After a handful of specials, four weeks away from the studio, and a journey that took me from Austria to Bangladesh and on into India, it feels a little overdue, and very welcome, to make this a mailbag week, walking one of my favourite photowalk paths with camera and Sir Barkalot, spending a good hour and a bit with the letters you've been sending in, some contemplative music, the wind doing its thing along the path, and the welcome return of Valerie Jardin, our street photography mentor, fresh from her own travels in Mexico, for TEACH ME STREET.

Letters and stories today from Martyn Cox, who wonders if exotic places and travel lead to making better photographs, Paul Morgan has some thoughts on Bangladesh and her workforce, Andreas Noeh shares a super project from New York where loft life rules for artists, Jon Otis has me diving for cover behind the sofa of flattery, Dennis Linden is researching family history and creating his own, Tom Cavness practices Haiku, and Monika Adler finds profound beauty and peace with her photography and a famous English backdrop.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

Today, the show travels to Bangladesh. It's the first of two specials, as we visit India too in the coming weeks.

Bangladesh is roughly the size of England, with a population of between 170 and 200 million people. Dhaka is one of the busiest, loudest, most relentlessly alive cities you are ever likely to walk through. The city runs on noise, an orchestra of car, bus, rickshaw and tuk-tuk horns and beeps that never quite stops, layers of sound that, after a while, start to feel almost normal.

We walk the riverbanks of the Buriganga, explore the shipyards of Keraniganj, lose ourselves in the markets of Old Dhaka, and find ourselves unexpectedly invited through a wall into a Krishna festival in full swing. Along the way, we photograph the sand carriers of the river and spend time in a city that rewards anyone willing to look past the surface.

Into all of this walked my travel partner, Lynn Fraser, and I, with cameras and the great fortune of having GMB Akash as our guide, a World Press Photo winner who has spent his career photographing lives on the margins in a way that gives people back their dignity rather than reducing them to their hardships. This isn't a formal interview with him, more time spent together in his city, with his people. You'll get a very clear sense of who he is. We certainly did.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

David duChemin is back for his third visit, and this time we're tackling a surprising topic: the enduring power of photography blogs. In an age of algorithms and fleeting posts, David makes a compelling case that blogs aren't dead and are thriving as vital spaces for deeper storytelling and better connection with your audience. Through a curated collection of photography blogs, we explore why long-form content and owning your platform matter more than ever, whether you're shooting for clients or purely for the love of it.

David is a photographer and author based on Vancouver Island, Canada. A former humanitarian photographer, his work shifted after a life-altering accident in Italy in 2011 left him a below-the-knee amputee. We also talk about his adventures in Kenya. Join David in this special to discover why the blog remains one of photography's most powerful tools.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

David Wright returns from Antarctica with the story he promised to share with us at the start of the year. He talks of the deep stillness he encountered on his expedition as a guide, and the practicalities of photographing this vast beautiful land and seascape.

David is known worldwide as an award-winning filmmaker and photographer who has worked in more than seventy countries for clients including National Geographic and the BBC. His path has gradually moved toward personal projects, and this Antarctic voyage is a part of that chapter, where the focus is on seeing slowly, working with isolation and weather, and translating one of the planet's most remote places into images.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

In this second part, former professional documentary photographer Giles Penfound and I are back at Penwood in Berkshire, England, to make one special single picture using 5x4, paying homage to the late Dennis Lee, an American community member who passed at the start of 2026. In this episode, you get to see what all of that waiting, all of that patience, actually produced. We reveal the finished photograph: the large-format portrait of a remarkable tree. We also pick up the conversation where we left it, talking more about what happens when you deliberately take your foot off the accelerator, not just as a photographer, but as a person moving through the world. Giles came from documentary work, where speed and instant story were everything, and watching him operate with a 5x4 plate camera in a quiet wood in Berkshire is about as far from that as you can get.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

Sometimes the most profound photographs aren't made in an instant, they're cultivated over days, even weeks. In this special two-part episode, I walk with photographer Giles Penfound in Penwood in Berkshire, as he slows down to make a single large-format image of a giant tree, a portrait created in honour of a photographer known to us both.

Working with a 5x4 plate camera, Giles has transformed his practice from the fast-paced world of documentary work to something more deliberate, contemplative, and rooted in presence. Across two weeks, we explore what it means to truly slow down: waiting for light, sitting with a 'subject', and navigating the mental space that opens up when you're no longer chasing the next frame.

We discuss mental health, the quality of light, and choosing a different pace of life in a world that demands speed. This is photography as meditation, as ritual, as a way of being fully present with the world.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

This week, I speak with Gary Williams, a professional singer who's performed at Buckingham Palace and Ronnie Scott's Jazz Club, where the late Martin Parr once photographed him. Over the last two years, Gary has built a thriving business photographing micro weddings at London's iconic town halls, the same venues where Paul McCartney, Mick Jagger, Lily Allen, and Ed Sheeran have tied the knot. We discuss reaching his photographic milestone of 100 weddings in just two years, the process of building a practice as a newcomer to professional photography, and what he's learned along the way. It's 100 not out.

Then Valérie Jardin returns for her monthly Teach Me Street segment, where she offers creative feedback on candid street photos submitted by two photographers, examining the decisions made and the stories behind the images.

From the mailbag, Sven in Switzerland is trying to lose the imposter syndrome character on his shoulder, Gene Westberg wonders if he missed a photographic trick during the pandemic, Jussi Jääskeläinen takes us on a hike in North Eastern France, Adriano Henney shares what he loves about Venice, and there's a moment of Spike Milligan silliness, or at least an ode to him, from the Doctor of Reflection, Robin Chun. Plus, news about some very special editions coming in the next four weeks.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

This week, Steven Seidenberg is my guest, a photographer, philosopher, and writer whose work focuses on empty spaces, ordinary places, and the things most people pass by. His photographic books include The Architecture of Silence and Pipevalve: Berlin, and his work has been shown internationally, from Europe to the US and Japan. Alongside the photographs, he writes prose and poetry that explore similar themes, examining perception and what it means to truly notice what's in front of us. It's certainly one of our more thought-provoking conversations of late, as Steven even questions what a photograph actually is, if it's not a printed, tangible, tactile thing.

From the mailbag, Andrew Larking writes about self-criticism, sharing a story that touches on depression and the instinct many of us have to try to push through it alone; Richard Rawlings writes about neurodiversity, and Jim Farmer reports on unexpected wildlife encounters that may or may not involve actual alligators a little too close to home! Also today, a chance to join in with a new community feature for 2026 called HERE AND THERE.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

This week, I speak with Cathal McNaughton, a well-respected international photojournalist and Pulitzer Prize winner. We discuss his biographical film I Dream in Photos, his recent photography in Ukraine that focuses on ordinary life continuing alongside the war brought to their country, and the role family plays in shaping how and why he photographs.

Along the way, Cathal shares a personal discovery that has refocused attention on him, after a career spent observing others. It becomes a conversation about self-understanding and what it means to keep making photographs when the relationship with the camera itself is being questioned.

From the mailbag, Richard Rawlings pairs photographs with prose as walking helps him appreciate nature, Marilyn Davies nudges anyone still circling a 365 feature, to just start, even if February becomes the starting line, and Jaki G heads celebrates Lisbon's street photo festival, and walking with the celebrated Phil Penman who swapped his adopted New York for the Portuguese capital.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

This week, I talk with Craig Easton, and the conversation embraces AI, trust in photojournalism, and how a still photograph can still hold its own. But the heart of this chat sits on a Scottish island. Picture a house at the end of a single-track road, miles from anywhere, no shop, no pub, just weather, water, and time. This is Barnhill, on the Isle of Jura, where George Orwell came to live and work while writing Nineteen Eighty-Four. Craig travelled to this fabled place to make his new book 'An Extremely Un-Get-Atable Place'. This is a conversation about place, curiosity, and paying attention.

On today's walk from the mailbag, Jade Lee discovers just how powerful it can be to swap pictures with people in other countries, Jean-Maurice Cormier shares some thoughts on travel and street photography, and Phil Ferris appears to be listening from the shower in what may or may not become a formal complaint, all while we pack coffee, biscuits, film, and a copy of 1984 into our camera bags.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.

Strangers When We Meet is a street portrait project built as much on conversation as photography. In it, Tim Allen approaches people he has never met, talks with them, and then makes their portrait. Beneath that simple exchange sits a longer story about family influence and a decision to move his life to the town where he now photographs its people. The family thread isn't about cameras being passed down, but about a father who could talk to anyone, and how that way of meeting the world found its way into the work.

We talk about Tim's book, Strangers When We Meet, published to raise funds for St Michael's Hospice, and his return to Artisans, a project documenting people who make things for a living.

From the mailbag: Glenn Sowerby has been making street pictures at big-city football matches. Chris Hughes reckons he may already have made his one big picture for 2026, just days into the year, and Jeff Smeraldo is deep into proper family photographic history. Also today Valérie Jardin returns for the first of our monthly TEACH ME STREET features and she shares news about We are Minnesota, plus there's an invitation to come to Scotland in 2026 and further afield to India, Mongolia and Venice.

Read more about our photographic adventures on our photography travel website, The Journey Beyond.

Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.

WHY: A Sketchbook of Life is available here.