Host Jo Reed and contributor Leslie Fine kick off their discussion of rule-breaking new thrillers with Best Offer Wins by Marisa Kashino, performed by Cia Court, in which a competitive housing market becomes the breeding ground for obsession. They turn to The Sunshine Man by Emma Stonex, narrated by Edward Rowe and Meg Salter, a tense story of revenge that widens into an exploration of class, trauma, and the moments that define a life. Finally, they consider Girl Dinner by Olivie E. Blake, a sorority-set satire with sharp dialogue and darker implications, told through the alternating performances of Stephanie Nameth-Parker and Rita Amparita. Across all three titles, the conversation underscores how the right voices can amplify a thriller’s tension, humor, and emotional stakes.

Audiobooks Discussed:

Best Offer Wins by Marisa Kashino, read by Cia Court (Macmillan Audio)

The Sunshine Man by Emma Stonex, read by Edward Rowe and Meg Salter (Penguin Audio)

Girl Dinner by Olivie Blake, read by Stephanie Nemeth-Parker and Rita Amparita (Macmillan Audio)

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Host Jo Reed and contributor Kendra Winchester open this episode with Sisters in the Wind by Angeline Boulley, narrated by Isabella Star LaBlanc, a YA mystery that explores community and belonging through a performance rich in emotional nuance. The conversation turns to We Survive the Night, written and read by Julian Brave NoiseCat, a memoir that moves fluidly between family history, Indigenous storytelling, and themes of cultural survival. They close with The Devil Is a Southpaw by Brandon Hobson, performed by Shane Ghostkeeper, whose steady, grounded narration helps orient listeners inside a surreal, character-driven story of rivalry and unreliable memory. The three titles underscore how Native authors use voice, history, and perspective to shape memorable listening experiences.

Audiobooks Discussed: Sisters in the Wind by Angeline Boulley, read by Isabella Star LaBlanc (Macmillan Audio). We Survived the Night, written and read by Julian Brave NoiseCat (Random House Audio). The Devil Is a Southpaw by Brandon Hobson, read by Shane Ghostkeeper (HarperAudio)

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Host Jo Reed and Laura Rossi dive into three Earphones Award–winning audiobooks: James Patterson’s Return of the Spider, Margaret Atwood’s Book of Lives, and Ryan Goldberg’s Bird City. They talk about Dion Graham and Fred Berman’s gripping dual performance in Patterson’s 34th Alex Cross thriller; Atwood’s reflective memoir in her own gravelly, unmistakable voice; and the charm of an unexpected New York City birding adventure to which Evan Sibley brings a naturalist’s clarity to the narration. Together, they explore how each audiobook offers a distinct listening experience—from high-stakes suspense to literary self-examination to close observation of the natural world.

Audiobooks Discussed:

Return of the Spider: An Alex Cross Thriller by James Patterson, read by Dion Graham and Fred Berman (Hachette Audio)

Book of Lives, written and read by Margaret Atwood (Random House Audio)

Bird City: Adventures in New York’s Urban Wilds by Ryan Goldberg, read by Evan Sibley (Hachette Audio)

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Host Jo Reed and contributor Alan Minskoff dive into three remarkable audiobooks: Zadie Smith’s Dead and Alive, John Banville’s Venetian Vespers, and Thomas Pynchon’s long-awaited Shadow Ticket. They explore Smith’s incisive essays, read by the author with clarity and authority; Venetian Vespers, with Luke Thompson navigating Banville’s long, sinuous sentences; and Pynchon’s noir caper, handled with virtuosic range by Edoardo Ballerini. It’s a conversation filled with sharp insights into writing, narration, and what makes these audiobooks such compelling listens.

Audiobooks Discussed: 

Dead and Alive, written and read by Zadie Smith (Penguin Audio)

Shadow Ticket by Thomas Pynchon, read by Edoardo Ballerini (Penguin Audio)

Venetian Vespers by John Banville, read by Luke Thompson (Random House Audio)

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This week, Michele Cobb joins host Jo Reed to dig into audiobooks built on backstory, beginning with Expert Witness, where Gabra Zackman delivers Anne Wolbert Burgess’ account of trauma, justice, and the evolution of expert testimony with clarity and restraint. Next, they turn to A Fine Line Between Stupid and Clever, a joyful, detail-packed oral history of the 1984 film Spinal Tap—an ensemble cast production led by Rob Reiner, where seemingly spontaneous commentary makes the audiobook the definitive way to experience the story. The episode closes with We Did OK, Kid, a reflective memoir in which Kenneth Branagh’s elegant narration frames Anthony Hopkins’s vulnerable reflections on craft, ambition, and a life shaped by performance. Together these audiobooks show how lived experience—whether in the courtroom, on a film set, or across a lifetime in acting—gains depth and resonance when shaped by a narrator who knows when to be restrained, playful, or quietly vulnerable.

Audiobooks Discussed:

Expert Witness: The Weight of Our Testimony When Justice Hangs in the Balance by Ann Wolbert Burgess with Steven Matthew Constantine, read by Gabra Zackman

A Fine Line Between Stupid and Clever: The Story of Spinal Tap, written and read by Rob Reiner, Christopher Guest, Michael McKean, and Harry Shearer 

We Did Ok, Kid: A Memoir by Sir Anthony Hopkins, read by Kenneth Branagh with the author

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Stephen Cummings joins host Jo Reed to talk about Laurie Gwen Shapiro’s immersive dual biography of Amelia Earhart and George Putnam, The Aviator and the Showman; Elliot Ackerman’s unlikely and darkly comic caper, Sheepdogs; and Mike Albo’s candid, audio-exclusive memoir, Hologram Boyfriends. Cummings reflects on what surprised him about each audiobook and why these very different works held his attention to the end. Altogether, the conversation highlights how form, tone, and performance shape the listening experience.

Audiobooks Discussed:

The Aviator and the Showman by Laurie Gwen Shapiro, read by Stefanie Powers (Penguin Audio)

Sheepdogs by Elliot Ackerman, read by Chris Andrew Ciulla

(Random House Audio)

Hologram Boyfriends, written and read by Mike Albo

(Macmillan Audio)

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Contributor Alex Richey joins Behind the Mic host Jo Reed to talk about three fantastical audiobooks and how their different forms shape the listening experience. The conversation moves from Brandon Sanderson’s story collection Tailored Realities to two intergenerational stories centered on daughters—Cursed Daughters by Oyinkan Braithwaite and As Many Souls as Stars by Natasha Siegel—where voice and perspective carry particular emotional weight. As Alex observes, these audiobooks demonstrate how narration can enhance both broad narrative structures and more focused, character-driven works.

Books Discussed:

Tailored Realities by Brandon Sanderson, read by Dion Graham, January LaVoy, Michael Kramer, Ray Porter, Andre Santana, Avi Roque, Dylan Reilly Fitzpatrick, Imani Jade Powers, MacLeod Andrews, Shahjehan Khan, and Stephanie Nemeth Parker

Cursed Daughters by Oyinkan Braithwaite, read by Weruche Opia, Nnei Opia Clark, and Diana Yekinni

As Many Souls as Stars, written by Natasha Siegel, read by Kristin Atherton

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AudioFile Magazine is now part of Kirkus Reviews, and Behind the Mic marks the moment with a conversation with the magazine’s founder and longtime editor Robin Whitten. Robin reflects on a life spent listening, how audiobooks and audiobook reviewing has evolved, and her excitement that the work begun by AudioFile will continue and flourish at KirkusReviews.
It’s a thoughtful, forward-looking conversation about continuity, change, and the enduring joy of listening.

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Host Jo Reed is joined by narrator Karen Murray to talk about HOW SWEET THE SOUND by Kwame Alexander, one of our picks for the Best Children and Family Audiobooks of 2025. Karen shares how she dove into this musical exploration of Black music in America, which “felt like home to her.” The experience begins with a poem as the listener is guided through the talking drums of Africa, to the blues, jazz, funk, and soul, and eventually hip-hop. Jo and Karen share why this listen is perfect for families, even down to the final, fascinating glossary. 

Read AudioFile’s review of the audiobook

Published by Hachette Audio. 

AudioFile’s 2025 Best Children & Family Listening are:

• AND SHE WAS LOVED by Andrea Davis Pinkney, read by Andrea Davis Pinkney

• BAD BADGER by Maryrose Wood, read by Chris Devon

• MILLIE FLEUR SAVES THE NIGHT by Christy Mandin, read by Elizabeth Knowelden

• THE POISONED KING by Katherine Rundell, read by Sam West

• HOW SWEET THE SOUND by Kwame Alexander, read by Karen Murray

• WHALE EYES by James Robinson, read by James Robinson

Explore the full list of 2025 Best Audiobooks on our website

Support for our podcast comes from Dreamscape, an award-winning audiobook publisher with a catalog that includes authors L.J. Shen, Freida McFadden, and Katee Robert. Discover your next great listen at dreamscapepublishing.com.

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Narrator Greta Jung joins host Jo Reed to discuss narrating ALL THE TOMORROWS AFTER by Joanne Yi, one of AudioFile’s picks for Best Young Adult Audiobooks of 2025. Greta discusses her connection to the Korean language and her own childhood, both of which helped her deliver an impactful, emotional performance. Jo and Greta also talk about the importance of stories that are especially resonant for children and teen listeners. 

Read AudioFile’s review of the audiobook

Published by Simon & Schuster Audio

AudioFile’s 2025 Best Young Adult Audiobooks are:

• AMONG GHOSTS by Rachel Hartman, read by Will Watt

• ONE STEP FORWARD by Marcie Flinchum Atkins, read by Chanté McCormick

• SISTERS IN THE WIND by Angeline Boulley, read by Isabella Star LaBlanc

• (S)KIN by Ibi Zoboi, read by Bahni Turpin, Robin Miles

• UNDER THE SAME STARS by Libba Bray, read by January LaVoy, Jeremy Carlisle Parker, Major Curda

• ALL THE TOMORROWS AFTER by Joanne Yi, read by Greta Jung

Explore the full list of 2025 Best Audiobooks on our website

Support for our podcast comes from Dreamscape, an award-winning audiobook publisher with a catalog that includes authors L.J. Shen, Freida McFadden, and Katee Robert. Discover your next great listen at dreamscapepublishing.com.

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Narrator and actor Christine Lakin joins AudioFile’s Michele Cobb to discuss one of this year’s Best Romance Audiobooks, SAY YOU'LL REMEMBER ME by Abby Jimenez, read by Christine Lakin and Matt Lanter. Christine goes behind the scenes with Michele to reveal how she established the tone of certain characters and the unique challenges of being a romance narrator when they’re often recording alone in a booth. Together they dive into new trends in current romance audiobooks and discuss how natural it felt for Christine to perform Abby Jimenez’s words.

Read AudioFile’s review of the audiobook

Published by Hachette Audio.

AudioFile’s 2025 Best Romance Audiobooks are:

• GREAT BIG BEAUTIFUL LIFE by Emily Henry, read by Julia Whelan

• MISDIRECTED by Lucy Parker, read by Nicola Coughlan, Gwilym Lee

• PIONEER SUMMER by  Elena Malisova and Kateryna Sylvanova, [Translated from Russian by Anne O. Fisher] Read by Edoardo Ballerini 

• PRIDE AND PREJUDICE by Jane Austen, [Adapt.] Lulu Raczka, read by Marisa Abela, Harris Dickinson, Glenn Close, Marianne Jean-Baptiste, Bill Nighy, Sophie Wilde, Will Poulter, Jessie Buckley, Toheeb Jimoh, Patricia Allison, Bertie Carvel, Leah Harvey, David Gyasi, Rosalind Eleazar

• SAY YOU'LL REMEMBER ME by Abby Jimenez, read by Christine Lakin, Matt Lanter

• THE WOLF KING by Lauren Palphreyman, read by Zara Hampton-Brown and Shane East

Explore the full list of 2025 Best Audiobooks on our website

Support for our podcast comes from Dreamscape, an award-winning audiobook publisher with a catalog that includes authors L.J. Shen, Freida McFadden, and Katee Robert. Discover your next great listen at dreamscapepublishing.com. 

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