Behind the Mic with AudioFile Magazine

AudioFile Magazine

Find your next great audiobook on our podcast, Behind the Mic with AudioFile Magazine. Every Monday through Friday, AudioFile Editors recommend the best in audiobook listening. All in 6 minutes or less. It’s short, sweet, and just what your ears need. Got a bit more time? Listen to the bonus episode featuring conversations with the best voices in the audiobook industry.

  • 7 minutes 33 seconds
    SMALL THINGS LIKE THESE by Claire Keegan, read by Aidan Kelly

    AudioFile’s Leslie Fine and host Jo Reed discuss how this brief novel set in a small Irish town in 1985 is no bucolic Irish tale. Aiden Kelly gives a masterful narration. Bill Furlong, the son of an unwed mother and now a coal merchant with a family, leads a comfortable life.During a coal delivery to the town’s convent, he finds a young woman locked and freezing in an outbuilding. As he learns more, he is shaken by the fate of the occupants of the Magdalene schools/laundries for unwed mothers and their babies. 


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    21 February 2025, 10:00 am
  • 7 minutes
    THE HISTORY OF SOUND by Ben Shattuck, read by Ben Shattuck and an ensemble cast

    The stories in this audiobook collection have subjects as wide as the list of narrators is long, and the result is excellent. AudioFile’s Leslie Fine and host Jo Reed discuss how there is not a weak performance, and each narrator is perfectly suited to his or her story. “Radiolab: Singularities,” with its multiple narrators, makes great use of the audio format. Whether it’s Zachary Chastain’s outstanding dialogue in “August in the Forest,” or Nick Offerman’s ominous “Journal of Thomas Thurber,” or some other work, each title leaves a distinct emotional impression. The result is a truly transporting experience.

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    20 February 2025, 10:00 am
  • 8 minutes 53 seconds
    BLUE SISTERS by Coco Mellors, read by Kit Griffiths

    Grief is a looming presence in this audiobook. The three Blue sisters try to move on after the death of Nikki, their vivacious and beloved fourth sibling. AudioFile’s Leslie Fine and host Jo Reed discuss how Kit Griffiths narrates the sisters' parallel stories with a measured cadence, conveying the survivors' internal and external struggles as they wrestle with the past and try to salvage their futures. Overall, Griffiths offers a strong narrative voice, but she keeps the listener at a distance. 


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    19 February 2025, 10:00 am
  • 7 minutes 37 seconds
    THE LIFE OF CHARLOTTE BRONTË by Elizabeth Gaskell, read by Lucy Scott, Penelope Rawlins, Georgina Sutton, Sarah Lambie, David Timson, Nigel Pilkingtonraft

    Literary skill ensured Charlotte Brontë's place in the "classics" category, and this audiobook delves deeply into her life and times. AudioFile’s Leslie Fine and host Jo Reed discuss how Lucy Scott is the consummate British narrator, with a brisk pace and animated tone that remain consistent through an extensive audio performance. Supporting cast members are used well to voice various primary sources; these moments highlight the quotations and break up considerable blocks of research and explanation. The transitions among the supporting voices are seamless. 

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    18 February 2025, 10:00 am
  • 7 minutes 33 seconds
    IN THE DISTANCE by Hernan Diaz, read by Alexander Skarsgard

    AudioFile’s Leslie Fine and host Jo Reed discuss how narrator Alexander Skarsgard provides the ideal voice for this audiobook. Just as one settles in with what seems like a typical Western, something occurs that reveals there’s nothing typical about it. Hakan, a reserved Swede of intimidating size, must navigate a strange country where dangers abound. Skarsgard’s gentle tone suggests an innocence glowing halo-like over Hakan. At the same time, a tone of melancholy suggests the folly of that expectation. Not for the faint of heart, this story will awaken an appreciation for the better aspects of human nature. 

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    17 February 2025, 10:00 am
  • 7 minutes 7 seconds
    FOOD FOR THOUGHT by Alton Brown, read by Alton Brown

    Add outstanding audiobook narrator to Brown’s deep resumé. He is aftercall a Food Network personality, cookbook author, and avid food science researcher. Given his long running gigs on Iron Chef, Good Eats and his work as a pitchman for GE, among others, no surprise that he performs his “essays and ruminations” smoothly, smartly and wittily. His range of interests is expansive: blue crab (eat in the soft shell variety), martinis (be wary of ice), Japanese cuisine (seek it out), but it’s his funny and quirky opinions—men should dress like Bond villains, kitchen tables must be wood, utensils need to multitask--that stay with the listener. A master of the bon mot, he tells stories creatively with excellent pace and tone. Highly recommended.(123)

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    14 February 2025, 10:00 am
  • 5 minutes 46 seconds
    FOUR POINTS OF THE COMPASS by Jerry Brotton, read by Liam Garrigan

    Host Jo Reed and AudioFile’s Alan Minskoff discuss Jerry Brotton’s brief but delightful and highly informed audiobook exploring geographic direction. Narrator Liam Garrigan has a natural storytelling style, and his British accent and professional delivery work well for the material. The central idea is how the cardinal directions gave life meaning throughout history but are now being displaced in the digital age, when the ideas of east against west and south versus north have geopolitical, rather than geographical, meanings.  

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    13 February 2025, 10:00 am
  • 7 minutes 24 seconds
    THE RIVETER by Jack Wang, read by Feodor Chin

    Set in Canada and the European theater during World War Two, this moving debut from Jack Wang tells the story of Josiah Chang, a Canadian logger and riveter of Chinese ancestry. Host Jo Reed and AudioFile’s Alan Minskoff discuss Feodor Chin’s precise and clear narration. The novel details Chang’s challenges and unveils a love story with Poppy, whom he meets when he and she both work at a Vancouver shipyard. This is a wartime novel (Josiah is a heroic paratrooper),  a love story (Josiah and Poppy flout convention) and an indictment of restrictive laws on race. Meticulously researched and well written. 

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    12 February 2025, 10:00 am
  • 7 minutes 28 seconds
    PLAYGROUND by Richard Powers, read by Edoardo Ballerini, Robin Siegerman, Eunice Wong, Pun Bandhu, Krys Janae, Kevin R. Free

    "The fate of continents is written in water," this audiobook professes, and the vital role of the ocean is at the heart of this expansive listening experience. Host Jo Reed and AudioFile’s Alan Minskoff discuss Richard Powers’s new audiobook, narrated by a full cast. At the start, the narrators' words flow forth, immersing the listener in four central characters and the minute details that comprise their respective worlds. Sections lack titles or labels, so the distinct voice of each narrator is key to distinguishing which story is which. All six narrators' performances are equally deft; in fact, there is a consistency in pace and tone that makes this complex story accessible. 

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    11 February 2025, 10:00 am
  • 7 minutes 26 seconds
    GRANDDAUGHTER by Bernhard Schlink, Charlotte Collins [Trans.], read by Richard Burnip, Sarah Moule

    Host Jo Reed and AudioFile’s Alan Minskoff discuss an exceptional audiobook from Bernhard Schlink.  Both Richard Burnip and Sarah Moule are fine narrators who perform with an impeccable tempo, pace, and cadence. The mysterious plot concerns a Berlin bookseller, Kaspar, who engineered his wife Birgit’s escape from East Germany 40 years earlier. After her death, Kaspar finds her memoir, which reveals she had given birth to a daughter. His relationship with his ultra-nationalist granddaughter occupies much of the second half of the story. Schlink masterfully reveals the complexity of a reunified Germany. 

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    10 February 2025, 10:00 am
  • 7 minutes 19 seconds
    MY GOOD BRIGHT WOLF by Sarah Moss, read by Morven Christie

    Host Jo Reed and AudioFile’s Kendra Winchester discuss a captivating memoir by English writer and academic Sarah Moss, performed by Morven Christie. From an early age, society taught Moss that girls are to be restrained, smart but not too smart, and at home, she learned a girl must stay thin above all else. Moss’s memoir follows her life as she pushes back against the patriarchal structures that threaten to confine her. Christie’s performance perfectly captures Moss’s narrative voice, creating a quiet intimacy. As Moss battles with an eating disorder, Christie’s narration develops layers of emotional depth and keeps listeners enraptured.


    Read our review of the audiobook at our website. Published by Macmillan Audio.


    Discover thousands of audiobook reviews and more at AudioFile’s website.

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    7 February 2025, 10:00 am
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