Jo Reed and Michele Cobb dig into three Earphones Award–winning police procedurals, each pairing a compelling investigator with a narrator who knows how to build suspense. In Missing by E.A. Jackson, Nicola Walker’s understated, magnetic performance and English accent capture Detective Inspector Martha Allen’s intelligence and persistence as a decades-old case pulls her back in. Dervla McTiernan’s Three Reasons for Revenge, read by Alison McGirr and set in Melbourne, Australia, follows Detective Sergeant Judith Lee through a brutal, psychologically driven investigation, with McGirr handling both the emotional stakes and the novel’s mounting tension. And in Michael Connelly’s Ironwood, narrator Will Damron returns as Detective Sergeant Stilwell, bringing a steady sense of urgency to an investigation on Catalina Island—with welcome appearances from Renée Ballard and Harry Bosch. Three very different detectives, three accomplished narrators, and three mystery audiobooks that earned their Earphones Awards.

Audiobooks Discussed:

Missing by E.A. Jackson, read by Nicola Walker (Simon & Schuster Audio)

Three Reasons for Revenge by Dervla McTiernan, read by Alison McGirr (Harper Audio)

Ironwood by Michael Connelly, read by Will Damron (Hachette Audio)

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Jo Reed talks with contributor Stephen Cummings about three memoirs created with audio at their center, using performance, archival clips, live recordings, and the human voice to tell their stories. Billy Eichner looks back at his Queens childhood, his rise through Billy on the Street, and the creation of the film Bros in Billy on Billy, an audio-only memoir that mixes his narration with clips from his career and reveals a more reflective side of the famously confrontational comedian. In Peeing in an Empty Bottle, comedian Roz Hernandez takes listeners along on a solo tour through the South and Midwest, combining exuberant narration with live performances and recorded conversations that explore comedy, community, and the realities of traveling through America as a transgender woman. Voice actor Billy West draws on his extraordinary vocal range in Voice-A-Versa, a memoir in which his honesty is as striking as his virtuosity. West moves from a painful childhood to the many characters he created for dozens of commercials and TV programs such as The Ren & Stimpy Show and Futurama (among many others), as well as his years on The Howard Stern Show. Together, the three audiobooks show what happens when memoir is conceived for the ear, making the voices, performances, and sounds of a life part of the storytelling itself.

Audiobooks Discussed:

Billy on Billy: An Audio Memoir, written and read by Billy Eichner (Macmillan Audio)

Peeing in an Empty Bottle (And Other Glamorous Shenanigans of an Almost-Famous Transgender Comedienne on the Road), written and read by Roz Hernandez (Simon & Schuster Audio)

Voice-A-Versa: Finding My Voice(s) Behind the Mic, written and read by Billy West (Recorded Books Inc.)

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Host Jo Reed and contributor Leslie Fine explore three distinctive novels and the narrators who shape the listening experience. In Sarah Damoff’s The Burning Side, Stacy Gonzalez, Timothy Andrés Pabon, and Jackie Sanders portray members of a family in crisis, with Sanders’ warm, multidimensional performance as the family matriarch a particular standout. Elizabeth Strout’s extraordinary The Things We Never Say finds an ideal interpreter in Golden Voice Robert Petkoff, whose beautifully restrained Earphones Award–winning performance captures Artie’s loneliness and vulnerability while allowing Strout’s remarkable portrait of community, connection, and ordinary life to speak for itself. And in Emma Straub’s American Fantasy, Marin Ireland brings humanity and personality to three very different characters aboard a boy-band nostalgia cruise, making a light, pleasant novel considerably richer in audio. Jo and Leslie consider what happens when narrators know exactly how much—or how little—to do, and how the right performance can deepen an already exceptional novel or add dimension to a lighter one.

Audiobooks Discussed:

The Burning Side by Sarah Damoff, read by Stacy Gonzalez, Timothy Andrés Pabon & Jackie Sanders (Simon & Schuster Audio)

The Things We Never Say by Elizabeth Strout, read by Robert Petkoff (Random House Audio)

American Fantasy by Emma Straub, read by Marin Ireland (Penguin Audio)

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Host Jo Reed talks with contributor Kendra Winchester about three audiobooks that explore disability and offer distinct perspectives on community, resilience, and belonging. They begin with Mother Tongue by Sara Nović, narrated by Lisa Flanagan, a memoir that blends personal experience with Deaf history and culture while using inventive audio production to incorporate ASL into the listening experience. Next is A Way Home by Cinelle Barnes, read by the author, a brilliantly written, emotionally layered memoir that interweaves recovery from a brain aneurysm, an overdue return to the Philippines, and a search for home and self, with Barnes’ authentic narration adding another dimension to the listening experience. They conclude with All My Dead Cats and Other Losses by s.e. smith, performed by Em Grosland, which uses the stories of the author's cats as springboards for a thoughtful exploration of grief, disability, memory, and the many ways we mourn, with Grosland’s restrained, deeply empathetic narration giving Smith's reflections room to resonate. Together, these three audiobooks invite listeners to rethink disability—not as a single experience but as a rich and varied part of what it means to be human.

Audiobooks Discussed

Mother Tongue by Sara Nović, read by Lisa Flanagan (Random House Audio)

A Way Home: A Memoir of Losing Yourself, and the Beauty of Returning written and read by Cinelle Barnes (Brilliance Audio)

All My Dead Cats and Other Losses: Practicing Good Grief in a Culture That Fears Mourning by s.e. smith, read by Em Grosland (Harper Audio)

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Host Jo Reed and Kirkus young readers’ editor Laura Simeon discuss three audiobooks for young listeners that use sports to explore identity, family, culture, and social change. In Medicine Wheels by Byron Graves, narrator Meegwun Fairbrother captures both the turmoil and the exhilaration of an Ojibwe teenager who discovers skateboarding—and a new connection to his late father. Eva Kaminsky brings clarity and urgency to Elizabeth Rusch’s A Greater Goal, a gripping account of the U.S. women’s soccer team’s fight for equal pay and the solidarity that sustained it. Finally, in Malia Maunakea’s The Shark Prince, narrator Noah Keawekane captures the humor and vulnerability of a Native Hawaiian teenager trying to understand both his changing body and his dangerous inheritance as a descendant of the shark king. Together, these audiobooks move beyond the action of skateboarding, soccer, and surfing to explore family ties, cultural identity, and the power of solidarity.

Audiobooks Discussed:

Medicine Wheels by Byron Graves, read by Meegwun Fairbrother (Harper Audio)

A Greater Goal: The Epic Battle for Equal Pay in Women’s Soccer—And Beyond by Elizabeth Rusch, read by Eva Kaminsky (Harper Audio)

The Shark Prince by Malia Maunakea, read by Noah Keawekane (Listening Library)

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Three audiobooks explore people whose patience, curiosity, and determination changed how we understand—and protect—the natural world. Contributor Alan Minskoff joins host Jo Reed to discuss Homesick for a World Unknown: The Life of George B. Schaller by Miriam Horn, a biography of the pioneering wildlife biologist whose decades of patient fieldwork transformed our understanding of animals in the wild. Timothy Andrés Pabon's restrained narration mirrors Schaller's own quiet, methodical approach, allowing the extraordinary scope of his life and work to unfold naturally. Next comes Bernd Heinrich's The Common Uncommon: A Forest Journey, warmly yet authoritatively read by Steve Marvel, which blends memoir, science, and quiet delight in the natural world, inviting listeners to experience it with Heinrich’s infectious sense of wonder. Rounding out the episode is James H. McCommons’ The Feather Wars: And the Great Crusade to Save America’s Birds, narrated by Colin White, whose calm, measured narration keeps the focus on the remarkable history of America’s birds, the people who nearly destroyed them, and the unlikely coalition that fought to save them. Together, these audiobooks make a fascinating trio about discovery, conservation, and the enduring rewards of paying close attention.

Audiobooks Discussed:

Homesick for a World Unknown: The Life of George B. Schaller by Miriam Horn, read by Timothy Andrés Pabon & Claudia Dunn (Penguin Audio)

The Common Uncommon: A Forest Journey by Bernd Heinrich, read by Steve Marvel (Tantor Media)

The Feather Wars: And the Great Crusade to Save America’s Birds by James H. McCommons, read by Colin White (Tantor Media)

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Host Jo Reed talks with contributor Alex Richey about three audiobooks whose outstanding narrators bring emotional depth to stories of ghosts, murder, and terrifying change. They begin with The Girl with a Thousand Faces by Sunyi Dean, in which Natalie Naudus’ emotionally precise narration guides listeners through a haunting tale set in wartime Hong Kong, balancing gothic fantasy and historical fiction. Next is Craig DiLouie’s The Summer Fun Massacre; here narrator Garrett Michael Brown anchors a grisly summer camp mystery with understated authority, while Elizabeth Cappuccino’s brief appearances as survivors add an intimate counterpoint. Jo and Alex conclude with Luke Dumas's Nothing Tastes as Good, where Graham Halstead’s deeply empathetic performance and an ensemble cast narrating news reports and social media posts transform a horror novel into a thoughtful examination of fatphobia, shame, and public judgment. Whether confronting ghosts, revisiting old crimes, or exploring the consequences of impossible choices, these audiobooks demonstrate how exceptional narration adds emotional depth to even the darkest stories.

Audiobooks Discussed:

The Girl With a Thousand Faces by Sunyi Dean, read by Natalie Naudus (Macmillan Audio)

The Summer Fun Massacre by Craig DiLouie, read by Garrett Michael Brown and Elizabeth Cappuccino (Hachette Audio)

Nothing Tastes as Good by Luke Dumas, read by Graham Halstead with Ali Andre Ali, Raquel Beattie, Cassandra Campbell, and James Anderson Foster (Simon & Schuster Audio)

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Host Jo Reed talks with contributor Laura Rossi about three Earphones Award–winning audiobooks whose narrators transport listeners in strikingly different ways. Recorded live before audiences across the country, The Land and Its People captures David Sedaris at his best: His impeccable timing and disarming honesty create an immersive listening experience that can be as moving as it is funny. Andrew Sean Greer's Villa Coco, read by Edoardo Ballerini, carries listeners to Tuscany, where Ballerini's exceptional performance turns a wonderful book into an unforgettable listen. Jo and Laura close by previewing Hallie Cantor’s novel, Like This, but Funnier, with Helen Laser’s deft narration capturing both the wit and vulnerability of a flawed screenwriter at a professional crossroads. From David Sedaris’s unmistakable voice to Edoardo Ballerini’s immersive storytelling and Helen Laser’s razor-sharp comic timing, this episode celebrates narrators whose performances don't simply accompany a book—they shape the entire listening experience.

Audiobooks Discussed:

The Land and Its People, written and read by David Sedaris (Hachette Audio)

Villa Coco by Andrew Sean Greer, read by Edoardo Ballerini (Random HouseAudio)

Like This, But Funnier by Hallie Cantor, read by Helen Laser (Simon & Schuster Audio)

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Host Jo Reed talks with contributor Michele Cobb about three audiobooks full of unexpected turns, each narrated by Golden Voice performers at the top of their craft. Katharine Hepburn, Cary Grant, and Howard Hughes feel uncannily real in The Original by Priya Parmar, as Cassandra Campbell's nuanced narration blurs the line between historical fact and imaginative fiction. Walter Mosley's Ghalen: A Romance in Black begins as a love story before shifting into a coming-of-age story of family, grief, and community, a transition made seamless by Dion Graham's emotionally intuitive narration. They wrap up with The Divorce by Frieda McFadden, where Marin Ireland, January LaVoy, and Edoardo Ballerini deliver performances that keep a fast-moving psychological thriller compelling through every twist, turn, and implausible revelation. Whether it's historical fiction that feels like memoir, a romance novel that defies expectations, or a thriller powered by an exceptional ensemble cast, these audiobooks show how masterful narration can make every surprise land.

Audiobooks Discussed:

The Original: A Novel written by Priya Parmar, read by Cassandra Campbell (Random House Audio)

Ghalen: A Romance in Black written by Walter Mosley, read by Dion Graham (HarperAudio)

The Divorce written by Frieda McFadden, read by January LaVoy, Marin Ireland and Edoardo Ballerini (Dreamscape)

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Host Jo Reed talks with contributor Stephen Cummings about three celebrity memoirs that reveal the many ways that authors tell their own stories in audio. They begin with Arsenio by Arsenio Hall and Alan Eisenstock, narrated by Hall, whose lively, charismatic performance revisits the groundbreaking years of The Arsenio Hall Show and its cultural impact. Then they discuss Famesick, written and read by Lena Dunham, a candid and often unsettling memoir that examines fame, illness, ambition, and the costs of living in public. Finally, they turn to True Crime, narrated by Patricia Cornwell, whose measured delivery guides listeners through a difficult Southern childhood and the winding path that led her to create Kay Scarpetta. Together, these audiobooks show how memoir narration can become a second act of storytelling, with each author using voice, pacing, and perspective to reshape the stories they tell about themselves.

Audiobooks discussed:

Arsenio by Arsenio Hall with Alan Eisenstock, read by the Arsenio Hall (Simon & Schuster Audio)

Famesick, written and read by Lena Dunham (Random House Audio)

True Crime, written and read by Patricia Cornwell (Hachette Audio)

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Host Jo Reed talks with contributor Kendra Winchester about three inventive story collections that reveal just how expansive audiobook storytelling can be. They begin with Fat Swim by Emma Copley Eisenberg, performed by a seven-person cast including Marin Ireland and Samantha Desz, where stories centered on fatness, vulnerability, and community take on added intimacy through distinct narrative voices. Then they discuss My Dear You by Rachel Khong, narrated by Xiaoling Pan, Rachel Khong, Zhen Zhao, and Annie Q. Riegel, a wildly imaginative collection that moves effortlessly between speculative fiction, satire, emotional realism, and the uncanny. Finally, they turn to Seasons of Glass and Iron by Amal El-Mohtar, with narrator Rachel Elizabeth Smith bringing warmth, precision, and quiet intensity to stories filled with fairy tales, scholarship, women’s lives, and acts of self-rescue. Together, these audiobooks demonstrate how short fiction thrives in audio—each narrator shaping tone, atmosphere, and emotional texture in ways that make every story feel immediate and distinct.

Audio Books Discussed:

Fat Swim by Emma Copley Eisenberg, read by Kristen DiMercurio, MW Cartozian Wilson, Marin Ireland, Lindsey Dorcus, Chrysanthy Balis, Samantha Desz, and Kristen Sieh (Random House Audio)

My Dear You by Rachel Khong, read by Jialing Pan, Rachel Khong, Jen Zhao, and Annie Q. Riegel (Random House Audio)

Seasons of Glass and Iron by Amal El-Mohtar, read by Rachel Elizabeth Smith (Macmillan Audio)

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