***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Loni Love returns for her fifth appearance on the podcast to discuss the groundbreaking album that showed pop music could embody both celebration and protest, Sly and the Family Stone's Stand!

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Distrokid Artist of the Week: Landlady Land

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***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Jackie Fabulous joins the podcast for the first time to discuss the The Harder They Come Motion Picture Soundtrack, the record that brought reggae to the world, and to decide if Jimmy Cliff belongs on the Mount Rushmore of reggae.

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Distrokid Artist of the Week: Jalen Ngonda

⁠https://www.youtube.com/watch?v=OT3lTkEEx70

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Raising Hell did what no rap album had done before, becoming the first multi-platinum hip-hop LP and propelling rap music into the mainstream consciousness. It was the record that turned rappers into rock stars, with a clean, powerful production. Erik Griffin joins the podcast for the first time since 2019 to discuss tracks like the crossover sensation “Walk This Way” and “It’s Tricky.”

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Distrokid Artist of the Week: Onyx

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Released during the Summer of Love, the album landed at a moment when the Bay Area was reshaping American rock music, but Moby Grape did not sound like Jefferson Airplane, the Grateful Dead, or Quicksilver Messenger Service. Instead, at a time when many peers were drifting toward extended jams, they decided to blend folk, blues, country, pop, and psychedelic rock with a dialed-in approach. Wayne Federman returns to discuss an album right up his alley. .

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Distrokid Artist of the Week: King Gizzard & the Lizard Wizard

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Pearl is the second and final solo studio album by Janis Joplin, released three months after her death. It is regarded as the most complete album of her career. Where earlier records captured her powerful live voice and performing style, Pearl presents a focused artist with a clear musical identity. Greg Fitzsimmons returns to talk about the impact one of the most famous members of the unfortunate “27 Club” had on the following generations. 

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Distrokid Artist of the Week: Eva Under Fire

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Catch a Fire is now widely recognized as one of the greatest and most influential reggae albums of all time — a bridge between Jamaican roots music and the wider world. Ian Edwards has become a reggae regular on The 500 and joins Josh to discuss the 1973 classic.

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Distrokid Artist of the Week: Morgan Heritage

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At this point in The Byrds' career, they were already established as pioneers of folk rock through earlier hits like “Mr. Tambourine Man” and “Turn! Turn! Turn!”, but they were hungry to push their sound further. On this album, they blended folk rock with elements of psychedelia, country rock and used studio experimentation like brass accents and reverse tape effects to color their music. Craig Shoemaker discusses the album and career with Josh. 

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Distrokid Artist of the Week: The Long Ryders

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Iggy and the Stooges only had one day to mix the final version of the album, leading to its raw and unpolished sound. Luckily, they had David Bowie to help on that one day. Maria joins Josh to discuss the tracks and the delayed impact their third album had in the ensuing decades. 

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DistroKid Artist Of The Week: The Streetwalkin’ Cheetahs

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Before recording Remain In Light, the Talking Heads and producer Brian Eno sought to dispel the notion that the group was simply a vehicle for frontman David Byrne by emphasizing collective groove, rhythm, and collaborative composition rather than traditional rock ego. Greg Proops talks to Josh to discuss the band and album. 

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DistroKid Artist Of The Week: Bad Suns

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When “Marquee Moon” was released, it baffled some and enthralled others. Television emerged from the 1970s CBGBs scene and was one of the pioneers of the indie college rock sound. Wil Wheaton joins Josh to discuss his favorite tracks on the album and the path that Television paved. 

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DistroKid Artist Of The Week: Geese

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Black Sabbath’s self-titled debut album introduced the world to heavy metal, but it was their second album, “Paranoid” that basically became a “Best Of” album in itself, with some of metal’s most recognised anthems. Jim Norton joins the podcast for the third time and his third Black Sabbath album to discuss all of the iconic tracks. 

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DistroKid Artist Of The Week: Following Days

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