Alicia MacDonald first feature film as director, Finding Emily, turns out to be a Working Title-backed romantic comedy, the kind that used to fill British cinema charts. Albeit with a twist!

In this Film Stories special, she talks to Simon Brew about launching her first feature, the years on her way up when she found herself alongside Mike Leigh, and in a room while Alan Rickman watched her type. Plus a whole lot more...

Finding Emily is now in UK cinemas.

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Director Thea Sharrock is the guest for this special edition of the Film Stories podcast. She joins Simon to chat about her new film, Ladies First, which stars Rosamund Pike and Sacha Baron Cohen.

Plus! There's time too for conversation about Wicked Little Letters, The One And Only Ivan, directing Equus on Broadway, and the state of the chairs in the posh London hotel she happens to be sitting in.

If you like this podcast, you can support it at www.patreon.com/simonbrew

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Steven Spielberg's 1991 movie Hook was supposed to be his perfect project. The director compared to Peter Pan, making the story of Peter Pan never growing up? What could go wrong?

Well, plenty. In this episode of Film Stories, Simon Brew charts the tale of how Spielberg lost control of Hook's production, how it became tied up with a major Hollywood acquistion, and why unexpected competition in the winter of 1991 didn't help its cause either.

Plus: why was Spielberg himself not keen?

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After 1991's Terminator 2: Judgment Day, James Cameron's interest in making a third Terminator movie seemed to wane. However, that didn't stop others trying to take things forward.

And whilst Arnold Schwarzenegger would, for many years, insist that he'd only make T3 with Cameron, a string of underwhelming box office performers started to have an impact for Arnie.

That said, just securing the rights to Terminator caused no end of challenges, and would drive a wedge between James Cameron and two of his friends. And that's just part of the story...

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Robert Zemeckis' 1997 film of Carl Sagan's Contact is a remarkably grown-up science fiction movie for a summer blockbuster. Starring Jodie Foster and Matthew McConaughey, it took nearly 20 years to bring the story to the screen - and along the way, Mad Max director George Miller was hired and fired too. It's quite a story, told by Simon Brew in this latest episode.

Plus! Oscar-winning filmmaker David Frankel chats to James about The Devil Wears Prada 2, and the short film that earned him an Academy Award...

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It's pretty well known that originally, Steven Spielberg was interested in directing a remake of Cape Fear, and that Martin Scorsese held the rights to what became Schindler's List. That the two then swapped projects. Yet that's just part of the story.

In this episode of Film Stories, Simon Brew digs into Scorsese's dislike of the project when he first came to it. Of Robert De Niro's tattoos. Of Nick Nolte not being recognised at the premiere of Goodfellas. And he uncovers a useful lesson in booking your location right near an airport...

Patreon: www.patreon.com/simonbrew

www.filmstories.co.uk

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June 1990 saw Disney spend big on a summer movie, at a point when that was the last thing it was inclined to do. But 1990's Dick Tracy - specifically the way it was promoted - was hugely influenced by Warner Bros' success with Batman the year before.

Dick Tracy though by that time had already taken around 15 years to come to the screen - and the aftermath of it would lead, bizarrely, to the creation of the film Jerry Maguire.

If you like this podcast, please do like and subscribe. Simon Brew is on tour with Film Stories too. Go to www.filmstories.co.uk/live-events for more information.

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The summer of 1999 brought with it some huge successes, and also the combination of Will Smith, Salma Hayek and Kevin Kline in Wild Wild West. Based on the TV show from the 1960s, this became a hugely expensive Warner Bros blockbuster, one that George Clooney saw the problem with and duly dropped out of fairly late in the day.

In this episode of Film Stories, Simon digs into the story of the movie, and how Will Smith faced a choice: does it take the lead role in this, or does he make The Matrix instead...?!

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Paul Feig returns to the Film Stories podcast, to chat with Simon about a whole bunch of stuff. There's The Housemaid - with a clearly marked spoiler! - and The Housemaid 2. There's also Bridesmaids at the Oscars, an attempt get Spy 2 moving, the long-lost idea of a Play-doh movie, and a whole lot more.

Bit sweary this one. Please like and subscribe and stuff!

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Director David Mackenzie stops by to chat about his new film, Fuze, in the latest episode of the Film Stories podcast. Ryan Lambie steps in to to chat to David about his work, and films such as Young Adam, Starred Up, the mighty Hell Or High Water (which Mackenzie chats about revisiting recently) and Relay.

Plus a whole lot on Fuze, in cinemas now, and his plans for future projects...

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In 1980, an option was taken out on Judge Dredd with a view of getting a movie of Mega City One's legendary law enforcer to the big screen. In the years that followed, it looked like Tony Scott might direct a film based on 2000AD comics' most famous character, with Arnold Schwarzenegger sniffing around.

In the end, 1995 saw a seasoned movie star in Sylvester Stallone and a twentysomething British film director called Danny Cannon realising the film. Turned out to be quite a story...

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