Host Jo Reed talks with contributor Alex Richey about three audiobooks whose outstanding narrators bring emotional depth to stories of ghosts, murder, and terrifying change. They begin with The Girl with a Thousand Faces by Sunyi Dean, in which Natalie Naudus’ emotionally precise narration guides listeners through a haunting tale set in wartime Hong Kong, balancing gothic fantasy and historical fiction. Next is Craig DiLouie’s The Summer Fun Massacre; here narrator Garrett Michael Brown anchors a grisly summer camp mystery with understated authority, while Elizabeth Cappuccino’s brief appearances as survivors add an intimate counterpoint. Jo and Alex conclude with Luke Dumas's Nothing Tastes as Good, where Graham Halstead’s deeply empathetic performance and an ensemble cast narrating news reports and social media posts transform a horror novel into a thoughtful examination of fatphobia, shame, and public judgment. Whether confronting ghosts, revisiting old crimes, or exploring the consequences of impossible choices, these audiobooks demonstrate how exceptional narration adds emotional depth to even the darkest stories.

Audiobooks Discussed:

The Girl With a Thousand Faces by Sunyi Dean, read by Natalie Naudus (Macmillan Audio)

The Summer Fun Massacre by Craig DiLouie, read by Garrett Michael Brown and Elizabeth Cappuccino (Hachette Audio)

Nothing Tastes as Good by Luke Dumas, read by Graham Halstead with Ali Andre Ali, Raquel Beattie, Cassandra Campbell, and James Anderson Foster (Simon & Schuster Audio)

Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jo Reed talks with contributor Laura Rossi about three Earphones Award–winning audiobooks whose narrators transport listeners in strikingly different ways. Recorded live before audiences across the country, The Land and Its People captures David Sedaris at his best: His impeccable timing and disarming honesty create an immersive listening experience that can be as moving as it is funny. Andrew Sean Greer's Villa Coco, read by Edoardo Ballerini, carries listeners to Tuscany, where Ballerini's exceptional performance turns a wonderful book into an unforgettable listen. Jo and Laura close by previewing Hallie Cantor’s novel, Like This, but Funnier, with Helen Laser’s deft narration capturing both the wit and vulnerability of a flawed screenwriter at a professional crossroads. From David Sedaris’s unmistakable voice to Edoardo Ballerini’s immersive storytelling and Helen Laser’s razor-sharp comic timing, this episode celebrates narrators whose performances don't simply accompany a book—they shape the entire listening experience.

Audiobooks Discussed:

The Land and Its People, written and read by David Sedaris (Hachette Audio)

Villa Coco by Andrew Sean Greer, read by Edoardo Ballerini (Random HouseAudio)

Like This, But Funnier by Hallie Cantor, read by Helen Laser (Simon & Schuster Audio)

Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jo Reed talks with contributor Michele Cobb about three audiobooks full of unexpected turns, each narrated by Golden Voice performers at the top of their craft. Katharine Hepburn, Cary Grant, and Howard Hughes feel uncannily real in The Original by Priya Parmar, as Cassandra Campbell's nuanced narration blurs the line between historical fact and imaginative fiction. Walter Mosley's Ghalen: A Romance in Black begins as a love story before shifting into a coming-of-age story of family, grief, and community, a transition made seamless by Dion Graham's emotionally intuitive narration. They wrap up with The Divorce by Frieda McFadden, where Marin Ireland, January LaVoy, and Edoardo Ballerini deliver performances that keep a fast-moving psychological thriller compelling through every twist, turn, and implausible revelation. Whether it's historical fiction that feels like memoir, a romance novel that defies expectations, or a thriller powered by an exceptional ensemble cast, these audiobooks show how masterful narration can make every surprise land.

Audiobooks Discussed:

The Original: A Novel written by Priya Parmar, read by Cassandra Campbell (Random House Audio)

Ghalen: A Romance in Black written by Walter Mosley, read by Dion Graham (HarperAudio)

The Divorce written by Frieda McFadden, read by January LaVoy, Marin Ireland and Edoardo Ballerini (Dreamscape)

Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jo Reed talks with contributor Stephen Cummings about three celebrity memoirs that reveal the many ways that authors tell their own stories in audio. They begin with Arsenio by Arsenio Hall and Alan Eisenstock, narrated by Hall, whose lively, charismatic performance revisits the groundbreaking years of The Arsenio Hall Show and its cultural impact. Then they discuss Famesick, written and read by Lena Dunham, a candid and often unsettling memoir that examines fame, illness, ambition, and the costs of living in public. Finally, they turn to True Crime, narrated by Patricia Cornwell, whose measured delivery guides listeners through a difficult Southern childhood and the winding path that led her to create Kay Scarpetta. Together, these audiobooks show how memoir narration can become a second act of storytelling, with each author using voice, pacing, and perspective to reshape the stories they tell about themselves.

Audiobooks discussed:

Arsenio by Arsenio Hall with Alan Eisenstock, read by the Arsenio Hall (Simon & Schuster Audio)

Famesick, written and read by Lena Dunham (Random House Audio)

True Crime, written and read by Patricia Cornwell (Hachette Audio)

Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jo Reed talks with contributor Kendra Winchester about three inventive story collections that reveal just how expansive audiobook storytelling can be. They begin with Fat Swim by Emma Copley Eisenberg, performed by a seven-person cast including Marin Ireland and Samantha Desz, where stories centered on fatness, vulnerability, and community take on added intimacy through distinct narrative voices. Then they discuss My Dear You by Rachel Khong, narrated by Xiaoling Pan, Rachel Khong, Zhen Zhao, and Annie Q. Riegel, a wildly imaginative collection that moves effortlessly between speculative fiction, satire, emotional realism, and the uncanny. Finally, they turn to Seasons of Glass and Iron by Amal El-Mohtar, with narrator Rachel Elizabeth Smith bringing warmth, precision, and quiet intensity to stories filled with fairy tales, scholarship, women’s lives, and acts of self-rescue. Together, these audiobooks demonstrate how short fiction thrives in audio—each narrator shaping tone, atmosphere, and emotional texture in ways that make every story feel immediate and distinct.

Audio Books Discussed:

Fat Swim by Emma Copley Eisenberg, read by Kristen DiMercurio, MW Cartozian Wilson, Marin Ireland, Lindsey Dorcus, Chrysanthy Balis, Samantha Desz, and Kristen Sieh (Random House Audio)

My Dear You by Rachel Khong, read by Jialing Pan, Rachel Khong, Jen Zhao, and Annie Q. Riegel (Random House Audio)

Seasons of Glass and Iron by Amal El-Mohtar, read by Rachel Elizabeth Smith (Macmillan Audio)

Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jo Reed talks with Kirkus young readers’ editor Laura Simeon about three middle-grade audiobooks that explore difficult subjects with honesty, empathy, and respect for young listeners. In Phoenix by Kimberly Brubaker Bradley, narrator Emma Ladji brings warmth and steadiness to young Harper’s story as she navigates her parents’ divorce, shifting friendships, and the rescued horse who becomes central to her new life. Karise Yansen’s calm, measured narration of Matthew Fox’s The Lovely Dark grounds a lyrical story of grief, loss, and the afterlife in vivid emotional reality. And in Tae Keller’s When Tomorrow Burns, a seamless ensemble cast—Eddy Lee, Annie Q. Riegel, Sara Matsui-Colby, Emily Woo Zeller, and Tae Keller—captures the uncertainty and intensity of middle school friendships unfolding against the backdrop of climate anxiety and change. Together, these audiobooks recognize that middle-grade kids confront complicated situations and deserve stories that speak to those uncertainties with honesty and care.

Audiobooks Discussed:

Phoenix by Kimberly Brubaker Bradley, read by Emma Ladji (Listening Library)

The Lovely Dark by Matthew Fox, read by Karise Yansen (Hachette Audio)

When Tomorrow Burns by Tae Keller, read by Eddy Lee, Annie Q. Riegel, Sara Matsui-Colby, and Emily Woo Zeller (Listening Library)

Support for Behind the Mic comes from HarperCollins Focus, and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Reba McEntire, Bob Goff, Savannah Guthrie, Max Lucado, Lysa TerKeurst, and many more.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jo Reed talks with contributor Leslie Fine about three audiobooks that range from memoir to thriller to literary biography. They begin with Unread: A Memoir of Learning (and Loving) To Read on TikTok by Oliver James, where narrator James Shippy brings warmth and enthusiasm to the author’s account of achieving literacy as an adult and discovering the enduring pleasures of books. Then, they turn to Tiffany Crum’s This Story Might Save Your Life. Driven by the energetic, emotionally layered narration of Julia Whelan and Sean Patrick Hopkins, its use of podcast clips, voicemail messages, and layered audio production heightens a suspenseful missing-person mystery. And they end with Judy Blume: A Life by Mark Oppenheimer; Molly Ringwald’s warm, quietly authoritative narration guides listeners through the career of an author whose books have shaped generations of readers. Together, these audiobooks prove that the right narrator can turn a good story into an irresistible listen.

Audiobooks Discussed:

Unread: A Memoir of Learning (and Loving) To Read on TikTok by Oliver James, read by James Shippy (Hachette Audio)

This Story Might Save Your Life by Tiffany Crum, read by Julia Whelan and Sean Patrick Hopkins (Macmillan Audio)

Judy Blume: A Life by Mark Oppenheimer, read by Molly Ringwald and Mark Oppenheimer (Penguin Random House Audio)

Support for Behind the Mic comes from HarperCollins Focus, and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Reba McEntire, Bob Goff, Savannah Guthrie, Max Lucado, Lysa TerKeurst, and more.

Learn more about your ad choices. Visit megaphone.fm/adchoices

On this special sponsored episode of Behind the Mic, Kirkus’ Michele Cobb is joined by acclaimed narrator January LaVoy. Together, they go behind the scenes of recording Freida McFadden’s latest bestseller, The Divorce—without spoilers. The novel explores the unraveling of a marriage, and the audiobook is performed by a trio of narrators portraying the three characters at its center: January LaVoy, Edoardo Ballerini, and Marin Ireland. Michele and January discuss the importance of honoring the author’s words, collaborating with her fellow narrators, and how January created the voice for and built the character of Veronica, the other, younger woman.

Audiobook Discussed:

The Divorce by Freida McFadden, read by January LaVoy, Edoardo Ballerini & Marin Ireland (Dreamscape Media)

This episode of Behind the Mic is brought to you by Dreamscape Media

Learn more about your ad choices. Visit megaphone.fm/adchoices

From haunted New Jersey suburbs to melancholy Irish landscapes to the contested wilds of the American West, Alan Minskoff joins host Jo Reed to discuss three sharply different works of fiction in audio. Tom Perrotta’s Ghost Town, narrated by Robert Petkoff, blends grief, adolescence, and the supernatural through Petkoff’s nuanced character work, while Derbhle Crotty and Darragh Shannon bring quiet emotional precision to The News From Dublin, evoking the atmosphere of longing and displacement in Colm Tóibín’s story collection. The conversation closes with Taylor Brown’s Wolvers, read by Ramiz Monsef, whose vivid performance captures the tensions between ranchers, militias, environmentalists, and wolves in the modern West. These audiobooks may share little besides the genre of fiction, but each narrator creates a fully realized world listeners can step into and stay with long after the final chapter.

Audiobooks Discussed:

Ghost Town by Tom Perrotta, read by Robert Petkoff (Simon & Schuster Audio)

The News From Dublin: Stories by Colm Tóibín, read by Derbhle Crotty and Darragh Shannon (Simon & Schuster Audio)

Wolvers by Taylor Brown, read by Ramiz Monsef (Recorded Books Inc.)

Support for Behind the Mic comes from HarperCollins Focus and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Reba McEntire, Bob Goff, Savannah Guthrie, Max Lucado, Lysa TerKeurst, and many more.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Three women tell deeply personal stories in audiobooks that gain even more force through performance. Michele Cobb joins host Jo Reed to discuss A Hymn to Life by Gisèle Pelicot, who discovered that her husband had drugged her and arranged to have dozens of men assault her over the course of many years. The book recounts her life, the trial, and the reckoning that followed, all narrated by Emma Thompson with remarkable restraint and empathy. Next comes a discussion of The End of My Life Is Killing Me by Annabelle Gurwitch, read by the author with warmth, comic timing, and mischievous candor as she navigates stage 4 lung cancer and divorce. Finally, they discuss You With the Sad Eyes, written and read by actor Christina Applegate, who reflects on childhood trauma, fame, cancer, and living with multiple sclerosis; her unguarded narration—complete with journal entries, cracked laughter, and tearful moments—gives the book unusual emotional immediacy.  These memoirs don’t offer neat resolutions, but they do reveal the special intimacy that happens when difficult stories are spoken aloud.

Audiobooks Discussed:

A Hymn to Life: Shame Has To Change Sides by Gisèle Pelicot with Judith Perrignon; translated by Natasha Lehrer and Ruth Diver; read by Emma Thompson (Penguin Random House Audio)

The End of My Life is Killing Me: The Unexpected Joys of a Cancer Slacker by Annabelle Gurwitch, read by the author and Andie MacDowell (Zibby Books)

You With the Sad Eyes: A Memoir written and read by Christina Applegate (Hachette Audio)

Learn more about your ad choices. Visit megaphone.fm/adchoices

Contributor Stephen Cummings joins host Jo Reed to talk about David Pogue’s Apple: The First 50 Years, which Pogue narrates with the confidence and curiosity of a longtime tech journalist, weaving in archival clips and company lore. They turn to Noam Scheiber’s Mutiny: The Rise and Revolt of the College-Educated Working Class, where André Santana’s restrained and intelligent narration underscores the frustrations of workers organizing at companies like Starbucks, Amazon, and Apple. Finally, Woody Brown’s Upward Bound employs a strong cast led by T. R. Knight to explore life inside an underfunded adult day program, giving its central character a vivid and deeply affecting inner voice. All three audiobooks look closely at ambition, labor, and the gap between how work is imagined and how it’s lived.

Audiobooks Discussed:

Apple: The First 50 Years written and read by David Pogue (Simon & Schuster Audio)

Mutiny: The Rise and Revolt of the College-Educated Working Class by Noam Scheiber,  read by André Santana (Macmillan Audio)

Upward Bound  by Woody Brown, read by T.R. Knight, Daphne Rubin-Vega, Alex Edelman, Pete Holmes, Midori Francis, Carlos Miranda, Brandon Flynn, and Nikki M. James (Random House Audio)

Learn more about your ad choices. Visit megaphone.fm/adchoices