different moods of the album.

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DistroKid Artist Of The Week: Allie Crow Buckley

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Unlike most of his solo records, Bob collaborated with various artists on this release like Emmylou Harris and Eric Clapton. “Desire” marked Bob’s heavy resurgence on social themes. Dan Fogler, who plays Dylan's Manager Albert Grossman in "A Complete Unknown", and Josh do a track-by-track breakdown of Dylan’s seventeenth studio album on the podcast. 

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DistroKid Artist Of The Week: Joe Ely

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This album and its singles earned Carpenters eight Grammy Award nominations. They won for Best New Artist and Best Contemporary Vocal Performance by a Duo, Group or Chorus for the album. Wayne Federman stops by to discuss their distinctively soft musical style. 

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DistroKid Artist Of The Week: Andy Bender

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Joe Perry said the purpose of Rocks "was to reidentify us as America's ultimate garage band, with blistering guitars, blistering vocals, balls-to-the-wall smash-your-eardrums production.” Fellow rocker Sebastian Bach makes his debut on The 500 to talk about the album that caused the next generation of guitar heroes to start playing in the 1970s.  

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DistroKid Artist Of The Week: Ty Segall

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“One Nation Under A Groove” has been described as the peak of Funkadelic’s output, and funkifying music to another level. It expanded the boundaries of their music to be more political, social, and sexual. Friend of the 500 Wayne Federman makes his first appearance in 2025 to discuss some of George Clinton’s finest work. 

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DistroKid Artist Of The Week: Cory Henry

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The Impressions were an American music group whose repertoire included doo-wop, gospel, soul, and R&B. Curtis Mayfield first achieved success and recognition with the Impressions during the Civil Rights Movement of the late 1950s and 1960s, and later worked as a solo artist. Godfrey makes his second appearance to discuss the musical influence Mayfield had for generations to come. 

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DistroKid Artist Of The Week: M.I.L.K.

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ABBA is one of the most popular and successful musical groups of all time, having a meteoric rise to fame after an appearance on Eurovision in 1974. Liza Treyger stops by to talk about some of her favorites from the Swedish pop group’s career-encompassing album. 

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DistroKid Artist Of The Week: Big Star

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”The Rolling Stones, Now” is considered the first complete album from the Rolling Stones discography, mixing blues classics and some of their tunes. Wayne Federman makes his sweet-sixteenth appearance to discuss the Glitter Twins during the early portion of their career

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DistroKid Artist Of The Week: Ginny Luke

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This was the first album released by Bob Marley & the Wailers. Maz Jobrani makes his debut on The 500 to talk about “No Woman, No Cry” from Natty Dread, the first of three times we’ll be talking about the King of Reggae on the podcast. 

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DistroKid Artist Of The Week: Junior Marvin

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