The summer of 1999 brought with it some huge successes, and also the combination of Will Smith, Salma Hayek and Kevin Kline in Wild Wild West. Based on the TV show from the 1960s, this became a hugely expensive Warner Bros blockbuster, one that George Clooney saw the problem with and duly dropped out of fairly late in the day.

In this episode of Film Stories, Simon digs into the story of the movie, and how Will Smith faced a choice: does it take the lead role in this, or does he make The Matrix instead...?!

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Paul Feig returns to the Film Stories podcast, to chat with Simon about a whole bunch of stuff. There's The Housemaid - with a clearly marked spoiler! - and The Housemaid 2. There's also Bridesmaids at the Oscars, an attempt get Spy 2 moving, the long-lost idea of a Play-doh movie, and a whole lot more.

Bit sweary this one. Please like and subscribe and stuff!

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Director David Mackenzie stops by to chat about his new film, Fuze, in the latest episode of the Film Stories podcast. Ryan Lambie steps in to to chat to David about his work, and films such as Young Adam, Starred Up, the mighty Hell Or High Water (which Mackenzie chats about revisiting recently) and Relay.

Plus a whole lot on Fuze, in cinemas now, and his plans for future projects...

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In 1980, an option was taken out on Judge Dredd with a view of getting a movie of Mega City One's legendary law enforcer to the big screen. In the years that followed, it looked like Tony Scott might direct a film based on 2000AD comics' most famous character, with Arnold Schwarzenegger sniffing around.

In the end, 1995 saw a seasoned movie star in Sylvester Stallone and a twentysomething British film director called Danny Cannon realising the film. Turned out to be quite a story...

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Matt Bettinelli-Olpin and Tyler Gillett work as filmmakers under the collective name of Radio Silence, and they've been out and about promoting their new film, Ready Or Not 2: Here I Come.

The poor pair had to suffer a conversation with Simon for their sins, that touched on the new movie, on films such as Abigail and Devil's Due, plus tips of the hat to very expensive chairs and the Sega Dreamcast console...

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No two ways about it, 2000's X-Men movie was a massive gamble. At a time when studios needed movie star vehicles, 20th Century Fox found itself without a summer blockbuster due to a delay on a Tom Cruise film. It'd already greenlit and backtracked on X-Men once.

When the film finally got going? Well, there'd be well-reported behind the scenes problems. A star who wasn't cast until shooting began. And a story that requires a fair amount of use of the word 'allegedly'...

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In person, Simon got to meet - after years of interviewing them remotely - writers/producers/directors Christopher Miller and Phil Lord. Chaos absolutely ensued.

In this Film Stories special, they talk about Project Hail Mary, the second best Rocky film, choosing to do a project because it's a good idea for a change, and a whole lot more...

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At the end of 1997, Kevin Costner's second film as director - The Postman - made its way into cinemas, at the end of a difficult year for Warner Bros. The $80m, three hour movie would be savaged by critics, and fail to find an audience - but there was quite the story behind the film, before and after.

There's quite a story too to Wag The Dog, a movie that could fit into the schedules when a far more expensive project was hit by a delay. And the political satire that followed made headlines for unexpected reasons within months of its release.

Stories of both are told in this episode...

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Here's a special episode of Film Stories with Simon Brew, where Simon is joined by Oscar-nominated screenwriter Drew Goddard. Drew was in town to talk about his script for Project Hail Mary. But as you're about to hear, the conversation goes off in a lot of different directions: from directing Bad Times At The El Royale and Cabin In The Woods, to writing The Martian, to, er, Police Academy...

Project Hail Mary is in UK cinemas from 20th March.

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Jared Leto was the reigning Joker. Todd Phillips couldn't get the films he wanted to do off the ground. The DC range of movies was having a whole range of challenges for Warner Bros. And constant changes at the studio were leading to regular challenges of direction. In the midst of this, a relatively slim production, Joker, would have notable ramifications.

Similarly slim, Cat's Eye marks the first credited screenplay for a man called Stephen King. But this too had challenges, when the original financing plan fell apart. And then, another film - Firestarter - had a bit of a knock-on effect...

Stories of both are told in this episode. Please like/subscribe/leave nice reviews. Thank you!

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In the late 1980s, Kevin Costner - pre-Dances With Wolves - first had the idea for what became the Horizon movie saga. A hugely-ambitious series of westerns, that he'd ultimately star in, co-write, and direct. By 2026, two films had been made, only one released, and around ten minutes shot of a third. So what's happened?

For the second half of this episode, Simon is joined by director Andrew Stanton, chatting about his new film In The Blink Of An Eye. The pair chat science fiction, semi-colons, a fruity toy, John Carter, and a whole lot more...

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